Reddit Reddit reviews Rode Mini-Jack Female to XLR Male Adapter for VideoMic (VXLR)

We found 19 Reddit comments about Rode Mini-Jack Female to XLR Male Adapter for VideoMic (VXLR). Here are the top ones, ranked by their Reddit score.

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Rode Mini-Jack Female to XLR Male Adapter for VideoMic (VXLR)
ENSURE YOU BUY GENIUNE RØDE PRODUCTS! Products from sellers which say ‘fulfilled by Amazon’ under the price are NOT authorized resellers, and may not be selling genuine product.Buy only from Amazon.com (labelled ‘shipped and sold by Amazon.com’)Used to convert a 3.5 mm minijack to a 3 pin XLRWeight: 48gmDimensions: 58mmH x 19mmW x 19mmD
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19 Reddit comments about Rode Mini-Jack Female to XLR Male Adapter for VideoMic (VXLR):

u/compoundaudio · 4 pointsr/audioengineering

Rode VXLR Adapter for VideoMic Mini-Jack Female to XLR Male https://www.amazon.com/dp/B000Y021NA/ref=cm_sw_r_cp_api_D3a7xbNFGV92A you want this?

u/HybridCamRev · 3 pointsr/videography

Traditionally, Sennheiser and Lectrosonics UHF wireless lavs have been the gold standard for professional use.

That said, today I recommend the new [£249 Digital 2.4GHz Rode RodeLink Filmmakers' Kit] (http://www.amazon.co.uk/gp/product/B00TV90DX0/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00TV90DX0&linkCode=as2&tag=hybrcamerevo-21) with a [£6 Rode VXLR 3.5mm to XLR adapter] (http://www.amazon.co.uk/gp/product/B000Y021NA/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B000Y021NA&linkCode=as2&tag=hybrcamerevo-21).

In my view, this is the best value for money wireless on the market.

Here is a nice comparison of the Sennheiser UHF, a Rode 2.4GHz and Azden VHF wireless system: https://youtu.be/m-wPjAy7Lxc

Hope this is helpful, good luck with your audio upgrade and best of the holidays!

u/HybridCameraRevoluti · 2 pointsr/videography

An inexpensive way to do this is with a [$58 AZDEN CAM-3 On-Camcorder Mini Audio Mixer] (http://www.amazon.com/gp/product/B00006JPD1/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00006JPD1&linkCode=as2&tag=battleforthew-20).

The better way to do this is with three [$20 Bronstein low noise lavs] (http://www.amazon.com/gp/product/B00EZB9XY4/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00EZB9XY4&linkCode=as2&tag=battleforthew-20), three [$4 mono to stereo adapters] (http://www.amazon.com/gp/product/B000O7AW98/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000O7AW98&linkCode=as2&tag=battleforthew-2), three [$10 Rode 3.5mm to XLR adapters] (http://www.amazon.com/gp/product/B000Y021NA/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000Y021NA&linkCode=as2&tag=battleforthew-20) and a low noise premplifier/mixer that will get rid of the noise in your T3's preamps - such as the [$429 JuicedLink Riggy Assist RA333] (http://www.amazon.com/gp/product/B008DXCKLI/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B008DXCKLI&linkCode=as2&tag=battleforthew-20).

Without a separate preamp that disables your T3i's automatic gain control, your soundtrack is likely to have audible noise - especially when your interviewees are not speaking.

Good luck!

u/jopasm · 2 pointsr/videography

Handheld may be better. Tripod would be useful too. I don't know, offhand, if there are any decent handheld mics with a 3.5mm cable built in - we already had XLR mics so I went with the adapter cable. You can also get just an adapter that a 3.5mm cable plugs in to, or you can get an adapter cable that 15' or so long. There are pros and cons either way.

