(Part 2) Best computer recording audio interfaces according to redditors
We found 2,438 Reddit comments discussing the best computer recording audio interfaces. We ranked the 210 resulting products by number of redditors who mentioned them. Here are the products ranked 21-40. You can also go back to the previous section.
Check this out, It does a pretty good job for a pretty low price. And it's easy to keep in your guitar case.
$500... lessee...
Mic: Electro-Voice RE320 — https://www.amazon.com/EV-RE320-Variable-D-Instrument-Microphone/dp/B00KCN83VI
Interface: Steinberg UR22MKII — https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM
Windscreen: Electro-Voice WS-PL2 — https://www.amazon.com/Electro-Voice-WS-PL2-Foam-Windscreen/dp/B0043ISZXY
Stand: On Stage MS7701B — https://www.amazon.com/Stage-Stands-MS7701B-Tripod-Microphone/dp/B000978D58
Cables: XLR cable — https://www.amazon.com/AmazonBasics-Male-Female-Microphone-Cable/dp/B01JNLTTKS
Cables: USB cable — https://www.amazon.com/Hosa-USB-215AB-Type-Speed-Cable/dp/B000VBGD6S
Justification for each:
RE320: It's a hell of a mic. Consider the Rode Procaster instead if you want to save a bit of money.
UR22MKII: Solid interface. Nothing more to say, really, except that it has a full 60dB of available gain, unlike some cheaper interfaces.
WS-PL2: It's a windscreen. Since my intention here would be close-talking into the mic (i.e., lips practically pressed against it), the windscreen is the better choice. It's expensive, but it's a thick-ass microphone.
MS7701B: Since the mic doesn't come with a shock mount, a floor stand is probably going to be preferable so keyboard/mouse noises or desk bumps aren't picked up as much.
XLR cable: It's an XLR cable. You'll need that.
USB A-to-B cable: It's a USB cable. I'm not 100% certain whether the interface comes with one, but... just in case. Obviously, if you intend to buy them, find out for sure whether it does or not, first.
Total as of right now: $487.09
With a sound card made for studio usage, lag/latency shouldn't be a major issue. Some basic knowledge is required to set it up, but that same knowledge is required for any sort of computer-based recording, so it's easy to come by these days! There's tons of materials about this online, but I'll write a brief summary (not to be considered a tutorial!).
(I'm assuming Windows usage here. For Macs, the default sound card may be good enough -- it was in my 2006 and 2011 Macbook Pros. Apple's Core Audio API is really good for a OS stock one!)
You need a sound card (or: "audio interface") with good ASIO drivers. In practice, that means one that is designed for studio use. That doesn't have to mean anything very expensive, though. The cheapest ones are about $100-120, but a pretty decent one is probably more like $180.
A few examples:
FocusRite Scarlett 2i2 (a 2nd generation is on the way, so I wouldn't recommend this right now. Also, I returned my Scarlett 2i4 due to having issues.)
Roland Quad Capture (the one I use personally)
Presonus AudioBox 22VSL
The sound card you already have might work well enough with the ASIO4ALL driver, in which case you may be able to use the hardware you already have.
Once you have one of those, you install the drivers and set up the ASIO latency or buffer size (different names, same thing) to some low value. You might have to tweak this -- having too low a value will cause dropouts as the computer doesn't have time to apply effects and so on before it's time to move the sound to the speakers.
With that in place, there are a few ways to go. You need some sort of effects (like amplifiers, cabinets, delays, EQs and so on); the easy way to do this is to use some package. I mostly use Guitar Rig for this, but there are plenty of others, such as AmpliTube and Peavey ReValver. There are fully free options as well, e.g. the LePou plugins.
You can use those in several ways. The simplest would be to use a simple audio editor, like Audacity. Another way would be to use a DAW (Digital Audio Workstation), i.e. an application used for recording music, with tracks and mixers.
I use REAPER for that, as it's about $60 and I still prefer it to ones that cost ten times as much. Other popular choices are Cubase, Logic (Mac), Pro Tools, and so on.
So, yeah, it's a bit of an involved process... but once you're there, the main difference between playing for fun (to a track or by yourself) and recording an album is clicking the record button before you start playing. :)
As for cost, that really varies. If you're lucky and your sound card works well with ASIO4ALL (or you have a Mac and that works well), you can do this for free. If you need to buy a sound card and want to use the software legally, you might have to pay a few hundred bucks for the combo.
Sure!
My gear is easily affordable (except a few choice pieces being the studio monitors and the PC itself).
I use a Focusrite Saffire Pro 40 - Which is overkill for recording, but I have other projects that involve a lot more inputs. The Focusrite Scarlett is more than adequate for this kind of work.
For my Mic, I use a [Rode NT2A] (http://www.amazon.co.uk/R%C3%98DE-NT2AANNIV-NT2A-STUDIO-PACK/dp/B004L06ZCM/ref=sr_1_2?ie=UTF8&qid=1415053266&sr=8-2&keywords=) for the bulk of the recording, I have a few smaller Clip on mics for some more sensitive recording.
For my electronic audio samples, I use a [Alesis QX61] (http://www.amazon.co.uk/ALESIS-QX61-Master-keyboards-Keys/dp/B006Z6VIZO/ref=sr_1_7?ie=UTF8&qid=1415053433&sr=8-7&keywords=Alesis+Q) which for this kind of work is not necessary at all.
As for Software, this can get a little expensive but I've built this up over the years, I use Ableton Live 9 and a list of plugins to extensive to name, but 90% of the recorded samples have been edited very little, and if they have, the default suite plugins are more than adequate (EQ, Reverb etc).
I only really have to dig into specialist plugins when looking to create a certain effect - such as space, etc.
Yes, you need a multi-channel audio interface, then you can map the channels within any DAW.
Here's a cheap 8 channel mixer that I've used in the past: https://www.amazon.com/dp/B00MIXF200
I use Reaper for the latter.
If you are at a university, then the music department should have an 8 channel mixer you can use. There should be a tech guy who knows how to do this.
logic for tracking. superior drummer to program drums (this is pretty much industry standard now).
get this pod studio. it'll come with tones that people generally use and there are plenty of metalcore tones you can find online. no need for and pedals or anything.
I'd probably get something like this for my audio interface. http://www.amazon.com/Focusrite-40-Professional-Firewire-Interface/dp/B001MZQEZ2
Pick up some Shure Sm57's for your mics. As far as the computer, it depends on whether you or someone else wants to build the system yourself or not. You'll get a better deal if you buy all of the components and install them yourself.
What I would get in that range:
Reaper - $60.
Focusrite 2i2, Mic, Cable and headphones bundle - $240
then either a
Blue Spark - $170
or a pair of KRK Rokit monitors - $265
or an SM 57 - $92
and a cheaper set of monitors. - $135
So,
Reaper + Bundle + Spark = $470
Reaper + Bundle + KRK Rokit = $565
Reaper + Bundle + SM57 + Other monitors = $527.
Note that you don't need to buy reaper immediately, and can buy it later if you like it or switch to a more expensive DAW if you don't like it.
My monitor recommendations are very uninformed, but they're to give an idea of price range.
Hey!
I spent a good portion of my youth playing in bands of the punk variety. My advice might be a bit dated since it's been about 10 years but hopefully this helps!
I wouldn't be too considered with 'breaking into the business'. I would say have your son focus on your first point of forming a band or at the least, jamming with other people.
If he hasn't already, have him uploading his playing to youtube or soundcloud. This could be original songs, covers, or just riffs he comes up with. For the actual recording, you can do a lot with an iPhone by picking up something cheap like an iRig to record with.
As for the actual meeting people, have him talk to kids at his school as there are usually other kids that play and most likely others that are into the same style of music. You can also use Craiglist to find people looking for others to jam with but your mileage will vary. Try hitting up local music stores as they will normally have a board up with bands looking for people.
Going to local shows is another great way to find people, even more so if your son is decently outgoing. I would check out the following venues for shows:
Chain Reaction - http://allages.com/shows/
The Observatory - http://www.observatoryoc.com/events
Slide Bar - http://www.slidebarfullerton.com/calendar
The Wiltern (in LA) - http://www.wiltern.com/
This show is pretty far away but has bands that are in the Blink/Green Day style - http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=7083045&pl=sdobservatory&dispatch=loadSelectionData&REFID=art
If your son is decent and starts meeting and jamming with people in the local scene, he should be able to work himself into a band.
Sorry for the word vomit, hope it helps. If you have any questions, feel free to ask!
https://www.amazon.com/dp/B00T631UTC/ref=twister_B00YXGRSXE?_encoding=UTF8&psc=1
"iRig" ... Can't use that without headphones.
I know that a lot of streamers use the audio technica microphones so here's one. There is also the Blue Yeti. In terms of budget microphones, there is the Blue Snowball and the CAD u37. You also might want to consider an audio interface as well. Here's an excellent combo, cause its awesome.
Let's start from the top.
____
they're bothMixcraft is Windows-only (Reaper has a Mac version. Thanks for the correction @Cassinpants), and I assume you have a Mac, since you have GB.____
My personal setup is:
-Focusrite 18i20
-Electrovoice Re20 + Heil PR40
-Custom PC (i7 6700k/ Fury X/ 16Gib DDR5 RAM, Hard drives for days)
-Mixcraft 8
-various plugins
-Libsyn
Hope this helps, for now! See you back, soon, to figure out RSS ;D
Edit: Added multiple links
Line 6 hardware is usually pretty cheap and does the job. I have http://www.amazon.com/Line-6-POD-Studio-GX/dp/B001EHWD0I/ref=sr_1_2?ie=UTF8&qid=1299001350&sr=8-2 and it's great.
This will have what you want to know: http://www.creativeedgemusic.com/2013/03/hi-z-vs-lo-z-impedance-di-boxes-preamps.html
Any DI box will do really. An Interface would really be your best bet though. Computer sound cards or integrated audio just don't work very well for a variety of reasons. Quality and latency being the top reasons.
Like I said this would be your best bet for a beginner.
You can get an interface, mic your own amp too but It doesn't sound like you have that option or equipment. Keep in mind without virtual amp software or plugins a guitar plugged straight into an interface or sound card will sound like crap. To sound decent a guitar needs a amp and a speaker, or something to emulate that.
as someone who records a lot with a macbook, no. you'd at least want one with a flexible cable between the two plugs so you don't put too much load on your jack.. and that wouldn't give you a good recording anyways.
you want something like this or this or even something tiny like this
when spend money when an adaptor would at least get you connected? because you really do need some sort of preamp, and what garageband does is cheat by amping up the signal a lot in software.
this gets you a lot of hiss, noise, and a low quality recording. the SNR is shit.
a couple friends recorded a few serious studio-quality tracks with that bigger line 6 interface. nothing super fancy either gear wise. just guitars/bass, and a cheap mic in a shoe in front of an acoustic. and it sounded great. i've never heard a good recording just with an adaptor in to garage band though. synths, maybe some cheaper mics that don't need phantom power.. but not a guitar.
you also have the advantage of having a mac, on which all of the aforementioned interfaces just work. no drivers, no fucking around. preferences menu and you're ready to go. it might seem like a lot of money for something to which an adaptor is a potential solution, but it's worth it. and these things are cheap used. i got the big audiogram for $100 on craigslist, and i think a friend got his for $50 or so. check pawn shops and stuff too.
Sorry about the huge ugly title text! I've used Ardour to mix things in the past, and I've been using Linux pretty heavily since around 2010. But this is my first completely 100% F(L)OSS album.
Here's a link to more details on the album's lyrical content.
http://rpmchallenge.com/index.php?option=com_lyftenbloggie&view=entry&year=2016&month=03&day=02&id=8884:the-deed-is-done
And a summary of some more technical details (that I had posted elsewhere):
> I used one of these: http://www.amazon.com/Art-USB-Dual-Pre-PS/dp/B002KEAT78
plus a Rode NT1A, AKG C3000B, AKG C1000S, Fender Telecaster '74 thinline reissue guitar, Seagull acoustic 6-string, Old solid state Kay amp with a Peavey bass cabinet, Mexican Squier Fender Jazz Bass, Yamaha MO6 keyboard, drummer's drums, Hydrogen drum machine (for Lippity Lippity and temporary drums during recording)... and probably some other things.
oh yeah, and I used Ubuntu 12.04.5 on a Lenovo L412.
That's DOUBLE the US-1800.
The fact that it's a small amount of money is irrelevant.
I personally recommend the Klipsch ProMedia as the best sub-$200 option. Sound is really solid and it's definitely got the bass. Plugging your computer in is straightforward and I believe the newest version has bluetooth as well. Best Buy used to have it as a demo with their computer speakers, not sure if they do anymore.
A better option might be studio monitors like the JBL LSR305/LSR30X which are also an insane deal. You'd need to get a bluetooth adapter and you'd need to worry about inputs (many studio monitors take 1/4" or XLR, which would require janky adapters (probably won't sound great out of a headphhone out without something like this) or a dac/audio interface like this or this. The JBL approach will get you a better sound (more accurate to the music, more balanced sound, magical amazing beautiful and perfect imaging) but will probably be a bit above what you'd like to spend. Most of that stuff can also be bought used if you are okay with that.
I would try and stretch or save up a bit for the monitors. They're a pretty solid step up from most all "computer speakers," and the JBLs in particular are one of the best bang-for-buck deals in audio that I've seen.
Best of luck, and feel free to shoot me a PM with more questions or what you decide to do!
http://www.amazon.com/Peavey-USBP-USB-Audio-Interface/dp/B004A4PSEU/ref=sr_1_4?ie=UTF8&qid=1452756416&sr=8-4&keywords=peavey+xlr
First, i would like to preface by saying I pack a peli mostly for local gigs and not touring but from people I've talked to there are definitely similarities in what you would bring. I generally pack different pieces of gear depending on what the gig is but the stuff that stays the same is what follows (In no particular order):
SM58 (For testing or as a spare)
SM57 (not having this is like being a contractor and not bringing a drill)
ProAV2 (Swiss army knife of DIs)
Headphones (I usually pack cans and in ears)
Headphone extension cable
SPL Meter
RF Explorer
Small audio recorder (If you wanna capture mixes or if a client asks for a specific recording of something)
2 short, high-quality xlrs (for testing or to use with the AV2 or USB-P)
Peavey USB-P
Cable tester
Sender/Sniffer
Sharpies
Pens
Board tape
Skin tape/Medical tape (to secure lavs, or the occasional In ear cable)
All the adapters (As many as you can get your hands on, Better to have it and not need it than to need it and not have it)
Extra AAs (Procells always, just in case)
Various mic clips (Just in case you need a specific one or one breaks)
Flashlight
Headlamp
Precision screwdriver set
Leatherman
Wire cutters
Wire strippers
Ipad
Usb power bank
Various cables and adapters for computers and apple products
I'm Probably leaving out alot but thats typically what I take on most shows.
I don't really think there's a clear answer for this, but the good news is that there are many excellent options these days. Sound quality isn't always the most important aspect to consider. Many artists have had great success with just an SM58 microphone hooked up to their computer. If you're just starting up and you don't need studio quality recordings, something like this might be fine. I often just use a basic handheld mic when I'm multitracking a new arrangement for my group to learn. It's quick, simple, and often easier for recording beatboxing with too. There are plenty of free or affordable programs available for multitracking too, so the mic will be your main expense.
If you're looking to make some top quality recordings, you can expect to start spending more as well. Not going to lie - this is where it can get complicated and expensive. I'd recommend starting basic and get a decent condenser mic with a stand and a pop screen, a soundcard or usb mixer with a decent preamp, and stick with the cheaper software for recording.
If you find you're getting more serious with your recordings you may want to upgrade the microphone to a Neumann, install some noise dampening panels, and look into a DAW (digital audio workstation, or recording software) such as Pro Tools.
Whatever you do, don't spend too much on overpriced cables. Check out Monoprice
I use the PreSonus Audiobox 22VSL with a USB 2.0 interface. Basically it's a little box with instrument (or mic cable) inputs and a headphone/speaker output that sits next to your computer. Looks like you can get one for around $200 now.
I can give you a quick review. Sound quality is really good, both for instruments & vocals, and for playback as a headphone amp. I use it mostly for headphone practice, and I often record practice sessions to see just how bad I really sound.
It comes with Studio One Artist, a relatively full-featured sequencer/mixer program that lets you loop drums and edit tracks, apply FX, then mix down for recording. It also includes a number of sound libraries for drums, piano, guitar, plus effects, speaker/amp emulation and all that kind of thing.
Con: if you want to "live-monitor" your mix, in other words listen to yourself playing plus effects loops plus other tracks, then there's a small playback delay. You hit the string and a half second later, you hear the sound. I believe this is due to the USB connection speed, and maybe a firewire or PCI connection would eliminate some of the delay. (It might also be that I don't have my USB 2.0 set up the right way...I'm kind of an idiot.) However there's a knob on the front of the box that lets you mix the preamp and the post-processed playback for your instrument...so you can hear just the preamp (with onboard FX if you use them) with no delay if it weirds you out trying to play in the future, as it were.
