Reddit reviews The Grammar of Ornament
We found 1 Reddit comments about The Grammar of Ornament. Here are the top ones, ranked by their Reddit score.
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We found 1 Reddit comments about The Grammar of Ornament. Here are the top ones, ranked by their Reddit score.
>I am sure you have already taught beginners to reach an intermediate level but have you already helped advanced painter to reach a 'master' level? (if yes, I'd like to see some of their/your works)
There's really not that much to learn, it's just that it has to be learned well, which is where practice comes to play. To get from beginner to intermediate, you need to learn some things. To get beyond that, you need a pile of work so high it would literally hurt you to jump from it.
>Because that's the whole point of my argumentation: I'm not talking about the difficulty of learning to be just 'good' [...]
We're in agreement here. That it sounds like I feel it's trivial is because the amount of learning involved is - the amount of practice and work is not, and while you can be taught everything you need to know (which is what I'm really saying), you cannot be taught to practice.
>And my last question: if you agree that beauty can be a powerful statement and an abstact concept as worthy of exploring than other themes, why are modern art museum/critics/curators totally ignoring those aesthetic driven representational work?
Simply put, I don't feel that they are. But, there's more to it than that, and I'll try to elaborate:
2.1 Also to be considered, is the fact that with the modern era of art, a simple composition could be considered beautiful. The arrangement of color and shape and nothing more. This was influenced heavily by the loosening of ethnocentric values of western "artistic beauty," as more artists became aware of trends in African, Middle-Eastern and Far-Eastern (Oriental) art. Islamic art is never representational, for example. But the Moores (European Islamists) get the longest and best treatment in the mid 19th century account of 2-D design by
Owen Jones, The Grammar of Ornament. In fact, if you look at the titles of modern art pieces, the title Composition X is not uncommon. Hell, I think I just named 90% of Kandinsky's catalog right there. So, color and shape no longer pull second-fiddle to pure representation.