Reddit Reddit reviews Rode NTG2 Multi-Powered Condenser Shotgun Microphone,Black

We found 20 Reddit comments about Rode NTG2 Multi-Powered Condenser Shotgun Microphone,Black. Here are the top ones, ranked by their Reddit score.

Rode NTG2 Multi-Powered Condenser Shotgun Microphone,Black
ENSURE YOU BUY GENUINE RØDE PRODUCTS! Products from sellers which say ‘fulfilled by Amazon’ under the price are NOT authorized resellers, and may not be selling genuine product.Buy only from Amazon.com (labelled ‘shipped and sold by Amazon.com’)Lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industriesBroadcast sound quality; Low noise circuitry; Low handling noiseIncludes mic clip, wind shield and zip case
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20 Reddit comments about Rode NTG2 Multi-Powered Condenser Shotgun Microphone,Black:

u/Kiljam · 15 pointsr/videography

Invest it in lighting and sound equipment

Couple of suggestions:

Microphone

Sound recorder

LED lights

Cheap and super useful reflectors

Remember to get a boompole, deadcat (fluffy thing around the mic to reduce wind noise) and a couple of stands for the lights/mic

If/when you are looking to upgrade your camera at school I'd heavily consider Blackmagic Design's upcoming pocket cinema camera. When your students can handle sound/lighting, upgrading to this camera will take it to the next level.

u/personwhoisaperson · 11 pointsr/IWantToLearn

For screenwriting: First know the format, which you can google. Then read about basic story structures. Then read Save The Cat by Blake Snyder, a book which, while heavily geared towards script marketability, can offer many good guidelines and tips to keep your story gripping, to not fall into the traps inexperienced screenwriters often fall into and to generally enrich your story and your characters. Also read a lot of actual screenplays to get a feel of what kinds of things are done.

For film: I got started with FilmRiot, which was great to learn the basics and also very gripping (a good thing if you're a beginner, though as you start to become more knowledgeable it starts to feel like the content is dummed down). You can check out Indy Mogul, Knoptop, DigitalRev, Frugal Filmmaker and anything else on youtube which is of a similar style. There is also Filmmaker IQ which I found to have more advanced content than the others, so I would advise cutting your teeth on those first channels before moving on to this one.

If youtube is not your style so much, you could read books (I'm blanking on a very good book I read a few months ago, something like "Film Director's Handbook"), check your Uni Library.

Really though, the best way to learn how to film things is to get a camera and shoot anything and everything until you get it right. Learn by doing! Here's what you'll need: A camera, a tripod, a mic, an audio recorder. I recommend a Canon EOS 600D which is a DSLR with good video control. You can start with a really cheap tripod and move up later so I won't recommend one. For a mic, I recommend the Rode NTG2 which is a shotgun mic (pics up sound in front of it and not so much around it) with good quality and low noise (XLR connections). For and audio recorder, I went with the Tascam DR40 and so far I'm satisfied with it. There are many different options for capturing hardware setups of course which you will learn about while you learn more about the specifics of digital filmmaking.

There is a priority of purchases that you should follow, in order to make your productions rise in quality in a balanced way. First go for the camera of course, and probably the tripod (which is a negligible cost compared to the rest anyway), so that you can practice your shooting as soon as possible. Getting a good looking shot is the first thing you should learn to do. Next go for the audio recorder since any product worth it's while will have in-built mics which are quite good. This gives you enough gear to do a rounded capture of sound and image, albeit with some limitations. Next you get the mic which will improve your sound quality enormously (maybe invest in a boom pole if you have the money, otherwise check out the various rig designs on the youtube channels for things like shock-mounts, boom poles and so on). THEN and only then do you start to upgrade your lens (tempting though it may be to do so early on, you're not making a film with 1000$ worth of camera equipment and no recorder).

Finally, make sure to watch many movies and try to get in the head of the director as you watch. Ask yourself what reason the director had to shoot a scene the way he did, what technique he used and so on. In fact you should probably do that for each and every aspect of the production be it sound, editing, cinematography, acting or whatever.

