(Part 2) Best computer recording equipment according to redditors
We found 3,262 Reddit comments discussing the best computer recording equipment. We ranked the 419 resulting products by number of redditors who mentioned them. Here are the products ranked 21-40. You can also go back to the previous section.
It's through my audio interface, Line 6 Pod Studio UX2 :) http://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2/ref=sr_1_1?ie=UTF8&qid=1418684735&sr=8-1&keywords=pod+studio%E2%84%A2+ux2
First off, don't play around with splitters. You want to get a mixer. Something simple to start with like this one:
https://www.amazon.com/Alto-Professional-ZMX862-6-Channel-Channel/dp/B004TM323C/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1485432445&sr=1-1&keywords=Alto+Professional
Then to get everything synced-up, you want to use a MIDI Quadra Thru:
https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1485432544&sr=1-1&keywords=quadra+thru
Then you will just need to get some MIDI cables and then 1/4" to 1/4" audio cables for the Monologue and 1/8" to 1/4" audio cables for your Volca Beats and Monotron as well as one to go from the mixer to your speakers (or you can use headphones by plugging into the mixer).
For syncing everything you would use a MIDI cable out from the Monologue, to the MIDI In of the MIDI Quadra Thru box. Then connect a MIDI cable to one of the MIDI Thru's to the MIDI In to each of your other devices. Now I don't own the Monologue, Volca Beats or Monotron, so there may be another way...but it should work fine the way I described.
I'd recommend avoiding the cheap, no-name ones like this. Sometimes they just don't work at all, or sometimes they'll work for certain things (note-on) but not others (SysEx dumps, sequencer data, etc.). I actually had one that I connected to one of my synths, and it sent a bunch of garbled MIDI data that caused me to lose some patches.
If you can afford it, I'd recommend something like the $35 iConnectivity mio. I've had 3 different iConnectivity interfaces, and all have been rock solid and dependable. This doesn't require any drivers, whereas I think the equivalent cables by Yamaha, Roland, M-Audio do.
I use this [Behringer UCG102 Guitar-to-USB] and it works fine , just plug it in and it should be configured. Choose the correct input in Audacity and you can record.
M-Audio Oxygen 49 https://www.amazon.com/dp/B00IWU2CBA/ref=psdc_11973721_t2_B00IJ6QAO2
This is 6$ more but has faders and more knobs.
I started with the older variant of this and it served me incredibly well.
Check this out, It does a pretty good job for a pretty low price. And it's easy to keep in your guitar case.
$500... lessee...
Mic: Electro-Voice RE320 — https://www.amazon.com/EV-RE320-Variable-D-Instrument-Microphone/dp/B00KCN83VI
Interface: Steinberg UR22MKII — https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM
Windscreen: Electro-Voice WS-PL2 — https://www.amazon.com/Electro-Voice-WS-PL2-Foam-Windscreen/dp/B0043ISZXY
Stand: On Stage MS7701B — https://www.amazon.com/Stage-Stands-MS7701B-Tripod-Microphone/dp/B000978D58
Cables: XLR cable — https://www.amazon.com/AmazonBasics-Male-Female-Microphone-Cable/dp/B01JNLTTKS
Cables: USB cable — https://www.amazon.com/Hosa-USB-215AB-Type-Speed-Cable/dp/B000VBGD6S
Justification for each:
RE320: It's a hell of a mic. Consider the Rode Procaster instead if you want to save a bit of money.
UR22MKII: Solid interface. Nothing more to say, really, except that it has a full 60dB of available gain, unlike some cheaper interfaces.
WS-PL2: It's a windscreen. Since my intention here would be close-talking into the mic (i.e., lips practically pressed against it), the windscreen is the better choice. It's expensive, but it's a thick-ass microphone.
MS7701B: Since the mic doesn't come with a shock mount, a floor stand is probably going to be preferable so keyboard/mouse noises or desk bumps aren't picked up as much.
XLR cable: It's an XLR cable. You'll need that.
USB A-to-B cable: It's a USB cable. I'm not 100% certain whether the interface comes with one, but... just in case. Obviously, if you intend to buy them, find out for sure whether it does or not, first.
Total as of right now: $487.09
https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4
You could always set them to different channels and use a thru box to hook them up.
I'd recommend this, but depends what your budget is. That one will keep you going for a few years at least. Easy to store as well.
If you go to the bottom floor of Wunjo guitars in denmark street, you can try one out. Musicroom (just over the road) also have a lot of keyboards.
Alternatively if you have a computer with a good sound card (not a built in one), or a mac, you could get this for cheaper and set it up with a cheap DAW like Main Stage (£30 for mac) or FL Studio (free for windows). But you do need to have a good sound card for this to work or you will experience sound delay.
If you just want 88 keys and don't care about the other things above, then $180 good enough for you?
And this is the new price, so it could be cheaper if you find one used.
Once you start adding a few of the features listed above, they get expensive pretty quickly, to ~$210 (more realistic touch), then $400 (more polyphony), $500 (accessories), $750 (modelled/realistic sound with resonance modeling), to almost $6000 when you want counterweighted keys for example.
But the piano isn't the expensive part. Teachers cost around $150-$300 a month. Of course, you can "learn by yourself" and be a lot less efficient in learning piano. For example, not getting feedback and knowing if you are playing everything correctly (not just the notes), you are not just learning piano but also learning how to learn piano (where the teacher knows how to teach so you only have to worry about learning), and possibly creating bad habits long-term that will be extremely difficult to correct years later.
It's just a tradeoff of money vs time.
Do NOT get any internal sound card!!! I can't say this enough. People kept telling me and I didn't listed. I bought 2 of the best sound cards and had to return them due to interference. Get a DAC like the Schiit Modi 2 (Modi 2 Amazon link) or Modi 2 Uber and save yourself the frustration and have much better sound.
For speakers, check out the JBL LSR305 (Amazon link) (Amazon link with cables) or if those are too expensive check out the Micca MB42X. They're both great speakers. I got the JBL LSR305 about 6 months ago and they sound amazing with my Schiit DAC. Check on eBay too. I got a brand new Schiit DAC for about half the regular price and they have used ones even cheaper.
Yeah, shoulda said. I got one of the midi solutions quadra boxes on eBay. amazon link
I can confirm that this works, as this is what I used to use. However, it is not grounded so you will get a lot of hum.
Cheapest way to go without hum, as far as I've found, is this:
http://www.amazon.com/Behringer-UCG102-Guitar-to-USB-Interface/dp/B000PAPO9W/ref=pd_cp_MI_3
It is only $35, which is way cheaper than most audio interfaces out there. Of course, it's also only useful for guitar, and it's not as nice as higher end interfaces. If you want to get rid of hum, though, it's invaluable.
Quality Test. Have to break a rule here, SORRY!!
Items, Old Setup:
Blue Snowball
Shockmount
ProLine Stand
Items, New Setup:
Audio Technica AT2035
Rode PSA1 Stand
Line 6 POD Studio UX2
Required XLR Cable
I also plan on picking up Noctua NH-D14 and an H440 soon to replace my 650D and H100i.
I was referring to something like the Akai. While you can record a midi keyboard using just a usb cable, you'll need some sort of interface to record signals from your microphone. I suggested a pci device because you're building a pretty badass rig, and pci devices are much faster/have better latency/have more inputs and outputs than usb or firewire devices. However, they're also usually quite expensive. Plus, if you're only going to be recording with one microphone, you really don't need all that nonsense. For this reason, I highly recommend getting a usb device. What's your budget going to be like? There are a wide variety of very high-quality interfaces to be had for under $200. Off the top of my head, two that I can recomend are the PreSonus Audiobox and the Line6 UX2 (which I use).
What I would get in that range:
Reaper - $60.
Focusrite 2i2, Mic, Cable and headphones bundle - $240
then either a
Blue Spark - $170
or a pair of KRK Rokit monitors - $265
or an SM 57 - $92
and a cheaper set of monitors. - $135
So,
Reaper + Bundle + Spark = $470
Reaper + Bundle + KRK Rokit = $565
Reaper + Bundle + SM57 + Other monitors = $527.
Note that you don't need to buy reaper immediately, and can buy it later if you like it or switch to a more expensive DAW if you don't like it.
My monitor recommendations are very uninformed, but they're to give an idea of price range.
I really like this M-Audio one - and you get some software and stuff with it too, for a very good price :) https://www.amazon.com/M-Audio-Keystation-49-II-Controller/dp/B00IWWZAM6/ref=sr_1_3?s=musical-instruments&ie=UTF8&qid=1473038843&sr=1-3&keywords=midi+keyboard
Hey!
I spent a good portion of my youth playing in bands of the punk variety. My advice might be a bit dated since it's been about 10 years but hopefully this helps!
I wouldn't be too considered with 'breaking into the business'. I would say have your son focus on your first point of forming a band or at the least, jamming with other people.
If he hasn't already, have him uploading his playing to youtube or soundcloud. This could be original songs, covers, or just riffs he comes up with. For the actual recording, you can do a lot with an iPhone by picking up something cheap like an iRig to record with.
As for the actual meeting people, have him talk to kids at his school as there are usually other kids that play and most likely others that are into the same style of music. You can also use Craiglist to find people looking for others to jam with but your mileage will vary. Try hitting up local music stores as they will normally have a board up with bands looking for people.
Going to local shows is another great way to find people, even more so if your son is decently outgoing. I would check out the following venues for shows:
Chain Reaction - http://allages.com/shows/
The Observatory - http://www.observatoryoc.com/events
Slide Bar - http://www.slidebarfullerton.com/calendar
The Wiltern (in LA) - http://www.wiltern.com/
This show is pretty far away but has bands that are in the Blink/Green Day style - http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=7083045&pl=sdobservatory&dispatch=loadSelectionData&REFID=art
If your son is decent and starts meeting and jamming with people in the local scene, he should be able to work himself into a band.
Sorry for the word vomit, hope it helps. If you have any questions, feel free to ask!
https://www.amazon.com/dp/B00T631UTC/ref=twister_B00YXGRSXE?_encoding=UTF8&psc=1
"iRig" ... Can't use that without headphones.
Let's start from the top.
____
they're bothMixcraft is Windows-only (Reaper has a Mac version. Thanks for the correction @Cassinpants), and I assume you have a Mac, since you have GB.____
My personal setup is:
-Focusrite 18i20
-Electrovoice Re20 + Heil PR40
-Custom PC (i7 6700k/ Fury X/ 16Gib DDR5 RAM, Hard drives for days)
-Mixcraft 8
-various plugins
-Libsyn
Hope this helps, for now! See you back, soon, to figure out RSS ;D
Edit: Added multiple links
I know that a lot of streamers use the audio technica microphones so here's one. There is also the Blue Yeti. In terms of budget microphones, there is the Blue Snowball and the CAD u37. You also might want to consider an audio interface as well. Here's an excellent combo, cause its awesome.
Hello mate!
From an absolutely newbie point of view looking to record some vocals and a guitar can EASILY be done by 'just plugging it in and starting to record.'
You need a Laptop which you have, some software like Audacity (which is free) some headphones, and a microphone.
The microphone you posted requires an audio interface with phantom power which will cost you somewhere between 50-100. Considering its not a very good microphone I would recommend looking at either:
USB microphones for ease of setup, no additional hardware needed like this-
https://www.amazon.com/Microphone-FIFINE-Computers-Podcasting-K670/dp/B079HRFH2Y/ref=sr_1_10?ie=UTF8&qid=1538688598&sr=8-10&keywords=usb+microphone
OR
A bundle with everything you would need to be a bit more serious like this-
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_10?ie=UTF8&qid=1538688671&sr=8-10&keywords=microphone+bundle
There can be more complications if for example you want to record a podcast in the same room to the same laptop.
Those links I posted are examples, not recommendations. If you can give some more information on your likely setup, your laptop specs, any software you've used before, any other hardware you have (like headphones), your budget etc... I'm sure someone could give you a better answer/recommendation.
I believe that the USB host port on the FP10 is for storing recordings and/or MIDI files. It definitely doesn't transmit MIDI.
You can use a intermediary device that provides a USB Host port to connect to the USB device port on the Yamaha --- and a 5 PIN MIDI out to connect to the Reface.
Kenton makes such a device that is known to work well.
https://www.midi-store.com/Kenton-MIDI-USB-Host-MkII-p/sku44975.htm
This one is much less expensive. I don't know as much about it but I've seen it recommended at least a few times.
https://www.amazon.com/Midiplus-USB-MIDI-Host-midiplus/dp/B074NGTGHN
How about $55?
midiplus USB MIDI Host) https://www.amazon.com/dp/B074NGTGHN/ref=cm_sw_r_cp_apa_i_hv6IDbCN5MKVP
I can’t vouch for this but I might try it if I were you. Fairly cheap: https://www.amazon.com/Midiplus-USB-MIDI-Host-midiplus/dp/B074NGTGHN
I owned the Kenton midi host which is about $100 on the used market but it worked well and was simple.
There are a few other options like retrokits makes one I think. Currently I have an iconnectmidi 4 which does the host thing and is great for routing midi to and fro.
his turntable has a built in preamp (which he is currently running to the speakers) so he can easily add a passive preamp between the two without the need for a phono stage, the sys is an option, but something like the Mackie Big Knob or JBL Nano Patch is designed for studio monitors. i'd probably grab the Mackie Big Knob just because it has 2 inpuits/2 outputs
pretty much all you need is the mackie big knob, a set of TRS cables to go from the big knob to the monitors, and a set of TRS to RCA cables to go to the turntables preamp, optionally add a second set of TRS to RCA cables to connect to another source (or TRS to 3.5mm to connect to a computer/phone/etc)
The issue is that studio monitors are generally designed for balanced connections (XLR/TRS), and you are adapting an unbalanced connection (3.5mm/RCA). When using unbalanced cables, you risk picking up interference, especially in an electrically noisy environment (like a computer).
Basically, your computer puts out a lot of electrical interference, and the 3.5mm jack on your motherboard is not correctly shielded from this interference. The issue is not your wall sockets or your placement, it is inherent to the source.
My suggestion would be to either get an audio interface that supports balanced connections, or try an inline hum eliminator.
You need an audio interface. You don't need that phantom power supply. I don't know why they even sell that shit as a bundle. It just confuses people.
GET THIS. It's what everyone here recommends for beginners. It connects to your computer via USB. It has a built in preamp, phantom power, and a headphone jack as well as RCA outputs on the back if you want to hook up speakers. Just plug you mic directly into the mic input on the front, turn on phantom power, adjust the gain with the gain knob and you're good to go.
If you want two mic inputs GET THIS. It's also got balanced outputs on the back if you ever decide to get studio monitors.
All of the mics you are looking at cannot be connected directly to a laptop or desktop. They have to hook up to a preamp and an analog to digital converter. Audio interfaces have both of these built into one unit, and they usually have a USB output on them that connects to your laptop (some still use Firewire or Thunderbolt instead). As an example, here is a link to the interface that I use. This one has 8 microphone inputs, which would be overkill for you since you're only recording one mic. There's plenty of 1 and 2 mic input interfaces out there that would suit you well.
Haha, yep that's me! Really into Melee, and I'm studying Audio at OU.
SO there's a whole lot you can do with a $1.5-2k budget. Most of my recommendations are going to focus on microphones, but if you're not trying to do that much recording, you can discard that advice and spend more budget on keys and synthesizers—however, making your own samples and working with them can be pretty cool, fun, and very professional-sounding. I'm speaking from already deep into this rabbit hole, so note my bias. BUT! For that budget you can basically get a near-professional quality mini-studio's worth of gear, if you so choose.
In my opinion, if you're just starting out, Piracy can save you a lot of cash that you can better put towards your gear. If your budget is ~1.5k, I would say pirate Logic Pro if you have a Mac machine, or Ableton/Adobe Audition if you have a Windows machine (PM me if you'd like ;) ). You don't really need all of NI Komplete when you're starting out, especially if you get Logic Pro, because they have a LOT of built in instruments. Also, NI packages can be piratable too. This is all assuming, of course that you're comfortable with pirating software, I understand if you're not, but it can save some cash, and you don't really need a license until you start making real good stuff that you plan on selling/making a business out of.
As far as gear is concerned, if you're serious about recording you might outgrow your Scarlett pretty fast, since it only has 2 mic preamps. You might want to consider a TASCAM 16x08 or a Focusrite Scarlett 18i20. These will let you handle 8 microphones at the same time, which means you can also get a mic kit for your drums. This will get you the absolute best sound out of your drums (provided you learn to use them properly, of course). Learning how to mic drums is a really cool process and there's a lot of room for really making it your own and experimenting with different techniques.
As far as drum mics go, you have cheapest quality at Pyle Pro Mic Kit, Medium Quality at CAD Audio Mic Kit, High Quality at AKG Mic Kit, and professional quality with an Audix DP7 Mic Kit. Even with these, you're still going to want something versatile too.
If you want to also sample some stuff IRL or record other instruments, then get one or two good Dynamic Mics to handle Vocals, Guitar cabs, or wind instruments. You're spot on with the Shure SM57, that thing is a swiss army knife of a microphone and is nearly indestructible. You probably can't go wrong with a matching pair, but you could also go for a SM57 and a Sennheiser e609 to cover all your bases, as the e609 will probably sound better on a guitar cab if you're looking to record guitars.