Con 2: I haven't been able to get the mic input to work with some software, for example Skype, or Mumble/Teamspeak. If you're an online gamer, this probably won't replace your mic unless you can figure how to make it work. It's a little bit hinky to get your computer OS to recognize the Audiobox as your "sound card" in order to route game and other audio through it, but with some finagling I finally got it to work.
BTW I'm not sure if you've seen this, but check it out. First I noticed the samson headphones for $50 look identical, but open. Also, the focusrite package includes a rebranded version. Not sure if there are differences in those. http://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B00AW91CPG/ref=sr_1_7?ie=UTF8&qid=1415404096&sr=8-7&keywords=focusrite
Yup, they are the Focusrite HP60MKII. Got them with the Focusrite Scarlet Studio Bundle.
Actually had the headphones exchanged some weeks ago, they sent me a new one that normally ships with the 2nd gen studio bundle. That's why the interface as well as the mic are 1st gen but the headphones are 2nd gen
My suggestion that's pretty future-proof would be a focusrite scarlett 2i2 or similar interface, a mic stand, a pop filter and a large-diaphragm condenser mic.
So basically this bundle: https://www.amazon.com/Focusrite-Scarlett-Studio-GENERATION-Interface/dp/B00AW91CPG
or this one: https://www.amazon.com/dp/B004LLV04E?psc=1
Having the option to use two mics and to use different mics means that the entire set-up has room to grow.
http://www.amazon.com/Focusrite-Scarlett-6i6-Interface-Preamps/dp/B00CP4IIJY
http://www.amazon.com/Focusrite-Scarlett-2i4-USB-Interface/dp/B009B15N0Q
Thanks for the response, I really appreciate it. Currently I am looking at an I5 with 8 gig ram ssd 500gig + 2 tb 7200rpm drive. Some low end graphics card, do I need to consider sound card at all? What specific audio interface would you recommend for $300 or less? I found this one and seems like it would fit the bill, I am a big fan of Yamaha for value. Again, thank you for your input.
Edit: I found this [focusrite 6i6 card] does it fit the bill? (http://www.amazon.com/Focusrite-Scarlett-6i6-Interface-Preamps/dp/B00CP4IIJY/ref=sr_1_3?ie=UTF8&qid=1414220118&sr=8-3&keywords=focusrite+scarlett)
Haha, yep that's me! Really into Melee, and I'm studying Audio at OU.
SO there's a whole lot you can do with a $1.5-2k budget. Most of my recommendations are going to focus on microphones, but if you're not trying to do that much recording, you can discard that advice and spend more budget on keys and synthesizers—however, making your own samples and working with them can be pretty cool, fun, and very professional-sounding. I'm speaking from already deep into this rabbit hole, so note my bias. BUT! For that budget you can basically get a near-professional quality mini-studio's worth of gear, if you so choose.
In my opinion, if you're just starting out, Piracy can save you a lot of cash that you can better put towards your gear. If your budget is ~1.5k, I would say pirate Logic Pro if you have a Mac machine, or Ableton/Adobe Audition if you have a Windows machine (PM me if you'd like ;) ). You don't really need all of NI Komplete when you're starting out, especially if you get Logic Pro, because they have a LOT of built in instruments. Also, NI packages can be piratable too. This is all assuming, of course that you're comfortable with pirating software, I understand if you're not, but it can save some cash, and you don't really need a license until you start making real good stuff that you plan on selling/making a business out of.
As far as gear is concerned, if you're serious about recording you might outgrow your Scarlett pretty fast, since it only has 2 mic preamps. You might want to consider a TASCAM 16x08 or a Focusrite Scarlett 18i20. These will let you handle 8 microphones at the same time, which means you can also get a mic kit for your drums. This will get you the absolute best sound out of your drums (provided you learn to use them properly, of course). Learning how to mic drums is a really cool process and there's a lot of room for really making it your own and experimenting with different techniques.
As far as drum mics go, you have cheapest quality at Pyle Pro Mic Kit, Medium Quality at CAD Audio Mic Kit, High Quality at AKG Mic Kit, and professional quality with an Audix DP7 Mic Kit. Even with these, you're still going to want something versatile too.
If you want to also sample some stuff IRL or record other instruments, then get one or two good Dynamic Mics to handle Vocals, Guitar cabs, or wind instruments. You're spot on with the Shure SM57, that thing is a swiss army knife of a microphone and is nearly indestructible. You probably can't go wrong with a matching pair, but you could also go for a SM57 and a Sennheiser e609 to cover all your bases, as the e609 will probably sound better on a guitar cab if you're looking to record guitars.
Okay, now MIDI! The Akai Pro MPK Mini II is a good bet and will definitely do all that you need it to, but if you find yourself needing more keys, there are some good midi controllers out there for just about the same price, for example an M-Audio Controller. It doesn't have as many programmable knobs, but that shouldn't matter unless you're using it to control a software synthesizer, and you need to utilize cutoff, attack, resonance, etc. on the fly. If you're really set on electronic music, then the Akai may be right up your alley, since these knobs will give you more control over your tone.
Aside from that, if you have these tools you can do nearly anything. Check out YouTube tutorials, learn how to use a sampler, learn what the different knobs on a synth do, and get some basic production background and get started! Experimenting in a DAW (Digital Audio Workstation) is really fun, so I think the best thing you can do when you're starting of is mess around and see what you can do. Best of luck, let me know if you have any questions.
It seems like the fear of "performing" in public is really going to be a stumbling block for you to do what's most important, and that's to concentrate on feeling the guitar in your hands while playing. As others have said, the difference in pickups will be minimal in your price range, and at your level. So, get a portable headphone amplifier. Vox makes a range of them for about $40 each. Or, you could get a similar knockoff at Monoprice for as little as $8. Or, for that same $40, you could get yourself an iRig2, use your phone as a portable stompbox, and almost certainly get better quality than either of the above, with multiple amp models and effects in software. The advantages are several, as you can now feel comfortable jamming away at full volume (to you), while no one more than 6 feet away has a clue what you're playing. Bring your own short patch cable and picks, and there's no waiting for a salesman to plugin to an amp for you, then hover nearby whilst you noodle, making you nervous. You can now feel confident in saying "I've got a portable rig I'm going to plug into, thanks". Even pro-level musicians might have a phone or tablet rig they use to sketch up ideas, or when traveling. Feel free to look annoyed if you have to remove your headphones/earbuds, and/or ask for time to yourself. Then, go off into your own little world, play the heck out of those girls, and fall in love. You'll know the right one when you meet her. Or feel her up for the first time. Getting creepy now - better stop.
Can I use an iRig 2 to record a split from my rolls for IEMs to my phone?
Record from a budget of $29 to $500 with iOS
$29 - Option 1 (more if you don’t have iOS)
Assuming you already have an iOS device, all you need is this adapter (and the lightening to headphone jack adapter your device came with.
IK Multimedia iRig 2 Guitar Interface Adaptor for iPhone, iPod Touch & iPad (IPIRIG2PLGIN) https://www.amazon.com/dp/B00T631UTC/ref=cm_sw_r_cp_api_i_KcZTDb8XJH0A4
This adapter allows you to record directly into your iToy with GarageBand. There are a few sounds and amps you can simulate with the included iRig software or GarageBand.
$199 - $299 Option 2
Get a better amp. The Boss Katana 50 and above or Line 6 Spider V 30 and above have a built-in digital output in their USB ports that allows connection to an iDevice directly. You get all the benefits of the amp modeling and effects in your recording; plus a neat new amp.
Steinberg UR22MKII:
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?ie=UTF8&qid=1496843405&sr=8-1&keywords=steinberg+ur22mkii
ok, i would go with something like Focusrite Scarlett 2i2 (150$), sm57 ($100) and maybe Audio-Technica AT2035 (150$) or something similar. the interface already come with a DAW so you wont need to buy software
there is also bundles like this or this but i dont know how good the mics are
Hopefully this helps:
You are gonna need some form of Soundcard/Audio Interface. This is the one I have and it has served me very well: https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T50BO/ref=sr_1_6?crid=450X1QB48N3T&keywords=focusrite+scarlett+2i2&qid=1567064239&s=gateway&sprefix=Focu%2Caps%2C323&sr=8-6 If you are on a budget, there are definitely cheaper options, so if you are looking for something cheaper, that link should give you a BASSline of what to look at. (Get it? ha)
In terms of software, I would personally go with Pro Tools. Its what most of the Music Industry uses to record/edit songs and whatnot: https://www.avid.com/pro-tools-first This is a free version, so it does not have many features, but if you are trying to just throw some simple songs together, or just record yourself playing, this is a perfect option.
Keep Rockin and Rollin my dude!
I'm going to suggest the Focusrite Studio pack. I've included a link to the 2i2 version on Amazon, but there's also a Solo version for less dough if that's more your speed (and you can spend the money you save on a mic stand and pop filter).
I can't speak for the microphone or headphones, but Scarlett interfaces are great. You'll also get Ableton Live Intro, which can cover at least basic recording and producing. I would also suggest looking into Reaper, but it can be a pain to set up (it's only $60, though).
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T50BO
Second the AT2020 it's a good place to start.
EDIT: If you don't have a interface (Which I'm assuming you don't) it might be best to start with a usb mic or look at expanding the budget a little and get an interface with it. The AT2020 does have a Usb varient but it exceeds your price range.
I know this is out of your price range but this is everything you would need, with upgrading in the future being an option. If you bought a usb mic now and wanted to upgrade to a xlr mic later you would need to by an interface on top of that mic anyway. Just something to be aware of.
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=mp_s_a_1_6?ie=UTF8&qid=1541401196&sr=8-6&pi=AC_SX236_SY340_FMwebp_QL65&keywords=focusrite+recording+bundle&dpPl=1&dpID=41K2dCwPdgL&ref=plSrch
Hello mate!
From an absolutely newbie point of view looking to record some vocals and a guitar can EASILY be done by 'just plugging it in and starting to record.'
You need a Laptop which you have, some software like Audacity (which is free) some headphones, and a microphone.
The microphone you posted requires an audio interface with phantom power which will cost you somewhere between 50-100. Considering its not a very good microphone I would recommend looking at either:
USB microphones for ease of setup, no additional hardware needed like this-
https://www.amazon.com/Microphone-FIFINE-Computers-Podcasting-K670/dp/B079HRFH2Y/ref=sr_1_10?ie=UTF8&qid=1538688598&sr=8-10&keywords=usb+microphone
OR
A bundle with everything you would need to be a bit more serious like this-
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_10?ie=UTF8&qid=1538688671&sr=8-10&keywords=microphone+bundle
There can be more complications if for example you want to record a podcast in the same room to the same laptop.
Those links I posted are examples, not recommendations. If you can give some more information on your likely setup, your laptop specs, any software you've used before, any other hardware you have (like headphones), your budget etc... I'm sure someone could give you a better answer/recommendation.
All of the mics you are looking at cannot be connected directly to a laptop or desktop. They have to hook up to a preamp and an analog to digital converter. Audio interfaces have both of these built into one unit, and they usually have a USB output on them that connects to your laptop (some still use Firewire or Thunderbolt instead). As an example, here is a link to the interface that I use. This one has 8 microphone inputs, which would be overkill for you since you're only recording one mic. There's plenty of 1 and 2 mic input interfaces out there that would suit you well.
as the above guys said the usb audio interface you gonna have couple advantages, basically if you ever planing to upgrade into studio speakers or so, you already gonna be having audio interface, and for studio speakers audio interface its must have thing otherwise you losing more than half of the speakers quality , same goes for microphones, if you ever consider buying some microphone and it has XLR connection, or even 3.5mm jack, you can buy adapter to get XLR or so , and even for some £20 microphone you gonna have pretty clear and more than enough quality for skype talks or so , and it would be many times better than directly plugging into your motherboard or front 3.5m socket. / and the last one its what you need the Headphones quality, usally if you buy headphones for few hundread bucks or so, and you using 3.5mm jack to plug into your motherboard, you losing more than 50% of your audio quality , So with some certain interface you can get the full of your headphones/speakers/mics etc. So for audio interfaces you can go for https://www.amazon.com/Behringer-U-PHORIA-UM2-BEHRINGER/dp/B00EK1OTZC/ref=sr_1_2?ie=UTF8&qid=1484581921&sr=8-2&keywords=usb+audio+interface that would be the most basic and it would do the job more than enough. The 2 more choices is either M audio or Scarlete , m audio : https://www.amazon.com/M-Audio-M-Track-2X2-Interface-24-bit/dp/B01FFH5XMC/ref=sr_1_21?ie=UTF8&qid=1484581921&sr=8-21&keywords=usb+audio+interface thats also one of their newest audio interfaces , and it has pretty good design doesnt it ? :P The other one https://www.amazon.com/Focusrite-Scarlett-Audio-Interface-Tools/dp/B01E6T56CM/ref=sr_1_3?ie=UTF8&qid=1484581921&sr=8-3&keywords=usb+audio+interface , its literally up to you which one you prefer, you can go for more basic option if you not planing to get some expensive pair of speakers or so , if you thinking that you might get some KRK studio monitors or so you can pick one of them 2 £100 worth audio interfaces , the quality between m audio and focusrite wont be noticeable . But to mention again if you literally need it only for those headphones and you not planing to get anything in future just go for the 50 usd audio interface and you will be more than happy :) ( sorry for not fluent english hopefully you can understand )
dont get a card, get an interface!
https://www.amazon.com/M-Audio-M-Track-2X2-Interface-24-bit/dp/B01FFH5XMC
you can do a lot more with this. do music with it, take it with you and use your laptop with it for music or recording anything really. just more options for just a few bucks.
I haven't used a sound card since probably around 2002, lol.
You need an audio interface. You don't need that phantom power supply. I don't know why they even sell that shit as a bundle. It just confuses people.
GET THIS. It's what everyone here recommends for beginners. It connects to your computer via USB. It has a built in preamp, phantom power, and a headphone jack as well as RCA outputs on the back if you want to hook up speakers. Just plug you mic directly into the mic input on the front, turn on phantom power, adjust the gain with the gain knob and you're good to go.
If you want two mic inputs GET THIS. It's also got balanced outputs on the back if you ever decide to get studio monitors.
The issue is that studio monitors are generally designed for balanced connections (XLR/TRS), and you are adapting an unbalanced connection (3.5mm/RCA). When using unbalanced cables, you risk picking up interference, especially in an electrically noisy environment (like a computer).
Basically, your computer puts out a lot of electrical interference, and the 3.5mm jack on your motherboard is not correctly shielded from this interference. The issue is not your wall sockets or your placement, it is inherent to the source.
My suggestion would be to either get an audio interface that supports balanced connections, or try an inline hum eliminator.
You certainly can go cheaper than that. You’re just plugging in a mic/guitar/headphones yeah? If so you can use pretty much any USB interface with 2 inputs. Should be around $100
https://www.amazon.com/gp/aw/d/B07664LMPQ/
https://www.amazon.com/gp/aw/d/B074F2V6VJ/?th=1&psc=1
That’s your best option, the cheapest option would be to continue using your Yamaha mixer, and to connect the LINE OUT from the mixer to your computer using a cheap USB converter like this:
https://www.amazon.com/gp/aw/d/B000KW2YEI/
An audio interface with balanced outputs would work best. The have outputs for monitors and headphones.
A DAC/Amp combo would work too, but you may get more noise.
I suggest any of the following for an interface:
https://www.amazon.com/Mackie-Onyx-Artist-1-2-Interface/dp/B07664LMPQ/ref=mp_s_a_1_3?ie=UTF8&qid=1538615994&sr=8-3&pi=AC_SX236_SY340_QL65&keywords=mackie+onyx+artist&dpPl=1&dpID=41g1YyxjwFL&ref=plSrch
https://www.amazon.com/Behringer-UMC202HD-BEHRINGER-U-PHORIA/dp/B00QHURUBE/ref=mp_s_a_1_3?ie=UTF8&qid=1538616381&sr=8-3&pi=AC_SX236_SY340_FMwebp_QL65&keywords=behringer+u-phoria&dpPl=1&dpID=41LnZHDgziL&ref=plSrch
https://www.amazon.com/Focusrite-Scarlett-Audio-Interface-Tools/dp/B01E6T56EA/ref=mp_s_a_1_3?ie=UTF8&qid=1538616639&sr=8-3&pi=AC_SX236_SY340_FMwebp_QL65&keywords=scarlett+2i2&dpPl=1&dpID=41L6SD2-BwL&ref=plSrch
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=mp_s_a_1_3?ie=UTF8&qid=1538616711&sr=8-3&pi=AC_SX236_SY340_QL65&keywords=steinberg+interface&dpPl=1&dpID=41NuXCXoVGL&ref=plSrch
For a DAC/Amp combo, I suggest the following:
I personally own this and it is great.
https://www.amazon.com/Micca-OriGen-G2-Resolution-Preamplifier/dp/B01N14SY65/ref=mp_s_a_1_1?ie=UTF8&qid=1538616843&sr=8-1-spons&pi=AC_SX236_SY340_QL65&keywords=origen+g2&psc=1
https://www.amazon.com/FX-Audio-Optical-Coaxial-Amplifier/dp/B072JJT7SF/ref=mp_s_a_1_8?ie=UTF8&qid=1538616970&sr=8-8&pi=AC_SX236_SY340_QL65&keywords=dac%2Famp&dpPl=1&dpID=41iOCuvyjdL&ref=plSrch
http://www.schiit.com/products/fulla-1
https://www.massdrop.com/buy/massdrop-o2-sdac-dac-amp
or this:
http://www.schiit.com/products/magni-1
plus this:
http://www.schiit.com/products/modi-1
Hello, I am a voice artist so this is right up my alley!