Watch, read, write, practice, practice, practice. Then start making things.

u/michaelbabbish · 8 pointsr/videography

Honestly, neither.

You are better off with a used H4N like this paired with a shotgun mic such as this one. Many a low-budget documentary have been made with that very combo for many years.

On-camera mics simply will not get you the professional audio you need. They are good for scratch or emergencies, and that's about it. Also, this is gear worth BUYING and not renting. Audio gear doesn't loose value. All links in this post are referral links.

u/kabbage123 · 5 pointsr/videography

You aren't going to get the a7sii at a pricepoint of $2000 with lens....

You could get an a6500 and have enough money for a good lens with your budget. But then you'll be camera-broke.

What is camera-broke? When someone blows their budget on a nice camera/lens and doesn't take into account accessories, camera support, lighting, audio, transport cases, tools, etc..

You are going to want $1000 in audio gear, for instance (wireless lav will cost $400, NTG-2 is $270, external recorder is another $300... plus boom pole and cables and shock mounts and dead cats....)

A good case is another $180...

Do you have a proper computer to be able to edit the footage? Do you already own Adobe Premiere? What is your archival solution like?

My point is that a camera is a small part of a production's expenses, so make sure you take that into account. You may want to consider renting some of the more expensive things like camera, and then purchasing the essentials like tripods/c-stands/lights/audio.

Hope this helps!

u/HybridCamRev · 3 pointsr/Filmmakers

/u/imakefilms - in my view, the best use of 1.500€ would be to build a small filmmaking setup that will allow your members to learn as many elements of professional film production as possible.

If you really want to learn cinematography, I recommend the Blackmagic Pocket Cinema Camera. It is the least expensive interchangeable lens camera you can buy that has 13+ stops of dynamic range, a built-in 3.5mm headphone jack, can record 12-bit RAW and 10-bit ProRes straight out of the box and sets the shutter in degrees instead of fractions of a second (cinema cameras use degrees, still cameras use seconds).

DSLRs in this price class have about 10 stops of DR, no headphone jack, record to low bit rate h.264 codecs and you have to set their shutters by dividing 360 by the desired shutter angle, multiplying the answer by the frame rate and then taking the inverse. It's less complicated than it sounds, but it's a pain.

For these reasons, I recommend [Referral Links]:

Camera, Lens and Support

u/HybridCameraRevoluti · 3 pointsr/videography

Hello /u/reypro - with your budget, I would get a Panasonic FZ200 and a top mounted professional shotgun mic. If you can get close enough to your subjects, you should be able to hear what they are saying.

Here's a list of the equipment you would need:

u/brunerww · 3 pointsr/videography

Hi /u/saientific - the Zoom H4n has noisy preamplifiers - if you decide to go with a Zoom, you may want to consider the [£229 Zoom H5] (http://rover.ebay.com/rover/1/710-53481-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=181460355481&ipn=psmain&icep_vectorid=229508&kwid=902099&mtid=824&kw=lg) instead.

If budget is an issue, you may want to consider the less expensive [£69 Zoom H1] (http://www.amazon.co.uk/gp/product/B003QKBVYK/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B003QKBVYK&linkCode=as2&tag=hybrcamerevo-21). This recorder has a single 3.5mm mic input instead of the more expensive recorders' twin XLR inputs, so you will need a [£22.91 Hosa MIT-156 XLR to 3.5mm transformer/adapter] (http://www.amazon.co.uk/gp/product/B00FC4YR58/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00FC4YR58&linkCode=as2&tag=hybrcamerevo-21) in order to accept input from professional mics such as the [£148 Rode NTG-2 shotgun mic] (http://www.amazon.co.uk/gp/product/B00093ESSI/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00093ESSI&linkCode=as2&tag=hybrcamerevo-21).