Remember to turn off one audio channel (I usually turn off the right channel) when you pull the video in to edit it - you can get weird phasing issues if you don't when you use the adapters.
I've seen good reviews on the Behringer xm8500 if you're on a super limited budget and can't drop another $100 on a mic. It runs for $20-30.

u/repelican · 2 pointsr/LocationSound

Oh right. The Videomic uses an internal battery for phantom power. Having to go through a 3.5mm plug does make things a little more difficult for you, but if you have a quality connector you should be okay going through an XLR. Actually, I see Rode even makes a connector for this kind of mic (Link on Amazon). But you're right, XLRs are balanced cables, so it will be less susceptible to outside interference than say a 1/4inch TS phone cable.

Regarding the traffic noise, I haven't found many quick solutions to combat that. Usually I will try swapping mics or stuffing the windows if the DP/shot allows it. For you, I would say keep the mic away from the windows and try using its polar pattern to reject noise from that direction. The Videomic Pro is a supercardioid mic. This means it is most sensitive in the front but also has a small lobe in the rear. The area of strongest rejection is the side (actually at around 120 degrees). So if you imagine you are looking at a top view of the mic in that picture, 0 degrees is the front and 180 degrees is the back. Where that pattern dips into the center is where the mic is least sensitive. You won't notice a huge difference, but just try pointing the mic at the window and then twirling it away. You should be able to find where the noise is lowest. I know it's a lot to think about, so don't worry if you forget. It's just one more small trick you can use if you aren't already overwhelmed. Good luck!

u/Auroroz · 1 pointr/buildapc

whoops that reply was meant for a different thread but it still fits lol.

I have fixed the link

Devices:

Antlion Audio ModMic
Behringer Xenyx 1002B
Rode VXLR Plus XLR to 3.5mm Female TRS Transforming Adapter
Rode VXLR Adapter for VideoMic Mini-Jack Female to XLR Male

The XLR to 3.5mm converts 48v to 5v and that makes the mic work but it introduces noise when turned on

u/indiemarchfilm · 1 pointr/videography

you would have to get an XLR adapter, it natively comes with a 3.5 connect see link - http://amzn.to/2vwjEbf hope that helps

u/KarbonRodd · 1 pointr/videography

You can definitely set up a 4 track recording with the stereo mic on the H4n and up to two XLR inputs. If the lav mic is routing a stereo mini jack into an XLR input you would want to get the adapter below to make it work properly:

https://www.amazon.com/gp/product/B000Y021NA/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1

I'm no audio expert, but I have used a single lav on a groom to pick up a bride many times before. As long as they're talking one after the other and not simultaneously you can boost the audio of the second speaker and usually get a decent result from that. In those cases though they're facing each other and pretty close together, obviously not the same as an interview.

r/locationsound would be a good place to ask your question too, plenty of knowledgeable audio pros over there who I'm sure have done more with even less.

u/Motoko-Kusanagi · 1 pointr/audioengineering

Hey thanks for your help man, i'm completely out my depth and suck at this stuff.

So the mic I was trying was this:

https://www.amazon.co.uk/gp/product/B0727Q5M3G

And the adaptor was this: https://www.amazon.co.uk/gp/product/B000Y021NA

I tried with phantom power on etc etc but nothing seemed to work.

I'm thinking of just sending all the lapel stuff back and getting a proper XLR mic instead. But would be interested to hear if i'm doing something obviously wrong.

Scarlett Solo so just one input I believe for mic (XLR). THanks mans!

u/brunerww · 1 pointr/videography

Hi /u/bryM2k - you just have to make sure the adapter is wired for a mono (not stereo) 3.5mm jack.

This [$9.99 Rode VXLR Adapter for VideoMic Mini-Jack Female to XLR Male] (http://amzn.to/1vtGagX) should do the job.

Hope this is helpful!