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Unfortunately, "cheap" is a relative term to microphones, and usually winds up expensive one way or another. Also, to get stereo you are going to need two mics, or a mic with two capsules, and will be paying about the same either way. There is also the matter of the recording; for the best audio you will want an XLR mic, but that ads another piece of equipment to buy (interface or mixer). Also, if the person doesn't know how to use a mic properly, that may cause issues with the audio.
​
Now that I've got the negativity out of the way, here are a few things I would suggest taking into consideration:
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As for mic selection, get a large diaphragm condenser, with a cardiod pick-up pattern, preferably with at least a 40hz-18khz frequency response. This will be best for voice, and should pick up instrumentals pretty well at that (depending on the mic). If you want stereo, you will need two mics, or a mic with two capsules (will say it is a stereo mic), but you can make an artificial stereo signal from mono in editing, which wouldn't be difficult for a stationary voice/instrument. You will also be better served to get clean, quality audio recorded and "dirty it up" in post, as this will give you more freedom of control with how the audio turns out. Just changing the EQ can give you a different sound, you can add in static, anything like that, but you won't be limited by the recorded quality.
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Feel free to PM me if you need any more help or info on setup, editing, or anything like that (so long as it's sound related). I hope this answer helped!
You probably don't absolutely need the Cloudlifter unless you find you absolutely need more gain. Don't buy it right away, use your microphone and if you find you need more gain, you can always add it to your setup later.
As far as SM7 alternatives, no one can really give you great advice unless they know what you're using it for and what you're looking for in a microphone.
You do need an audio interface to hook up your microphone to your computer. If you just need to hook up one mic and you're just starting out. A lot of people just use something like the Scarlett 2i2
Obviously you'll need an XLR cable to hook up your mic as well.
I won't speak for him but as someone using a pair of powered Yamaha HS8 studio monitors (8" reference bookshelf speakers) controlled by a scarlet 2i2 audio interface, you don't need a sub, and adding a sub in a room that small, especially an untreated room that small would sound muddy as hell. Great monitors have punchy clean bass and nothing else is needed. For those who's favorite genre is dance / house /dubstep then you'll occasionally hit frequencies that need a sub for the complete low end, but you'd seriously want a larger room to add it in. If you're creating low end dance music then get the sub, if you aren't and your room is small, try a good pair of large studio monitors first (8" is great) and see if thats all you need. Note that there's a huge difference between studio monitors and regular old bookshelf computer speakers. If you're not making music than you don't need studio monitors, they're just handy for hearing things exactly as they are without coloration so you can mix it properly.
Hello guys, I'm looking to acquire a new pair of headphones, I've been eyeing Beyerdynamic DT 770s, Senn HD598 and AKG K701/702 but the problem is I cannot afford to buy a soundcard alongside the headphones, so I have a few questions :
I'd want cans that I can use for both gaming and music (although music is more important at the moment as I primarily play CS:GO and the sound engine on this game is pretty awful anyway)
I hope I don't sound too stupid with those questions, I know very little about this subject
I use this and I like it. It's pretty cheap and comes with its own software for amp simulation, pedals, etc. I'm not sure how it handles bass though, but it might be worth checking out.
This is what I use and it works great. It comes with a limited amp modeling software. You can get the sound from your computer's sound card, or you can plug in speakers/headphones directly into the interface. I hope this is helpful.
Maybe there's input lag with the console versions, but I notice very little lag on PC. Anyway sure a dedicated interface is nice depending on how serious you want to get with recording. I have an older model of this Line 6 Pod that works well and is portable: http://www.amazon.com/Line-6-POD-Studio-UX1/dp/B001EKECAY/
and this 16 channel interface (although hard to find a USB 2.0 version anymore) http://www.amazon.com/Alesis-MultiMix-USB-16-Channel-Mixer/dp/B002V3R5G6/
For a easy to use and free recording solution try out Audacity which is free and open source, or if you wanted to step up to something more robust check out Reaper which has a $60 license for home recording use.
Oh, one more question. If I got this soundcard,
http://www.amazon.com/gp/aw/d/B001EKECAY
Would the audio interface still help? The soundcard looks like it has inputs right on it.
Is it even a soundcard? I heard it was, but it doesn't look like one. Will it reduce latency?
If you want to get into recording your drums, you need to forget audacity. If you don't have the money to spend on a DAW (Digital Audio Workstation, think ProTools, Sonar, et al), check out Reaper which is open source. PreSonus has Studio One Prime which is free as well.
Then you'll want to get a beginner friendly interface that you can connect to your computer via FireWire like this 8 channel Focusrite.
The goal should be to plug each mic independently into your DAW rather than mixing it down from a mixer, then into RCA, etc. and into your computer. If you track a song, then realize you didn't have the snare as hot as you like, then you're screwed and you need to track it all again because you mixed it all prior to recording - so don't do that.
Once you have that set up, then you can spend time learning proper mic placement, EQ'ing each drum appropriately, compression, and all the rest of the goodies when recording drums.
What you're doing now is fine if you are just messing around, but if you want to head in the direction of getting good recordings of drums as you stated above, you'll need to invest a little bit more money and time.
I'm not Brett, but I do host my own show that sounds pretty fantastic and I didn't have to break the bank for it.
For microphones, I'm using the Ultravoice 1800s dynamic mics.] (https://www.amazon.com/Behringer-Ultravoice-Xm1800s-Dynamic-Microphone/dp/B000NJ2TIE) They come in a 3-pack, which is $40 right now but I waited until they went on sale for $25. Really decent microphones that don't pick up a lot of background noise.
For a mixer, I'm using the [Behringer Q1202] (https://www.amazon.com/gp/aw/d/B008O517IW/ref=mp_s_a_1_5?ie=UTF8&qid=1474221402&sr=8-5&pi=AC_SX236_SY340_FMwebp_QL65&keywords=behringer+mixer+xenyx+1202&dpPl=1&dpID=5153d6epzTL&ref=plSrch). It's about $100 bucks, but again, it'll go on sale if you wait awhile.
I'm only using a mixer because I often have guests in person, though. If you're doing the show alone and don't want to bother with fine-tuning your sound, you can just use a pre-amp [like this one] (https://www.amazon.com/gp/aw/d/B002KEAT78/ref=mp_s_a_1_3?ie=UTF8&qid=1474221560&sr=8-3&pi=SY200_QL40&keywords=xlr+preamp&dpPl=1&dpID=41fdibotlHL&ref=plSrch). I can't recommend any specific one, but just search amazon for "xlr pre-amp" and look for models with good reviews.
The other stuff you'll need is pretty cheap. Some xlr cables (5 for $20) foam mic covers (6 for $3 on ebay) and a mic stand (around $20).
You won't be able to get earwolf quality sound out of this stuff, but [I use it all on my show and it sounds great.] (http://www.futurehorsepod.com/ghostbusters/) I'm the only one using this setup in the episode though. Jackson is in Australia so he used his own stuff.
If you want to throw money at this thing and get the exact sound they have at Earwolf, they're using the Shure sm7b microphone, which usually runs $300-400 bucks and requires much more expensive equipment to run it through.
Hope this helps!
Yes, there are recorders that can record multiple tracks. Like the Tascam DR-40 has XLR inputs. I'm not necessarily endorsing the Tascam. I have the DR-05 and find it acceptable quality. Something like the Zoom H4N has XLR connectors built in, so you could record a mic into those and use the built in condenser mics to record your guitar.
You left out some relevant information: Budget, can your guitar be plugged in or will you mic it? Do you have a pretty sound free workspace?
I think budget is the most important part here. I interpret 'nothing flashy' as being a cheap as it can get without being poor quality.
I'm gonna link to listings on Amazon because it's easiest, but B&H or if you live near a Guitar Center might be a better place to buy.
A possible setup:
If you need/want to mic your guitar then consider the SM-57. It is nearly identical to the SM58. Here is a guy demonstrating using one to record his guitar.
This guy's video makes me wonder if just an SM57 with a decent preamp (i.e. one with clean gain) might be all you'd need... but that isn't ideal. You could go with two XM8500s, one for guitar and one for vocals ($40). Or one SM58 for vocals and one XM8500 for guitar($120). That all comes down to budget and preferences.
Potential Changes & other thoughts -
A more expensive preamp - ART Tube Dual Mic Preamp With USB - $190- this has some compression and a limiter. It's debatable whether in this range it would be better to get a decent mixer, a preamp for your vocals, and let the preamp on the mixer handle the guitar, or if something like this would be better. Like a Behringer mixer - Q802USB ($80) + ART single channel Preamp for vocals ($40/$50) would be less money than the Dual USB preamp.
Or maybe just the Q802USB would suffice for your needs. It has preamps already built in. They are not the best preamps in the world. I mean... after all I wrote above, the more I think about it the more I think you should try a Q802USB and see if the sound is what you're wanting.
Headphones - Add in some headphones to monitor your audio. ATH-M40x ($100) would be my recommendation, but this is where a lot of personal preference comes into the mix, no pun intended.
Different mics - Rode has some mics that compare the the Shure SM57/58 that might be better. And the options for mic are virtually limitless, when you consider not just the mics can vary, but the audio interfaces and processing options. I really think a dynamic mic will be most user friendly for a one off home recording.
I hope I haven't confused more than I helped. I think the essentials are this: good mics, clean gain, easy to use. Whether you get the dual channel ART preamp or the Q802USB, either will be easy to use. I would bet the gain on the ART preamp is cleaner, meaning less background hiss at higher levels, than the Q802USB, but perhaps that is just an unreasonable bias. In either case, the mic is going to be important and where your budget plays a big role. The SM58 and SM57 are superb for vocals and recording guitar. A condenser might be better if the acoustics of your recording space allow for it, but I hope you saw from the video I linked of the guy recording his guitar with the SM57 that a great sound can be achieved with a $100 mic. If that is out of your budget, keep in mind the XM8500, but the sound is not as clear as the Shure mics it tries to emulate.
I've had a board go out in the past. For me it was the usb output port. Sometimes those things are built pretty wimpy.
For a new option, if he needs less 2 or less mic inputs and can bump up his budget a little more, i've used the ART USB Dual Pre with some success.
Time for a new interface!
Looking for:
I know most of these interfaces are $500-600 (focusrite saffire pro 40, 18i20, etc.) but I'd like to stay under that if possible. Even if it means going used.
This Tascam is tempting, but I have a feeling it's garbage, and it's missing things I want like ADAT in/out. Bet the pre's are junk. But it's only $280! lol
http://www.amazon.com/TASCAM-US-1800-4-out-Audio-Interface/dp/B0044FU6T2
I am very tempted by these used/returned units on ebay. Can anyone speak to the resilience of this model? I don't mind buying used as long as there are not a ton of known issues, which Google hasn't shown there is with the 18i20.
http://www.ebay.com/itm/141332841271?ssPageName=STRK:MEWAX:IT&_trksid=p3984.m1423.l2649
This package is also interesting, but MXL stuff is hit or miss. Thoughts?
http://www.ebay.com/itm/171308000178?ssPageName=STRK:MEWAX:IT&_trksid=p3984.m1423.l2649
Thanks!
It looks like it's gotten good reviews. I'm personally partial to FireWire, but if this thing dropped into my lap, I'd definitely use it.
http://www.amazon.com/TASCAM-US-1800-4-out-Audio-Interface/dp/B0044FU6T2
What about this to replace the Focusrite & the Alesis?
http://www.amazon.com/TASCAM-US-1800-4-out-Audio-Interface/dp/B0044FU6T2/ref=sr_1_5?ie=UTF8&qid=1383145363&sr=8-5&keywords=Tascam+Audio+Interface
And we do plan on getting 4 microphones for the drums, I forgot what the recording method is but it's the method Led Zeppelin used. Basically, 1 mic on the kick, 1 directly on the snare, and 2 overhead mics pointing at the snare and equidistant from it.
This model has been discontinued; the newer model is $275 new FYI
http://www.amazon.com/TASCAM-US-1800-4-out-Audio-Interface/dp/B0044FU6T2/ref=sr_1_2?ie=UTF8&qid=1348607110&sr=8-2&keywords=Tascam+US-1641
I guess it depends on how much money you have. I got the Tascam US-1800 with 16-in, and it's mainly for convenience. I rarely use more than 1 or 2 at a time, I just leave everything plugged in all the time. FWIW, it seems to work well enough.
I'll be honest man, I've never had anything but passable (at best) to terrible sound from 1/8" outputs to a PA system. In the industrial band I play with, we had keyboards running off a portable PC and then a track from another PC and it was a damn nightmare of buzz and hiss until I started stepping in on some technical issues.
My advice, ditch the on board audio completely and Use one of these instead
Windows should detect it without additional drives, just make sure to set it as your audio output device then run 2 XLR cables to your mixer. You're never going to believe how much this can clean up your sound vs using the 1/8" cable.
There are other interfaces you can use but most of those are more aimed at recording. This does one thing and one thing only and is super simple, its been perfectly reliable for about 3 years. Sometimes there is something to be said for a device that just does one thing.
Ok, so there's two ways to 'balance' and audio signal. The more common one, found in XLR and TRS connections is the Differential signaling method.
Basically it uses three wires, one ground and two signal wires. One of those signal wires is the direct analog signal, the other wire is the negated signal.
This means that for mono, you need three wires:
|ground, signal+ and signal-
For stereo you need at least 5 (6 if separate grounds) wires:
|ground, right+, right-, (optional ground), left+, left-.
As you can see, none of the cables you linked have 5 or 6 wires at one end so none are stereo balanced. You are simply getting stereo unbalanced and therefore noise/interference.
So to answer your first question: they're exactly the same and their just spouting marketing crap.
To answer your second question: the TRS to XLR cables won't convert the signal into a balanced one. They're effectively the exact same as the other two cables. The only benefit of that cable is that it's shielded which may reduce noise the cables picks up.
I recommend:
Get a Peavey USB-P. I've had great experience with them.
http://www.amazon.com/gp/aw/d/B004A4PSEU/ref=mp_s_a_1_1?qid=1421820786&sr=8-1&dpPl=1&dpID=41LgUCUeGhL&ref=plSrch&pi=AC_SX200_QL40
The more succinct and to the point your demo is, the better. Trim the fat, show off what you need to and don't waste anyone's time.
I don't know what you mean by "don't see yourself using SFX", but a competitive demo uses all elements (music and FX) to show how your voice works in context.
And yes, please, gosh, get a different mic if you're continuing to pursue VO. You can pick up something like this and it really doesn't get much better for the price.
If you're interested in just about any instrument other than the guitar there are lots of options out there in terms of sample libraries. Guitar (in my opinion) has the worst representation of virtual instruments (I think this sounds awful) and libraries out there because it's honestly pretty hard to capture all aspects of.
As mentioned earlier, if you do not have a DAW, you should get one. This is the piece of software that you will use to construct your songs, apply effects, mix, master and a lot of other functions. Reaper is the Winrar of the music world with an unlimited trial period so that would be a good place to start.
Within this DAW you'll be able to create music without knowing how to actually play any instruments using a MIDI input that can be done with a mouse and typing keyboard. From there you'll be able to google "free [insert instrument] VST" and you'll likely be able to find a free (albeit lesser quality) instrument that you'll be able to use to compose with legally (i.e. not pirated).
Example: Free Piano VST
From here forward you'll be able to create songs with pianos, strings, synths, beats, drums, brass, etc and then sing overtop. In order to capture your voice you will obviously need a microphone. You could go online and spend a little bit on a cheap USB microphone to get you started or spend a bit more on an audio interface and a nicer microphone.
There's a lot to learn but the feeling of making your own music entirely by yourself is awesome. PM if you have any questions.
Good luck!
I have the Scarlett 2i2 and two AT2020s, totaling $350 in mics and interface. The 2i2 retails at $150, so you're only dropping $50 on the mics. This would get you up and recording for $200 flat, and then you can upgrade your mics later, without losing out too much money. If you're just getting started, this is not a bad way to go. However, I would recommend checking out some of the major audio hardware sales sites as there are other 'official' packages being sold at various price points.