No matter which recorder you buy, you should also invest in a set of [£69 Sony MDR7506 monitoring headphones] (http://www.amazon.co.uk/gp/product/B000AJIF4E/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B000AJIF4E&linkCode=as2&tag=hybrcamerevo-21) to prevent surprises in the editing suite.

With your recorder, headphones, shotgun, a [£9 shock mount] (http://www.amazon.co.uk/gp/product/B00KXQIY86/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00KXQIY86&linkCode=as2&tag=hybrcamerevo-21), a [£69 Rode boom pole] (http://www.amazon.co.uk/gp/product/B00139PYEY/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00139PYEY&linkCode=as2&tag=hybrcamerevo-21) and good technique you will be able to get the microphone to within a meter of your actors/interviewees and record high quality sound.

Hope this is helpful and best of luck with your venture into videography!

Bill

u/phloating_man · 2 pointsr/videography

These days, I like to recommend the Tascam DR-60D (~$180) for audio recorder.

It's only ~$12 more than the DR-40 you mentioned, but it has XLR inputs if you ever want to upgrade to something like a Rode NTG2 XLR Shotgun Mic (~$270).

I have a Teleprompter R810-4 (~$150) also which comes in handy. I use it with an Android Tablet and mount it on a light stand.

u/ThatSoundGuyChris · 2 pointsr/leagueoflegends

Okay this is going to be a long post, so here goes.

​

If you really want to get into sound design, youre going to need a few essentials. A DAW (Digital Audio Workstation), an audio interface, a handheld recorder, and a microphone.




DAWs

As far as a DAW goes, there's a few alternatives you can go with. I personally use Avid Pro Tools for near everything I do, but also mess around with Reaper. I've found that most studios will use one of these two. Most DAWs will have a pretty steep learning curve, so be ready for that.

Pro Tools First is the free version of Pro Tools. It has a lot of limitations, but for starting out it should be fine. If you want less limitations it costs big money, but I'm sure you can find a crack or two as long as you don't use it commercially.

Reaper is starting to grow on me lately. You can customize it to your needs, and the full version is only $60. You can also just deal with a popup everytime you open the program for ten seconds and use it for free. I mainly prefer Pro Tools over this because the video engine in Pro Tools is much better. But for batch editing multiple sound files, Reaper is muuuuuch better.

​

Audio Interface

This basically takes over as an intermediary between high quality audio and your computer. You can plug a microphone right into it to record sound straight to your computer. You can do this with a USB microphone as well, but the quality is a million times better with one of these.
I would recommend either the Behringer UMC22 or the more advanced Focusrite Scarlett Solo. Both will do the trick, I just prefer the mic pres on the Focusrite a bit more.


Handheld Recorder
Handheld recorders allow you to record anything you want to without having to deal with any cables. They should be compact but durable.

The Tascam DR-40 is a great intro recorder. It was the first recorder I got 5 years ago, and it still holds up. I've dropped this thing so many times and it still powers through.
Another favorite is the Zoom H4N. This was a favorite among most of my classmates as it was the one my school supplied, but I didn't feel like going through the checkout process all the time so I saved up and got the Tascam. It has a newer version, the Zoom H6, which is pretty slick, but comes at a higher price point. It also comes with some interchangeable microphone capsules so you can get different types of recordings. I'll cover more of this later.
I'll leave off with the recorder I have now, the Sony PCM-M10. This thing is a godsend. It's discontinued due to a newer version coming out, but you can find this guy on eBay for around $300-400. It's smaller than a phone, and the sound quality is amazing. If you have the money to shell out for this guy, definitely go for it. Every sound designer inn the industry I know swears by it.


Microphone

So the first thing you need to know is that there's a load of different microphone types. Its a lot to cover, so I'm just going to link you to this article that will cover the basics of what you need to know. Basically I would recommend different microphones for different things, all depending on what you're trying to capture.
A good all-around microphone is the Shure SM57/Shure SM58. They're essentially both the same microphone. But these things will LAST. Like,people have run over them with trucks and they sound fine. Definitely a good starting point

For vocal recordings, I would recommend the Rode NT1A. This mic is a great starting point for capturing voice, and is durable to boot.