Bill

u/CutNSplice · 1 pointr/audioengineering

At worst you may need to wire up an adapter, the Rode Video mic's connector is stereo unbalanced http://www.dslrfilmnoob.com/2012/03/12/connecting-rode-videomic-xlr-input/

Edit: Rode makes an adapter too https://www.amazon.com/gp/product/B000Y021NA/

u/SIEGE312 · 1 pointr/videography

Focus on clean capture first, then effects afterwards. H1 could work, but if staying on the cheaper side, I’d grab an audio technica lav and a 3.5mm to xlr adapter. then plug into the H1 and record that way. Might be able to send a lav straight into the computer thru premier too. Not ideal, but it works in a pinch. As for EQ’ing & all that, YouTube has absolutely tons of videos on basics.

u/smushkan · 1 pointr/videography

A recorder with 2 inputs like a Tascam DR40 or a Zoom H4n would let you do this by 4.5mm jack or XLR.

However, a lot of microphones that plug in to a 3.5mm jack require plug-in-power in order for the microphone to work which is not provided by recorders over XLR or 4.5mm jack; so if you just plug them in they won't actually work.

Additionally, microphones designed for smartphones or DSLRs tend to be dual-mono over TRS connectors instead of a regular mono plug. If you try to use them with mono adapters, it can cause phase cancellation issues and again you'll get no signal.

That gives you the following potential options:

If it's mono plug on the end, you'll need a mono 3.5mm jack to XLR. If the microphone uses plug in power, you'll need a Mono PIP unit for each microphone.

If it's dual-mono, you'll need a dual mono to XLR adapter. If plug in power is required, you'll need a stereo PIP unit for each mic too.

There are ways you could do it with a recorder that has a single stereo input too by using y-splitters so that mic 1 is in the left channel and mic 2 is in the right channel, however it's a bit more complicated that way, and you wouldn't have the ability to adjust the gain of the microphones individually.

u/highcaliberwit · 1 pointr/videography

I don’t know much but why don’t you try this? Rode VXLR Mini-Jack Female to XLR Male Adapter for VideoMic https://www.amazon.com/dp/B000Y021NA/ref=cm_sw_r_cp_api_i_aPZ1DbXHVFCKH

u/MonopolyMan720 · 1 pointr/audiophile

Anyone know where I could get a short mini-XLR to 3.5mm adapter?

I reviewed the K7XX awhile ago and they have been my main headphones since. I love them, but my biggest gripe is the cable. Due to my setup, I have a pretty long cable so I can listen to music at different places in my room. This makes the wire prone to wear (primarily getting rolled over by chair) and these cables never last for me (typically around a year).

I'm looking to get a short adapter (or an adapter with no cable like this, but with mini-XLR). With a short adapter, I can use a auxilary extension for a majority of the length. These are significantly cheaper than the min-XLR cables and will be easier to replace. After a decent amount of searching, I can't seem to find them anywhere. Anyone know where I can find one? If not, maybe an alternative solution?

u/supermonkeyball64 · 1 pointr/audioengineering

So use this for the microphone to connect to front...then use a 1/4" TRS adapter for the Left and Right Line Outs on the back for the headphone part of the headset so they can hear themselves? Finally, then I can use my m50's on the "monitor" headphone jack on the front side to hear their audio levels?

I'm sorry if these are stupid questions. Guess this is the first step to stepping up my audio game.

u/thekeffa · 1 pointr/videography

That really depends on a lot of different factors, including to what extent you want to replicate this and your currency type, etc. It's definitely going to be in the range of about 5000 if not more, no matter what your currency is (And that assumes you only get two cameras). I will leave prices out of it for now, you can look the prices up yourself in whatever currency denomination you use.

Also, I am going to have to make some assumptions. I strongly suspect they have used more than one camera in this setup, I would suggest two at minimum but my guess is three judging by the three specific frames that never change. I'm also going to assume you want to replicate it as closely as is possible but not break the bank completely (Because lets face it if price was an issue you wouldn't be asking).