There is the all Focusrite Scarlett bundle at $250 from Sweetwater and the same kit available from Musician's Friend as well as Amazon which includes headphones and a single large diaphragm cardioid mic, though I have heard nobody talk about FR's mics or cans, so look at the reviews to find out how well they perform.
Amazon also has several other packages (including the one in that ebay listing) which include various other mics, mostly entry level, but a few higher end options as well. Some other kits also provide mic stands, pop screens etc.
If you are willing to spend closer to $300 in one go, you can get a full studio setup, but if you are planning recording a solo vocalist with guitar accompaniment, then the package you listed is a good start and all you need to add is mic stands. The third option is what I did, and that is buying your interface, mics, stands, pop filters, etc. all separately but bundled from one etailer to take advantage of the free shipping. Most of these bundles are for convenience and don't offer much in the way of savings. Just do your research and buy a kit that will get you setup for the type of recording you want to do. In the end I opted to build my own package to give my studio the flexibility I wanted, though I had seriously considered these bundles first.
This is a completely silence optimized gaming / recording rig. I assume you want your computer to be as quiet as possible while recording music.
The Focusrite Scarlet 6i6 is one of the best Audio recording devices within your budget. You really should invest in an external recording sound card if you are serious about music creation (which I assume you are since your are studying it).
As a gaming PC it is also very good. You will be able to play most games at high to max settings @ 1080p/60FPS.
PCPartPicker part list / Price breakdown by merchant / Benchmarks
Type|Item|Price
:----|:----|:----
CPU | Intel Core i5-4670K 3.4GHz Quad-Core Processor | $209.99 @ Amazon
CPU Cooler | Noctua NH-U12P SE2 54.4 CFM CPU Cooler | $62.98 @ OutletPC
Motherboard | ASRock Fatal1ty Z87 Killer ATX LGA1150 Motherboard | $99.99 @ Newegg
Memory | GeIL EVO POTENZA 8GB (2 x 4GB) DDR3-1600 Memory | $62.99 @ Newegg
Storage | Samsung 840 EVO 250GB 2.5" Solid State Disk | $139.99 @ Best Buy
Storage | Seagate Barracuda Green 2TB 3.5" 5900RPM Internal Hard Drive | $82.45 @ Amazon
Video Card | Asus GeForce GTX 770 2GB Video Card | $309.99 @ NCIX US
Case | NZXT H230 (Black) ATX Mid Tower Case | $59.99 @ Micro Center
Power Supply | Be Quiet Dark Power Pro 10 550W 80+ Gold Certified Semi-Modular ATX Power Supply | $109.99 @ NCIX US
Case Fan | Noctua NF-P12-1300 54.4 CFM 120mm Fan | $17.92 @ OutletPC
Case Fan | Noctua NF-P12-1300 54.4 CFM 120mm Fan | $17.92 @ OutletPC
Other| Focusrite Scarlet 6i6| $249.35
| | Total
| Prices include shipping, taxes, and discounts when available. | $1423.55
| Generated by PCPartPicker 2014-04-09 23:17 EDT-0400 |
If you have any questions or concerns, feel free to ask.
Well start at the beginning. People notice high quality recordings. If you listen to your Pod on headphones, crappy mics then get compressed to crappy MP3s is tedious to listen to.
If there are 2 or you, plan on spending a couple hundred bucks to solve this.
I use Sterling ST-51 Condenser mics- You can generally get them on sale at Guitar Center for $70 bucks. Here is a link to amazon
After you get that you'll need two XLR cables
After that you'll need some sort if interface. I have never had more than four people on my podcast, but the nature of podcasting generally means you'll get good a production, go as big as you can early, someone somewhere will want to pay you to produce for them. It's better to have the flexibility out of the box then have to cluge around with shitty hardware. However if you're on a tight budget there are other things you can get. Audio to computer interfaces give you more flexibility because you can add things like music live during a recording from other devices, allow you to use Skype (which isn't obvious when you have high quality mics and interfaces) I trend toward Focusrite, they make Bad Ass equipment. The Scarlett series works well for me. They don't have a loop back feature, but if you get that far let me know and ill tell you how to do it for the cost of a $1 RCA cable.
You can get linear PCM recorders Here and Here for about the same money as an audio interface, so its your call. They put it all in one package, but in the long run I think you'll end up getting tired of moving large files to your software for editing. I use the Tascam DR-40 and give it to people who are traveling - it is STELLAR and less than anything else on the market, because its old. But it's record out of the box- Easy.
Now Software- Ive used pay versions of Cakewalk. Ive used Audacity, which is great but clunky. I have landed on Reaper. It is the most full featured, open, continually updated, solid, go to, piece of software you can find. They're not dumb, they let you download a fully functioning copy for free. Its Not hampered in anyway. If you don't buy a license then you have to sit through a click away every time it opens. Better yet, just try it for a while, then you will appreciate it and want to buy the $60 license for small business or home use. Brilliant in every way.
That set up will last you for years and give you virtually pro quality production capability.
TL;DR
Mics (and Cables) Sterling ST-51 or similar (less than $100 ea)
Audio interface ( Many in, Many out, USB 2, Focusrite or Tascam)
Software (There can only be one, Reaper, Hands down)
Edit: My pods are at Defensesecurity.org , Homeready.org and Renman24.com - if you listen to the first ones and then listen to the latest ones you'll notice my equipment improvement, and editing style change. Its a muscle, work it out and it'll get better.
Edit 2: spelling and links
Edit 3: Links again
For what it's worth, you could record two people on one end using Zencastr but they would both be on the same track which isn't ideal. You could do this by having them share a microphone or by plugging 2 mics into into your interface (it should get mixed to to a mono track for recording purposes).
As you mentioned, the difficult part is making sure everyone can hear. There are interfaces that have 2 headphone monitor jacks. This one looks like it would do the trick.
http://www.amazon.com/Focusrite-Scarlett-6i6-Interface-Preamps/dp/B00CP4IIJY/ref=sr_1_5?ie=UTF8&qid=1458211811&sr=8-5&keywords=focusrite+interface
Using this you could have them both recorded on using separate mics (but on the same track) and they would both be able to hear the other callers as well. They would the callers on the other end via zencastr and hear each other by monitoring the input to the interface.
You could record the output from the interface into your zoom.
Another option would be to have them use zencastr normally on separate computers even though they are in the same place. You would have to watch out that they weren't picking up each others voices on their respective mics.
EDIT: A lot of this depends on what gear you have or are willing to buy. If you want to do a call I can hear what your setup is and maybe offer some more pertinent advice. Ping me anytime on Skype (username: somethingcoded).
http://www.amazon.com/dp/B00CPCJI2C
That would a pretty good choice and, given your original budget, doable. There are likely cheaper options that would be fine as well, though, if you're really trying to minimize costs.
I would at least get something like this: https://www.amazon.com/dp/B00MIXF1JW/ref=cm_sw_r_cp_dp_T1_5nQrzbBQEAHR7
So that you have more control of of mic placement, EQ, etc. and to mic everything separately.
And you could easily do a stereo mix on a computer.
I have a Tascam US 4x4 that I picked up from Amazon, used, for just under $200. I really like it, the only issue I have with it is that if it goes into sleep mode when the computer does it won't wake up with the computer and needs to be plugged back in. I fixed this problem by disabling sleep mode on the device (in the settings app that comes with it) and now I have no problems at all. Works great under Windows 10 (version 1809), no crashes, no issues.
They are $279 normally https://www.amazon.ca/TASCAM-US-4x4-USB-Audio-Interface/dp/B00MIXF1JW/ so perhaps I would look around for a deal or wait around for an open box return like mine.
A good entry level interface is this tascam, and I have seen them cheaper than this.. https://www.amazon.com/TASCAM-US-16x08-USB-Audio-Interface/dp/B00MIXF200
Can't speak to that one, but The Tascam interfaces will do what you're asking.
Using this interface, I can mike up a whole drum kit, plus guitar, plus bass, synth, and piano through the line-in jacks, and record my whole band at once. Each input comes into the DAW as a separate track with a separate WAV. I'm about to finish up an album using the linked model's predecessor. We'll record a whole song at once, and then go back and run overdubs.
Well it depends how you use it. You could run your guitar straight to it and use amp sim/looper/effects/drum machine/etc. Or you could run the sound through your rig first and then run it to your iphone(make sure that the signal that goes into iphone is same strength than what goes to headphones, not something that would go to the amps speaker, so use headphone out line out if it has one).
I love blocs wave looper, it also has its own library of recorded loops, some of the drum and percussion loops are really nice to jam on.
I like dm1 drum machine on ipad, there is an iphone version also and im sure its also good.
Then if you want something more complex there is this http://www.akaipro.com/product/impc-for-iphone
Im not sure which guitar amp sim app is the best, because bias fx is ipad only. But for guitar speaker simulation(which i suggest using or at least testing if you like it even if you use amp sim), there is this really wonderful and simple app https://itunes.apple.com/us/app/fiddlicator/id813106474?mt=8 , and its free. The neat thing about it is that you can load impulse responses on it that simulate different guitar speakers. You can find tons of them free if you google "free guitar cab impulse responses" or something like that. They are much more realistic than the speaker simulation on the amp sim apps. It can also load impulses that simulate reverbs in different spaces, has really nice eq, low/high pass filters, delay and reverb. A must have app for guitarist imo, but it doesent simulate amp, just the speaker element and microphone and its position(or echoes of different spaces, you could get the reverb that you would get playing cranker up amp in taj mahal for example).
There is bias amp for iphone. Its not the full blown bias fx, its an app that lets you build your custom amp and tweak pretty much everything you could in a real amp. With audiobus(maybe AUM could do it also, it has other nice features, app worthy of checking out), you could make a custom amp in bias amp and use impulse responses of speaker element in fiddlicator and have kick ass amp simulated. But there is no pedals there. However, you can get the distortion from the amp and reverb/delay/eq from fiddlicator. Reverb and delay should come after distortion anyways. But there is this app JamUpPro that made by the same guys than bias stuff and you can load the amps you made in bias amp on it. It also has recording and stuff, but it has in app purchases quite a bit(like the recorder), and its pretty expensive, but it seems to be in discount atm. Ampkit+ is worth checking out, so is tonestack and amplitube. But the bias amp to fiddlicator via audiobus would be straight forward and good setup. For the whole amp sim thing.
There is this app called audulus3 that lets you build pretty much any effect you want, its meant for synth stuff, but can be used with guitar. If you add that in the audiobus signal in effect slot, you could get pretty much any sort of sound from your guitar. BUt it takes some really indepth fiddling, so if you dont want that, you want some other app.
Altispace is a really nice reverb app, it also lets you use impulse responses to simulate echoes/reverb in different spaces like fiddlicator, but lets you tweak with the reverb much more.
You should just look around for effect apps(there are so many so different ones that its best if you just look around) basically to replace pedals that you wont get if you use audiobus to route bias amp -> effect app -> fiddlicator.
Im not sure if it works on jamuppro, but in bias fx on ipad you can put fiddlicator on the signal chain inside the bias fx, so there is no need to use audiobus. If it does work on it, definitely get jamuppro, while its still on discount.
If you want to use it just as an "pedalboard" before your sound goes to your amp, i suggest getting either audulus 3 if you like to tweak A LOT to get that the perfect effect from simple to something out of this world. If you just want some regular pedals, ampkit+ is nice for that, just turn off the amp and cab sim and use the pedals on it. You might want to check these out as well:
https://itunes.apple.com/fi/app/frobulator/id993500586?l=fi&mt=8
https://itunes.apple.com/fi/app/nebulizer/id1007409385?l=fi&mt=8
https://itunes.apple.com/fi/app/muckraker/id1018267293?l=fi&mt=8
Hooking up your guitar to the iphone is better when the device connects through the lightning port than through headphone jack. But the cheaper things like irig2 connects through the headphone jack. Irig2 is fine if you need cheap, it also has a nice feature that lets you run the audio through the iphone and out from connection that goes to amp, while with some others you might have to fiddle with getting correct plug from iphones headphone out to amps in. Audio interface would be ideal, but you would need the camera connection thing besides the interface.
Some products you might want to check out:
http://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC
http://www.thomann.de/fi/steinberg_ur12.htm
http://www.thomann.de/fi/vox_amplug_i_o.htm
http://www.thomann.de/fi/ik_multimedia_irig_hd.htm
http://www.thomann.de/fi/ik_multimedia_irig_pro.htm
http://www.thomann.de/fi/steinberg_ur22_mk2.htm <- you could hook up some midi synth on that or some other midi devices
http://www.thomann.de/fi/apogee_jam_96k.htm
Those larger audio interfaces would be much better, especially if you use amp sims and al lthat stuff and not just run it to your amp. But running the guitar effortlessly and cheaply, irig 2 would be best imo. I dont know about the vox amplug io, just noticed it exists and looks like worthy of checking out.
I have not tried this and have no idea what latency is like but this kind of thing is available
https://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC/ref=dp_ob_image_ce
The Irig2 is the clearest
Seeing how we only have a single guest on our show, I use an iRig. I give them my phone number and they call in.
The call routes directly from my iPhone into DAW and outputs into our headphones. This also allows each of us, (three hosts), to talk to them directly as well. The quality of the call is amazing and one of the best purchases I've ever made audio wise.
I would like to add music production hardware to this list. Since OP is gonna use it for making music, good speakers and a sound card are a must.
I recommend the UR22 sound card. It connects via USB to your computer has 2 ins and 2 outs and comes with pre-amps, which is perfect for the home studio (unless you're recording several tracks at once for drums). The UR22 comes with the Cubase 6 software, which is what I personally use. The Pro Tools Sound card is really expensive and harder to find. If you already have software you can still use the UR22. My only complaint is that the preamps are a little on the low side, but they get the job done on a budget, not really a big deal.
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?ie=UTF8&amp;qid=1465770351&amp;sr=8-1&amp;keywords=ur+22
As for audio monitors, I really like the Mackie CR3s. You can get a pair of these for 99, which is great on a budget and still produce high quality sound. Monitors can get really pricey and take up a lot of space, if you want something of a higher quality you'd have to buy each on separately. Also get 2 1/4" cables to go out from the sound card to the audio monitors.
https://www.amazon.com/Mackie-CR3-Creative-Reference-Multimedia/dp/B00KVEIY4E/ref=zg_bs_11974991_1
I might pick up that power supply if the mic doesn't work! That Mackie seems way too extensive for me. I was looking at something more along the lines of this
Here's the one I use and it works very well: Steinberg UR22. There's the UR12 that has one input instead of two, for about $40 less. I like having two inputs since sometimes I use two mics, but if you're strictly recording one input/mic at a time then the UR12 will work just as well.
You're in luck! Check out the JBLs recommended at the top of the page that come in just under $300. If you're going from regular computer speakers to studio monitors, you'll need something else to connect to the speakers. You could technically just use a 3.5mm to dual quarter inch cable to start off, but you'll really benefit from an external dac and/or preamp or an audio interface (which is basically a dac/preamp combo that also has inputs). For those I'd rely on others for recommendations. I have a Sternberg UR22 audio interface that treats me well, but if you just want audio output, there may be higher value options on the DAC side of things.
The JBLs:
https://www.amazon.com/JBL-LSR305-Professional-Studio-Monitor/dp/B00F1DEI8G/
My steinberg, for reference:
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1493746130&amp;sr=1-1&amp;keywords=steinberg+ur22
You should see an increase in audio quality going from a USB mic to a mixer, even if the mixer is also connected by USB. All microphones capsules output a low voltage analog signal. In order to connect them through USB you need to first amplify that signal and then run it through a DAC (Digital Audio Converter) in order to get a digital signal that can be sent over USB.
A USB microphone has a built in amplifier and DAC. However, since they are generally lower-priced pieces of hardware, the amplifier and DAC are not very good quality. The amplifier and DAC also have a lot to do with how much static or internal noise you will get, especially if you are pushing the gain on your amplifier past 80% or so.
By using a better amplifier and DAC on a mixing board you can get a much cleaner signal than you would get on a USB microphone. You should also be able to amplify your sound more without noise or distortion. Now you should be asking yourself if that is worth your money, or if that is something you are having issues with. If so, here are some suggestions.
Yamaha MG10XU ($200 Mixing board)
Mackie ProFx8V2 ($180 Mixing board)
Yamaha Steinberg UR22MKII ($150 Audio interface)
There are less expensive mixing boards and audio interfaces, but if you are upgrading for better amplifiers and DACs then this is the lowest I would recommend. They are a bit more than you were looking to spend, but you may find some deals with black friday around the corner. If you really must have a cheaper solution then I've heard good (but mixed) results with the Scarlett 2i2. I had driver issues with the one I got though.
Chances are you aren't going to get very clean audio out of a $62CDN mixer - I tried Behringer stuff before and ended up pretty disappointed. Went with something like this instead.