For capturing foley/field recording, I would go with the Rode NTG2. Its a shotgun mic with great quality for the price, and never let me down in all the years Ive been using it. I won its successor, the NTG3, in the Riot Creative Contest a few years back, but still use the NTG2 from time to time when I need to.


Some Extra Stuff


Theres a lot of cool, free plugins out there. I've used both Blue Cat's and Melda's plugins, and they all get the job done with a bit of tweaking.

As far as building up a sound library goes, I would recommend recording literally everything you can around you and playing with those sounds with plugins as a good starting point for building up a library. There's a few resources out there that give out free SFX every once in a while, GDC has had a bundle go up for 2016, 2017, 2018 and 2019. You can also check out the BBC Sound Effects Library. Be careful about getting libraries and bundles though, as they add up quick. I have to go through my sound library soon, and I probably have around 500,00+ files but only really need a few thousand.

For all your sounds, you're going to want a file manager. A great and free one is Mutant. You just add the directory where you downloaded your sounds to, let it load them in, and voila. You can search easily for what you need.


Hopefully, all this was somewhat helpful to you, or to anyone else reading this who's interested in sound design!

u/4514 · 2 pointsr/nfl

Could you guys have an intern aim a shotgun mic at the face of the reporter asking the questions. They have narrow polar patterns so it'd have less bleed from the keyboards and stuff than onmi overheads.

u/inferno1170 · 2 pointsr/Filmmakers

Hey, I'll try and answer as best I can, but others may have better or more accurate descriptions than me.

  1. Many people will argue about this one, and I don't think there is really a right and wrong answer. You can make a great looking movie on an Iphone if you know what you are doing.

    But as for what makes a camera better? I would say control. The more functions you can control on a camera, the better. This is why DSLR filmmaking is so popular currently, because they have access to functions that many cameras don't have. Focus, Aperture, White Balance, Lens choices, etc. Being able to access all of these gives you more options as a filmmaker, which is what we all want, creative freedom, we all hate when we are limited by technology.

    Now many people talk about shooting Film vs Digital, or whether or not you are recording in RAW format for digital. A lot of this has to do with preference vs quality of camera.

    So I would say that a camera that is easy to control is the best. Hopefully I mostly answered that, if you want a more specific answer, just let me know and I'll try my best, otherwise hopefully someone else jumps back in here and describes it better.

  2. This one is again up for debate. Here is what I think would be best. Get a camera first. Like many independent filmmakers, a DSLR might be the best option, I found a camera from Panasonic called the AG AF-100 that to me has been an amazing camera, and a few steps above the DSLR without costing that much more. But Canon and it's DSLR lineup is great! Grab a couple decent lenses with that too.

    I would recommend a small light kit, you can spend as much as you want on film lights, but don't feel ashamed to buy a few lights from Lowes or Home Depot. Lighting is a very important piece to making movies. I would also look into getting some reflectors, there are some really cheap ones on Amazon. I have found these to be helpful when shooting outdoors, since lower end lights are almost unnoticeable in the sun.

    Here is the one that many early filmmakers ignore, Audio. Grab a nice microphone and get some good sound with your video. The Rode NTG 2 is a pretty good mike. It's cheaper while still getting good sound. The ME 66 is a bit more expensive, but it's a hotter mike and gets better sound. Both are really good options. To go with your mike, if you have a little extra spending money, I would completely advise getting a Blimp. This Rode Blimp is great! If you want to shoot outdoors in the wind at all, this is the best option, otherwise you may have to re-record all the voice over in post.

    ~

    This post is getting a little long here, so I'll throw a summary at the end with a couple more items.

    Camera: Get a Camera, Lenses, Case, Tripod.

    Lighting: Get a couple Lamps, Reflectors, Filters, Light Stands.

    Audio: Get a Microphone, Boom, Blimp, XLR Cable, Recording Device, Headphones.