Okay, now MIDI! The Akai Pro MPK Mini II is a good bet and will definitely do all that you need it to, but if you find yourself needing more keys, there are some good midi controllers out there for just about the same price, for example an M-Audio Controller. It doesn't have as many programmable knobs, but that shouldn't matter unless you're using it to control a software synthesizer, and you need to utilize cutoff, attack, resonance, etc. on the fly. If you're really set on electronic music, then the Akai may be right up your alley, since these knobs will give you more control over your tone.
Aside from that, if you have these tools you can do nearly anything. Check out YouTube tutorials, learn how to use a sampler, learn what the different knobs on a synth do, and get some basic production background and get started! Experimenting in a DAW (Digital Audio Workstation) is really fun, so I think the best thing you can do when you're starting of is mess around and see what you can do. Best of luck, let me know if you have any questions.
Second the AT2020 it's a good place to start.
EDIT: If you don't have a interface (Which I'm assuming you don't) it might be best to start with a usb mic or look at expanding the budget a little and get an interface with it. The AT2020 does have a Usb varient but it exceeds your price range.
I know this is out of your price range but this is everything you would need, with upgrading in the future being an option. If you bought a usb mic now and wanted to upgrade to a xlr mic later you would need to by an interface on top of that mic anyway. Just something to be aware of.
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=mp_s_a_1_6?ie=UTF8&qid=1541401196&sr=8-6&pi=AC_SX236_SY340_FMwebp_QL65&keywords=focusrite+recording+bundle&dpPl=1&dpID=41K2dCwPdgL&ref=plSrch
Good point, now I am thinking about a midi box that would serve as the interface receiving MIDI clock from the drum machine and sending it to all his synths/devices.
If it doesn't echo or have that setting available, try this out, it is a One in, Four Out midi box
What you need is a MIDI through box. That was the first one that came up in my search, but you could probably find one cheaper than that.
It's not a program, it's their audio interface. Line 6 POD UX2, I believe.
Sorry about the huge ugly title text! I've used Ardour to mix things in the past, and I've been using Linux pretty heavily since around 2010. But this is my first completely 100% F(L)OSS album.
Here's a link to more details on the album's lyrical content.
http://rpmchallenge.com/index.php?option=com_lyftenbloggie&view=entry&year=2016&month=03&day=02&id=8884:the-deed-is-done
And a summary of some more technical details (that I had posted elsewhere):
> I used one of these: http://www.amazon.com/Art-USB-Dual-Pre-PS/dp/B002KEAT78
plus a Rode NT1A, AKG C3000B, AKG C1000S, Fender Telecaster '74 thinline reissue guitar, Seagull acoustic 6-string, Old solid state Kay amp with a Peavey bass cabinet, Mexican Squier Fender Jazz Bass, Yamaha MO6 keyboard, drummer's drums, Hydrogen drum machine (for Lippity Lippity and temporary drums during recording)... and probably some other things.
oh yeah, and I used Ubuntu 12.04.5 on a Lenovo L412.
BTW I'm not sure if you've seen this, but check it out. First I noticed the samson headphones for $50 look identical, but open. Also, the focusrite package includes a rebranded version. Not sure if there are differences in those. http://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B00AW91CPG/ref=sr_1_7?ie=UTF8&qid=1415404096&sr=8-7&keywords=focusrite
Yup, they are the Focusrite HP60MKII. Got them with the Focusrite Scarlet Studio Bundle.
Actually had the headphones exchanged some weeks ago, they sent me a new one that normally ships with the 2nd gen studio bundle. That's why the interface as well as the mic are 1st gen but the headphones are 2nd gen
My suggestion that's pretty future-proof would be a focusrite scarlett 2i2 or similar interface, a mic stand, a pop filter and a large-diaphragm condenser mic.
So basically this bundle: https://www.amazon.com/Focusrite-Scarlett-Studio-GENERATION-Interface/dp/B00AW91CPG
or this one: https://www.amazon.com/dp/B004LLV04E?psc=1
Having the option to use two mics and to use different mics means that the entire set-up has room to grow.
You want a midi interface of some sort. This can range from a small box with multiple in/out ports, or a cable like this: https://www.amazon.com/iConnectivity-mio-1-out-MIDI-Interface/dp/B00CO5IRSG/
The Mio is the cheapest option I'd recommend; I recently heard from someone else that they tried a bunch of cheaper chinese conversion cables before the Mio, and none of them worked.
Once connected, you go to Options>Midi in FL Studio, and the midi interface will appear as a device there. So you select it and assign it a port number (let's say port #1 for these purposes). Then in your instruments panel, you click click then select insert>midi>Midi Out. Then on the Midi Out, you change the port number to match the desire device (i.e. port #1) and then whenever you select the midi out "instrument" your keyboard will play the Volca as if it's a plugin in FL.
Granted, you won't hear your Volca in the DAW's audio stream on your computer unless it's connected via an audio interface. But if you have headphones or speakers plugged into the Volca's audio/headphone out, you can still play and hear it that way.
Unfortunately, the cheap USB-to-MIDI converters like that one have issues with stuck notes on the Mother-32. I have an iConnectMIDI2+ that works great with my Mother-32. I haven't tried the mio, but since it's from iConnectivity, it is probably better than the cheap adapters.
He's talking audio, and you are talking control (midi)? I use this midi cable: https://www.amazon.com/gp/product/B00CO5IRSG. to control my volcas. Any decent usb audio device with good A/D converters should be fine for grabbing audio.
> If a mixer gives you options to, well, mix, then why would anyone choose an interface instead if they're around the same price?
Mixers are analog, and the cheap USB ones only convert the mix to digital.
So a 10 input mixer will take ten mics, and you can adjust their volumes and pan them left and right in real time, but you can only record the left and right output of all the channels. If you want to record a live band "as it sounds" and not any editing, a mixer will work and per instrument they're about half the price of an audio interface in the cheap range. (Rough guess)
What are you wanting to record? This is pretty important.
What OS are you using?
What is "breaking the bank?" Hopefully you mean spending less than $1000, as even then you're not really in the "prosumer" range.
If you're okay with 4 preamps and the rest line + digital, then the 18i8 is $350 and USB and will serve you fine.
It (and many interfaces) have an 8-channel ADAT digital audio input, so you can later buy another 8 preamps for $200 (or more if you want decent quality preamps.)
This synth-action piano from Alesis fits your budget - with room for a cheap multi-effect pedal on top. (A multiFX is probably the quickest way of turning five relatively undistinguished sounds into something a bit more unique. Within your budget, these kinds of GM boxes are your alternative for expanding your palette in a relatively portable way, perhaps combined with a slightly cheaper dumb keyboard like the Keystation 88 mk2; but chances are you'd still want the multiFX, and that quickly turns into Too Many Boxes...)
edit: If you can stand to lose an octave, Casio do a few 76-key keyboards (the WK245 is $199) - but at least one commenter complains that the black keys are too thin, so maybe try one first if you can. That might be your best option for something you can sling under your arm and vamp on with a few friends.
I would like to bring up the Alesis V49 great for it's price and has 49 keys.
This is correct. Note though, that there are quite a few very, very good free software instruments available on the internet, while the software that comes with these controllers usually are more of a demo version. Therefore, don't weight that argument too much.
Personally, I'm just a fan of full sized keys. And there definitely are some in your price range. Like this Alesis V49 or [this M-Audio one without pads, but at $99] (https://www.amazon.com/M-Audio-Keystation-49-II-Controller/dp/B00IWWZAM6/ref=sr_1_2?s=musical-instruments&ie=UTF8&qid=1479493057&sr=1-2&keywords=midi%2Bcontroller%2B49&th=1).
Anyways, I'm sure she'll be happy no matter what :)
It's possible to learn some stuff without a midi keyboard, but I'd reccomend buying one. You can probably get a used one for about $50 on ebay if you're short on cash, or probably around $100 new. You don't need a great one, even a cheap one is way better than nothing. Just make sure you get one with full sized keys, not mini-keys. And try to get one with at least 49 keys so you're not cramped with a tiny keyboard.
Something like this maybe
https://www.amazon.com/M-Audio-Keystation-49-II-Controller/dp/B00IWWZAM6/ref=sr_1_1?ie=UTF8&qid=1478550971&sr=8-1&keywords=maudio+keystation+49
1: That's just a controller. It doesn't have sounds of its own. I would suggest considering something that does have sounds of its own (such as a synthesizer, a piano, or something more like a normal student keyboard like this) so that you aren't tethered to a computer+software any time you want to practice. That said, you can still get by with a controller only and your laptop. Whatever you get, you probably do want Midi so you can use it with your software. (Unless it's a real 88-key piano, which is probably the best for learning IMO). For the "portable keyboards" with midi support, like the one I linked, Yamaha and Casio make some pretty good ones. A little pricier than the one you linked, unfortunately. 32 keys might feel a kind of limiting, but maybe not. You can probably find a 61-key one with MIDI on craigslist pretty cheap. (Yamaha PSR series is pretty good, nice sounds)
2: Learning some music theory is definitely a helpful tool, and that generally means studying an instrument. It's pretty much essential for collaborating with other musicians, since you'll need to speak "the language of music." (Keys, chords, etc.) One thing I've always enjoyed for learning is going to guitar chord sites (like ultimate-guitar.com), looking up some songs I know, and playing the chords on piano. If you don't know how to play a chord, look it up. You'll start noticing patterns (how to play a major chord, minor chord, 7th, maj7, etc). That combined with practicing scales can take you pretty far, and give you some tools to explore when writing songs. /r/musictheory seems to be a good community for resources, too.
3: Piano is so fun. I played other instruments before picking up piano, but learning piano has improved my understanding of other instruments (and theory in general) dramatically. So I think you definitely have the right idea looking at keyboard instruments.
4: If you do get a MIDI controller that doesn't have built-in sounds.. I noticed that the one you linked doesn't have any pitch bend or modulation wheel. I'd consider getting one that does. Pretty handy when working with synths (including the ones in your DAW). Another nice thing to have is pads for banging out drum beats. Much more intuitive than using the keyboard. Neither are essential, but they're fun, and something to consider. M-Audio Axiom series is a good one with both of these features. Oxygen series, too.
5: Interestingly, Keystation 49 II is the same price on Amazon as the Keystation MIni 32 you linked. Out of the two, I would definitely go for the 49. More keys, and real pitch bend+modulation wheels. (The pitch bend buttons on the mini look kind of lame IMO.) Unless the more portable size is just super important to you.
6: If the keyboard you get has traditional (round) MIDI I/O ports but no USB port, then you'll need a MIDI interface for your computer. They're cheap, and you don't need anything fancy. Something like this is fine. You can also get an audio interface that has MIDI built-in. If you go with an audio interface, you should do more research, as a good audio interface (unlike an expensive midi adapter) does make a big difference in the sound that gets recorded. But that's probably farther down the line if right now you're just trying to learn and get better at composition. At that point you'll be looking at good monitor speakers and/or monitor headphones, too.
No hard and fast rules, here. Just a few things to consider.
It seems like the fear of "performing" in public is really going to be a stumbling block for you to do what's most important, and that's to concentrate on feeling the guitar in your hands while playing. As others have said, the difference in pickups will be minimal in your price range, and at your level. So, get a portable headphone amplifier. Vox makes a range of them for about $40 each. Or, you could get a similar knockoff at Monoprice for as little as $8. Or, for that same $40, you could get yourself an iRig2, use your phone as a portable stompbox, and almost certainly get better quality than either of the above, with multiple amp models and effects in software. The advantages are several, as you can now feel comfortable jamming away at full volume (to you), while no one more than 6 feet away has a clue what you're playing. Bring your own short patch cable and picks, and there's no waiting for a salesman to plugin to an amp for you, then hover nearby whilst you noodle, making you nervous. You can now feel confident in saying "I've got a portable rig I'm going to plug into, thanks". Even pro-level musicians might have a phone or tablet rig they use to sketch up ideas, or when traveling. Feel free to look annoyed if you have to remove your headphones/earbuds, and/or ask for time to yourself. Then, go off into your own little world, play the heck out of those girls, and fall in love. You'll know the right one when you meet her. Or feel her up for the first time. Getting creepy now - better stop.
Can I use an iRig 2 to record a split from my rolls for IEMs to my phone?
Record from a budget of $29 to $500 with iOS
$29 - Option 1 (more if you don’t have iOS)
Assuming you already have an iOS device, all you need is this adapter (and the lightening to headphone jack adapter your device came with.
IK Multimedia iRig 2 Guitar Interface Adaptor for iPhone, iPod Touch & iPad (IPIRIG2PLGIN) https://www.amazon.com/dp/B00T631UTC/ref=cm_sw_r_cp_api_i_KcZTDb8XJH0A4
This adapter allows you to record directly into your iToy with GarageBand. There are a few sounds and amps you can simulate with the included iRig software or GarageBand.
$199 - $299 Option 2
Get a better amp. The Boss Katana 50 and above or Line 6 Spider V 30 and above have a built-in digital output in their USB ports that allows connection to an iDevice directly. You get all the benefits of the amp modeling and effects in your recording; plus a neat new amp.
Steinberg UR22MKII:
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?ie=UTF8&qid=1496843405&sr=8-1&keywords=steinberg+ur22mkii
ok, i would go with something like Focusrite Scarlett 2i2 (150$), sm57 ($100) and maybe Audio-Technica AT2035 (150$) or something similar. the interface already come with a DAW so you wont need to buy software
there is also bundles like this or this but i dont know how good the mics are
Hopefully this helps:
You are gonna need some form of Soundcard/Audio Interface. This is the one I have and it has served me very well: https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T50BO/ref=sr_1_6?crid=450X1QB48N3T&keywords=focusrite+scarlett+2i2&qid=1567064239&s=gateway&sprefix=Focu%2Caps%2C323&sr=8-6 If you are on a budget, there are definitely cheaper options, so if you are looking for something cheaper, that link should give you a BASSline of what to look at. (Get it? ha)
In terms of software, I would personally go with Pro Tools. Its what most of the Music Industry uses to record/edit songs and whatnot: https://www.avid.com/pro-tools-first This is a free version, so it does not have many features, but if you are trying to just throw some simple songs together, or just record yourself playing, this is a perfect option.
Keep Rockin and Rollin my dude!
I'm going to suggest the Focusrite Studio pack. I've included a link to the 2i2 version on Amazon, but there's also a Solo version for less dough if that's more your speed (and you can spend the money you save on a mic stand and pop filter).
I can't speak for the microphone or headphones, but Scarlett interfaces are great. You'll also get Ableton Live Intro, which can cover at least basic recording and producing. I would also suggest looking into Reaper, but it can be a pain to set up (it's only $60, though).
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T50BO
I want to split a MIDI signal 2-3 ways (and probably more in the future). Is there any reason to grab a full splitter box rather than grabbing a simple y cable or two?
I don't feel compelled to spend more money than I have to one a little utility like this, but if it'll make a considerable difference then I'll pony up. I'll be running whichever splitter out of the back of a powered 6i6 so I don't think the powering problems with either type of splitter should be a problem.
Another solution might be to go from your Roland A-800 MIDI Out to a MIDI Solutions 4-output MIDI Thru Box. (https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4)
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You can then route one MIDI Cable to the Reface and one to the Microsampler.
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Set the Reface to respond to MIDI Channel 1, and Microsampler to MIDI Channel 2.
You can then change the transmit channel between 1 and 2 on the Roland controller, or better yet (now that I'm looking at the A-Pro manual), change control maps between the two.
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Another option would be to program a split control map on the A-800 to use both devices - depending on the notes you need to play during a given song.
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I use a "Thru box" similar to this.
http://www.midisolutions.com/prodthr.htm
I know the MS-20 Mini is hardwired for MIDI channel 1. I don't know about the Volca's midi implementation, but as long as you can change the MIDI channel on the Volca something like that would work.
EDIT: Here is a nice one on Amazon: http://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4/ref=sr_1_1?ie=UTF8&qid=1419974222&sr=8-1&keywords=MIDI+thru+box
I'd recommend reading up on how MIDI works, because all of this setup is really basic once you understand it. But, for a short crash course, here's how it works.
MIDI can be sent and received on more than one "channel" (most devices support up to 16 channels). So, even with one signal chain, as you're describing in your post, you can send individual MIDI to each instrument.
So it works like this. You have Ableton set up with MIDI tracks for each external instrument. Each of those tracks can be set up to send data over a specific MIDI channel. So, lets say you have 3 MIDI tracks set to send on channel 1 for track 1, channel 2 for track 2, and channel 3 for track 3.
Then, take your MIDI out from your interface and chain it to all of your devices. This is the only tricky part, as some external gear doesn't have MIDI thru (which is what allows MIDI data to come in and be sent back out of a hardware instrument). Usually you can get around this by chaining them the right way, i.e. if you have an instrument without a thru port, just put it last in the chain.
So, we have a MIDI cable connecting each of our instruments, set up like this:
> Interface > Hardware #1 > Hardware #2 > Hardware #3.
Now, remember those MIDI tracks we set up in Ableton, the ones each sending to a different channel? Now we just configure each piece of hardware to accept MIDI data from only ONE of those channels. Therefore, MIDI track #2 controls whichever piece of hardware is set up to receive messages on MIDI channel 2. This way, you can send individualized MIDI data to every instrument simultaneously.