You'll want something like this
It includes everything you need (minus a microphone stand) and isn't to expensive
Look online for deals on used microphones. This is an investment that will come a long way, trust me. As for an audio interface, focusrite has some solid offerings and even has a bundle with an interface, a microphone and a pair of headphones at a respectable price that is close to your budget.
To record 4 people simultaneously though you’d need an interface that exceeds your budget. Maybe recording so many people isn’t feasible in this particular instance, unless you can up your budget. You could always make do with an interface with two inputs and have your guests pass around the mic then edit out the noise in post.
And no, you don’t need a dedicated amp if you choose buy almost any audio interface. Most have a preamp built in.
I have this set and its absolutely great, crystal clear audio in games. Picked it up to try and get into podcasting. I've also upgraded to a pair of Sennheiser HD 598s and they are wonderful, sound great through the Focusrite interface.
If you just need a cheap budget mixer for a few mics and game input I would look at this.
I don’t have much to offer about PC building, but I come from an audio engineering background. Don’t invest in a fancy internal sound card. You will likely wind up using an external audio interface which has AD and DA conversion built in. I would personally recommend Universal Audio Arrow or something like a Focusrite Solo. These will out perform many internal sound cards as they are designed for music production.
Edit: I see you are interested in 7.1. I would recommend still an external pro level interface with quarter inch over a sound card with 8th inch adapters. Check out the Focusrite 8x8
I think it's easier if I just explain what I use.
My drums are mic'ed into the Scarlett 18i20 interface which offers output mixing through its software. I then have my DAW (Reaper) recording while the interface sends the raw signal into a mixer which sits next to the kit (this one). I can then run another output from the PC with the track/click I'm recording to, and mix those two signals accordingly. I then use these in ear monitors which do a good job of blocking out my drums' acoustics and let me listen to just the mix at whatever volume I'm comfortable with.
Pretty simple setup.
Okay, thanks for the help. I still don't understand the difference between a mixer and interface though. Doesn't this do the same thing as this?
---------------
Check out the M-Audio M-Track 2x2, with built-in USB audio interface. It's about the most inexpensive one I can find with a USB DAC, volume, headphones, and balanced outputs for studio monitors (plus it has a mic/line input for recording)
---------------
Just remember, if you get a consumer USB DAC (typically with RCA outputs), use the RCA input on your Adam monitors and flick the switch down, because of lower voltage signal (-10dBV).
If you use a pro interface, put the switch up and you can use the balanced XLR connections on the monitors with a hotter signal (+4dBu) - If the interface doesn't have XLR, it will have 1/4" TRS connectors (like the Scarlett or the M-Track) which are balanced and you can use 1/4" TRS to XLR cables with no problems. If it doesn't have either, its generally a consumer interface.
(edited post)
For live sound, you'll need some sort of USB audio interface, one of these, that have some sort of monitor out. This will act as a digital to analog converter from your laptop to the house PA for the highest quality audio. It will also give you an input to either DI your guitar, or mic it or a speaker cabinet. You'll also want something to trigger your loops and and adjust things on the Ableton side, but I'd have to know a little more about what you are looking for on that end.
You're looking for a USB DAC (Digital-to-Analogue Converter), also called an external soundcard, or some combination of those.
Ones that are a desktop "box" rather than a large dongle tend to be more expensive, however here's one from Asus that a quick Amazon search turned up. Creative is also a name worth looking out for, there's this one and this smaller one There are also higher end ones more suitable if you're doing music or video production, which have high-quality inputs for microphones and instruments.
Don't worry if you find ones that take a 6.25mm (1/4") headphone cable as you can get converters easily. You can certainly get more expensive.
Edit: The Razer box probably does some simulated surround sound processing, I believe the Asus and Creative products should have simulated surround sound (and probably do a better job of it) in addition to enough speaker outputs to have true surround sound. Simulated surround isn't for everyone, and can be turned off.
Worth mentioning is the Sennheiser GSX 1000, which got a great review from HardwareCanucks, especially the simulated surround sound. Very expensive though.
TL;DR
It's a type of USB Soundcard, the Razer one has the wires fixed in. Only some of them are boxes with volume controls on them, so shop around.
Your best option will be to get an audio interface. That will let you use XLR microphones and still connect over USB or thunderbolt. They can be a bit pricey, but there are still some decent budget options out there like this one. If you go this route with the Neewer you'll also need to pick up an XLR-to-XLR cable to hook it up, since the Neewer comes with an XLR-to-3.5mm cable instead.
So to summarize, your setup will be Neewer to audio interface to MacBook Pro. Since the audio interface provides phantom power you won't need a separate box for that.
For music production I reccomend a dac like the Focusrite Scarlett 2i2 Second Generation (2nd Gen) 2-in, 2-out USB Audio Interface https://www.amazon.com/dp/B01H4W34WW/ref=cm_sw_r_cp_apa_i_yxEjDb3Z88K55
Definitely get your hands on a proper interface and XLR microphone. USB is hugely restrictive and I would never ever recommend them for musical purposes. I wouldn't get too picky over which interface to start out with. The Audient id4 looks fine if you're sticking with just a clarinet, but think about the future too as you might want more than a single input and you can get something like the Scarlett 2i2 or M-Track 2x2 for half the price.
There's always a huge variety of microphones to go with but it will be the most important factor in how good you can get the clarinet to sound so don't skimp out here. If you are solely recording instruments, especially in orchestral music, then you will get a good sound out of some of the small diaphragm condensers like this. Small diaphragm mics are often sold in pairs, which is another reason why it could be beneficial to get at least two inputs on your interface. 2 good microphones placed right will make your clarinet sound like an angel, but this will also mean you'd need an extra stand and cable. If that's going to be too much hassle you can always just start with one and grab a second one later on if you feel like the sound needs to be taken to the next level. A large diaphragm condenser would also work but you won't get as crystal clear of a response from a clarinet.
The software you listed will do great, I don't see anything extra you need there. Stock plugins will do the job until you start getting more picky on your process. You will however need something to listen on if you don't already. A relatively cheap pair of studio headphones will do fine since I doubt you will need to get deep into mixing. Anything around the $50-$70 mark will be good enough and will likely come with a 1/4" jack adapter to fit the interface.
So I would personally recommend:
This will get you a setup that will sound great and last you a long time before needing to upgrade if you start getting really into it. If you go with this, read up on mic placement for clarinets because this will have a big impact on the recording.
Are you playing with other people?
I personally would get this or one of the higher models if you are just practicing/jamming in your room.
If you are planning on playing with others get something like this or similar for effects and you don't have to chain pedals. When looking at Multi Effects processors I personally tried to skip amp modeling as a feature.
And lastly, I will sell you a 100 watt tube combo amp for 300€ lmao.
If you need something longer term and on the cheap, I cannot actually recommend this enough:
https://www.amazon.com/Line-6-POD-Studio-GX/dp/B001EHWD0I/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1494008904&amp;sr=1-1&amp;keywords=pod+studio+gx
I have the older version of this (called a TonePort GX) but it looks like it's just a rebranding. It has some dope software with pretty decent amp sims in it (I've gotten real used to it over the last decade I've used mine so I have some great sounds that work for what I want). It's basically a low-end interface designed specifically around guitar. I wouldn't necessarily pay $100 for one (for $75 it'd be killer, which is what I paid for for mine) but if you need something to record just guitars long-term and want some good amp sims, I definitely recommend it.
Years ago I bought a Line6 toneport Gx for not even €90 which came with some amp-sim software called Podfarm. Then I just used the free program Audacity to record the tracks. It was a cheap and good enough way to make quick demo's especially since you can record multi track in Audacity.
Since then I've stepped over to Reaper + Bias FX and its been a real treat. The Toneport acts like any other USB guitar interface so it works with non-line6 software. And Bias has many people amp-matching their real amps and putting them on the cloud for anyone to use.
IMHO Amp Sims get a lot of unfounded hate around here. I've tried Amplitube, Guitar Rig & Pod Farm and you can get good sounds out of all of them. No, it's not the same as having the real deal but it's very, very close. Your bang for the buck when using sims is phenomenal. Also, the ability to save tones and get back EXACTLY where you were before shouldn't be dismissed. On the cheap, you could go with the basic Line 6 interface that comes with Pod Farm. Should run you about $100. http://www.amazon.com/Line-6-POD-Studio-GX/dp/B001EHWD0I/ref=sr_1_4?s=musical-instruments&amp;ie=UTF8&amp;qid=1380894482&amp;sr=1-4&amp;keywords=line+6
EDIT: Also, Reaper.
OK, in my area, those prices wouldn't be bad IF the quality was worth it (Are these guys really awesome, in other words) :)
I might recommend springing for something like this line-6 audio interface and learn to recorded the vocals and guitar through FL and upload to the Net for people to check out.
Once you have a EP worth of material, I would recommend going back to the studio the lay down some high-quality tracks to use!
Mixing & Mastering are going to make a big difference, so you might want to consider saving up some cash to get it all done at once, or work with your friend to get it done well :)
Hello, here's my predicament.
I have an MXL 990 condenser mic currently hooked up to an MXL Mic Mate preamp (really cheap) that I plan on using for live streaming, but the background hum is slightly unbearable.
My question is: would using a Presonus TubePre v2 Tube Preamplifier DI Box help get rid of the hum? Also, would it be worth it to invest in a Line 6 POD Studio UX1 amplifier. I'm not entirely sure what either would do for me or if it would even be possible with my mic, and appreciate any input you guys have.
Links to products mentioned:
Line 6 POD Studio UX1
Presonus TubePre v2
MXL 990 Condenser Mic
MXL USB Mic Mate - Preamp and USB Interface
It depends on what you want aim for in terms of quality. If you want a cheap but sufficient interface (what you plug instruments and mics into) then go for a line 6 ux1 or ux2.
http://www.amazon.com/Line-6-POD-Studio-UX1/dp/B001EKECAY/ref=sr_1_1?ie=UTF8&amp;qid=1449798017&amp;sr=8-1&amp;keywords=line6+ux1
http://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2/ref=sr_1_2?ie=UTF8&amp;qid=1449798017&amp;sr=8-2&amp;keywords=line6+ux1
For a microphone, there's a bit more searching involved. I don't have experience with a huge variety of mics but the 2 that I know work really well are the Shure sm7b and the MXL 4000.
http://www.amazon.com/Shure-SM7B-Dynamic-Microphone-Cardioid/dp/B0002E4Z8M/ref=sr_1_1?ie=UTF8&amp;qid=1449798231&amp;sr=8-1&amp;keywords=shure+sm7b
http://www.amazon.com/MXL-4000-Multi-Pattern-Condenser-Microphone/dp/B001REGEF8/ref=sr_1_1?ie=UTF8&amp;qid=1449798319&amp;sr=8-1&amp;keywords=mxl+4000
The Shure SM57 is also pretty good but is usually used on instruments more so than vocals but that doesn't mean it can't get the job done well
http://www.amazon.com/Shure-SM57-LC-Cardioid-Dynamic-Microphone/dp/B0000AQRST/ref=sr_1_1?ie=UTF8&amp;qid=1449798383&amp;sr=8-1&amp;keywords=sm57.
If you want to hear the interface and the Shure sm7b in action, check out some of the stuff I've recorded before. Used to be into recording my old band a lot. I assure you it doesn't sound like it was recorded in a tin can: https://soundcloud.com/herpyderpypuddingpie/worldacousticmaster (and yes, i already know you love my soundcloud channel name) (oh and ignore the horrible acoustic guitar tone. this was before I figured out that recording them DI wasn't all that great of a solution)
You could try using something like this if you'll mostly be recording or using headphones.
People seem to get a lot out of this one:
http://www.amazon.com/Focusrite-2i2-USB-Recording-Interface/dp/B005OZE9SA/ref=sr_1_1?ie=UTF8&amp;qid=1374601523&amp;sr=8-1&amp;keywords=focusrite+scarlett+2i2
And I've heard good things about this:
http://www.amazon.com/Mackie-Onyx-Blackjack-Recording-Production/dp/B003VZG550/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1374601565&amp;sr=1-1&amp;keywords=mackie+onyx+blackjack
I personally use this, and have gotten a lot out of the pod farm amp modelling program:
http://www.amazon.com/Line-6-POD-Studio-UX1/dp/B001EKECAY/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1374601587&amp;sr=1-1&amp;keywords=pod+ux1
Not shilling for amazon, just easiest place for me to grab links.
You can get Guitar Rig or some freeware for amp modelling if you don't go with the pod ux1. The pod has worked well for me and has no noticeable latency and records to Ableton just fine (although all should). Serves my purposes great.
This is probably a question for /r/WeAreTheMusicMakers - They're usually pretty great for answering music production questions :)
That said, Logic, Reason or Pro Tools are your 'staple' DAWs - They are all equally powerful (for your intents and purposes), and Logic is the cheapest, so Logic is a good idea. You're also going to need a USB Audio Interface (I recommend the Scarlett 2i2 for small projects, or the Saffire Pro 40 if you plan on micing a drum kit) to get signal from mics/guitars into the computer. Look into getting some cheap-ish mics (AT2020 for acoustic guitar/vocals/overheads, and the SM57 and SM58 for whatever else, at least for starters).
There are oodles of great Youtube tutorials that will teach you how to use Logic, and eventually you'll want to invest in studio headphones and studio monitors (unless you already have them), which are built specifically to give you an objective sound to accurately mix.
I'm not an expert producer, but I do freelance stuff locally out of my home studio - My work for reference
Feel free to PM with questions, and you should definitely post in /r/WeAreTheMusicMakers! They'll probably have better answers than me, but I hope this helps.
I'm going to be picking up an interface for the first time, and I'm pretty unsure where to start. After doing some research I narrowed my picks down to the Presonus FireStudio Project, the Tascam US-2000, and the Focusrite Saffire Pro 40.
I'm only really looking for 8 inputs. My computer is firewire capable, and my budget is pretty much up to 500 dollars. I'm willing to listen to other suggestions for interfaces.
The SP40 seems to get really great reviews on it's pre's, which I'd be using as opposed to external ones. I really like how the FireStudio project has all it's inputs on front, which is just generally more convenient. All that said, the price of the Tascam US-1800 or 2000 really can't be beat for the number of inputs.
Honestly, any guidance or opinions would be really appreciated.
Links
Tascam US-2000
Focusrite Saffire Pro 40
PreSonus FireStudio Project
You'll need an interface to connect the mics to your computer. I use this one myself.
> Allen & Heath Z-420
If you are using mixing board analog direct outs, that has nothing to do with your issue, which is localized to the interface and computer.
Your Delta set up "virtual studio" would make me uneasy on a good day. Maybe you should get a rack mount interface with knobs on it. Seriously, check out
alternately, lots of people are using a Focusrite interface with 8 ch. mic pre I/O for about $300. It is really very little pay-out for what you get.
You missed the recording interface, probably ~500. Example as linked above
For your application (you don't have to use input monitoring because you can monitor the output instead) I say get the ART USB Dual Pre. Cheap, class-compliant, durable, small.
Edit: link https://www.amazon.com/Art-USB-Dual-Pre-PS/dp/B002KEAT78
The 58 and 57 are dynamic mics. You want condenser mics that can capture the finest details. Even a cheap condenser mic would be much better than a super expensive dynamic one.
Do you already have the zoom?
Because if you don't, I'm sure you'd get better quality preamps and DA converters with something like the ART Dual pre connected to a smartphone (or a tablet) which you probably already have. It works with iOS devices using a converter and some Android devices with Lollipop and up using a super cheap OTG cable.
Thanks for the info, really appreciate it! I'd previously looked at the ART USB Dual Pre but at the time passed it by as I needed more inputs... I'll look into this further :)
here is a box that is pretty cheap. I've heard people that like it for what it is.
This has been bullet proof to me in the field and I have used it for plenty of other things. I am not hot on the pre amps, but they get the job done. I have never had it fail on me and bought one for personal use to do on the fly tracking.
Looking at the responses you've gotten so far and your need for good recording equipment over and above the need for the PC itself, I've put together another build for you.
This uses a fanless Intel Bay Trail quad-core chip. It's not a barnstormer in terms of performance, but you can't get any quieter than fanless. It includes a fanless power supply and a 5400RPM laptop hard drive (I'm still not convinced that recording to an SSD is a good idea -- mine introduces an unacceptable amount of jitter into the recording, even with low bitrates) to keep it as quiet as possible.
Size is also reduced. This is about the smallest you can make a build-it-yourself PC. 8.5" on a side, 2.5" tall.
I've included a USB ADC (analog-to-digital converter) with XLR inputs, phantom power and hardware gain control alongside your previous selection of the Shure SM94 instrument mic. I have an SM94 and it should work well for your application (it tends to be a bit bright for guitar or winds, but strings should work nicely with it).