I will link to Amazon websites for the products, they may have prices that appear in pounds sterling if Amazon does not redirect you. I'm hoping the post won't get caught by Reddit's spam trap because of all the Amazon links.

So I will begin with the ancillary stuff first before moving to the big outlays, the cameras and lenses.

SOUND EQUIPMENT

I believe this is one area you want to splash a little more cash out here, bad audio equipment is bad no matter what your skill level. So to that end:

1 x Recorder device: Zoom H6

2 x Lavalier mics: RØDELink Filmmaker Kit

2 x XLR adaptor for mics: RØDE VXLR 3.5mm Minijack to Male XLR Adapter (x2)

LIGHTING

This is kind of hard to recommend as it depends on your scene. I really don't know how they lit the scene. I am taking a guess that they lit from behind the cameras but added a little bit of side light for contrasts as the light is pretty flat. I can't guess as to how many lights they used either. You will just need to buy as much lighting as you need to light your interview space. I use these lights and they are fine for a not overly large room, but again, you will need to buy as many as you will need (I would suggest at minimum 3).

3 x Aputure HR672S

1 x Neewer® 3 unit 6ft/75 inch/190cm Photography Tripod Light Stands

Camera equipment

The meat and potatoes I guess. I would surprisingly advise you to cut back a little bit here. I'd be perfectly happy to say you can probably achieve the exact look with a intermediate camera and decent glass rather than spending thousands and thousands on full frame cameras. However as I said earlier, I strongly suspect they used two cameras, and more likely 3. That means if you want to replicate it without a lot of fuss that breaks up and disturbs the interview, your gonna have to bite the bullet and buy more than one camera which given they are the most expensive things is what is gonna rack your price up.

Either way I would recommend the Sony A6400 for the camera body. It's an absolute astounding price point considering what it can do. You need good glass though, so I would recommend getting Sigma lenses that are good but a bit cheaper. The exact lens I cannot recommend because it depends on your environment, but if you where trying to replicate the video these are the lenses I would go for, I'm not going to add any more Amazon links for this in case the Reddit spam filter auto bins my post but I am sure you know where to look.

3 (If necessary) x Sony a6400 APS-C mirrorless DSLR
3 x Camera tripods (You can't go wrong with anything from Manfrotto but remember to get one with bubble level indicators, it makes life much easier.)
Intermediate-low zoom lens for the close-ups and at least one widescreen lens for the dual seat/speaker scene (I think 24-70mm lens would suffice and something a bit lower than 24mm for the widescreen)

ACCESSORIES

There will be a few other accessories. I'm willing to bet there are either mains adaptors for the cameras, or additional batteries at the very least. There is also likely field monitors (You will definitely need one of those for each camera if your a one man band operation in order to monitor the footage) and lots and lots of electrical extension cords (Those ones that have long leads that you wind up are good)

Now with all the above being said, I am sure you could do it a lot cheaper, a heck of a lot cheaper, and I am sure you could do it a lot more expensively as well. However with the recommendations I've made I think you could replicate the video in terms of quality of potential output, ignoring talent for the moment which is also super important obviously.

Edit: Are you related somehow to the video in some way? I notice the similar names Peeters?

u/anonthepeople · 1 pointr/Filmmakers

No worries man, me too ;) There's the XLR adapter that plugs into the Tascam DR-40. Then the mini-jack from the videomic plugs directly into the mini-jack part of the adapter. Cleanest sound I've been able to achieve.

Added bonus: You can set your Tascam to record from it's onboard condenser mics as well as the videomic. So you can get multiple channels, so if the subject is way close to the camera, you don't have to screw around with gain, just have your sound guy mix it in post.

Theoretically you could go from the Lineout on the Tascam to the Canon, but eh. I've never even bothered; I like having my sound guy wear headphones so he can hear the audio in real time as it is recorded to the SD card.

I also like that I can mount my mic on the end of a boom, and have the Tascam sitting in a different location for a potentially different sound quality.