Fyi, you can do this with your Scarlett interface, the only problem you may run into is running out of audio inputs to bring the actual audio into your computer (which you can solve by getting a larger interface). Remember, MIDI is not SOUND, it's just messages telling the instrument producing the sound what to do.
Now, a MIDI Thru box (like this) simplifies that task by letting you connect all your devices directly from that box, without having to chain them through multiple instruments. The MIDI still works exactly the same way, but you reduce your chance to have latency issues, i.e. data being slow to get to each instrument. However, unless you're running a lot of external instruments at the same time, chaining MIDI using the thru ports should be just fine.
Hope this helps!
EDIT: Actually, you're Scarlett doesn't have any MIDI ports, so it can't send MIDI data, but that Behringer will do the trick.
I'm not familiar with Massive, but I can help with getting your bass signal to your pc.
As a first option, there are 1/4" guitar USB devices sold expressly for this purpose. Behringer makes the cheapest one I know of: Behringer UCG-102. Ran across it while looking for a general purpose USB audio interface, but I didn't buy it because of the reviews complaining about the drivers. There's a $30 Mac cable I've seen used, too, but I don't know if anyone has PC or linux drivers for it. There are a lot of others, most of which start around $100 that I've seen. The Native Instruments one runs several hundred $$, I think.
I have a cheap jerry-rigged method that suits my needs, though. If you have a desktop pc, a DI pedal, or a better soundcard than usual, you might be able to do something like this more easily, but this is what I threw together one day after picking up the ground-isolator and USB audio interface for other purposes:
1/4"-to-3.5mm adapter into the headphone-out of amp, then a 3.5mm-to-RCA converter on top of that. Ground-loop-isolator (mine has RCA inputs and outputs, hence the converters) from that into the USB audio interface. I'm using the Behringer UCA-222. The interface connects to the PC via USB, or course.
Two things worth noting: 1) you'll probably want to install "ASIO4ALL" drivers to decrease latency times on this or similar USB audio interfaces and 2) you may not need a ground loop isolator, depending on your hardware. I'm using a laptop in this setup, and if it's plugged in then there's some interference. Easy way to check: while the pc's plugged in, if you can output your pc's audio to the Line In on your amp without hearing static, you probably don't need a ground loop isolator.
Hope that helps.
i think it's this one https://www.amazon.com/Behringer-UCG102-BEHRINGER-GUITAR-LINK/dp/B000PAPO9W
I use this with my Nexus 10. It works alright. I use an OTG adapter and I'm good to go.
Haven't used it in a long time though because I got myself a PreSonus Audiobox USB for my pc which is lightyears ahead in quality and ease of use.
The only audio stuff I do on android is Caustic and Loopstack.
I use B&W 603 S2's as my main speakers via an oldish Sony 5.1 amp. I have a Auzentech X-Fi Prelude soundcard and they are all connected up with analog leads. ie it's not connected with spdif or hdmi or anything. So pretty similar setup I guess, apart from the soundcard. Given that you have a decent amp & speakers I would suggest you try and get some of your music in FLAC (or any lossless format) and compare it to your mp3's.
If you're not a huge music fan than don't bother. But if you are then I have to say it's really worth it. I've done double blind listening tests and I can tell an mp3 from a FLAC everytime. Some people may not be able to, but some people can.
My brother has a similar setup (albeit with much better speakers/amp) but he has an Asus Xonar D2 which sounds fantastic. And some of the Xonar soundcards aren't too expensive.
Finally, a word of warning; I'd recomend getting something like this for recording guitar. Feedback can kill your soundcard. I don't play guitar, and haven't used the interface I've linked to, so I'm not recommending that one but I've know a couple of people who've damaged their mobo by directly connecting guitars...
You don't necessarily need an amp when you're starting, if you have speakers. I just use a guitar USB interface and Audacity. Sure, you can't gig with that sort of setup, but it is more than adequate for practice. Any cheap practice amp you buy is only really going to be good for practice, so I don't really see the point - you'd be upgrading when it comes to gigging anyway.
If you're really committed, I would be tempted to spend a bit more money on the bass itself rather than getting something cheaper and an amp. Not only will a good branded guitar retain a decent resale value if you treat it well, but if you buy something really cheap you're only going to be upgrading later anyway. It's also a bit easier to learn on a quality instrument. Ibanez GSR-200 is in your budget and is a quality instrument for a beginner.
Look into buying used as well, others have posted tips on that.
Just my 2p, I've only just started learning myself as well (I bought a used Yamaha BB604 for $280 and really like it). Best of luck.
Lets talk about what /r/guitar has against it.
If you have thousands worth of gear and a properly setup home studio, awesome, mic away and make a professional sounding track. If you'd like to demo a few things, then for $30 you can be playing into your computer in 5 minutes.
Edit to add a video that illustrates my point perfectly.
I've got a friend who has one of these for his bass, he's pretty happy with it
Budget really depends on how customizable of the laptop you can get. You can buy a gaming laptop, but then you are overpaying for the GPU. It also depends what kind of songs are you planning on writing. If you going to use 5-15 layers, you should be fine with a much cheaper setup. If you are doing orchestral music, or complicated EDM, then you need what I described.
I highly recommend having a tower for those purposes, it's cheaper albeit less convenient.
DI you can get for around 200-300 bucks, here is an example (That what we are using)
https://www.amazon.ca/Line-2x1-4-Inch-XLR-Interface/dp/B001EKECC2
should i spend the money on a sound booth or would it be better to save my money and try to upgrade to. this microphone with this mixer?
Bike was experimenting with an effects processor back in December 2015 (wow didn't realize its been that long). I missed a few streams and not sure if he kept the processor or went with something else.
think it was this according to his twitter.
Line 6 POD Studio UX2
https://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2
check his vod section in December 2015 after 15th or so...
https://www.twitch.tv/bikeman/v/30898077
There are software only solutions with some different VST effects but that might have more delay and could be cpu intensive plus harder to setup for the average person.
edit: bikes bot says he got the roland vt-3
http://www.roland.com/products/vt-3/
Hey! For this I used Line 6 POD Studio with vocal and guitar effects on POD Farm:
http://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2
I got a returned one for half price ... really don't have much to work with without the POD farm at this point--it has all sorts of amps and effects inspired by real products. I use reverb settings for the guitar. For the vocals, I selected a vintage UK preamp (inspired by Neve 1073 Mic Preamp & Equalizer), compressor, noise gate, and standard spring amp.
I'm not Brett, but I do host my own show that sounds pretty fantastic and I didn't have to break the bank for it.
For microphones, I'm using the Ultravoice 1800s dynamic mics.] (https://www.amazon.com/Behringer-Ultravoice-Xm1800s-Dynamic-Microphone/dp/B000NJ2TIE) They come in a 3-pack, which is $40 right now but I waited until they went on sale for $25. Really decent microphones that don't pick up a lot of background noise.
For a mixer, I'm using the [Behringer Q1202] (https://www.amazon.com/gp/aw/d/B008O517IW/ref=mp_s_a_1_5?ie=UTF8&qid=1474221402&sr=8-5&pi=AC_SX236_SY340_FMwebp_QL65&keywords=behringer+mixer+xenyx+1202&dpPl=1&dpID=5153d6epzTL&ref=plSrch). It's about $100 bucks, but again, it'll go on sale if you wait awhile.
I'm only using a mixer because I often have guests in person, though. If you're doing the show alone and don't want to bother with fine-tuning your sound, you can just use a pre-amp [like this one] (https://www.amazon.com/gp/aw/d/B002KEAT78/ref=mp_s_a_1_3?ie=UTF8&qid=1474221560&sr=8-3&pi=SY200_QL40&keywords=xlr+preamp&dpPl=1&dpID=41fdibotlHL&ref=plSrch). I can't recommend any specific one, but just search amazon for "xlr pre-amp" and look for models with good reviews.
The other stuff you'll need is pretty cheap. Some xlr cables (5 for $20) foam mic covers (6 for $3 on ebay) and a mic stand (around $20).
You won't be able to get earwolf quality sound out of this stuff, but [I use it all on my show and it sounds great.] (http://www.futurehorsepod.com/ghostbusters/) I'm the only one using this setup in the episode though. Jackson is in Australia so he used his own stuff.
If you want to throw money at this thing and get the exact sound they have at Earwolf, they're using the Shure sm7b microphone, which usually runs $300-400 bucks and requires much more expensive equipment to run it through.
Hope this helps!
Yes, there are recorders that can record multiple tracks. Like the Tascam DR-40 has XLR inputs. I'm not necessarily endorsing the Tascam. I have the DR-05 and find it acceptable quality. Something like the Zoom H4N has XLR connectors built in, so you could record a mic into those and use the built in condenser mics to record your guitar.
You left out some relevant information: Budget, can your guitar be plugged in or will you mic it? Do you have a pretty sound free workspace?
I think budget is the most important part here. I interpret 'nothing flashy' as being a cheap as it can get without being poor quality.
I'm gonna link to listings on Amazon because it's easiest, but B&H or if you live near a Guitar Center might be a better place to buy.
A possible setup:
If you need/want to mic your guitar then consider the SM-57. It is nearly identical to the SM58. Here is a guy demonstrating using one to record his guitar.
This guy's video makes me wonder if just an SM57 with a decent preamp (i.e. one with clean gain) might be all you'd need... but that isn't ideal. You could go with two XM8500s, one for guitar and one for vocals ($40). Or one SM58 for vocals and one XM8500 for guitar($120). That all comes down to budget and preferences.
Potential Changes & other thoughts -
A more expensive preamp - ART Tube Dual Mic Preamp With USB - $190- this has some compression and a limiter. It's debatable whether in this range it would be better to get a decent mixer, a preamp for your vocals, and let the preamp on the mixer handle the guitar, or if something like this would be better. Like a Behringer mixer - Q802USB ($80) + ART single channel Preamp for vocals ($40/$50) would be less money than the Dual USB preamp.
Or maybe just the Q802USB would suffice for your needs. It has preamps already built in. They are not the best preamps in the world. I mean... after all I wrote above, the more I think about it the more I think you should try a Q802USB and see if the sound is what you're wanting.
Headphones - Add in some headphones to monitor your audio. ATH-M40x ($100) would be my recommendation, but this is where a lot of personal preference comes into the mix, no pun intended.
Different mics - Rode has some mics that compare the the Shure SM57/58 that might be better. And the options for mic are virtually limitless, when you consider not just the mics can vary, but the audio interfaces and processing options. I really think a dynamic mic will be most user friendly for a one off home recording.
I hope I haven't confused more than I helped. I think the essentials are this: good mics, clean gain, easy to use. Whether you get the dual channel ART preamp or the Q802USB, either will be easy to use. I would bet the gain on the ART preamp is cleaner, meaning less background hiss at higher levels, than the Q802USB, but perhaps that is just an unreasonable bias. In either case, the mic is going to be important and where your budget plays a big role. The SM58 and SM57 are superb for vocals and recording guitar. A condenser might be better if the acoustics of your recording space allow for it, but I hope you saw from the video I linked of the guy recording his guitar with the SM57 that a great sound can be achieved with a $100 mic. If that is out of your budget, keep in mind the XM8500, but the sound is not as clear as the Shure mics it tries to emulate.
I've had a board go out in the past. For me it was the usb output port. Sometimes those things are built pretty wimpy.
For a new option, if he needs less 2 or less mic inputs and can bump up his budget a little more, i've used the ART USB Dual Pre with some success.
The more succinct and to the point your demo is, the better. Trim the fat, show off what you need to and don't waste anyone's time.
I don't know what you mean by "don't see yourself using SFX", but a competitive demo uses all elements (music and FX) to show how your voice works in context.
And yes, please, gosh, get a different mic if you're continuing to pursue VO. You can pick up something like this and it really doesn't get much better for the price.
If you're interested in just about any instrument other than the guitar there are lots of options out there in terms of sample libraries. Guitar (in my opinion) has the worst representation of virtual instruments (I think this sounds awful) and libraries out there because it's honestly pretty hard to capture all aspects of.
As mentioned earlier, if you do not have a DAW, you should get one. This is the piece of software that you will use to construct your songs, apply effects, mix, master and a lot of other functions. Reaper is the Winrar of the music world with an unlimited trial period so that would be a good place to start.
Within this DAW you'll be able to create music without knowing how to actually play any instruments using a MIDI input that can be done with a mouse and typing keyboard. From there you'll be able to google "free [insert instrument] VST" and you'll likely be able to find a free (albeit lesser quality) instrument that you'll be able to use to compose with legally (i.e. not pirated).
Example: Free Piano VST
From here forward you'll be able to create songs with pianos, strings, synths, beats, drums, brass, etc and then sing overtop. In order to capture your voice you will obviously need a microphone. You could go online and spend a little bit on a cheap USB microphone to get you started or spend a bit more on an audio interface and a nicer microphone.
There's a lot to learn but the feeling of making your own music entirely by yourself is awesome. PM if you have any questions.
Good luck!
I have the Scarlett 2i2 and two AT2020s, totaling $350 in mics and interface. The 2i2 retails at $150, so you're only dropping $50 on the mics. This would get you up and recording for $200 flat, and then you can upgrade your mics later, without losing out too much money. If you're just getting started, this is not a bad way to go. However, I would recommend checking out some of the major audio hardware sales sites as there are other 'official' packages being sold at various price points.
There is the all Focusrite Scarlett bundle at $250 from Sweetwater and the same kit available from Musician's Friend as well as Amazon which includes headphones and a single large diaphragm cardioid mic, though I have heard nobody talk about FR's mics or cans, so look at the reviews to find out how well they perform.
Amazon also has several other packages (including the one in that ebay listing) which include various other mics, mostly entry level, but a few higher end options as well. Some other kits also provide mic stands, pop screens etc.
If you are willing to spend closer to $300 in one go, you can get a full studio setup, but if you are planning recording a solo vocalist with guitar accompaniment, then the package you listed is a good start and all you need to add is mic stands. The third option is what I did, and that is buying your interface, mics, stands, pop filters, etc. all separately but bundled from one etailer to take advantage of the free shipping. Most of these bundles are for convenience and don't offer much in the way of savings. Just do your research and buy a kit that will get you setup for the type of recording you want to do. In the end I opted to build my own package to give my studio the flexibility I wanted, though I had seriously considered these bundles first.
I use the exact same setup as you! Here's what you need:
Do what that other user said and download MIDI-OX. Plug your drums into your PC via USB. Don't cheap out on the USB to MIDI converter-- the $9 generic/cheap foreign ones on Amazon might be tempting, but none of them worked for this setup when I tried. I finally caved and bought a nice $30 one from Guitar Center and it works flawlessly. Plug one end of it into your PC, and plug the MIDI end marked "MIDI out" into the Rock Band MIDI Pro Adapter, which in turn plugs into the console through USB. So essentially, it goes drums-->PC-->USB to MIDI cable-->Pro Adapter-->console.
Power up the drums and open MIDI-OX before turning on the console. Go to Options--> MIDI Devices, select "e-drums" as the input, and your USB to MIDI cable as the output (different ones are labeled differently, but it'll likely have USB in the name). The program will remember these settings so you only need to do it once as long as you remember to plug everything in before opening MIDI-OX. Power on your console and you're good to go! I'm extremely surprised how well it works. I don't even need to change my calibration at all!
Edit: here's the USB to MIDI converter I use:
https://www.amazon.com/dp/B00CO5IRSG/ref=cm_sw_r_cp_api_D.sFybT0WPZEQ
Came here to post exactly this....
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This product is $35 and may be exactly what you need. Incredibly reliable and nothing to program, just plug it in, and it works -- Mio1 Midi Interface
http://www.amazon.com/dp/B00CPCJI2C
That would a pretty good choice and, given your original budget, doable. There are likely cheaper options that would be fine as well, though, if you're really trying to minimize costs.
For a lot of midi keyboards, the most you'll need is a USB cable which, if it doesn't come with one, are a dime a dozen. Worst case it will also need a power adapter and it should come with one if it needs it.
As far as keyboards go, I highly recommend starting with a 49 key controller. The extra octaves are really helpful and give you more freedom when playing and fucking around. I found this one on amazon that seems to have what you're looking for.
https://www.amazon.com/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1484448319&sr=1-1&refinements=p_n_feature_ten_browse-bin%3A9316886011
M-Audio Oxygen 49 MKIV | 49-Key USB MIDI Keyboard & Drum Pad Controller (8 Pads / 8 Knobs / 9 Faders), VIP Software Download Included https://www.amazon.com/dp/B00IWU2CBA/ref=cm_sw_r_cp_api_sljHAbE2X856H
I decided on a M-Audio Oxygen MK4, which is much cheaper than what I was looking at and has plenty of keys for me to work with comfortably. I suppose I'll look at more expensive options once I have more experience. Thanks for the feedback!
ll Personally I’ve had wonderful experiences with M-Audio Midi devices. But keep in mind, I’m a pianist so I like to use weighted or semi-weighted keys to simulate an actual piano feel - which GREATLY improves the performance of your playing style. Those types of devices are a bit more expensive - if the weighted keys are not a factor for you, then this model is excellent: M-Audio Oxygen 49 MKIV | 49-Key USB MIDI Keyboard
I'm not the best for advice since my primary use is for composing (I was raised on guitar rather than piano), but I'd go with something like the Nektar Impact LX49 or the Launchkey 49 Mk2.