I also included a mic stand with boom arm, as proper mic position is essential to capturing the correct character of the instrument.
The only thing I didn't include was an optical drive, but you mentioned looking for an external USB drive. That'll be your best bet here as well.
Let me know if you have any questions.
PCPartPicker part list / Price breakdown by merchant
Type|Item|Price
:----|:----|:----
Memory | *Team 8GB (1 x 8GB) DDR3-1333 Memory | $56.98 @ OutletPC
Storage | Samsung Spinpoint M9T 2TB 2.5" 5400RPM Internal Hard Drive | $108.65 @ Amazon
Other| ASRock Q1900B-ITX Celeron J1900 quad-core CPU + Motherboard (Bay Trail) | $72.00
Other| Mini-Box M-350 Universal Mini-ITX Case w/ 80W PicoPSU | $70.00
Other| Shure SM94 Instrument Mic | $180.00
Other| ART USB Dual Pre XLR ADC | $80.00
Other| Samson Mic Stand w/ Boom | $20.00
| | Total
| Prices include shipping, taxes, and discounts when available | $587.63
| *Lowest price parts chosen from parametric criteria |
| Generated by PCPartPicker 2015-01-16 10:21 EST-0500 |
These are all listed as related items to the ECM8000 on Amazon:
Would any of them be suitable? If not, what are they lacking?
I used to have the mxl 990, and it's all right for a beginners mic. Don't know about the 991. That monoprice looks like it has a lot of features for $80. Having said that, if I were you I would try these: Audio Technica at2020 with either the monoprice or this. I have the art pre and it works very well. I used to have a pair of 2020s, and they were great at that price.
EDIT: should add that use asio4all with any interface you get.
Yes I believe so. It has Phantom power as well whatever that is. The link is below.
https://www.amazon.com/gp/product/B002KEAT78/ref=oh_aui_detailpage_o05_s00?ie=UTF8&amp;psc=1
I'd recommend working your way up to 7 mics. If you try to buy all seven at once, you'll end up getting cheap ones, and it'll sound worse than buying four good ones. Monoprice has a decent matched pair of condensors for $100. For the snare, you can go with an SM57. They're $100 new, but you can get them more cheaply used, and they last forever. I have the same ones I used in highschool, and they still work just as well as the day I got them. You can use it on your guitar cab, as well (or just buy two for live tracking). I also use a Beta 52 for the kick drum. That runs for a bit under $200.
As for stands, if you're not using them live, Guitar Centre sells a 10 pack for about $90. They aren't perfect, but they'll work.
So, for good equipment, you're looking at almost $600 in mics alone. You can get cheaper kits, but the sound quality won't be as good and they'll break more easily. You get what you pay for.
For bass, I just DI. You can buy a proper DI box or just plug into the interface. But, for $40, having a few DI boxes around comes in handy, especially if you want to record live. You can also mic the bass cab with something like the aforementioned Beta 52.
As I said before, you'll want an SM57 for the guitar cab. It gets the job done, and is pretty much the industry standard. You can spend more on fancier mics, but that money is best spent elsewhere.
As for vocals, you can buy a decent condenser mic from Monoprice, but to start off, just use the same 57 you've used for the guitar and drums, and just put a $14 pop filter on it.
Finally, you'll need an interface. If you really want to track seven drum mics, I'd go with a Tascam 1800 or a Focusrite 18i20. The latter is better quality, but also double the price.
Sadly, there is no good cheap method of doing things. But here in the digital age, things are a whole lot easier than going through to a 4-track cassette Portastudio when I was your age. If I was in your place, and had $1,000 to spend, I'd buy the following:
Tascam US-1800 ($250)
Two Behringer DI-100s ($80)
The Monoprice Small-Dia Matched Condensers ($100)
Shure Beta 52 ($200)
Two SM57s (or 58s) ($200)
The Guitar Centre 10 Mic Stand pack ($90)
And spend the rest on XLR and 1/4" cables from Monoprice.
After working on recording and mixing for a while, see if you want to expand your drum tracking, or if you want to invest in additional gear as needed. Nothing sucks more than blowing your budget, never using a certain thing, but having to do without something you discover you need.
And most importantly of all, have fun with it. It's a great experience.
I've personally have been using this thing for a year and have had no issues and it can do a bunch of channels simultaneously and only costs 50 dollars more, you can do live multitracking of multiple microphones with more than two things and recording quality is the same for both.
If you want to really have control over your final mix and actually well, mix it, you will need an interface and a DAW. Audacity is a free and very powerful DAW.
As far as the interface goes, it depends on how many inputs you need. An interface with 8 mic pres should get the job done. This is about as cheap as they come.
As I said in my post above, I have the Tascam US-1800 interface. It's great.
http://www.amazon.com/TASCAM-US-1800-4-out-Audio-Interface/dp/B0044FU6T2/ref=sr_1_1?ie=UTF8&amp;qid=1377749402&amp;sr=8-1&amp;keywords=tascam+us-1800
That Magni 2 is a headphone amp, and won't give you balanced output. Take a look at the PreSonus AudioBox USB 2x2, it offers balanced TRS outputs...and has a nob.
The Peavey USB-P has no nob, but it can be had at a far lower price point, it was $36 last week so I expect it will drop again: https://www.amazon.com/Peavey-3001370-USB-Audio-Interface/dp/B004A4PSEU
Alternatively, for less than the cost of a stereo DI, you could just add a second output interface. I have this one and it's fine: Peavey USB Audio Interface https://www.amazon.com/dp/B004A4PSEU/ref=cm_sw_r_cp_api_QMgfzbMA9GX3R
BOOSH
http://www.amazon.com/Peavey-USBP-USB-Audio-Interface/dp/B004A4PSEU
This works
If you don't need a mixer and just want a direct out of the computer into the LSR305's then get this.
https://www.amazon.com/Peavey-3001370-USB-Audio-Interface/dp/B004A4PSEU
and two XLR cables.
The Peavey will take the digital signal (USB) out of your computer and turn it into a BALANCED Analog signal through the XLR.
Balanced is the key here, as running cables near PC's and monitors, and routers you can pick up a decent amount of interference just coming 3.5mm out of your computer (Unbalanced).
Oh my, so many terrible answers. You need a turntable with RCA outs to a phono preamp, then run that to a soundcard, or get a soundcard with multiple instrument ins and use those. This would work fine:
http://www.amazon.com/Presonus-AudioBox-22VSL-24-Bit-Interface/dp/B005G6CZRE
Then record to software.
Presonus Audiobox 22VSL
It is a bit pricier than most interfaces in the same price range. However, it does allow you to EQ, Compress and have a few effects on your vocals while recording.
Yeah, I've heard on another post where I was asking a different audio question that my XENYX is the main suspect for my audio problems, so I should consider switching it out. I wasn't sure if it was the mixer itself or that both the mixer's sound card and the computer's sound card sucked, or whatever (I don't have multiple pieces of equipment to test). But all things considered now, I really don't need a mixer anyway. I'm only ever recording me (one thing at a time), and for anything that requires EQ or anything like that I just use a DAW, so I am thinking that Focusrite Solo is perfect for me.
mmm the PreSonus Audiobox you linked, I've heard pretty bad things about it. However I did hear great things about the similarly named PreSonus AudioBox 22VSL. It's $175 compared to the Focusrite's $100 (or $150 for 2 XLR input), so I'll probably pick up the Focusrite anyway.
That said I won't have enough money for both the Focusrite and an SM58. I've had my eyes on the SM48-LC for a while. People say it's obviously not as good at the SM58 but still pretty much right up there, but at a 70% discount. I'll probably pick that up.
$100+$30+tax = ~$141. Mmmmmmmm so expensive to me but compared to anything else it is looking like a stellar deal.
Hey man, I'm also rocking KRK 8's (I have the first gen though) and I purchased this sound card: http://www.amazon.com/PreSonus-AudioBox-Advanced-Recording-Interface/dp/B005G6CZRE locally. It's been pretty flawless for months, and I love it. Very simple. That's my two cents.
This helps a ton. Great advice, and thanks for being so in depth. Programming drums is entirely new to me, and it's deceptively difficult. My buddy makes it look easy, but then again, he gets paid to do it.
As for my POD X3 Live, yes it does have a USB 2.0 connection, but from what I can tell its main purpose is to upload/download presets to it, it's not for recording. I know this because I first started experimenting with it and the sound was god awful. I alleviated this by buying a cheap ($200) audio interface with only two channels, and then used the D/I input. The interface is a Presonus:
http://www.amazon.com/PreSonus-AudioBox-Advanced-Recording-Interface/dp/B005G6CZRE
I don't know how good it is, but now that I have a few of your tips, maybe I'll be able to start getting some decents sounds out of it.
So, here's the build. Due to rule 2 for contributors I have created two builds. Please note that the first one goes well over your budget before rebates and promo discounts. It is a $1227 build. Remove the audio box and it becomes $1027. That means after discounts and rebates it becomes 889. I have an edited build underneath that fits your budget better.
PCPartPicker part list / Price breakdown by merchant / Benchmarks
Type|Item|Price
:----|:----|:----
CPU | Intel Core i5-3570 3.4GHz Quad-Core Processor | $206.97 @ Outlet PC
Motherboard | ASRock Z75 Pro3 ATX LGA1155 Motherboard | Purchased For $0.00
Memory | Crucial Ballistix Sport XT 8GB (2 x 4GB) DDR3-1600 Memory | $54.99 @ Newegg
Storage | Samsung 840 Series 120GB 2.5" Solid State Disk | Purchased For $0.00
Storage | Western Digital Caviar Blue 1TB 3.5" 7200RPM Internal Hard Drive | $59.98 @ Outlet PC
Video Card | Zotac GeForce GTX 760 2GB Video Card | $248.98 @ SuperBiiz
Case | Sentey GS-6050 II Halcon (Black) ATX Mid Tower Case | $29.00 @ Newegg
Power Supply | Corsair CX 500W 80 PLUS Bronze Certified ATX12V Power Supply | $34.99 @ Newegg
Optical Drive | LG GH24NS95 DVD/CD Writer | $14.94 @ Newegg
Operating System | Microsoft Windows 8 (OEM) (64-bit) | Purchased For $0.00
Monitor | Asus VH238H 23.0" Monitor | $119.99 @ Newegg
Monitor | Asus VH238H 23.0" Monitor | $119.99 @ Newegg
Other| PreSonus Audio Box| $199.95
| | Total
| Prices include shipping, taxes, and discounts when available. | $1089.78
| Generated by PCPartPicker 2013-07-28 23:54 EDT-0400 |
CPU: Will perform all the tasks you need it to efficiently. Has 4 cores that work really efficiently and quick.
Memory: The only difference between the memory I chose and the memory you chose is that mine has heat spreaders on it, which are potentially helpful if your RAM ever starts to heat up.
Storage: The 1TB Caviar Blue will hold all the files you need, and you have plenty of room in the case and motherboard support to get more drives.
Video Card: The GTX 760 is a very high performance card. Somewhat pricey, it performs great and is among the newest line of cards out from nVidia right now.
Case: A well liked case, with a window and LEDs, that will fit what you've got. With your semi-modular PSU, cable management shouldn't be that much of an issue. Also has a lot of air flow.
PSU: Way better than your selected PSU. CoolMax makes cheap entry-level PSUs with very poor quality parts that are more likely to fail on you and perform worse. This PSU is semi-modular, which will make managing cables slightly easier, is rated more efficiently, and is built more soundly.
Audio Box: Just a little trinket to add to the system. This is not at all necessary, but may be worthwhile if you have no equipment for recording yet.
PCPartPicker part list / Price breakdown by merchant / Benchmarks
Type|Item|Price
:----|:----|:----
CPU | Intel Core i5-3570 3.4GHz Quad-Core Processor | $214.99 @ Newegg
Motherboard | ASRock Z75 Pro3 ATX LGA1155 Motherboard | Purchased For $0.00
Memory | Crucial Ballistix Sport XT 8GB (2 x 4GB) DDR3-1600 Memory | $54.99 @ Newegg
Storage | Samsung 840 Series 120GB 2.5" Solid State Disk | Purchased For $0.00
Storage | Western Digital Caviar Blue 1TB 3.5" 7200RPM Internal Hard Drive | $59.98 @ Outlet PC
Video Card | Asus GeForce GTX 660 2GB Video Card | $189.99 @ Newegg
Case | Sentey GS-6050 II Halcon (Black) ATX Mid Tower Case | $29.00 @ Newegg
Power Supply | Corsair CX 500W 80 PLUS Bronze Certified ATX12V Power Supply | $34.99 @ Newegg
Optical Drive | LG GH24NS95 DVD/CD Writer | $14.94 @ Newegg
Operating System | Microsoft Windows 8 (OEM) (64-bit) | Purchased For $0.00
Monitor | AOC e2351F 60Hz 23.0" Monitor | $117.47 @ TigerDirect
Monitor | AOC e2351F 60Hz 23.0" Monitor | $117.47 @ TigerDirect
| | Total
| Prices include shipping, taxes, and discounts when available. | $819.82
| Generated by PCPartPicker 2013-07-29 00:06 EDT-0400 |
This build fits your budget better before discounts are applied. The differences are that your monitors are cheaper because they are not on sale, which effects the price before discount. Also instead of the newer 760 I have selected a previous gen 660. The 660 will still work very well, has two fans and a good cooling system so you can even overclock it slightly.
If you have ANY questions, do not hesitate to ask. I will be going to sleep shorty, so you may not get a response for a few hours though.
The equipment you get there will probably be about as good as you can get for that price. But you may wanna shell out a bit more for the big jump in quality. I started out on a Steinberg UR22, ATH-M50 and AT-2020 and all three pieces still serve me well hundreds of dollars later. The ATH-M40 can do the same job for cheaper in terms of headphones, too.
I'd say if you're planning on getting a nicer mic/headphones in the future, don't spend your money on the bundle unless your budget is really tight, because you may not find the headphones/mic very useful later on. If you just want to get recording and your budget is restrictive, go for it.
EDIT: correct me if I'm wrong but I think this bundle has better equipment for cheaper
Hey has anyone bought the focusrite scarlett 2i2 package?
http://www.amazon.ca/Focusrite-Scarlett-Studio-Interface-Recording/dp/B00AW91CPG/ref=sr_1_fkmr0_2?ie=UTF8&amp;qid=1397058305&amp;sr=8-2-fkmr0&amp;keywords=focusrite+scarlett+2i2
I've heard good things about their audio interface but are there headphones good for mixing?
Well if you like the sound all I use is a rockband mic for vocals, guitar running through a Digitech Black-13 peddle that goes straight to my PC with a guitar to USB. lol About as cheap as you can get. I would personally rather mic a good amp to get feedback and use an nice interface for everything but,I don't have on available at the moment. So you can get by with the cheapest stuff possible but, Id say pick up a recording interface and some mics. You can get bundles pretty cheap. Something like this to start out maybe.
Thanks, sorry to keep on bothering you :P
... I just realised recently though that for the price of either a Zoom or an Apogee MiC I could get a starter kit like this or something.
They don't have particularly great audio interfaces in terms of number of inputs, but it's just got me thinking.
Also, this is all so complicated for someone trying to get into it, there's so much choice :<
What's your opinion of this bundle?
http://www.amazon.co.uk/FOCUSRITE-SCARLETT-STUDIO-studio-packs/dp/B00AW91CPG/ref=sr_1_2?s=musical-instruments&amp;ie=UTF8&amp;qid=1382805327&amp;sr=1-2&amp;keywords=Focusrite+2i2
To properly record multiple simultaneous instruments, you'll want a USB audio interface. Something like this: http://www.amazon.com/Focusrite-Scarlett-6i6-Interface-Preamps/dp/B00CP4IIJY
Everything else will sound like garbage compared to a good USB interface.
The PC itself doesn't even matter all that much. You'd be fine with an i3 and 8GB of RAM, though a more powerful setup would certainly be nice.
I'm in the market for an audio interface. Ideally I'd like 4-8 xlr/trs inputs and equal outputs over usb. I simply want to hook up a few guitars, my vdrums and other things to it and record them all at once with their own tracks into the DAW. I'm hoping for a price below $200. This is mostly for fun in the apartment with friends.
For the price, the best things I've found are these:
behringer umc404 with 4 in and 4 out for $150
focusrite 6i6 with 6 in/out but only two xlr/trs combo prots for $250. Inr eality 4 in and out minus the spdif.
Akalai eie pro with 4 xlr/trs combo in/out at $250
The behringer does what I want plus has effect plugins in the back. Why is it $100 dollars cheaper than the next two? I want to make sure I'm not missing anything important before I make my purchase.
No worries! It can be quite overwhelming if you never shopped for an audio interface before. The first thing you'll need is an interface with 48V phantom power, many microphones requires power and some audio interface does not provide it, you should avoid them since you will be limited in your microphone choice.
