Reddit reviews Shure DMK57-52 Drum Microphone Kit
We found 7 Reddit comments about Shure DMK57-52 Drum Microphone Kit. Here are the top ones, ranked by their Reddit score.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.Perfect for the kick drum, the supercardioid Beta 52A derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up.Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere - on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.Top quality microphones and an affordable price makes the Drum Mic Kit an exceptional value for the performing drummer.Suggested Applications: Kick Drum, Snare Drums , Rack/Floor Toms
Shure SM57s for snare and toms.
Shure Beta 52a for the kick.
Shure sells a pack of 3 SM57s and a Beta 52a with case and mounts at a great price: Shure DMK57-52 Drum Microphone Kit
If you are on a tighter budget, GSL makes a great 57 clone at a much better price: [ES-57]
(http://www.amazon.com/dp/B001W99HE8/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=2V28EB8MDJ41G&coliid=I2JVKE3SMLZA6O)
For overheads you are going to want the best condenser mics you can afford. I use and recommend Shure KSM32s. If those are outside of your budget, there are a lot of good suggestions in this thread on gearslutz.
The sound you get is going to depend much more on how you tune your drums and place your mics, and the room you record in, and less on the mics you use (although it will affect it somewhat).
Kick, snare, rack, floor - on sale for $349 right now:
https://www.amazon.com/Shure-DMK57-52-Drum-Microphone-Kit/dp/B0002E51C6/ref=mp_s_a_1_1?ie=UTF8&qid=1541417425&sr=8-1&pi=AC_SX236_SY340_QL65&keywords=shure+dmk57-52&dpPl=1&dpID=512v16lrIjL&ref=plSrch
Left and right overheads - $99 each:
https://www.amazon.com/Audio-Technica-AT2020-Cardioid-Condenser-Microphone/dp/B0006H92QK
You’ll be $50 over $500 budget but have everything you need.
Taking your price range into consideration, this is my quick guide for quality per $.
For kick drum, the Shure Beta 52 is rock solid. It's an industry standard for a reason. For snare drum and toms, you really can't go wrong with Shure SM57s. Buy this awesome deal right here
For good overhead cymbal/room mics at a serious bargain, try some MXL 603s
As you progress with your production and engineering skills, you'll learn about/use different/higher quality boutique mics. Just remember, the end result of your relies more on how the drums sound before being recorded and how you place the mics around the drums. Use your ears and have fun!
Shure DMK57-52 Drum Microphone Kit https://www.amazon.com/dp/B0002E51C6/ref=cm_sw_r_awd_SxAXub1QS3QKR
I can help if you are using an iPhone. I believe garageband is free and records multitrack full quality with decent editing and mixing options. You can even use 3rd party plugin apps! You'll need an USB adaptor to connect an audio interface. you'd be best with this usb adaptor because it also get's power from your charger. This does two things for you, 1) your iPhone won't die on you 2) your iphone will have enough power for the interface. Then you can get something like this behringer. Then all that's left is grabbing a few SM-57 mics, or a shure drum mic kit](https://www.amazon.com/Shure-DMK57-52-Drum-Microphone-Kit/dp/B0002E51C6) to get a usable recording. Toss the big one on your kick, then one 57 on the mic, and then the other two over head pointing at your cymbals and toms. this set up will allow you to get pretty decent recordings, especially if your kit is in a good sounding space. Alternatively you can get an omni/stereo mic for iOS and mess around with placement to get a passable sound. This is cheaper, and still good enough for a more vintage vibe
I love Reaper! I shelled out for their small business license a while back. The only reason I was thinking about making the switch is I want to be somewhat used to PT by the time that I have to look for internships.
I'm currently in the middle of building some bass traps, but other than that I don't have anything else, really. Was going to buy some more, however my room barelyyyyy squeeks past 1,500 sq. feet, so I was under the impression anything other than some bass treatment would not make much of a difference.
Haha and while the Neumann would certainly be a luxury, I was thinking more along the lines of that Shure mic kit or something. Maybe even a SM7B for vocals.
Thank you, though!
You've got everything you need really; I've made demos with far less in the past.
The Macbook Pro is all good, no question. And, it almost certainly has a firewire port, so even better. If I remember correctly, an Mbox Mini is a 2 channel in/out, with one of your inputs also being a mic preamp. I'd upgrade that to a firewire interface, if you're serious about recording with this rig and plan to stick with this; student discounts on audio gear are awweeesssooooommmmeee, so take advantage if you can. I don't have any complaints about the new Mbox Pro, but I'm also a Pro Tools guy.
Being stuck with only 2 (I assume dynamic) mics and 1 condenser, you are definitely limited, but you may be able to get an okay sound out of using all three when recording your drums. Play around with different placement options; Use the condenser as a room mic, making sure to keep it a distance from the actual kit, the input low, etc. Try placing your two dynamic mics in different locations, as overheads, etc. Adjust the levels between the three, try panning one dynamic hard left and the other hard right, etc. Experiment, that's the name of the game. No matter what, it's simply not going to sound as well as it can with a decent number of mics in the usual locations, but you'll have drums that you can hear, which is enough to develop your songs and/or put out a low quality demo to show what you guys can come up with. If /when you do make the move to get a set of mics for the drums, there are packages out there that give you price options. For example, this is $100 http://www.amazon.com/Pyle-Pro-PDKM7-Microphone-Mounting-Accesories/dp/B003FW0IHA and this is $400 http://www.amazon.com/Shure-DMK57-52-Drum-Microphone-Kit/dp/B0002E51C6
Recording the bass amp direct out, all good there.
Recording the guitar, I'd use one (or both) of your dynamics to mic the cab, but you should definitely use the condenser for any acoustic guitar.
And yea, condenser for vocals, obviously all good there.
Also, do you know about http://tweakheadz.com/guide.htm
The guy's website isn't the greatest looking thing, but there's a ton of great info there. Check it out.
edit
And before I forget, since you are using a laptop, you want to invest in an external hard drive. Whenever you create a session in Audition or whatever DAW you are using, you want the session and all the audio files to reside on that external hard drive. This is important. I really only use firewire for these drives, as USB just doesn't cut it for me. At that, I really only use drives made by LaCie or Glyph, which can get expensive. You do have the option of buying an external hard drive case (one with firewire!), and then popping in a 7200 rpm drive, which can save you some cash. If you go that route, check out newegg.com for the case and the drive.