Personally, I'd go with the Oxygen 49 since it's 6 pounds instead of 9. Again, I'm probably not going to be much help since I'm saving for a keyboard workstation that has to do double time as a live performance tool.
If you really want help, gearank.com has decent recommendations for just about everything.
https://www.amazon.com/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA
I have an older model of this, which doesn't have a drum pad, and it works well. Has aged well and has a good feel. Big enough to not always warrant changing octave up/down, small enough to fit most places, including your lap.
The Alesis V49 looks awesome but doesn't come out for another couple weeks. Very slim and doesn't have a ton of unnecessary stuff. Also has semi-weighted keys for a decent price.
http://www.amazon.com/Alesis-V49-49-Key-Keyboard-Controller/dp/B00IWWEW20/ref=dp_ob_title_ce
I've been loving the Alesis V49. The keys are very satisfying to play, I've spent hours at a time playing around on it. It's also got some knobs you can map to a plugin so you can adjust cutoff, res, etc while you play and a drum pad if you're interested in that. I would recommend checking eBay if you're interested; I was able to get mine new for $115 from this seller.
Alesis v49 is my go to, it’s got a nice drum pad and full size keys. https://www.amazon.com/dp/B00IWWEW20/ref=cm_sw_r_cp_api_ZRxaCbGEV1Y3A
If your looking for something with more octaves for not hella expensive, look into
https://www.amazon.com/dp/B00IWWEW20/ref=cm_sw_r_other_apa_i_NtvNDb35BAWTD
Hey man - you may want to look at is the Alesis V line of MIDI controllers. This one is $130. I've got a VI49, which is from the slightly more advanced line they make. I'm no piano player, but I personally really like it and think it provides really good value for what you get.
They have two problems though, one minor and one major. The minor problem is that they often have squeaky keys - but this is really not a big deal at all and doesn't affect playability. The major problem with them is that their velocity sensors are kinda wonky. You can play two notes with pretty much the same amount of applied pressure and the volume will swing around more than it should. It is possible to squash the velocity curve a bit though, which imo makes it passable. But just beware if you think you may have a problem with that down the line. They make a 25-key version too if you really really want the smaller size, at which point you could upgrade to the VI version and only be a bit over budget.
They have pitch and mod wheels, as well as a set of pretty decent pads that can be linked to drum samples. It also has a few extra buttons and knobs that can be linked to other samples and settings. So it should meet your basic criteria, plus a little extra.
I used this one for a little while:
https://www.amazon.com/Alesis-V49-Keyboard-Controller-Buttons/dp/B00IWWEW20/ref=sr_1_1?ie=UTF8&qid=1526142118&sr=8-1&keywords=alesis+49+key&dpID=41SI3fyI30L&preST=_SX300_QL70_&dpSrc=srch
Doesn't have sliders and only 4 knobs. But its semi-weighted if that matters to you, and has 8 drum pads.
Here's my recommendation: http://www.amazon.com/M-Audio-Keystation-49-Keyboard-Controller/dp/B00IWWZAM6/ref=sr_1_1?ie=UTF8&qid=1416514151&sr=8-1&keywords=m-audio+49
Purchased and owned for a while before getting my M-Audio Axiom 61 (fucking great keyboard btw)
Many people have gotten it to work! Almost any can work, but the one I use personally is the m-audio keysation 49. You may need to enable some midi stuff in the chrome settings, but all you have to do in audiotool is just click the 3rd tab on the right-hand side in the app, and click midi-setup. Everything else will be explained in the app.
It's one of these jobbies, I think, but silver in color instead of black. https://www.amazon.com/M-Audio-Keystation-49-II-Controller/dp/B00IWWZAM6/ref=sr_1_4?ie=UTF8&qid=1478123984&sr=8-4&keywords=usb+midi+keyboard
So get the
beyerdynamic DT 770 PRO 250 Ohm Studio Headphone
and a
Modi 2 USB Digital/Analog Converter ?
to get any sound you will need an amp of some sort, the dragonfly has an amp built in though. in the lower price ranges i would say the majority will be dac/amp combos. not every single one, but a lot.
from what i understand the 598s are pretty easily powered though, so you dont need a powerful amp or anything weird. the 250ohm beyers would take a bit more to power properly, but i think the dragonfly would work for those too unless you like really loud volume.
i think the dragonflys are supposed to be pretty good too, but it wouldnt do anything for mic input if you need that. that is going to be the limiter if you need mic input for whatever reason, which is why i linked the creative ones.
if you dont need mic input the "schiit stack" (schiit is the company name, the stack refers to 2 stack-able devices) is a very highly recommended setup, though it would be a bit more than your budget. it is a standalone dac and amp setup that will power most headphones with ease. i have the schiit stack and it powers everything i own fine (beyerdynamic mmx300, phillips fidelio x2, oppo pm3, akg 553, ath mx50) though none are particularly hard to drive.
dac: https://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA
amp: https://www.amazon.com/Schiit-SCH-0702-Magni-Headphone-Amplifier/dp/B00SCBKPW2
the schiit fulla is also one that might fit your needs pretty well (again, if no mic is needed) and is only $80 http://schiit.com/products/fulla
its portable too, similar to the dragonfly but cheaper.
there are tons of options really, anywhere from $10 things from amazon into the thousands if you really want to spend some $$ on your eardrums. and most of it is very subjective as to what is "best". different DACs have different sound signatures, different amps can have different sound signatures too. some people like some but not others for whatever reasons too. ive personally found that i dont like some of the more expensive "better dacs" because they sounded too clinical, too boring to me. i dont even really know how to describe what i didnt like, just know that i prefer how less expensive ones sound. point is, dont get too caught up in it all! else you can head down a very expensive rabbit hole lol
https://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA
This is what I bought.
Sound Card = Not knowing what actually makes audio good.
Get a Digital Analog Converter, DAC for short.
https://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA - Pretty much the best DAC that money can buy unless you have the budget to startup an entire recording studio.
Here's a Schiit branded device that is USB powered.
My setup was roughly ~2000€ euros (Sennheiser HD 800, Audio-gd NFB-11, Violectric V200) but you can get kickass headphone audio for a lot less.
Some useful links for educational purposes:
Real vs Gaming headphones:
https://www.youtube.com/watch?v=mgCMRai9K8I
Best audio quality setup:
https://www.youtube.com/watch?v=B2PCt-LQXzI
And an example of a high quality headphone setup:
DAC (digital to analog converter):
https://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA/ref=sr_1_2?ie=UTF8&qid=1497596052&sr=8-2&keywords=schiit
Amplifier:
https://www.amazon.com/Schiit-SCH-0702-Magni-Headphone-Amplifier/dp/B00SCBKPW2/ref=sr_1_1?ie=UTF8&qid=1497596052&sr=8-1&keywords=schiit
RCA cable to connect them:
https://www.amazon.com/PYST-RCA-Cables-6-inches/dp/B00CICPTHC/ref=pd_bxgy_23_img_3?_encoding=UTF8&pd_rd_i=B00CICPTHC&pd_rd_r=9H23AKEH8KW5NV3AZ217&pd_rd_w=0tI1N&pd_rd_wg=2BwIZ&psc=1&refRID=9H23AKEH8KW5NV3AZ217
Headphones:
https://www.amazon.com/Sennheiser-HD-598-SR-Open-Back/dp/B06WRMZZ45/ref=sr_1_3?s=electronics&ie=UTF8&qid=1497596075&sr=1-3&keywords=sennheiser+hd+598
430 USD.
If you can't afford a proper setup right now I suggest you just save up until you can. Think of it as a graphics upgrade to your ears. :)
> Schiit Modi 2
Is this what you're talking about? https://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA
Well it depends how you use it. You could run your guitar straight to it and use amp sim/looper/effects/drum machine/etc. Or you could run the sound through your rig first and then run it to your iphone(make sure that the signal that goes into iphone is same strength than what goes to headphones, not something that would go to the amps speaker, so use headphone out line out if it has one).
I love blocs wave looper, it also has its own library of recorded loops, some of the drum and percussion loops are really nice to jam on.
I like dm1 drum machine on ipad, there is an iphone version also and im sure its also good.
Then if you want something more complex there is this http://www.akaipro.com/product/impc-for-iphone
Im not sure which guitar amp sim app is the best, because bias fx is ipad only. But for guitar speaker simulation(which i suggest using or at least testing if you like it even if you use amp sim), there is this really wonderful and simple app https://itunes.apple.com/us/app/fiddlicator/id813106474?mt=8 , and its free. The neat thing about it is that you can load impulse responses on it that simulate different guitar speakers. You can find tons of them free if you google "free guitar cab impulse responses" or something like that. They are much more realistic than the speaker simulation on the amp sim apps. It can also load impulses that simulate reverbs in different spaces, has really nice eq, low/high pass filters, delay and reverb. A must have app for guitarist imo, but it doesent simulate amp, just the speaker element and microphone and its position(or echoes of different spaces, you could get the reverb that you would get playing cranker up amp in taj mahal for example).
There is bias amp for iphone. Its not the full blown bias fx, its an app that lets you build your custom amp and tweak pretty much everything you could in a real amp. With audiobus(maybe AUM could do it also, it has other nice features, app worthy of checking out), you could make a custom amp in bias amp and use impulse responses of speaker element in fiddlicator and have kick ass amp simulated. But there is no pedals there. However, you can get the distortion from the amp and reverb/delay/eq from fiddlicator. Reverb and delay should come after distortion anyways. But there is this app JamUpPro that made by the same guys than bias stuff and you can load the amps you made in bias amp on it. It also has recording and stuff, but it has in app purchases quite a bit(like the recorder), and its pretty expensive, but it seems to be in discount atm. Ampkit+ is worth checking out, so is tonestack and amplitube. But the bias amp to fiddlicator via audiobus would be straight forward and good setup. For the whole amp sim thing.
There is this app called audulus3 that lets you build pretty much any effect you want, its meant for synth stuff, but can be used with guitar. If you add that in the audiobus signal in effect slot, you could get pretty much any sort of sound from your guitar. BUt it takes some really indepth fiddling, so if you dont want that, you want some other app.
Altispace is a really nice reverb app, it also lets you use impulse responses to simulate echoes/reverb in different spaces like fiddlicator, but lets you tweak with the reverb much more.
You should just look around for effect apps(there are so many so different ones that its best if you just look around) basically to replace pedals that you wont get if you use audiobus to route bias amp -> effect app -> fiddlicator.
Im not sure if it works on jamuppro, but in bias fx on ipad you can put fiddlicator on the signal chain inside the bias fx, so there is no need to use audiobus. If it does work on it, definitely get jamuppro, while its still on discount.
If you want to use it just as an "pedalboard" before your sound goes to your amp, i suggest getting either audulus 3 if you like to tweak A LOT to get that the perfect effect from simple to something out of this world. If you just want some regular pedals, ampkit+ is nice for that, just turn off the amp and cab sim and use the pedals on it. You might want to check these out as well:
https://itunes.apple.com/fi/app/frobulator/id993500586?l=fi&mt=8
https://itunes.apple.com/fi/app/nebulizer/id1007409385?l=fi&mt=8
https://itunes.apple.com/fi/app/muckraker/id1018267293?l=fi&mt=8
Hooking up your guitar to the iphone is better when the device connects through the lightning port than through headphone jack. But the cheaper things like irig2 connects through the headphone jack. Irig2 is fine if you need cheap, it also has a nice feature that lets you run the audio through the iphone and out from connection that goes to amp, while with some others you might have to fiddle with getting correct plug from iphones headphone out to amps in. Audio interface would be ideal, but you would need the camera connection thing besides the interface.
Some products you might want to check out:
http://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC
http://www.thomann.de/fi/steinberg_ur12.htm
http://www.thomann.de/fi/vox_amplug_i_o.htm
http://www.thomann.de/fi/ik_multimedia_irig_hd.htm
http://www.thomann.de/fi/ik_multimedia_irig_pro.htm
http://www.thomann.de/fi/steinberg_ur22_mk2.htm <- you could hook up some midi synth on that or some other midi devices
http://www.thomann.de/fi/apogee_jam_96k.htm
Those larger audio interfaces would be much better, especially if you use amp sims and al lthat stuff and not just run it to your amp. But running the guitar effortlessly and cheaply, irig 2 would be best imo. I dont know about the vox amplug io, just noticed it exists and looks like worthy of checking out.
I have not tried this and have no idea what latency is like but this kind of thing is available
https://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC/ref=dp_ob_image_ce
The Irig2 is the clearest
Seeing how we only have a single guest on our show, I use an iRig. I give them my phone number and they call in.
The call routes directly from my iPhone into DAW and outputs into our headphones. This also allows each of us, (three hosts), to talk to them directly as well. The quality of the call is amazing and one of the best purchases I've ever made audio wise.
I would like to add music production hardware to this list. Since OP is gonna use it for making music, good speakers and a sound card are a must.
I recommend the UR22 sound card. It connects via USB to your computer has 2 ins and 2 outs and comes with pre-amps, which is perfect for the home studio (unless you're recording several tracks at once for drums). The UR22 comes with the Cubase 6 software, which is what I personally use. The Pro Tools Sound card is really expensive and harder to find. If you already have software you can still use the UR22. My only complaint is that the preamps are a little on the low side, but they get the job done on a budget, not really a big deal.
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?ie=UTF8&amp;qid=1465770351&amp;sr=8-1&amp;keywords=ur+22
As for audio monitors, I really like the Mackie CR3s. You can get a pair of these for 99, which is great on a budget and still produce high quality sound. Monitors can get really pricey and take up a lot of space, if you want something of a higher quality you'd have to buy each on separately. Also get 2 1/4" cables to go out from the sound card to the audio monitors.
https://www.amazon.com/Mackie-CR3-Creative-Reference-Multimedia/dp/B00KVEIY4E/ref=zg_bs_11974991_1
I might pick up that power supply if the mic doesn't work! That Mackie seems way too extensive for me. I was looking at something more along the lines of this
Here's the one I use and it works very well: Steinberg UR22. There's the UR12 that has one input instead of two, for about $40 less. I like having two inputs since sometimes I use two mics, but if you're strictly recording one input/mic at a time then the UR12 will work just as well.
An audio interface with balanced outputs would work best. The have outputs for monitors and headphones.
A DAC/Amp combo would work too, but you may get more noise.
I suggest any of the following for an interface:
https://www.amazon.com/Mackie-Onyx-Artist-1-2-Interface/dp/B07664LMPQ/ref=mp_s_a_1_3?ie=UTF8&amp;qid=1538615994&amp;sr=8-3&amp;pi=AC_SX236_SY340_QL65&amp;keywords=mackie+onyx+artist&amp;dpPl=1&amp;dpID=41g1YyxjwFL&amp;ref=plSrch
https://www.amazon.com/Behringer-UMC202HD-BEHRINGER-U-PHORIA/dp/B00QHURUBE/ref=mp_s_a_1_3?ie=UTF8&amp;qid=1538616381&amp;sr=8-3&amp;pi=AC_SX236_SY340_FMwebp_QL65&amp;keywords=behringer+u-phoria&amp;dpPl=1&amp;dpID=41LnZHDgziL&amp;ref=plSrch
https://www.amazon.com/Focusrite-Scarlett-Audio-Interface-Tools/dp/B01E6T56EA/ref=mp_s_a_1_3?ie=UTF8&amp;qid=1538616639&amp;sr=8-3&amp;pi=AC_SX236_SY340_FMwebp_QL65&amp;keywords=scarlett+2i2&amp;dpPl=1&amp;dpID=41L6SD2-BwL&amp;ref=plSrch
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=mp_s_a_1_3?ie=UTF8&amp;qid=1538616711&amp;sr=8-3&amp;pi=AC_SX236_SY340_QL65&amp;keywords=steinberg+interface&amp;dpPl=1&amp;dpID=41NuXCXoVGL&amp;ref=plSrch
For a DAC/Amp combo, I suggest the following:
I personally own this and it is great.
https://www.amazon.com/Micca-OriGen-G2-Resolution-Preamplifier/dp/B01N14SY65/ref=mp_s_a_1_1?ie=UTF8&amp;qid=1538616843&amp;sr=8-1-spons&amp;pi=AC_SX236_SY340_QL65&amp;keywords=origen+g2&amp;psc=1
https://www.amazon.com/FX-Audio-Optical-Coaxial-Amplifier/dp/B072JJT7SF/ref=mp_s_a_1_8?ie=UTF8&amp;qid=1538616970&amp;sr=8-8&amp;pi=AC_SX236_SY340_QL65&amp;keywords=dac%2Famp&amp;dpPl=1&amp;dpID=41iOCuvyjdL&amp;ref=plSrch
http://www.schiit.com/products/fulla-1
https://www.massdrop.com/buy/massdrop-o2-sdac-dac-amp
or this:
http://www.schiit.com/products/magni-1
plus this:
http://www.schiit.com/products/modi-1
You're in luck! Check out the JBLs recommended at the top of the page that come in just under $300. If you're going from regular computer speakers to studio monitors, you'll need something else to connect to the speakers. You could technically just use a 3.5mm to dual quarter inch cable to start off, but you'll really benefit from an external dac and/or preamp or an audio interface (which is basically a dac/preamp combo that also has inputs). For those I'd rely on others for recommendations. I have a Sternberg UR22 audio interface that treats me well, but if you just want audio output, there may be higher value options on the DAC side of things.