Here are a few choice, there's are 2 ins and 2 out interface (between $150 to $250)
PreSonus AudioBox USB 2x2
Focusrite Scarlett 2i2 2 In/2 Out USB
M-Audio M-Track Plus II USB
If you think you'll need more inputs (maybe you want to record a drum) these cost between $200 to $500
M-Audio MTRACK QUAD
M-Audio M-Track Eight 8-Channel
Focusrite Scarlett 6i6
Focusrite SCARLETT 18i8 18
Behringer FCA1616
If you're a guitarist you could consider a multi-effect processor like these ($700-$800):
Line 6 POD HD Pro X
Avid Eleven Rack
These two offers the advantage of having your amps and effect processing at basically no latency, they are also great for recording vocals with low-latency monitoring with effects.
There's a lot of choice but as long as you have enough inputs for recording all that you intend to record then you're good to go.
You're typically looking for an USB audio interface with line inputs, such as this (I have the older version of that, and have been very happy with it)
As a bonus: It's also a pretty good DAC, so you could possibly sell your Magni to offset the extra cost
I've had pretty good luck with the Scarelett 6i6 having really fluid volume control (for the price). It's got loads of inputs, and while larger and not marketed as a DAC/Pre Amp, it does a nice job. I've heard bad things about bus power from their smaller models, but have been quite liking mine so far (I do use it with powered monitors though)
Hope this helps, your thread seemed lonely :(
Here is the mobile version of your link
Not sure if this post/question will go unseen or not since im a few days late but I am currently working on a small home set up. I bought the Scarlett 2i4, which I love and am running through Logic. I also bought an MXL770 and a SM57. I have been running them both for music and a podcast (just doing 1:1 test interviews right now). I am considering expanding so that I can have 4 mics set up for the podcast. So here is my question: I need to upgrade my Scarlett 2i4 to something with 4 inputs, I am looking at the Scarlett 18i8 (which I know I’ll like because I’m familiar with it) but I could save some money with the Tascam US-4x4. Does anyone here have any advice about these or other recommendations?
Second Question: I am now exploring new mics for the podcast. I like the MXL770 but I am now looking at the AudioTechnica AT2020. Does anyone have any advice about which I should go with?
Thank you!
How many people are in the band? Do you want to single-track or multi-track? Do you want you have a DAW already? Do you want EQs on the interface? Do you want preamps on the interface? There are a lot of questions that need some answering, but here is my recommendation if you want to multi-track with decent/good/clean.
Here is my recommendation if you want to multi-track with okay/decent sound but have an actual mixer with preamps, panning, and EQs.
Here is my recommendation if you want to single track and need a DAW (granted it is only Pro Tools Express, I'm not sure on the limitations in this iteration).
It's funny you mention this, a friend of mine was just telling me that I should just forego a mixer and buy a Focusrite 18i8 and plug directly into my computer and then I can do multitrack into Audacity.
I mean really when it comes down to it, I just want to make sure I can get a good warm sound from 3-4 people around a table each with a "relatively" inexpensive dynamic mic, and to minimize hiss/background noise as much as possible.
What do you think?
> Will an interface plug directly into my computer…
Yes! Most audio interfaces use USB. I also often use mine on iOS devices via the Apple Lightning to USB connector.
Just to get you started, on where to look:
https://www.amazon.com/Focusrite-Scarlett-18i8-GENERATION-Interface/dp/B00CPCJI2C
Can someone explain to me how these products claim to have many more inputs than I see on the box?
http://www.amazon.com/Focusrite-SCARLETT-18i8-Interface-Preamps/dp/B00CPCJI2C/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1398437253&amp;sr=1-1&amp;keywords=Scarlett+18i6.
Says 18 inputs. What does that mean? I see 4 mic inputs on the front.
Focusrite Scarlett 18i8 18 In/8 Out USB 2.0 Audio Interface with Four Focusrite Mic Preamps https://www.amazon.com/dp/B00CPCJI2C/ref=cm_sw_r_cp_api_EI9mxbXX6235P
You are talking about one of the single most frustrating things in Qatar. Or not in Qatar as the case is here. I just went on the hunt for those exact same items and came up empty handed. It turns out that Amazon and an Aramex account was the best option.
There is one store that has a (single) USB audio interface, but wanted over QR4000 for it. Don't remember the brand. They might have some decent headphones there as well, but I stopped looking once I decided to just order it all from Amazon.
Al Badi Music Store:
From the corniche with the water on your left, turn up the street at the stop light directly across from the Museum of Islamic Art. I think there's a QNB on the corner. At the 2nd roundabout, look for the red sign.
Honestly though, your best bet will most likely be ordering online and having Aramex deliver it here. I think it was about a week between the time I ordered it and when I picked it up. A Focusrite Scarlett 18i8 if you're curious :-)
just saw this on a post a bit ago.
https://www.amazon.com/TASCAM-US-4x4-USB-Audio-Interface/dp/B00MIXF1JW/ref=sr_1_22?s=musical-instruments&amp;ie=UTF8&amp;qid=1468624855&amp;sr=1-22&amp;keywords=usb+audio+interface
Im using the Tascam 4X4, its $200, with my macbook. there is also a 2x2 for $150. then i just use garageband to EQ.
https://www.amazon.com/TASCAM-US-4x4-USB-Audio-Interface/product-reviews/B00MIXF1JW/ref=cm_cr_dp_d_txt?ie=UTF8&amp;reviewerType=all_reviews&amp;sortBy=recent#RQANIXRQTOUXF This was where i found some negative reviews. Also, is there like a website for terminology that i can read on and learn because its kind of a nuisance to be googling every term. Also, do you just use the XLR cable that comes with your mic or do you buy a higher quality one? Im looking for a durable, lengthy chord.
Hey guys. Quick question.
I have a pair of JBL LSR305's, and I just bought an audio interface (this one to be exact) as I am starting a podcast. I'm curious as to what I will need to connect my monitors to the interface and how I would go about adding a subwoofer to the system. I listen to a lot of music and would like the interface to act as a "catch-all" for both my podcasting and music listening.
Any help would be appreciated, as you can tell I am still learning to set these kind of things up.
Using two interfaces isn’t really an option unless they’re designed that way, and most cheap interfaces lack word clock / adat.
Search google, amazon, Sweetwater for “recording interface.”
Do you have a budget, and is 8 channels what you need?
Tascam US-16X08 16x8 channel USB Audio Interface https://www.amazon.com/dp/B00MIXF200/ref=cm_sw_r_cp_api_U-7FAb4X996ZE
A mixer will fit your needs, but it's going to take the mic inputs and mix them down to a single stereo channel. That's what mixers do. It's great if you're performing lie. For recording a podcast, You might want to consider an audio interface. The workflow will be a little different (you'll adjust levels and such mostly in software) but each mic will have their own track so if someone has a coughing fit , for example, you can easily mute their track until things have quieted down. Cost ranges from around $250 up to several hundred or more for one with 8 inputs. Something like this:
https://www.amazon.com/TASCAM-US-16x08-USB-Audio-Interface/dp/B00MIXF200/ref=sr_1_18?s=musical-instruments&amp;ie=UTF8&amp;qid=1491568839&amp;sr=1-18&amp;keywords=audio+interface
Somebody might make a USB mixer eventually, but it's really only useful in a narrow subset of the consumer world and it would cost more than an analog mixer. The USB mics have the pre-amp and analog-digital converter built in already. To build a mixer you'd either have to have a host computer built into the box that could handle multiple USB inputs, driver support, and either a touch screen or physical controls to handle the levels and other mixer functions, then it would need another USB interface to connect to a computer. It's an expensive and inelegant solution just to allow consumer mics to be used with a form of a mixer.
I use the Tascam US-1800. The current version is this. I highly, highly recommend it.
i use this tascam: https://www.amazon.com/Tascam-US-16X08-channel-Audio-Interface/dp/B00MIXF200/ref=sr_1_1?ie=UTF8&amp;qid=1502468937&amp;sr=8-1&amp;keywords=tascam+1800
it works well!
> single piece with io and pres
Probably this. My FP10 doesn't have ability to stack on an ADAT otherwise that would be the cheapest way into more ins.
I'd really like to ditch the firewire altogether. The Tascam US-16x08 USB interface unit I posted earlier looks interesting. Other than that I can't find a USB interface with more than 8 inputs for under $500.
I have been really happy with the Tascam US-16-08
http://www.amazon.com/TASCAM-US-16x08-USB-Audio-Interface/dp/B00MIXF200/ref=sr_1_1?ie=UTF8&amp;qid=1451196316&amp;sr=8-1&amp;keywords=tascam+us16x08
> Multitrack audio interface
Something like this? https://www.amazon.com/TASCAM-US-16x08-USB-Audio-Interface/dp/B00MIXF200
I am not an Android person and the wiring is different but it looks like the iRig 2 is a viable option. Someone else may suggest a variant. As I said, I use a Tascam iXZ, myself.
https://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC
On the back of your UMC. there is a 1(L) jack and I assume that is what the front jack 1 hears. Use a 1/4" TS cable to take the signal into the iRig input. Either use the headphones out output on the iRig and take that into the jack 2 on the UMC or the 1/4" output if you have one.
This is part of my similar setup. Others may suggest better iRigs. Too many damn models out there to keep track of.
https://i.imgur.com/TcXZEjy.jpg
!
I don't know how well it works for the bass, but if you have an iPad, you should definitely consider getting the iRig. It lets you connect your guitar/bass to your iPad, and if you have GarageBand on it, you can basically start recording full songs and editing them right there.
How about something like this? http://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC/ref=sr_1_1?ie=UTF8&amp;qid=1453912308&amp;sr=8-1&amp;keywords=irig
IK Multimedia Audio Interface IPIRIG2PLGIN https://www.amazon.com/dp/B00T631UTC/ref=cm_sw_r_cp_apa_i_PxERCbDE6R31V
The mixer has 1/4 inch output, so connect a cable from the mixer into the irig2 and then plug the irig2 into your phone. You can control everything right from the mixer. Sync is perfect and sounds good.
Sure! Admittedly the equipment I'm using is all cheap quality, but I figure I can replace components over time as I get better at playing cello. Right now I'd just like to know the cause of the hissing or how I can easily filter it out.
I'm using this Chinese brand cello ("kinglos")
I can't find any information on the built-in pre-amp, but this is it
It leads into this Neewer noise gate
Into this Kustom KXB1 6 inch 10-Watt amp
Then my recording is done with this Nady SP-4C Dynamic Neodymium Microphone
Plugged into this IRig 2 interface
Which leads to my Google Pixel XL Android phone
All of it is connected with these cables
the setup looks kind of like this
And here's a quick audio sample (please excuse the horrible playing, I haven't been at this very long)
iRig 2
or if you want to go for slightly better quality
iRig 2 HD
Of course the best choice is to get yourself a proper audio interface, but that's likely to cost more and is going to take a bit more setting up.
You can't without adding a bunch of latency making it practically unusable. It's one of the limitations of USB Microphones and ASIO drivers on Windows.
If you are still in your return window, return the Yeti for a pro musicians audio interface with XLR and phantom power and get a XLR mic instead of a USB one.
If you are on a budget, the Steinberg UR22 is an inexpensive model: https://smile.amazon.com/dp/B017MVUAHM/ref=cm_sw_r_cp_dp_T1_nPxrzbFY0V6MG
Don't go with the UR12 or Focusrite Scarlett Solo. They won't allow you to 'mix' the live vocals with the instrument track like you are asking - on those two interface it is a toggle button either or. You need to step up to the UR22 or the Scarlett 2i2 which instead of a toggle button use a mixing knob to mix between the instrument track and the vocal track or a sweet spot in between.
Hello! would love some help in getting something to replace what i believe is my bottle neck in my rig - thanks!
1. What is your budget?
Around $500 but pref. lower
2. What are you looking for?
Audio interface with a great DAC
3. How will you typically be using the gear?
At home/office at the pc
4. What gear do you own?
Steinberg UR22 MK2 (this is the one i would like to upgrade/replace!)
Genelec 8020C (monitors)
Genelec 7040A (sub)
AKG K702 (headphone)
5. What material will you be using your gear for?
Mostly Spotify but also Games etc and sometimes record guitar.
6. Are you willing to buy used?
reluctant
7. What have you looked at so far?
Audient iD14
Audient iD22
RME BabyFace Pro
An audio interface, such as this, has volume control and DAC: https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?s=electronics&ie=UTF8&qid=1541691184&sr=1-1&keywords=steinberg+ur22+mkii
Or, you can cobble something together like this:
That's a lot of work to make studio monitors work for you. I concur with others that a receiver plus passive speakers is a better choice.
&#x200B;
Steinberg/Yamaha UR22 is very solid budget solution in your case ;)
2 inputs, pre amp, phantom power, good quality for this price with 192kHz 24bit.
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM
Like one of these?
Steinberg UR22MKII 2-Channel USB Interface https://www.amazon.ca/dp/B017MVUAHM/ref=cm_sw_r_cp_api_HReJBbDNV2DZY
I have a USB audio interface that I'm using for music production (https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?ie=UTF8&amp;qid=1479411269&amp;sr=8-1&amp;keywords=steinberg+ur22 this guy specifically), if I wanted to upgrade to a good set of headphones (thinking HD600) would it make sense to use the line out on the back of the interface for the DAC (rather than have to buy a separate one), and run that through a separate dedicated headphone amp?
This is an awesome response, thank you!
I'm currently using this audio interface. I know they're meant for instruments/mics, but I don't suppose there's a way to use one of the line in's for game console audio? (just to save me buying another unit)
Update: So I've been looking at getting the scarlett 2i2 bundle https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T50BO since my current mic(DVR100) doesn't seem compatible.
Two questions:-
Focusrite Scarlett-Studio-Pack gen2 USB Audio Interface and Recording Bundle with Pro Tools First https://www.amazon.ca/dp/B01E6T50BO/ref=cm_sw_r_cp_apa_i_sXHsDb0VTJ86W
hi, sorry as i have said total noob :)
but would the bundle above be good enough? or can i get the solo version of the interface?
it will just be me and one instrument so i am not sure really what the specs mean :(
Tbh I got this headset because I worked at McDonald's while going to school so it was disposable money and I didn't know shit about computers and peripherals. After a year and a half of gaming I wanna get a proper XLR mic with a good headset. I'm buying the Scarlett studio pack 2 whenever I can. From what I've seen it's a really good starter package for the price. Here is the link : https://www.amazon.fr/Scarlett2-Studio-Pack-2nd-Generation/dp/B01E6T50BO
> I'm buying the Scarlett studio pack 2 whenever I can. From what I've seen it's a really good starter package for the price. Here is the link : https://www.amazon.fr/Scarlett2-Studio-Pack-2nd-Generation/dp/B01E6T50BO
Looks good, are you going to be recording audio for podcasts, youtube, stuff like that?
I'm not very knowledgeable about recording gear, I'm more a home theater and outdoor audio kind of guy (r/diyaudio is great!) as I run a semi large theme camp at Burning Man with good audio needs.
I think its awesome you are into good sound though, so few people are!
For recording I use this (Except the mic is red with black trim). If I were to get a second mic, could I get the binaural effect? Is it just a case of putting them in a specific place?
I have been nothing but pleased with the Scarlett CM25 mic and Scarlett 2i2 mixer. They're sold as a bundle and are affordable.
edit: embedded linky link.
> Scarlett
what do you think of this bundle? looks really cheap and would be about right for my level. https://www.amazon.co.uk/Focusrite-Scarlett-Studio-Interface-recording/dp/B01E6T54E2/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1542968676&amp;sr=1-1&amp;keywords=focusrite+scarlett+solo+bundle
Thinking about purchasing this Focusrite Studio bundle (mic, headphones, interface) along with my MIDI keyboard. I am dumb with this stuff so far so I have 2(ish) questions:
1.) What's the difference exactly between the solo studio and 2i2 studio?
2.) Would this microphone work well with Logic? And does it really straight up come with ProTools?
*Extra Credit
How much learning am I in here for technically being a complete noob at all this?
Well the blue yeti plugs in through usb so there is very little setup to do and it has a mute button on the front.
If you want a proper setup then you really need a proper microphone (that doesn't connect straight to your pc but to an audio interface, but honestly this is overkill imho), in this case you could just get something like a bundle like https://www.amazon.com/dp/B01E6T54E2/ref=twister_B06WWQP2YN?_encoding=UTF8&amp;psc=1 which would really step up your game.
I would honestly just go for the audio technicas, less trouble with the setup.
Thank you Petravita for the feedback. I have a Focusrite Scarlett mic [amazon link here] (https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_3?s=musical-instruments&amp;ie=UTF8&amp;qid=1522369658&amp;sr=1-3&amp;keywords=scarlett+studio+microphone) that I got from a friend. I was just holding it in my hand because I don't have a pop filter or proper stand. I also live in a 235sq foot apartment so I have to stay quiet which is a huge bummer sense I LOVE YELLING. Thanks for your offer on mixing help, and i'll get back to you about that if I can't get the vocals sounding right on the next song. Thanks again!