    There is always more, but these would be a good starting point. Not everything I recommended is needed to get started though.
u/rsandelius · 2 pointsr/videography

If you need a proper shotgun mic, here's the price of admission:
http://www.amazon.com/Rode-NTG2-Condenser-Shotgun-Microphone/dp/B00093ESSI

For proper audio, while it's a great mic the smaller/cheaper Rode VideoMic Pro is great for ambient but will not deliver the vocal isolation that you're looking for in this instance.

u/Kraden09 · 1 pointr/Filmmakers

I love the Rode NTG2, I use it for all kinds of things. Very versatile, very good sound quality, great price. It has a battery (AA) for setups that can't provide phantom power though it doesn't last long and is "on" as long as a cable is connected. I'm not sure what else to say about this mic. It's pretty great.


http://www.amazon.com/gp/product/B00093ESSI/ref=oh_details_o02_s00_i00?ie=UTF8&psc=1

u/bondjaybond · 1 pointr/Filmmakers

As a Youtuber who's invested in the wrong gear before the right gear, here's a quality list that I've found works for my needs and will likely be great for you.


Camera

Panasonic GH4: This is a great camera that shoots 4K. If you are shoot in 4K, downscale to 1080p, you have the option to reframe and zoom into a closer shot without losing quality. It has a flip out screen so you can see yourself, focus peaking to show you on screen if you're in focus, and can record longer clips (in select modes) than the Canon T3i to make syncing easier. This camera is also great for when you want to deliver in 4K one day.
$1699


AC Power adapter: No worrying about batteries for the indoor shooting. $20


Lens

Panasonic 12-35mm: Versatile lens that gives you great range. $1000


14-42 kit lens: Cheaper alternative. $120


Audio

Zoom H4N: Great recorder for your mics. Monitor each mic's level independently. $250


Rode NTG-2: Shotgun mic. $270


Sennheiser Wireless Lav: Expensive, but great quality. $640


Audio Technica ATR-3350s: Cheap corded lavs with long wires. $30


You'll need one long XLR cable, a light stand to use for the boom, and some kind of shotgun mic shock mount. $60 for all.


Lighting

3-light softbox kit: Great kit, been using it for a year with no issues. I don't use the over head light, as I don't have the space. I can use the light stand to boom or for another light. $170


Neewer CN-160: Small LED light to help light certain situations or to use as a hair light. $30


Tripod

Manfrotto Tripod w/Fluid Head: Great set up, worth the investment, but there are cheaper alternatives. $350


Memory Card

64GB Sandisk Extreme Pro: Great card which will allow for smooth 4K recording. $100


____



If you have any questions about any of this gear, let me know and good luck with everything!

u/spcunningham · 1 pointr/Filmmakers

HybridCamRev gave a very balanced and objective response. Any choice in your intended price range will come with its own set of pros and cons. Even Hybrid's suggestion of the BMPCC and GH3 have their downsides as he so rightly pointed out.

Before you rule out the DSLRs he mentioned, consider this as further balancing opinions.

Canon T3i/T4i/T5i (and the about to be released T6i and T6s)

You said you want to shoot narrative short films. Therefore, the limitation of shooting continuous video for 12 (or 30 mins) is never likely to be a problem for you. It would be very rare to have a scene shoot for that length of time without a cut. (A documentary interview might be different).

Magic Lantern firmware (free) turns any of the above cameras into a video powerhouse and, among many other expert features, kills the continuous video time restriction.

The mirrors do block the camera's viewfinder but most filmmakers would prefer to use an LCD display or external monitor anyway. The LCD viewfinder is difficult to use in bright sunlight but Magic Lantern will give you exposure zebras and focus peaking to assist you (and a viewfinder, which is relatively cheap these days, will also help).