The JBLs:
https://www.amazon.com/JBL-LSR305-Professional-Studio-Monitor/dp/B00F1DEI8G/
My steinberg, for reference:
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1493746130&amp;sr=1-1&amp;keywords=steinberg+ur22
You should see an increase in audio quality going from a USB mic to a mixer, even if the mixer is also connected by USB. All microphones capsules output a low voltage analog signal. In order to connect them through USB you need to first amplify that signal and then run it through a DAC (Digital Audio Converter) in order to get a digital signal that can be sent over USB.
A USB microphone has a built in amplifier and DAC. However, since they are generally lower-priced pieces of hardware, the amplifier and DAC are not very good quality. The amplifier and DAC also have a lot to do with how much static or internal noise you will get, especially if you are pushing the gain on your amplifier past 80% or so.
By using a better amplifier and DAC on a mixing board you can get a much cleaner signal than you would get on a USB microphone. You should also be able to amplify your sound more without noise or distortion. Now you should be asking yourself if that is worth your money, or if that is something you are having issues with. If so, here are some suggestions.
Yamaha MG10XU ($200 Mixing board)
Mackie ProFx8V2 ($180 Mixing board)
Yamaha Steinberg UR22MKII ($150 Audio interface)
There are less expensive mixing boards and audio interfaces, but if you are upgrading for better amplifiers and DACs then this is the lowest I would recommend. They are a bit more than you were looking to spend, but you may find some deals with black friday around the corner. If you really must have a cheaper solution then I've heard good (but mixed) results with the Scarlett 2i2. I had driver issues with the one I got though.
Chances are you aren't going to get very clean audio out of a $62CDN mixer - I tried Behringer stuff before and ended up pretty disappointed. Went with something like this instead.
You'll want something like this
It includes everything you need (minus a microphone stand) and isn't to expensive
Look online for deals on used microphones. This is an investment that will come a long way, trust me. As for an audio interface, focusrite has some solid offerings and even has a bundle with an interface, a microphone and a pair of headphones at a respectable price that is close to your budget.
To record 4 people simultaneously though you’d need an interface that exceeds your budget. Maybe recording so many people isn’t feasible in this particular instance, unless you can up your budget. You could always make do with an interface with two inputs and have your guests pass around the mic then edit out the noise in post.
And no, you don’t need a dedicated amp if you choose buy almost any audio interface. Most have a preamp built in.
Is this with the input trim on the rear of the speakers all the way down as well? The first thing i do when i fresh install MacOS/get a new Apple is disable all system wide sounds and notifications. If that’s viable for you, that’s a good start.
I haven’t been able to use keyboard volume keys in 15+ years; my suggestion is to either get an interface with an analog volume control or even better, a passive volume attenuator. Like the nano patch or something.
JBL NPATCH BLK Nano Patch+ Compact 2-Channel Passive Volume Controller https://www.amazon.com/dp/B01I3B0OH6/ref=cm_sw_r_cp_api_i_QbczCbZG1B7VB
With digital volume/usb speakers I believe you’re throwing out available bit depth and at lower volumes, so you’ll get poor quality. I used to run my monitors and audio output at full ‘normal’ volume with one of those in between. Plus if all of a sudden shit gets super loud; there’s no faster way to turn it down than a single big knob right in front of you. My interface now handles everything for me but if I’m understanding things those are my suggestions: kill random sound fx, get a passive (no electricity required) attenuator (big ole volume knob to be able to easily change the volume to wherever you want it at any time), and use TRS instead of USB if that’s being problematic (required to use an attenuator; won’t work with usb speakers...)
What happens if you just output the 3.5mm stereo headphone jack from the computer into a splitter/adapters (likely 3.5mm to stereo RCA with RCA to 1/4” adapters unless you buy a 3.5km to dual 1/4” cable) into the TRS inputs on the speaker? That should retain volume key control and along with the speaker trim settings, I dunno what could be going wrong.
https://www.amazon.com/JBL-NPATCH-BLK-Compact-Controller/dp/B01I3B0OH6/
or
https://www.amazon.com/Controller-Fostex-Pc-1e-White/dp/B0058B1T4M/
For studio monitors, a studio monitor controller.
Or a mixer.
Or a passive volume controller with RCA.
Do you have the ground wire connected from the turntable to the phono stage/preamp? Are you mixing unbalanced and balanced connections?
The Starter set just includes volume control, cables, and isolation pads if you're putting the speakers right on your desk. It's definitely not necessary, just an easy all in one package.
Advantage of volume control is self explanatory, windows volume control isn't always perfect and having something physical to control volume is simply nicer. There's a lot of products that can do this, some with more features than others. I'll link a couple in different prices brackets.
Really up to you on how much you want to spend. Prices deltas are mostly due to build quality. If you have your eye on one let me know and I can tell you what cables you'll need, as each one will have a different set.
To go direct to your PC, a 3.5mm to dual ts cable would work. You'd have to control volume either from the back of each speaker or via windows.
To have a hardware volume knob, get something like the jbl nano patch. For that you'd need two xlr cables and a regular 3.5mm stereo audio cable.
JBL Nanopatch
You can run an unbalanced signal through the chain just fine. Use the sensitivity switch on the back of the sub (and the 305's) to −10 dBV for unbalanced/consumer signals.
-
I'm not sure what you are using for a volume control, but I'm guessing its using RCA cables?
-
To keep your existing setup - you'll need:
a L/R set of RCA male to 1/4" male TS (Tip Sleeve) cables - These go from your volume controller to the sub's 1/4" input (it will accept either unbalanced TS, or balanced TRS 1/4")* https://www.amazon.com/PD-R1406-Dual-Male-Mono-Cable/dp/B017Y45630/ (get whatever length you need).(EDITED - use existing)
-
plus you'll need two XLR female to XLR male cables to go from the sub outputs to the LSR 305 (any brand will do)
(or you could use two XLR female to 1/4" male TRS for your 305, if you wanted to)
---------------
Eventually if you decide to upgrade your FIIO to a more pro-featured interface, you could switch out the two RCA to 1/4" TS input cables and use balanced cables going in (the XLR output cables from the sub will already be balanced-ready). Then just flip the input sensitivity switch on all the JBLs to +4dBu and adjust your levels again.
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EDIT - Oops - you have a volume controller -
If you wanted a volume controller in between, look at the Mackie "Big Knob", Behringer "Monitor 1", or JBL Nano patch, or similar passive controller. Active controllers (with preamps) are an option too, but you may not need all the other features.If you pick up one of these, you'll have to factor in the extra cables and connectors you'll need to integrate.You can use a USB MIDI Host such as this or this, both which have USB ports for the P115 and 5-pon MIDI Outs for the MX49.
Your other option is to plug the P115 to a PC/laptop, and have a usb midi interface for your PC, then midi out to the MX49
If you want direct USB out you can plug a USB to midiost in (not the kind you use to record midi into a pc) like this
Hello, I am a voice artist so this is right up my alley!
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Unfortunately, "cheap" is a relative term to microphones, and usually winds up expensive one way or another. Also, to get stereo you are going to need two mics, or a mic with two capsules, and will be paying about the same either way. There is also the matter of the recording; for the best audio you will want an XLR mic, but that ads another piece of equipment to buy (interface or mixer). Also, if the person doesn't know how to use a mic properly, that may cause issues with the audio.
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Now that I've got the negativity out of the way, here are a few things I would suggest taking into consideration:
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As for mic selection, get a large diaphragm condenser, with a cardiod pick-up pattern, preferably with at least a 40hz-18khz frequency response. This will be best for voice, and should pick up instrumentals pretty well at that (depending on the mic). If you want stereo, you will need two mics, or a mic with two capsules (will say it is a stereo mic), but you can make an artificial stereo signal from mono in editing, which wouldn't be difficult for a stationary voice/instrument. You will also be better served to get clean, quality audio recorded and "dirty it up" in post, as this will give you more freedom of control with how the audio turns out. Just changing the EQ can give you a different sound, you can add in static, anything like that, but you won't be limited by the recorded quality.
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Feel free to PM me if you need any more help or info on setup, editing, or anything like that (so long as it's sound related). I hope this answer helped!
You probably don't absolutely need the Cloudlifter unless you find you absolutely need more gain. Don't buy it right away, use your microphone and if you find you need more gain, you can always add it to your setup later.
As far as SM7 alternatives, no one can really give you great advice unless they know what you're using it for and what you're looking for in a microphone.
You do need an audio interface to hook up your microphone to your computer. If you just need to hook up one mic and you're just starting out. A lot of people just use something like the Scarlett 2i2
Obviously you'll need an XLR cable to hook up your mic as well.
I won't speak for him but as someone using a pair of powered Yamaha HS8 studio monitors (8" reference bookshelf speakers) controlled by a scarlet 2i2 audio interface, you don't need a sub, and adding a sub in a room that small, especially an untreated room that small would sound muddy as hell. Great monitors have punchy clean bass and nothing else is needed. For those who's favorite genre is dance / house /dubstep then you'll occasionally hit frequencies that need a sub for the complete low end, but you'd seriously want a larger room to add it in. If you're creating low end dance music then get the sub, if you aren't and your room is small, try a good pair of large studio monitors first (8" is great) and see if thats all you need. Note that there's a huge difference between studio monitors and regular old bookshelf computer speakers. If you're not making music than you don't need studio monitors, they're just handy for hearing things exactly as they are without coloration so you can mix it properly.
I have this set and its absolutely great, crystal clear audio in games. Picked it up to try and get into podcasting. I've also upgraded to a pair of Sennheiser HD 598s and they are wonderful, sound great through the Focusrite interface.
If you just need a cheap budget mixer for a few mics and game input I would look at this.
Definitely get your hands on a proper interface and XLR microphone. USB is hugely restrictive and I would never ever recommend them for musical purposes. I wouldn't get too picky over which interface to start out with. The Audient id4 looks fine if you're sticking with just a clarinet, but think about the future too as you might want more than a single input and you can get something like the Scarlett 2i2 or M-Track 2x2 for half the price.
There's always a huge variety of microphones to go with but it will be the most important factor in how good you can get the clarinet to sound so don't skimp out here. If you are solely recording instruments, especially in orchestral music, then you will get a good sound out of some of the small diaphragm condensers like this. Small diaphragm mics are often sold in pairs, which is another reason why it could be beneficial to get at least two inputs on your interface. 2 good microphones placed right will make your clarinet sound like an angel, but this will also mean you'd need an extra stand and cable. If that's going to be too much hassle you can always just start with one and grab a second one later on if you feel like the sound needs to be taken to the next level. A large diaphragm condenser would also work but you won't get as crystal clear of a response from a clarinet.
The software you listed will do great, I don't see anything extra you need there. Stock plugins will do the job until you start getting more picky on your process. You will however need something to listen on if you don't already. A relatively cheap pair of studio headphones will do fine since I doubt you will need to get deep into mixing. Anything around the $50-$70 mark will be good enough and will likely come with a 1/4" jack adapter to fit the interface.
So I would personally recommend:
This will get you a setup that will sound great and last you a long time before needing to upgrade if you start getting really into it. If you go with this, read up on mic placement for clarinets because this will have a big impact on the recording.
Okay, thanks for the help. I still don't understand the difference between a mixer and interface though. Doesn't this do the same thing as this?
I don’t have much to offer about PC building, but I come from an audio engineering background. Don’t invest in a fancy internal sound card. You will likely wind up using an external audio interface which has AD and DA conversion built in. I would personally recommend Universal Audio Arrow or something like a Focusrite Solo. These will out perform many internal sound cards as they are designed for music production.
Edit: I see you are interested in 7.1. I would recommend still an external pro level interface with quarter inch over a sound card with 8th inch adapters. Check out the Focusrite 8x8
For music production I reccomend a dac like the Focusrite Scarlett 2i2 Second Generation (2nd Gen) 2-in, 2-out USB Audio Interface https://www.amazon.com/dp/B01H4W34WW/ref=cm_sw_r_cp_apa_i_yxEjDb3Z88K55
I think it's easier if I just explain what I use.
My drums are mic'ed into the Scarlett 18i20 interface which offers output mixing through its software. I then have my DAW (Reaper) recording while the interface sends the raw signal into a mixer which sits next to the kit (this one). I can then run another output from the PC with the track/click I'm recording to, and mix those two signals accordingly. I then use these in ear monitors which do a good job of blocking out my drums' acoustics and let me listen to just the mix at whatever volume I'm comfortable with.
Pretty simple setup.
Thank you Petravita for the feedback. I have a Focusrite Scarlett mic [amazon link here] (https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_3?s=musical-instruments&amp;ie=UTF8&amp;qid=1522369658&amp;sr=1-3&amp;keywords=scarlett+studio+microphone) that I got from a friend. I was just holding it in my hand because I don't have a pop filter or proper stand. I also live in a 235sq foot apartment so I have to stay quiet which is a huge bummer sense I LOVE YELLING. Thanks for your offer on mixing help, and i'll get back to you about that if I can't get the vocals sounding right on the next song. Thanks again!
Hey everybody!
I'm going to get myself a pair of JBL LSR305. I already have a Fiio E10K which is connected to my Macbook and to my Beyerdynamics DT 990 Pro.
I would use the rear line out from my Fiio to connect to the active speakers. One downside is that I can't control the volume of the speakers on the Fiio (the volume knob is for the headphones only), so I would have to use the volume knob on the backside of the speakers or change the system volume on my Mac. Both of these options suck. I was researching a bit and found the Palmer Monicon. To my understanding I can just hook it up between my Fiio and the speakers. Now i could control the speaker volume easily. I would use a normal 3.5mm cable (or should I use the coaxial output?) from my Fiio into the stereo input of the Palmer Monicon and two XLR cables from the Palmer Monicon to my speakers.
Will this work? Will there be any sound quality issues? Is the JBL Nano Patch better because I could use 1/4" TRS cables at the output..? Is there a quality difference between XLR and TRS?
There are Stereo to Mono devices out there - Stereo Left/Right in, and TWO Mono out.
https://www.amazon.com/Stereo-to-Mono-Signal-Converter/dp/B072VWCCBX
There are also what are called Distribution amps, that have several (8,10, 12,...) Amps built into one unit.
This one is 6 Stereo channels or 12 Mono Channels -
https://www.parts-express.com/dayton-audio-ma1240a-multi-zone-12-channel-amplifier--300-815
https://www.parts-express.com/dayton-audio-ma1260-multi-zone-12-channel-amplifier-60wpc--300-8150
This is really a Power Amp with little to no controls, so you would need some type of pre-amp so you can adjust the volume of various sources.
There are some Mixers and some passive devices that could give you basic Volume Control -
Here is an example of a very basic 4-channel mixer for about $60 -
https://www.sweetwater.com/store/detail/802
Here are some Passive Volume Controls. These are meant to control Studio Monitors or Computer Speakers, but they should serve your purpose -
https://www.amazon.com/JBL-NPATCH-BLK-Compact-Controller/dp/B01I3B0OH6
https://www.amazon.com/Mackie-BIG-KNOB-PASSIVE-Controller/dp/B01NCUZ32O
https://www.amazon.com/Volbox-Adjuster-Stereo-Control-3-5mm/dp/B00XDKKQ9E
An alternative would be to find an old Stereo Amp that had PRE-AMP Outputs. The Pre-Amp out could feed the Stereo-to-Mono Converter, and the Stereo-to-Mono could feed the Distribution Amp.
Using an old used Stereo Amp with Pre-Amp Outs, would also give you all the input connections and controls you need.
In a Eurorack system you could use one of these: https://www.modulargrid.net/e/the-harvestman-english-tear
Or you could possibly run USB from the MS-20 Mini to a standalone MIDI host, then run a MIDI cable from the MIDI host's output to MIDI In on the Odyssey: https://www.amazon.com/Midiplus-USB-MIDI-Host-midiplus/dp/B074NGTGHN
Or there are more obscure vintage CV converters but they would be harder to track down. Apparently Korg made such a device over 40 years ago, the MS-02: http://www.cykong.com/Synths/Korg%20MS-02/KorgMS-02.htm
Or if you're good with electronics you could build your own converter. There are schematics out there: http://yusynth.net/images/CS10-EXT.pdf
Or you could use an external MIDI controller keyboard with a MIDI splitter and run 5-pin MIDI to both instruments: https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4
Or you could use an external controller which supports both MIDI and CV. Arturia Keystep should be able to do this.
Any solution is going to require an additional piece of gear. I suggested a computer because it's your simplest solution if you already have one.
I'm not the person you were replying to, but if this is what you're looking for then it's US$65 and was on the first page of my google results for "usb midi host".
I was in a similar situation but was thinking of building a multi-port MIDI router with arduino and ended up finding a 2nd-hand one of these for about $100 which was a godsend compared to the time and effort required to develop even a fairly simple MIDI router.
But if for whatever reason you still want to DIY it with an arduino, why not use an Arduino Due which already has a USB host port built into it so no need to buy a shield. Maybe this thread can get you started...