Here is a good intro package. Since you linked a USB mic I am assuming you do not own an audio interface.
Focusrite Scarlett Solo Studio (2nd Gen) USB Audio Interface and Recording Bundle with Pro Tools | First
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_3?ie=UTF8&amp;qid=1521352373&amp;sr=8-3&amp;keywords=focusrite+studio
I forgot I didn't have it on this computer lol
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_13?s=musical-instruments&amp;ie=UTF8&amp;qid=1482728962&amp;sr=1-13&amp;keywords=audio+interface
probably going to grab this comes with pro tools
I do not have an audio interface yet, but the Scarlett FocusRite looks promising for a beginner. The solo is $100 and the studio is like $150:
Focusrite Scarlett Solo (2nd Gen) USB Audio Interface with Pro Tools | First https://www.amazon.com/dp/B01E6T56CM/ref=cm_sw_r_cp_api_Z0WyybSDD32PH
You can also get the bundle (which I might purchase for myself as a late Christmas present), which comes with a mic and headphones. The solo version is $180, and the studio one is $220:
Focusrite Scarlett Solo Studio (2nd Gen) USB Audio Interface and Recording Bundle with Pro Tools | First https://www.amazon.com/dp/B01E6T54E2/ref=cm_sw_r_cp_api_81WyybVE24PKK
Not sure how great the mic and/or headphones are, but it's a pretty good deal if you need all 3.
Quick question : does this look like a good interface ? Is it USB-enabled and does it work with StudioOne or the likes ? I searched a lot but I couldn't seem to find something. Sorry for the dumb question haha
https://www.amazon.ca/Focusrite-Scarlett-18i20-Audio-Interface/dp/B01E6T54KQ?psc=1&amp;SubscriptionId=AKIAIMNG3ZFQR7FL5AXA&amp;tag=drummingreview1-20&amp;linkCode=xm2&amp;camp=2025&amp;creative=165953&amp;creativeASIN=B01E6T54KQ
My bandmate who's going to be doing a lot of production work said that he's willing to drop the cash to get the Focusrite Scarlett 18i20.
How do you think that The Saffire holds up to The Scarlett? It would be great to free up some money to invest in other production gear. Also, how would you rank the quality of your microphones? From my current (and amateur) perspective, those seems like professional quality microphones.
Hey you need overall 3 things:
/
-Audio Interface:
You want a number of channels depending on the type of groups you wanna record and the size of the group. Example: 18 Channels (8 mics) v.s. 2 channels (2 mics)
-Microphones:
You want basic versatile microphones and specialized ones for the type of instruments you wanna record.
Example of basic mics: Shure sm-57 Dynamic Mic and AKG 414 Condenser Mic
Those two have a fairly transparent frequency response and work for most scenarios but you also want mics that work better for certain instruments because of their coloration or diaphragm or polar pattern.
-Monitoring:
You need some headphones like the Audio Technical M50x which are transparent enough and good for the price although you could go a little further and look for Sennheiser HD or some of the expensive AKG stuff.
-Accessories and cables
You want good quality XLR cables, two direct boxes like this one and probably a direct box with pre amp like the Avalon U5 (great for sending bass via line, skipping the bass amp part, which can be great for live sessions). Both depend on the type of music you are gonna record of course (first example works for connecting stuff like a keyboard and the Avalon well for bass is great).
You may want a monitor amplifier like Behringer Powerplay for distributing audio to the players or producers or audience via headphones monitors.
Also check out EquipBoard to see what gear are other producers or studios using. They have a good database and is good reference.
You also wanna look on isolation techniques and architecture if you wanna have good natural reverberation or just have control over what the sound is doing, including annoying neighbors if that’s the case. Look for how to soundproof a room in the internet and try read a little about acoustics if you haven’t.
You may wanna to set up 2 rooms: a live room and a control room. The live room would be where you record the musicians and have way more soundproofing and the control would just need to isolate enough and allow visual contact with the ppl in the live room. If you go for 2 rooms you may need to set up the ins and outs and pass cables through the wall in a snake cable like this Hosa or this bigger one . The purpose of having 2 rooms is partly because you wanna monitor with speakers not only headphones (as well as having more recording gear there but it only applies to bigger studios). Example Yamaha HS8 x2 or the KRK . Those are fairly priced options and you will get more value out of them if you are the one mixing the music as they can be better references than just headphones.
That’s it. I was very broad but I did mentioned some basic equipment you can start budgeting. If you need more details about the basics PM me and can help you a bit more, I’m no specialist on some stuff like exquisite mics but know about a bunch that are generally used. Are you in Vancouver by chance? I can help you in the actual physical setup if you are.
Cheers.
Edit: You probably want a powerful laptop or a desktop computer btw but I figure out you already have one.
Most computers can't deal with 8 USB mics at once, on top of the fact those mics don't work well all in the same room together. I would get a USB XLR mixer and some dynamic mics.
8 people seems like a lot? This mixer goes up to 6 via XLR and is pretty affordable. Behringer is an "affordable" brand.
Speaking of Behringer, these mics are pretty decent for the price. They will slightly pick up others in the room, but nothing a simple gate in post can't fix. I don't know your budget, but if you want to get fancier, you can go with the MXL BCD-1.
I use the Focusrite 18i20, it's way more pricey.
I enjoy using Reaper.FM, it's $79 on both Mac/PC. It can record your software and edit it. I'm on Mac, I record everything with Audio Hijack first, then do my post in Reaper.
If you have more questions, let me know. I can get more specific with other stuff if you care.
That's simple. Just pick up one of these, and connect it to an interface that supports it. Usually those interfaces already have at least 2 mic inputs, and can take additional external preamps. I found a few presonus bluetube preamps used that worked. Then connect the Behringer to the interface and you have usually up to 16 channels at once.
The following interfaces support ADAT, and already record 8 tracks, so you'll have 16 channels if you add Behringer unit, no need for anything else.
A good option is the Focusrite Scarlett 18i20.
Another one is the Behringer U-PHORIA UMC1820 if you need something a little cheaper.
I use this and it’s working great!
M-Audio M-Track 2X2 C-Series | 2-in/2-out USB Audio Interface (24-bit/192kHz)
The only issue is that I can’t charge my iPad while I’m recording. I’m still trying to figure out a solution.
Sorry for the late reply, I missed the notification.
Those videos were great. Christ I didn't realise how much of a difference it can make.
http://imgur.com/a/QM714 <-- this is a floor plan I've drawn of my room. It's a pretty big room I'd say; for sizes I'd say from door to window (straight line) is about 4m. Height at tallest point is about 2.5-3m. I can't get pictures of the actual room because it's at uni and I'm home now so this'll have to do. Windows are right next to mixing area basically...
I mostly make melodic electronic stuff but with quite a lot of sampled instruments (Kontakt 5). Distance from window/wall can change a little but the monitors themselves probably can't be further than two to three feet away. I still don't fully understand porting but I think I remember me deciding front was better for my setup (although I would love it was explained fully :)
My budget (including audio interface because I have a shit laptop sound card) is around £350-£400 tops. I'm currently looking at the M-audio BX8 D2s for monitors and the M audio M-track 2x2s Is 8inch too big? It is bedroom producing, but I have a decent-ish size bedroom (for England)
Hope that's everything. Thanks so much for your help :)
Edit: room size changes
https://www.amazon.co.uk/gp/product/B01FFH5XMC/ref=s9_acsd_hps_bw_c_x_1_w
I was referring to timthetatman. He does have a lot of bookshelves and random furniture in a small room.
I've just had a few AT headphones that I like and seeing as Tim is very successful at streaming and his stuff sounded great, figured I'd pick it up.
To be honest, I'm not really looking to make a profession out of this stuff, I'm a realist, I know it will never happen. I just prefer to use nice/decent headphones with an amp over gaming headsets, but I hate things like the ModMic so figured I'd pick up a legit microphone.
So if I'm in the middle of a large room (36ft x 14ft) and there's little to nothing done to help sound, what kind of mic should I be looking at? I was going to get this USB interface with the AT2035 but it seems as if that wouldn't be optimal?
Reaper:
http://www.reaper.fm/
Scarlett 2i2:
https://www.amazon.com/dp/B01H4W34WW?psc=1
Some decent head phones :
https://www.amazon.com/Audio-Technica-ATH-M50x-Professional-Monitor-Headphones/dp/B00HVLUR86/ref=sr_1_fkmr0_1?ie=UTF8&amp;qid=1485141349&amp;sr=8-1-fkmr0&amp;keywords=akg+m50
If you dont really need or plan to do much mixing then you can skip the headphones i would assume
for the scarlett stick with the second gen bc the first gen cannot record di guitars without a di box, may have been fixed sense I owned mine.
After that web has a tone of free plugins from everything to guitars to effetcs and most of them are pretty awesome. The stock plugins will also work very well for what you are doing.
Also im assuming by live you mean direct, if not then you would need a mic. maybe a 57 depending.
Thanks for the response! I was looking at this DAC. It looks like it also has a preamp built in. https://www.amazon.com/Mackie-Onyx-Artist-1-2-Interface-x/dp/B07664LMPQ?th=1&amp;psc=1
Would this be a good option?
I can try to help here, so what we did was get a Focusrite Scarlett. It just takes a standard audio input and outputs to USB that plugs into the NUC. Not sure if that answers all of your problems, but it will get a Shure mic into the zoom meeting so outside guest can hear it.
We had a AV vendor help us get it setup as far as the mics and speakers local, so I can really only speak to getting it to run through Zoom.
Im looking to buy amp for my headphones as well as option to connect my guitar/microphone in it. What would be best option for my Seinheiser hd599?
https://www.amazon.com/Focusrite-Scarlett-Interface-Bundle-Polishing/dp/B074F2V6VJ/ref=redir_mobile_desktop?_encoding=UTF8&psc=1&th=1
https://www.amazon.com/Mackie-Onyx-Artist-1-2-Interface/dp/B07664LMPQ/ref=redir_mobile_desktop?_encoding=UTF8&&#37;2AVersion&#37;2A=1&&#37;2Aentries&#37;2A=0
https://www.amazon.com/Behringer-UM2-BEHRINGER-U-PHORIA/dp/B00QHURUBE?th=1
I would get the K & M Microphone Stand with Telescopic Boom Arm. IT may be easier to get a desk based stand but this will remove the microphone from physical contact with the same table you are using for your computer/recorder/mouse to prevent noises from translating from the table through the stand to the microphone and into your recording.
I would urge you to go higher than $100 for the microphone to a large diameter broadcast dynamic microphone like the re20 or the re320. You can get a package from BSWusa.com to include the shockmount and the pop filter that's the best deal around but if you want to stay under $100 per item I would recommend either the Samson Q2U or the sE Electronics V7.
If you use the sE Electronics V7 I would recommend one of the Makie Audio Interfaces. The Mackie Onyx Artist is currently under $100 but if you wanted to futureproof yourself with the ability to expand to one additional microphone I would highly recommend going with the Mackie Onyx Producer instead. The Samson Q2U can output via USB and XLR at the same time so you could go into the Mac and a XLR connection (like a portable audio recorder) at the same time with no need for the Mackie Interface.
The next one is outside of your price range but I would highly recommend that you invest in a portable audio recorder. Yes you can record straight to your Mac but I've seen so many software recorders fail and lose episodes that a hardware recorder is generally best in my opinion. For your application I would either recommend the Zoom H5 at $270 or the Sound Devices Mix Pre-3 at $650. Either will work for you but the preamps and options on the Mix Pre-3 are pretty sweet. Also, if you upgrade to the re20 or the re320 the preamps on the Mix Pre 3 won't be working as hard and might end up giving you a cleaner sound. The Mix Pre-3 can also act as an audio interface to your Mac as you record at the same time so there would be no need for the Mackie Audio Interface. You can use the Zoom H5 without an audio interface as well but you cannot record on the Zoom H5 and pass the audio to your Mac via USB at the same time.
There's other things I would consider as well but if it was me I'd grab the Zoom H5, the sE Electronics V7 and record straight to a the Zoom.
Take a look at the Mackie interfaces. Ive no idea why they don't get more attention. I switched from Focusrite to a Mackie Producer 2.2 and it's far better than my Scarlett ever was
Mackie Onyx Artist Audio Interface
I would get this interface. https://www.amazon.com/Mackie-Onyx-Artist-1-2-Interface-x/dp/B07664LMPQ/
It has a good soundcard, you can connect your microphone over xlr.
Also right on the money regarding your budget.
Personally I use the Focusrite Scarlett 2i2 for my microphone needs, but I dont run my headphones on it.
And like Oratory said, stay away from the cheap Behringer gear.
I use the mackie onyx artist 1-2. I've tried a few others; I first used a scarlett solo 2nd gen, but those have issues with windows 10. They glitch out your audio after a while and make it sound robotic.
I also used the Shure MVi for a bit but ended up giving that one to my wife for recording her videos with her iphone. It does the job nicely for her.
The mackie is a great interface for $100. It's been rock solid since I got it and the build quality is amazing.
I may get an audient id4 one day, but that would really just be a luxury since my mackie is working so well.
[This is a really good interface] for $50(https://www.amazon.com/Behringer-UMC22-BEHRINGER-U-PHORIA/dp/B00FFIGZF6). Probably one of the best deals on an interface. It's decently better than the $30 one I linked to earlier.
For cables I like lyxpro. I've using them since I started using xlr mics and they've been very reliable. Good connectors, sturdy, flexible jacket and comes in different colors.
I'd buy my current setup...
Focusrite Scarlet 2i2 Audio Interface ($150)
(2) MXL 770 Cardoid Condenser Microphones - Amazing quality microphone for the price. ($144 for 2)
(2) XLR Cables ($20 for 2)
(2) Microphone stands. I use this Gator for my main mic stand and a cheap scissor arm stand for my second. ($100ish for 2)
(2-pack) Microphone pop filters. I like these replicas of the Popgard, but also have one real PopGard that I paid $40 for. Either is much better than those pop filters on a long extension arm that gets in the way. ($10 for 2)
Zoom H4n Pro or H5 portable recorder. I have a Zoom H4 Pro (and a regular H4) but either would work well for recording a podcast on the road or on location somewhere without a computer. ($200-275)
Audio-Technica ATH-M50x Studio Monitor Headphones ($150)
Software - GarageBand or Audacity or other free DAW. Or, if you already have a Creative Cloud subscription like I do, Adobe Audition.
All of that is way less than $1k, and give you the ability to do a two-person interview podcast in the studio or on location. With the extra $100 or so, buy some sound proofing materials for your studio.
This is exactly what my setup looks like right now.
Here's what I currently have:
2 JBL 308P MkII - Powered 8" Two-Way Studio Monitors
https://www.amazon.com/JBL-Professional-Monitor-Speaker-308PMKII/dp/B077NHM2K6/
1 UGREEN 3.5mm 1/8" TRS to Dual 6.35mm 1/4" TS Mono Stereo Y-Cable Splitter Cord
https://www.amazon.com/gp/product/B00ZKM3S4S/
1 Mpow Ground Loop Noise Isolator for Car Audio/Home Stereo System with 3.5mm Audio Cable
https://www.amazon.com/gp/product/B019393MV2/
1 Google Chromecast Audio (Black)
https://www.google.com/chromecast/audio/explore/
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The red dots symbolize want I do not have yet. I'm working on eventually getting:
1 JBL LSR310S 10" Powered Studio Subwoofer
https://www.amazon.com/JBL-LSR310S-Powered-Studio-Subwoofer/dp/B00I08RT3U/
1 Focusrite Scarlett 2i2 Second Generation (2nd Gen) 2-in, 2-out USB Audio Interface
https://www.amazon.com/Focusrite-Scarlett-2i2-Generation-Interface/dp/B01H4W34WW/
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Note: I have all that I need right now, but know that I may eventually buy a subwoofer for my studio monitors, which would make the setup more complicated. I only need help with adding the subwoofer. How will I do it? Will I need more cords and another ground loop isolator? Do I need an audio interface to add a subwoofer? How will I connect my 2 studio monitors and future subwoofer to my Chromecast Audio, my future audio interface, and a ground loop isolator?
I guess this is my last two questions (for now).
What USB Mixer do you recommend at my price point ($300 with tax max)? So far the two options I've looked at were the Mackie I listed before and then the Behringer Xenyx X2222USB. I actually am leaning towards the Behringer right now since it has an Earth Loop function (I've had troubles with that on my Focusrite sometimes) and it seems to have more options with outputs and such. If you have any other suggestions for another USB Mixer, what I should be looking for, and just general assesments and recommendations I'd definitely love to hear it. If I have any further questions that come up later, can I DM you?
Both links you provided would involve RCA to either XLR or TS adapters which would be an unbalanced connection to your speakers.
This Peavey Audio Interface + 2 XLR cables would provide a balanced connection.