There are always ways around things. So, cutting to the chase, here's an option for your $1,500:

A Canon T3i with the kit 18-55mm lens will set you back around $550. Look at this deal. You get the camera, three lenses, UV filters and SD cards for $569 (http://www.amazon.com/Canon-EOS-Rebel-T5-Professional/dp/B00J34YO92/ref=sr_1_3?ie=UTF8&qid=1427482664&sr=8-3&keywords=canon+t3i).

So now you've got a camera, some useable lenses and a few other useful bits and bobs. You're practically ready to start shooting and you have about $1,000 left. (Okay, I pushed your budget up just a little bit for the purpose of rounding).

With that, you can buy yourself a Juicedlink preamp and a Rode NTG-2 mic and eliminate the issue of on camera audio (which is terrible).

The Rode NTG-2 is a great shotgun mic and more than adequate for shooting shorts with. It's $266 http://www.amazon.com/Rode-NTG2-Condenser-Shotgun-Microphone/dp/B00093ESSI/ref=sr_1_1?ie=UTF8&qid=1427483021&sr=8-1&keywords=rode+ntg-2

A Juicedlink preamp bypasses the (terrible) preamps on your camera and the audio (from the NTG-2) still gets recorded to your SD card at the same time as your video. No synching in post. It also has headphone monitoring so that eliminates another problem that Hybrid mentioned - no on camera audio monitoring. Now you have it.
It's $329 http://www.amazon.com/JuicedLink-Riggy-Assist-Dual-XLR-Preamplifier-Metering/dp/B009YMHVAW/ref=sr_1_6?ie=UTF8&qid=1427483192&sr=8-6&keywords=juicedlink

So, now you have the camera, three lenses, a mic and a top notch preamp and you still have $405 left.

With your remaining $405, you should drop $112 on a Canon 50mm 1.8f lens. It is the best lens this small amount of money can buy. You could practically shoot your entire short on this thing. It is a super fast lens and renders a beautiful image. It's hard to believe what this lens can do and it is often referred to as the "nifty fifty."

Now you have 4 lenses and you still have $293 left out of your $1,500 budget.

With that, you can get yourself a good starter tripod for around $100, leaving you just shy of $200 remaining to get yourself this killer rig for your camera which you can also mount your Juicedlink preamp to: http://www.amazon.com/FILMCITY-Shoulder-FC-02-Camera-Matte/dp/B00J5GT858/ref=sr_1_1?ie=UTF8&qid=1427483755&sr=8-1&keywords=filmcity+rig

Then, download and install Magic Lantern so you have focus peaking and exposure zebras (as well as a ton of other features hiding inside your T3i).

Then, download Technicolor Cinestyle picture profile. It's free and it's a superflat image which gives you 2 extra stops of dynamic range in post.

Look at what you got for $1,500. You're ready to shoot your short film.

Good luck!

u/the_spectacular_wow · 1 pointr/Filmmakers

Thanks for helping! I don't have a lot so far, but I'm in a position where I can buy more equipment.

https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?s=photo&ie=UTF8&qid=1478792372&sr=1-1&keywords=steady+cam

http://www.amazon.com/Canon-EOS-Rebel-EF-S-18-55/dp/B00BW6LWO4

http://www.amazon.com/Rode-NTG2-Condenser-Shotgun-Microphone/dp/B00093ESSI

If you can provide with a list of stuff I would need to reproduce something of similar quality, ideally for fairly cheap, I'll happily give you gold for your troubles!

u/oiart · 1 pointr/audioengineering

Hello, if you are capturing it from a distance, you will want some sort of shotgun mic like this Rode NTG2. Shotgun Mics are great for things you want to capture at a distance and also reject as much ambient room sounds as possible.

u/rdtmfamily · 1 pointr/Filmmakers

I say, Grab a Zoom H4N and a Lav mic like the ATR-3350 And you're pretty much set for most things! However if you want a decent shotgun microphone that goes into the H4N you might want to consider a RODE NTG2

u/Qualsa · 1 pointr/Filmmakers

If you can stretch it go for the Rode NTG-2. You could possibly get one 2nd hand for $200. Don't pair it with an H4n though.