Alternately you could use an Arduino Mega which has 4x UARTS on it so you can run multiple independent MIDI in/out pairs.
> Midi USB host
like this one : https://www.amazon.com/midiplus-USB-MIDI-Host-Controller/dp/B074NGTGHN
Thanks!
Would something like this do: https://www.amazon.com/midiplus-USB-MIDI-Host-Controller/dp/B074NGTGHN
So, ES-8 MIDI OUT to Volante MIDI IN, Volante MIDI OUT (as THRU) to host MIDI IN, Host USB OUT to Zoom, host MIDI OUT to ES-8 MIDI IN?
Will something like this would work? Kenton one seems very expensive.
midiplus USB MIDI Host https://www.amazon.com/dp/B074NGTGHN/ref=cm_sw_r_cp_api_i_sRYDCbD1GKPRE
Well the blue yeti plugs in through usb so there is very little setup to do and it has a mute button on the front.
If you want a proper setup then you really need a proper microphone (that doesn't connect straight to your pc but to an audio interface, but honestly this is overkill imho), in this case you could just get something like a bundle like https://www.amazon.com/dp/B01E6T54E2/ref=twister_B06WWQP2YN?_encoding=UTF8&amp;psc=1 which would really step up your game.
I would honestly just go for the audio technicas, less trouble with the setup.
Thinking about purchasing this Focusrite Studio bundle (mic, headphones, interface) along with my MIDI keyboard. I am dumb with this stuff so far so I have 2(ish) questions:
1.) What's the difference exactly between the solo studio and 2i2 studio?
2.) Would this microphone work well with Logic? And does it really straight up come with ProTools?
*Extra Credit
How much learning am I in here for technically being a complete noob at all this?
Something like this? https://www.amazon.com/midiplus-USB-MIDI-Host-Controller/dp/B074NGTGHN/
I guess this is my last two questions (for now).
What USB Mixer do you recommend at my price point ($300 with tax max)? So far the two options I've looked at were the Mackie I listed before and then the Behringer Xenyx X2222USB. I actually am leaning towards the Behringer right now since it has an Earth Loop function (I've had troubles with that on my Focusrite sometimes) and it seems to have more options with outputs and such. If you have any other suggestions for another USB Mixer, what I should be looking for, and just general assesments and recommendations I'd definitely love to hear it. If I have any further questions that come up later, can I DM you?
Quick question : does this look like a good interface ? Is it USB-enabled and does it work with StudioOne or the likes ? I searched a lot but I couldn't seem to find something. Sorry for the dumb question haha
https://www.amazon.ca/Focusrite-Scarlett-18i20-Audio-Interface/dp/B01E6T54KQ?psc=1&amp;SubscriptionId=AKIAIMNG3ZFQR7FL5AXA&amp;tag=drummingreview1-20&amp;linkCode=xm2&amp;camp=2025&amp;creative=165953&amp;creativeASIN=B01E6T54KQ
I do not have an audio interface yet, but the Scarlett FocusRite looks promising for a beginner. The solo is $100 and the studio is like $150:
Focusrite Scarlett Solo (2nd Gen) USB Audio Interface with Pro Tools | First https://www.amazon.com/dp/B01E6T56CM/ref=cm_sw_r_cp_api_Z0WyybSDD32PH
You can also get the bundle (which I might purchase for myself as a late Christmas present), which comes with a mic and headphones. The solo version is $180, and the studio one is $220:
Focusrite Scarlett Solo Studio (2nd Gen) USB Audio Interface and Recording Bundle with Pro Tools | First https://www.amazon.com/dp/B01E6T54E2/ref=cm_sw_r_cp_api_81WyybVE24PKK
Not sure how great the mic and/or headphones are, but it's a pretty good deal if you need all 3.
My bandmate who's going to be doing a lot of production work said that he's willing to drop the cash to get the Focusrite Scarlett 18i20.
How do you think that The Saffire holds up to The Scarlett? It would be great to free up some money to invest in other production gear. Also, how would you rank the quality of your microphones? From my current (and amateur) perspective, those seems like professional quality microphones.
Hey you need overall 3 things:
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-Audio Interface:
You want a number of channels depending on the type of groups you wanna record and the size of the group. Example: 18 Channels (8 mics) v.s. 2 channels (2 mics)
-Microphones:
You want basic versatile microphones and specialized ones for the type of instruments you wanna record.
Example of basic mics: Shure sm-57 Dynamic Mic and AKG 414 Condenser Mic
Those two have a fairly transparent frequency response and work for most scenarios but you also want mics that work better for certain instruments because of their coloration or diaphragm or polar pattern.
-Monitoring:
You need some headphones like the Audio Technical M50x which are transparent enough and good for the price although you could go a little further and look for Sennheiser HD or some of the expensive AKG stuff.
-Accessories and cables
You want good quality XLR cables, two direct boxes like this one and probably a direct box with pre amp like the Avalon U5 (great for sending bass via line, skipping the bass amp part, which can be great for live sessions). Both depend on the type of music you are gonna record of course (first example works for connecting stuff like a keyboard and the Avalon well for bass is great).
You may want a monitor amplifier like Behringer Powerplay for distributing audio to the players or producers or audience via headphones monitors.
Also check out EquipBoard to see what gear are other producers or studios using. They have a good database and is good reference.
You also wanna look on isolation techniques and architecture if you wanna have good natural reverberation or just have control over what the sound is doing, including annoying neighbors if that’s the case. Look for how to soundproof a room in the internet and try read a little about acoustics if you haven’t.
You may wanna to set up 2 rooms: a live room and a control room. The live room would be where you record the musicians and have way more soundproofing and the control would just need to isolate enough and allow visual contact with the ppl in the live room. If you go for 2 rooms you may need to set up the ins and outs and pass cables through the wall in a snake cable like this Hosa or this bigger one . The purpose of having 2 rooms is partly because you wanna monitor with speakers not only headphones (as well as having more recording gear there but it only applies to bigger studios). Example Yamaha HS8 x2 or the KRK . Those are fairly priced options and you will get more value out of them if you are the one mixing the music as they can be better references than just headphones.
That’s it. I was very broad but I did mentioned some basic equipment you can start budgeting. If you need more details about the basics PM me and can help you a bit more, I’m no specialist on some stuff like exquisite mics but know about a bunch that are generally used. Are you in Vancouver by chance? I can help you in the actual physical setup if you are.
Cheers.
Edit: You probably want a powerful laptop or a desktop computer btw but I figure out you already have one.
I forgot I didn't have it on this computer lol
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_13?s=musical-instruments&amp;ie=UTF8&amp;qid=1482728962&amp;sr=1-13&amp;keywords=audio+interface
probably going to grab this comes with pro tools
Most computers can't deal with 8 USB mics at once, on top of the fact those mics don't work well all in the same room together. I would get a USB XLR mixer and some dynamic mics.
8 people seems like a lot? This mixer goes up to 6 via XLR and is pretty affordable. Behringer is an "affordable" brand.
Speaking of Behringer, these mics are pretty decent for the price. They will slightly pick up others in the room, but nothing a simple gate in post can't fix. I don't know your budget, but if you want to get fancier, you can go with the MXL BCD-1.
I use the Focusrite 18i20, it's way more pricey.
I enjoy using Reaper.FM, it's $79 on both Mac/PC. It can record your software and edit it. I'm on Mac, I record everything with Audio Hijack first, then do my post in Reaper.
If you have more questions, let me know. I can get more specific with other stuff if you care.
That's simple. Just pick up one of these, and connect it to an interface that supports it. Usually those interfaces already have at least 2 mic inputs, and can take additional external preamps. I found a few presonus bluetube preamps used that worked. Then connect the Behringer to the interface and you have usually up to 16 channels at once.
The following interfaces support ADAT, and already record 8 tracks, so you'll have 16 channels if you add Behringer unit, no need for anything else.
A good option is the Focusrite Scarlett 18i20.
Another one is the Behringer U-PHORIA UMC1820 if you need something a little cheaper.
Reaper:
http://www.reaper.fm/
Scarlett 2i2:
https://www.amazon.com/dp/B01H4W34WW?psc=1
Some decent head phones :
https://www.amazon.com/Audio-Technica-ATH-M50x-Professional-Monitor-Headphones/dp/B00HVLUR86/ref=sr_1_fkmr0_1?ie=UTF8&amp;qid=1485141349&amp;sr=8-1-fkmr0&amp;keywords=akg+m50
If you dont really need or plan to do much mixing then you can skip the headphones i would assume
for the scarlett stick with the second gen bc the first gen cannot record di guitars without a di box, may have been fixed sense I owned mine.
After that web has a tone of free plugins from everything to guitars to effetcs and most of them are pretty awesome. The stock plugins will also work very well for what you are doing.
Also im assuming by live you mean direct, if not then you would need a mic. maybe a 57 depending.
I can try to help here, so what we did was get a Focusrite Scarlett. It just takes a standard audio input and outputs to USB that plugs into the NUC. Not sure if that answers all of your problems, but it will get a Shure mic into the zoom meeting so outside guest can hear it.
We had a AV vendor help us get it setup as far as the mics and speakers local, so I can really only speak to getting it to run through Zoom.
I'd buy my current setup...
Focusrite Scarlet 2i2 Audio Interface ($150)
(2) MXL 770 Cardoid Condenser Microphones - Amazing quality microphone for the price. ($144 for 2)
(2) XLR Cables ($20 for 2)
(2) Microphone stands. I use this Gator for my main mic stand and a cheap scissor arm stand for my second. ($100ish for 2)
(2-pack) Microphone pop filters. I like these replicas of the Popgard, but also have one real PopGard that I paid $40 for. Either is much better than those pop filters on a long extension arm that gets in the way. ($10 for 2)
Zoom H4n Pro or H5 portable recorder. I have a Zoom H4 Pro (and a regular H4) but either would work well for recording a podcast on the road or on location somewhere without a computer. ($200-275)
Audio-Technica ATH-M50x Studio Monitor Headphones ($150)
Software - GarageBand or Audacity or other free DAW. Or, if you already have a Creative Cloud subscription like I do, Adobe Audition.
All of that is way less than $1k, and give you the ability to do a two-person interview podcast in the studio or on location. With the extra $100 or so, buy some sound proofing materials for your studio.
This is exactly what my setup looks like right now.
Here is a good intro package. Since you linked a USB mic I am assuming you do not own an audio interface.
Focusrite Scarlett Solo Studio (2nd Gen) USB Audio Interface and Recording Bundle with Pro Tools | First
https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T54E2/ref=sr_1_3?ie=UTF8&amp;qid=1521352373&amp;sr=8-3&amp;keywords=focusrite+studio
Here's what I currently have:
2 JBL 308P MkII - Powered 8" Two-Way Studio Monitors
https://www.amazon.com/JBL-Professional-Monitor-Speaker-308PMKII/dp/B077NHM2K6/
1 UGREEN 3.5mm 1/8" TRS to Dual 6.35mm 1/4" TS Mono Stereo Y-Cable Splitter Cord
https://www.amazon.com/gp/product/B00ZKM3S4S/
1 Mpow Ground Loop Noise Isolator for Car Audio/Home Stereo System with 3.5mm Audio Cable
https://www.amazon.com/gp/product/B019393MV2/
1 Google Chromecast Audio (Black)
https://www.google.com/chromecast/audio/explore/
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The red dots symbolize want I do not have yet. I'm working on eventually getting:
1 JBL LSR310S 10" Powered Studio Subwoofer
https://www.amazon.com/JBL-LSR310S-Powered-Studio-Subwoofer/dp/B00I08RT3U/
1 Focusrite Scarlett 2i2 Second Generation (2nd Gen) 2-in, 2-out USB Audio Interface
https://www.amazon.com/Focusrite-Scarlett-2i2-Generation-Interface/dp/B01H4W34WW/
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Note: I have all that I need right now, but know that I may eventually buy a subwoofer for my studio monitors, which would make the setup more complicated. I only need help with adding the subwoofer. How will I do it? Will I need more cords and another ground loop isolator? Do I need an audio interface to add a subwoofer? How will I connect my 2 studio monitors and future subwoofer to my Chromecast Audio, my future audio interface, and a ground loop isolator?
>Is there a MiniDSP alternative with XLR outputs?
There is a balanced version of the regular 2x4. Use Phoenix to XLR.
> GoRack
This has basically no functional overlap with a MiniDSP. If you wanted to add a sub then you can just split the signal coming out of the Gorack. Functionally the same in that it offers no crossover function. A DBX product with crossover functions and XLR is the 223xs. A more involved setup would include something like the Driverack PA2. You can feed these things with a GoRack though as your volume control, or something like the JBL NanoPatch.
An audio interface, such as this, has volume control and DAC: https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?s=electronics&ie=UTF8&qid=1541691184&sr=1-1&keywords=steinberg+ur22+mkii
Or, you can cobble something together like this:
That's a lot of work to make studio monitors work for you. I concur with others that a receiver plus passive speakers is a better choice.
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It looks like you could record up to four mono inputs on that interface so you're good on that front unless you want to record more tracks at once. It also has MIDI I/O so you can just chain MIDI devices together if they have MIDI Thru ports. Unfortunately your Volcas do not have thru ports, only inputs, so you'll need a MIDI Thru box like this, it's basically a MIDI splitter.
>Also, once you are triggering a Volca with midi in Ableton is it possible to the automate the volca parameters in an Ableton automation lane? Or can you only record that in real time as audio?
I'm not a 100% sure about all of them but a quick google search shows the Volca Sample does. I don't which ones you have but you want to google for "device + midi implementation" so like "volca beats midi implementation"
How cheap is super cheap? The best I can find is a four-way splitter for $50: http://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4/ref=sr_1_1?ie=UTF8&amp;qid=1395085972&amp;sr=8-1&amp;keywords=midi+thru
Any recommended hardware for splitting the MIDI out of the Octatrack to three hardware synths with 5-pin MIDI inputs (Mother 32, Microbrute, and Volca Bass). This is all I've found, and am wondering if I'm missing something.
http://www.amazon.com/dp/B0002GH8X4
I think you want a midi splitter from the esp-1.
Like this,
https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4/ref=sr_1_1?ie=UTF8&amp;qid=1474387918&amp;sr=8-1&amp;keywords=midi+splitter
https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4 or https://www.amazon.com/gp/aw/d/B01M3RH5GI/ref=mp_s_a_1_2?ie=UTF8&amp;qid=1485900377&amp;sr=8-2&amp;pi=AC_SX236_SY340_FMwebp_QL65&amp;keywords=midi+y+splitter&amp;dpPl=1&amp;dpID=41GqGSevW2L&amp;ref=plSrch
Another one https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4/
Third the keystep. Not sure what is meant by reliance on DAW. Keystep plugs directly into Volcas. The only con to the keystep for my setup is that it requires USB power source. For that, just get a $10 rechargeable USB phone charger.
I have my keystep midi out going into a midi thru box https://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4
The midi thru box plugs into each Volca and I can choose which gets Volca gets played by selecting the midi channel on the keystep. It's been working out great.
Sure thing! I use a usb-c hub out of the the op-z and then a usb1 to midi cable and send that out to the in of a 4 way midi splitter, and connect all the devices to that. The op-1 needs a midi usb converter, I’m using hobbytronics which works great. I then just set the proper channels (op-z sends out ch 1 kick, ch 2 snare, etc) on the devices. Also, make sure you have the midi out enabled for the OP-Z via the iOS app.
AUKEY USB C Hub with SD/TF Card Reader + 3 USB 3.0 Ports, USB C Adapter Ultra Slim for MacBook Pro 2017/2016, Huawei MateBook, Chromebook Pixel and More https://www.amazon.com/dp/B0772THNWQ/ref=cm_sw_r_cp_api_i_HPozCb81V0P12
USB IN-OUT MIDI Cable Converter, LiDiVi Professional Piano Keyboard to PC/Laptop/Mac MIDI Adapter Cord for Home Music Studio - 6.5Ft https://www.amazon.com/dp/B071KLC884/ref=cm_sw_r_cp_api_i_BOozCbXB72KQQ
MIDI Solutions Quadra 4-Output MIDI Thru Box https://www.amazon.com/dp/B0002GH8X4/ref=cm_sw_r_cp_api_i_DQozCbBD448P5
http://www.hobbytronics.co.uk/usb-midi-converter
Hope that helps. Let me know of any other questions.
By the way if you have a keystep Pro, it works great w op-z for Midi and clock I/O with one usb mini - usb c cable. And power! Portable!
Yes you could. With something just like this:
http://www.amazon.com/MIDI-Solutions-Quadra-4-Output-Thru/dp/B0002GH8X4/ref=sr_1_2/177-8010506-3401011?ie=UTF8&amp;qid=1418409704&amp;sr=8-2&amp;keywords=midi+splitter
get a 1/4" to usb 'guitarlink' adapter + otg cable + galaxy nexus + usbeffects. ultra low latency is possible, trust me
DVFORGE
Behringer
Generic
Alesis GuitarLink
ESI UGB96
I'm sure there's more, but those were quick and easy to find. They 1/4"->USB adapter has been around a while.
I haven't personally used it myself, but here is a link to the Guitar Link UCG102 Guitar-to-USB cable.
It shows compatibility with Mac, and there are a few reviews that specify simple, high-quality usage with GarageBand. It's currently half off on Amazon (down from $68), so hopefully this will fulfill your lower-cost request!
I have noticed a few complaints in the reviews about the packaged software though, so you might want to look a bit more into it.
Need something like this https://www.amazon.ca/Behringer-UCG102-Ultimate-Guitar-to-USB-Interface/dp/B000PAPO9W
It sounds like you have things hooked up in a way that might work, but clearly you're still clipping. You could try plugging into a line-in, but if you have a laptop you probably don't have one.
I don't like to send people off to go buy gear if they don't absolutely have to, especially not people with $80 to their name. But, if you really want to record, it looks like you'll have to purchase something. Exactly what you want to get depends on how good a recording you want to make. The absolute low end of the spectrum is a Behringer Guitar-to-USB Interface. The interface itself is supposed to be pretty good, but the software not so much.
I'm similar to you, OP. I use amplitube 3 through Logic Pro X. I actually love it. My question is, how important is the interface? I have a pretty cheap, $40 interface, does it make a huge difference? Should I invest in a more expensive one?
EDIT: Here's a link to my interface, in case anyone was wondering.
http://www.amazon.com/Behringer-UCG102-BEHRINGER-GUITAR-LINK/dp/B000PAPO9W/ref=sr_1_4?ie=UTF8&amp;qid=1457459185&amp;sr=8-4&amp;keywords=guitar+usb+interface
you have 2 options for what I think you want
you can run straight into the computer from the headphone jack of your amp, or modeler, or you can run guitar to this:
http://www.amazon.com/Behringer-UCG102-Guitar-to-USB-Interface/dp/B000PAPO9W
and then apply amps/effects inside the computer software without plugging into an amp first
yes, If you dont have an interface with an instrument port than you can buy this device for pretty cheap if you shop around. I got mine for $20 and it works great, sometimes there is a little bit of a delay though.
Guitar Rig has much better sound than the Pod Farm, IMO. Once you hear both you'll stick with Guitar Rig, unless cost is an issue.
If you use either Guitar Rig or Pod Farm in a DAW software you would monitor from there, if you use it standalone you will still monitor it from your PC, at least that's how I do it. You interface should allow you to monitor as if you are looping through your PC as an effect and output whatever processing you have there, plus the iTunes in the background, once you have it set up properly.
You will be able to listen to iTunes together with the monitoring sound.
You will be underwhelmed by the Pod, it's a POS. I have both the POD and a much cheaper Guitar Link from Behringer and I can't really tell the difference, so I just use the guitar link all the time.
My amplifier also has an A/D converter so that I can record via USB into Reaper, Garageband, etc. My question was that the Rocksmith cable appears to be a pretty standard A/D converter, since you can also use it with a PC for recording, would that mean that I could use the USB audio signal from a different device to play Rocksmith?
I'm just curious if the game is looking for a specific deviceID or other magic USB info that prevents you from using non-Rocksmith cables. For example, could I use something like this instead, which is essentially the same thing? I'd just prefer to use something I already own, rather than buy a new cable (which by several reports, is very prone to breaking) just to try the game out.
I guess I'll just try it and see what happens.
If quality is a big deal for you I suggest a Rode NT1A. We stream as a team and the mic can pickup the room quite well. This option is not cheap as the mic + USB converter came to a pricetag of roughly $500. We stream with the NT1A running into a Line 6 UX2. Our room isn't soundproofed but the quality is pretty stellar.
https://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&amp;qid=1493230407&amp;sr=8-1&amp;keywords=rode+nt1a
https://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2/ref=sr_1_1?ie=UTF8&amp;qid=1493230506&amp;sr=8-1&amp;keywords=UX2
Hey guys, not a huge audiophile here, but I do like me some decent sound quality over the average stuff. I have a few questions and hopefully people here have some answers.
I have a pair of Sennheiser HD600s and a Xonar Essence STX.
I have been using my Line 6 UX2 since I haven't bought a headphone amp, and using my sound card, it is too quiet. But I'm tired of playing games in stereo and want to make the switch.
So what are some beginning level, cheap headphone amps you'd recommend me buy until I have a bit more money (girlfriend is in nursing school and I'm a single income for another year).
Thanks in advanced.
https://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2
I asked him about a year ago and this is what he told me -
I actually JUST sent someone this before bed, so I'ma be lazy and copy+paste:
I use a http://www.amazon.com/SE-Electronics-Diaphragm-Condenser-Microphone/dp/B007W294X8?ie=UTF8&amp;psc=1&amp;redirect=true&amp;ref_=oh_aui_search_detailpage
Running through a http://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2?ie=UTF8&amp;psc=1&amp;redirect=true&amp;ref_=oh_aui_search_detailpage
Using POD Farm for the mixing software with these settings: Global gate is 40~ thresh, 67 decay http://puu.sh/oXpWU/caca7b48b2.jpg http://puu.sh/oXpXk/eb91ebd745.jpg http://puu.sh/oXpXX/847e059f33.jpg
Hope that helps homie!
I would also suggest looking into foam padding for echo reduction, helps with bigger, more empty rooms!
-Cry
It depends on what you want aim for in terms of quality. If you want a cheap but sufficient interface (what you plug instruments and mics into) then go for a line 6 ux1 or ux2.
http://www.amazon.com/Line-6-POD-Studio-UX1/dp/B001EKECAY/ref=sr_1_1?ie=UTF8&amp;qid=1449798017&amp;sr=8-1&amp;keywords=line6+ux1
http://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2/ref=sr_1_2?ie=UTF8&amp;qid=1449798017&amp;sr=8-2&amp;keywords=line6+ux1
For a microphone, there's a bit more searching involved. I don't have experience with a huge variety of mics but the 2 that I know work really well are the Shure sm7b and the MXL 4000.
http://www.amazon.com/Shure-SM7B-Dynamic-Microphone-Cardioid/dp/B0002E4Z8M/ref=sr_1_1?ie=UTF8&amp;qid=1449798231&amp;sr=8-1&amp;keywords=shure+sm7b
http://www.amazon.com/MXL-4000-Multi-Pattern-Condenser-Microphone/dp/B001REGEF8/ref=sr_1_1?ie=UTF8&amp;qid=1449798319&amp;sr=8-1&amp;keywords=mxl+4000
The Shure SM57 is also pretty good but is usually used on instruments more so than vocals but that doesn't mean it can't get the job done well
http://www.amazon.com/Shure-SM57-LC-Cardioid-Dynamic-Microphone/dp/B0000AQRST/ref=sr_1_1?ie=UTF8&amp;qid=1449798383&amp;sr=8-1&amp;keywords=sm57.
If you want to hear the interface and the Shure sm7b in action, check out some of the stuff I've recorded before. Used to be into recording my old band a lot. I assure you it doesn't sound like it was recorded in a tin can: https://soundcloud.com/herpyderpypuddingpie/worldacousticmaster (and yes, i already know you love my soundcloud channel name) (oh and ignore the horrible acoustic guitar tone. this was before I figured out that recording them DI wasn't all that great of a solution)
have you tried to replacing the 2i2 with another model? (2i4, Solo. etc?) maybe the cable might need replacing (I know they give quite poor quality cables)
as for replacements. I can say a few things. If you want something around the same price.
https://www.amazon.co.uk/Native-Instruments-Komplete-Audio-Interface/dp/B004YPRPJ6
or
https://www.amazon.co.uk/Line-Studio-UX2-Guitar-Interface/dp/B001EKECC2
INCOMING LINKS!
I hear this AT2020 USB mic is good, but this one with AT2035 with the XLR input is probably better, but it also means you need an interface, such as a Line 6 UX2, Focusrite Scarlett 2i2, or any of their "lesser versions" (Line 6 Ux1, Focusrite Scarlett Solo). I personally have a UX2 and a Samson C01, which works fine for me. Search YouTube videos for demos and comparisons with the USB and XLR counterparts.
Keep in mind, these microphones probably need a mic stand.
Hi -- OK, I have an Audix OM-5 (http://www.musiciansfriend.com/dynamic-microphones/audix-om-5-dynamic-microphone) which I like a great deal.
For my guitars I use a Line 6 UX2 (http://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2)
MY DAW (digital audio workstation if you didn't know) I use Ableton Live 8 (http://www.amazon.com/Ableton-Suite-Full-Version-Software/dp/B00207T6EC). While this is a GREAT and popular DAW, it's WAY more than I need, WAY more. It was my first DAW and I just liked the reviews so went with it. While the mic and audio interface are in the 'medium-priced' area, Ableton is in the upper end.
As far as effects I'm willing to use just about anything if it's 'interesting' to my ear. I almost always have some reverb and some delay and how much depends entirely on the song and how it sounds to my ear after I record some vocals. I think for learning purposes starting out with just reverb is a good idea. Do not use too much as it can come off kind of cheesy.
And while equipment IS important there is nothing more important than 1) the song 2) singing on key 3) singing in time. I don't care how great the singer is if those 3 ingredients aren't there it's (99% of the time) just not going to work.
Take care. Let me know what else you need.
I've got this one that I picked up used for $250. There is a newer version available. If you are not too crazy about a massive footswitch pedal, then you could try this DAC which also has effects available in software.
For your application (you don't have to use input monitoring because you can monitor the output instead) I say get the ART USB Dual Pre. Cheap, class-compliant, durable, small.
Edit: link https://www.amazon.com/Art-USB-Dual-Pre-PS/dp/B002KEAT78
The 58 and 57 are dynamic mics. You want condenser mics that can capture the finest details. Even a cheap condenser mic would be much better than a super expensive dynamic one.
Do you already have the zoom?
Because if you don't, I'm sure you'd get better quality preamps and DA converters with something like the ART Dual pre connected to a smartphone (or a tablet) which you probably already have. It works with iOS devices using a converter and some Android devices with Lollipop and up using a super cheap OTG cable.
Thanks for the info, really appreciate it! I'd previously looked at the ART USB Dual Pre but at the time passed it by as I needed more inputs... I'll look into this further :)
here is a box that is pretty cheap. I've heard people that like it for what it is.
This has been bullet proof to me in the field and I have used it for plenty of other things. I am not hot on the pre amps, but they get the job done. I have never had it fail on me and bought one for personal use to do on the fly tracking.
Looking at the responses you've gotten so far and your need for good recording equipment over and above the need for the PC itself, I've put together another build for you.
This uses a fanless Intel Bay Trail quad-core chip. It's not a barnstormer in terms of performance, but you can't get any quieter than fanless. It includes a fanless power supply and a 5400RPM laptop hard drive (I'm still not convinced that recording to an SSD is a good idea -- mine introduces an unacceptable amount of jitter into the recording, even with low bitrates) to keep it as quiet as possible.
Size is also reduced. This is about the smallest you can make a build-it-yourself PC. 8.5" on a side, 2.5" tall.
I've included a USB ADC (analog-to-digital converter) with XLR inputs, phantom power and hardware gain control alongside your previous selection of the Shure SM94 instrument mic. I have an SM94 and it should work well for your application (it tends to be a bit bright for guitar or winds, but strings should work nicely with it).
I also included a mic stand with boom arm, as proper mic position is essential to capturing the correct character of the instrument.
The only thing I didn't include was an optical drive, but you mentioned looking for an external USB drive. That'll be your best bet here as well.
Let me know if you have any questions.
PCPartPicker part list / Price breakdown by merchant
Type|Item|Price
:----|:----|:----
Memory | *Team 8GB (1 x 8GB) DDR3-1333 Memory | $56.98 @ OutletPC
Storage | Samsung Spinpoint M9T 2TB 2.5" 5400RPM Internal Hard Drive | $108.65 @ Amazon
Other| ASRock Q1900B-ITX Celeron J1900 quad-core CPU + Motherboard (Bay Trail) | $72.00
Other| Mini-Box M-350 Universal Mini-ITX Case w/ 80W PicoPSU | $70.00
Other| Shure SM94 Instrument Mic | $180.00
Other| ART USB Dual Pre XLR ADC | $80.00
Other| Samson Mic Stand w/ Boom | $20.00
| | Total
| Prices include shipping, taxes, and discounts when available | $587.63
| *Lowest price parts chosen from parametric criteria |
| Generated by PCPartPicker 2015-01-16 10:21 EST-0500 |
These are all listed as related items to the ECM8000 on Amazon:
Would any of them be suitable? If not, what are they lacking?
I used to have the mxl 990, and it's all right for a beginners mic. Don't know about the 991. That monoprice looks like it has a lot of features for $80. Having said that, if I were you I would try these: Audio Technica at2020 with either the monoprice or this. I have the art pre and it works very well. I used to have a pair of 2020s, and they were great at that price.
EDIT: should add that use asio4all with any interface you get.
Yes I believe so. It has Phantom power as well whatever that is. The link is below.
https://www.amazon.com/gp/product/B002KEAT78/ref=oh_aui_detailpage_o05_s00?ie=UTF8&amp;psc=1
The equipment you get there will probably be about as good as you can get for that price. But you may wanna shell out a bit more for the big jump in quality. I started out on a Steinberg UR22, ATH-M50 and AT-2020 and all three pieces still serve me well hundreds of dollars later. The ATH-M40 can do the same job for cheaper in terms of headphones, too.
I'd say if you're planning on getting a nicer mic/headphones in the future, don't spend your money on the bundle unless your budget is really tight, because you may not find the headphones/mic very useful later on. If you just want to get recording and your budget is restrictive, go for it.
EDIT: correct me if I'm wrong but I think this bundle has better equipment for cheaper
Hey has anyone bought the focusrite scarlett 2i2 package?
http://www.amazon.ca/Focusrite-Scarlett-Studio-Interface-Recording/dp/B00AW91CPG/ref=sr_1_fkmr0_2?ie=UTF8&amp;qid=1397058305&amp;sr=8-2-fkmr0&amp;keywords=focusrite+scarlett+2i2
I've heard good things about their audio interface but are there headphones good for mixing?
Well if you like the sound all I use is a rockband mic for vocals, guitar running through a Digitech Black-13 peddle that goes straight to my PC with a guitar to USB. lol About as cheap as you can get. I would personally rather mic a good amp to get feedback and use an nice interface for everything but,I don't have on available at the moment. So you can get by with the cheapest stuff possible but, Id say pick up a recording interface and some mics. You can get bundles pretty cheap. Something like this to start out maybe.
Thanks, sorry to keep on bothering you :P
... I just realised recently though that for the price of either a Zoom or an Apogee MiC I could get a starter kit like this or something.
They don't have particularly great audio interfaces in terms of number of inputs, but it's just got me thinking.
Also, this is all so complicated for someone trying to get into it, there's so much choice :<
If you have a computer, you have a multitrack recorder. There are a lot of cheap options. If you have a Mac, I guess you already have Garageband. If you use Windows, you can get Reaper.
For sure you need a mic. You probably want to get some sort of "interface", and people will likely recommend a cheap Focusrite unit. That shitty keyboard can likely be used as a MIDI controller.
The other option that has been floated around here is getting a handheld multitrack recorder
What's your opinion of this bundle?
http://www.amazon.co.uk/FOCUSRITE-SCARLETT-STUDIO-studio-packs/dp/B00AW91CPG/ref=sr_1_2?s=musical-instruments&amp;ie=UTF8&amp;qid=1382805327&amp;sr=1-2&amp;keywords=Focusrite+2i2
This is the one I use and it works fine for only $35.
I personally don't use this, but should work with most laptops. I use FL studio, but it's a little expensive to buy.
You can buy one of these
Then hook it up to your computer, download and install Reaper, and find some free piano VSTs that will sound better. The sound will be coming from your computer, instead of the keyboard.
I dont know bc Ive never used it w Ableton but Im quite sure it does...you just need something like this to connect yr computer to it... https://www.amazon.com/iConnectivity-mio-1-out-MIDI-Interface/dp/B00CO5IRSG
http://amzn.com/B00CO5IRSG This or any iConnectivity one would be my recommendation because I've used a lot of this brand and it's always great, but that Tbox thing looks pretty awesome too!
Edit: pasted wrong link first.
Not sure if this post/question will go unseen or not since im a few days late but I am currently working on a small home set up. I bought the Scarlett 2i4, which I love and am running through Logic. I also bought an MXL770 and a SM57. I have been running them both for music and a podcast (just doing 1:1 test interviews right now). I am considering expanding so that I can have 4 mics set up for the podcast. So here is my question: I need to upgrade my Scarlett 2i4 to something with 4 inputs, I am looking at the Scarlett 18i8 (which I know I’ll like because I’m familiar with it) but I could save some money with the Tascam US-4x4. Does anyone here have any advice about these or other recommendations?
Second Question: I am now exploring new mics for the podcast. I like the MXL770 but I am now looking at the AudioTechnica AT2020. Does anyone have any advice about which I should go with?
Thank you!
How many people are in the band? Do you want to single-track or multi-track? Do you want you have a DAW already? Do you want EQs on the interface? Do you want preamps on the interface? There are a lot of questions that need some answering, but here is my recommendation if you want to multi-track with decent/good/clean.
Here is my recommendation if you want to multi-track with okay/decent sound but have an actual mixer with preamps, panning, and EQs.
Here is my recommendation if you want to single track and need a DAW (granted it is only Pro Tools Express, I'm not sure on the limitations in this iteration).
It's funny you mention this, a friend of mine was just telling me that I should just forego a mixer and buy a Focusrite 18i8 and plug directly into my computer and then I can do multitrack into Audacity.
I mean really when it comes down to it, I just want to make sure I can get a good warm sound from 3-4 people around a table each with a "relatively" inexpensive dynamic mic, and to minimize hiss/background noise as much as possible.
What do you think?
> Will an interface plug directly into my computer…
Yes! Most audio interfaces use USB. I also often use mine on iOS devices via the Apple Lightning to USB connector.
Just to get you started, on where to look:
https://www.amazon.com/Focusrite-Scarlett-18i8-GENERATION-Interface/dp/B00CPCJI2C
Can someone explain to me how these products claim to have many more inputs than I see on the box?
http://www.amazon.com/Focusrite-SCARLETT-18i8-Interface-Preamps/dp/B00CPCJI2C/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1398437253&amp;sr=1-1&amp;keywords=Scarlett+18i6.
Says 18 inputs. What does that mean? I see 4 mic inputs on the front.
Focusrite Scarlett 18i8 18 In/8 Out USB 2.0 Audio Interface with Four Focusrite Mic Preamps https://www.amazon.com/dp/B00CPCJI2C/ref=cm_sw_r_cp_api_EI9mxbXX6235P
No worries! It can be quite overwhelming if you never shopped for an audio interface before. The first thing you'll need is an interface with 48V phantom power, many microphones requires power and some audio interface does not provide it, you should avoid them since you will be limited in your microphone choice.
Here are a few choice, there's are 2 ins and 2 out interface (between $150 to $250)
PreSonus AudioBox USB 2x2
Focusrite Scarlett 2i2 2 In/2 Out USB
M-Audio M-Track Plus II USB
If you think you'll need more inputs (maybe you want to record a drum) these cost between $200 to $500
M-Audio MTRACK QUAD
M-Audio M-Track Eight 8-Channel
Focusrite Scarlett 6i6
Focusrite SCARLETT 18i8 18
Behringer FCA1616
If you're a guitarist you could consider a multi-effect processor like these ($700-$800):
Line 6 POD HD Pro X
Avid Eleven Rack
These two offers the advantage of having your amps and effect processing at basically no latency, they are also great for recording vocals with low-latency monitoring with effects.
There's a lot of choice but as long as you have enough inputs for recording all that you intend to record then you're good to go.
You are talking about one of the single most frustrating things in Qatar. Or not in Qatar as the case is here. I just went on the hunt for those exact same items and came up empty handed. It turns out that Amazon and an Aramex account was the best option.
There is one store that has a (single) USB audio interface, but wanted over QR4000 for it. Don't remember the brand. They might have some decent headphones there as well, but I stopped looking once I decided to just order it all from Amazon.
Al Badi Music Store:
From the corniche with the water on your left, turn up the street at the stop light directly across from the Museum of Islamic Art. I think there's a QNB on the corner. At the 2nd roundabout, look for the red sign.
Honestly though, your best bet will most likely be ordering online and having Aramex deliver it here. I think it was about a week between the time I ordered it and when I picked it up. A Focusrite Scarlett 18i8 if you're curious :-)
why not a cheap 88 keys keyboard? http://www.amazon.com/M-Audio-Keystation-88-Keyboard-Controller/dp/B00IWTS58A/ref=sr_1_4?s=musical-instruments&amp;ie=UTF8&amp;qid=1464915044&amp;sr=1-4&amp;keywords=88+keys+keyboard
If you want dirt cheap (200 bucks) keyboard that will have decent keys get M-Audio - Keystation 88 II. It does not have its own sounds and you have to plug it into your laptop/computer and download sound library, but you save a shit ton of money and your sound libary does not get obsolete, you can customise your sounds later on if you want and most people here have laptop or pc anyway.
https://www.amazon.de/M-Audio-Keystation-88-II-anschlagdynamischer/dp/B00IWTS58A/ref=mp_s_a_1_5?keywords=yamaha+midi+controller&amp;qid=1567849371&amp;s=gateway&amp;sr=8-5
I think this one should be pretty good right? Not sure if you can play it without having the USB thing put in though...
Well the cool thing about the light up it also had the chord/note on it. That's one thing I failed to ever learn on guitar was chords and scales. I was all ear. Wanted to be legit with this. But regardless, I found two things. https://atlanta.craigslist.org/nat/msg/6103710015.html will probably try and talk him down to 150 or 175. M-Audio Keystation 88 II | 88-Key USB MIDI Keyboard Controller with Pitch-Bend & Modulation Wheels https://www.amazon.com/dp/B00IWTS58A/ref=cm_sw_r_cp_api_JdLdzb56QKF11 also this one for 199.
I assume you mean a midi keyboard. They come in several sizes, from 25 keys up to full sized 88 key models, and the prices vary accordingly.
For EDM, 61 keys is probably enough but in case you are interested in a full size model I've put links to a couple of options I'd recommend below.
http://www.amazon.com/M-Audio-Keystation-61-Keyboard-Controller/dp/B00IWX2SR0/ref=sr_1_1?ie=UTF8&amp;qid=1459104788&amp;sr=8-1&amp;keywords=maudio+61+key
In case you want a full size model:
http://www.amazon.com/M-Audio-Keystation-88-Keyboard-Controller/dp/B00IWTS58A/ref=sr_1_1?ie=UTF8&amp;qid=1459104825&amp;sr=8-1&amp;keywords=maudio+88+key
Best full size one with semi weighted keys for the price.
http://www.amazon.com/M-Audio-Keystation-88-Keyboard-Controller/dp/B00IWTS58A/ref=sr_1_1?ie=UTF8&amp;qid=1456829666&amp;sr=8-1&amp;keywords=m+audio+88
Yeah sorry for not including them earlier
&nbsp;
Here is the keystation 88: http://www.amazon.com/M-Audio-Keystation-88-Keyboard-Controller/dp/B00IWTS58A
&nbsp;
Here's the 88 es, it seems they may be discontinued: http://www.amazon.com/M-Audio-Keystation-Keyboard-Controller-Semi-Weighted/dp/B0006676A0
It does not have speakers.
https://www.amazon.com/gp/aw/d/B00IWTS58A/ref=pd_aw_sim_sbs_267_3/156-0182453-5274309?ie=UTF8&amp;psc=1&amp;refRID=PP36GZGM6V9R63525TNM
https://www.amazon.com/Akai-Professional-MPK-Ultra-Portable-Controller/dp/B00IJ6QAO2
This is quite popular for beginners since it offers a few controls as well as drum pads and a small keyboard. It’s intended for portable use, so most studios would have a larger keyboard, such as this:
https://www.amazon.com/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA
I would definitely recommend trying the Imageline Remote app first, since it’s free. Touch doesn’t give the same nice physical feedback as a physical control knob, but it’s definitely usable, especially on an ipad or phone with a bigger screen.
This is the keyboard I'm looking at getting - https://www.amazon.com/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA/ref=sr_1_5?ie=UTF8&amp;qid=1511679656&amp;sr=8-5&amp;keywords=midi+keyboard+with+drum+pad. What do you think? I choose the 49 because I'm also going to take piano lessons again and would like to have multiple octaves available to me.
Regarding the drum pads - I have no experience with percussion so I'm really just looking for a way to get my feet with it.
This is a bit off topic for the subreddit, but I would recommend picking up FL Studio and working through the reference manual and the video tutorial on youtube. The reference manual does a great job of explaining the basics. Plus it also has documentation for the suite of instrument plugins which at least give you a basic understanding of what the different knobs do when you start fiddling with them.
Really once you understand the concepts behind how a DAW (Digital Audio Workstation) works, it's just a matter of getting used to a new user interface if you decide to switch. Same goes for instrument/effects plugins. There are different types that each have their strengths and weaknesses but they all essentially start with the same foundation.
If you're actually serious about production I would strongly recommend picking up a midi controller with some assignable knobs/faders as well. It's not absolutely necessary but it makes the entire process a lot easier. The M-Audio Oxygen 49 is a good choice for a starter controller, has a wide assortment of knobs, faders and trigger pads and won't break the bank.
I just bought an M-audio Oxygen49 and think it's pretty good but the springy keys don't feel the best to me. The price was right for me though.
In the other comment they also mentioned the cheap quality of the novation keyboard. I don’t think I’m gonna get it since most people have been saying that as well (in other subreddits).
I think I at least want a 49 key keyboard, do you have any suggestions for a beginner?
Would any of these be good:
https://www.amazon.ca/Alesis-V49-Keyboard-Controller-Buttons/dp/B00IWWEW20/ref=mp_s_a_1_2?ie=UTF8&amp;qid=1543271425&amp;sr=8-2&amp;pi=AC_SX236_SY340_QL65&amp;keywords=akai+mpd218&amp;dpPl=1&amp;dpID=41SI3fyI30L&amp;ref=plSrch
https://www.amazon.ca/M-Audio-Keystation-49-II-Controller/dp/B00IWWZAM6/ref=mp_s_a_1_7?ie=UTF8&amp;qid=1543272011&amp;sr=8-7&amp;pi=AC_SX236_SY340_QL65&amp;keywords=midi+keyboard&amp;dpPl=1&amp;dpID=41t4DtVzofL&amp;ref=plSrch
https://www.amazon.ca/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA/ref=mp_s_a_1_14?ie=UTF8&amp;qid=1543272061&amp;sr=8-14&amp;pi=AC_SX236_SY340_QL65&amp;keywords=midi+keyboard
Or should I save up for something down the road such as the Akai MPK49?
Buy This
I just got this a few months ago and it was the first piece of hardware I've gotten for my setup and it completely changed the way I produce melodies and progressions. I never new how limited I was only being able to play one octave at a time on my computer keyboard and then drawing in other notes until I got a keyboard.
Also, the drum pad has helped me immensely in creating a natural shuffle in my drum patterns, by taping out your beats you get much more creative as compared to just drawing in the same drum pattern you use in nearly every track.
Necessary, no, but neither are arms or legs...
My old high school taught on these, it's what I learned on:
https://www.amazon.com/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA/ref=sr_1_3?s=musical-instruments&amp;ie=UTF8&amp;qid=1500576837&amp;sr=1-3&amp;keywords=midi+keyboard&amp;refinements=p_89%3AM-Audio
Do you use this one or
this one?
I found this on Amazon for about my price range. Is this about what you are thinking of?
I've been looking at more 49 key MIDI's (most of the 49 keyboards don't have drum pads and other essential hip-hop features, for whatever reason, which doesn't leave a lot to choose from... on Amazon at least) and I'd like to get your input one more time between two controllers, one of which you linked earlier. I might make a separate post tomorrow with all the new information and boards I've narrowed it down to.
So, it's between the M-Audio that you linked earlier and this other M-Audio that I found on Amazon. The one on Amazon is slightly more expensive, and they're definitely different, but the pictures make it hard to tell exactly what the differences are. Despite the price, the one you linked actually seems nicer tho, would you agree?
They seem to literally be the only 49 key controllers I can find on Amazon within my price range that are suited for hip-hop production. Everything else is either $300+ or made for another genre, unless you have any other suggestions. I'm curious why 25 key controllers seem to have much more options to choose from for hip-hop than 49 key.
Edit: sorry thought this was a reply to my comment lol
https://www.amazon.ca/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA this one. The velocity on the keys or pads?
Starting to get in to EDM production and want a keyboard, will the Alesis V49 be acceptable to get started with?
https://www.amazon.com/Alesis-V49-Keyboard-Controller-Buttons/dp/B00IWWEW20/
actually many/most inexpensive controllers only have USB out, no MIDI, like here (which shouldn't be a limitation for most people:
http://www.m-audio.com/products/view/oxygen-49
and http://www.amazon.com/Alesis-V49-49-Key-Keyboard-Controller/dp/B00IWWEW20
those two, the Oxygen and Alesis, aren't bad, not really built to last but include Ableton Lite live (version 9, i believe, which is the current)
------------
also many reviews at: http://www.reddit.com/r/WeAreTheMusicMakers/search?q=midi+controller&amp;restrict_sr=on
http://www.reddit.com/r/synthesizers/search?q=midi+controller&amp;restrict_sr=on
Here
Currently seriously considering an alesis v49 but am open to other suggestions. Trying to keep it less than $150
not sure if you know enough about his process, but you have pretty much one decision to make: do you wanna get a keyboard with fewer keys and more knobs/sliders/drum pads, or more keys and fewer knobs? If you want more knobs, the Akai MPK mini MKII is a great option. If you want more keys, M-Audio Keystation 49. For something in between, Alesis V49. Good luck!
I picked up the Keystation 49 from amazon for $80. They have a 61 key version as well. Should be what you're looking for :D
I use this to make all my stuff. 49 keys is more than enough for me, and should be enough for most producers unless your making all out keyboard compositions. As for pads, I either use drum loops + layer or play on a kit so I opted out. I'd say these are pretty good deal. The feel of the keys isn't the best but I just need something to press to make noise so... I guess it depends on what you're looking to use the midi controller for. At the end it shouldn't really matter which one you end up getting.
Let me show you my setup, im working just fine with everything here, its not a lot and im really satisfied about every product.
Monitors: https://www.amazon.com/M-Audio-BX5-D3-Powered-Reference/dp/B01J66YEU0 (X2)
Midi: https://www.amazon.com/M-Audio-Keystation-49-II-Keys/dp/B00IWWZAM6
Microphone/Recording Headphones/Interface: https://www.amazon.com/Focusrite-Scarlett-Generation-Extended-Warranty/dp/B01H4YW83G
Producing Headphones: https://www.amazon.com/Beats-Studio-Wired-Over-Ear-Headphone/dp/B00E9262IE
If you want something small, then I'd recommend this, which is what I own. If you want something large, take a look at this, which comes in 49 keys, 61 keys, and 88 keys. Good luck! Of course these are just two examples of keyboards that I like, but I hope this helps.
I'd recommend just getting a cheap starter midi-keyboard like this unless you've got a ton of cash to throw around. You get what you pay for on build quality and they don't have on-board sound (so you'll need to plug into your computer or other device) but it's a cheap way to get started until you know exactly what you want and if you'll stick with it.
I can spend like $200-300 on an AMP/DAC or whatever I need. I don't have an external soundboard, nor do I have any space on my board..
https://www.amazon.com/Schiit-SCH-0702-Magni-Headphone-Amplifier/dp/B00SCBKPW2/ref=sr_1_1?ie=UTF8&amp;qid=1468364191&amp;sr=8-1&amp;keywords=shiit+magni%2Fmodi
https://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA/ref=sr_1_2?ie=UTF8&amp;qid=1468364191&amp;sr=8-2&amp;keywords=shiit+magni%2Fmodi
https://www.amazon.com/PYST-RCA-Cables-6-inches/dp/B00CICPTHC/ref=pd_bxgy_267_img_3?ie=UTF8&amp;psc=1&amp;refRID=40H8DMB60JCKCZSAJCTT ($24 for a cable.. jeez..)
Buy all of those, then do what with them? Got a good video on the setup procedure? From one video, it seems like I should use the digital on the Modi 2, how is that going to plug into my computer? How is the comfort level on the DT 770? Some forums say the headband can get uncomfortable, and I'll be wearing these for 8+ hours a day. http://www.head-fi.org/t/478820/beyer-dt-770s-uncomfortable
You could probably save money and get a nice 500W-ish PSU, or even less if you don't get a GPU right away.
Also, if you really are focusing on purely music and would be willing to wait until you've used the computer to decide if you want to game, you can skip the GPU and use integrated graphics to save money for music gear or an amp and DAC.
Another thing I would suggest is a decent entry level AMP and DAC so you get the best sound quality out of your system as that is the focus of your computer. The Shiit Stack or an o2+ ODAC are pretty strong and should be all you need.
Links to the two parts of the Schiit stack:
http://www.amazon.com/Schiit-SCH-0702-Magni-Headphone-Amplifier/dp/B00SCBKPW2
http://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA/ref=pd_bxgy_23_img_2?ie=UTF8&amp;refRID=18TXBGN59CV103H6WKTB
The Klipsch RP-15 powered monitors + Schiit Modi 2 DAC put you around $570, both companies have quite the reputation and make some great sound. https://www.amazon.com/Klipsch-Powered-Speakers-Bluetooth-Pair/dp/B01A7J534G/ref=sr_1_1?ie=UTF8&amp;qid=1474222489&amp;sr=8-1&amp;keywords=klipsch+r-15pm https://www.amazon.com/Modi-USB-Digital-Analog-Converter/dp/B00SCCSJVA/ref=sr_1_1?ie=UTF8&amp;qid=1474222525&amp;sr=8-1&amp;keywords=schiit+modi+2
I would skip the sound card and go with a USB DAC and Amp.
Something like this with this.
Or a combined unit like the FiiO.
The mic can plug directly into your motherboard sound. If you want to do anything beyond just voice chat, I'd recommend going with an actual microphone setup.
I've got a set of home theater speakers connected to my PC via a DAC. I think they're generally better than traditional computer speakers if your room is big enough.
EDIT: this is the dac I use, link
Again, you want a full blown DAC with both SPIDF and USB input, not a converter. The Modi 2 is a bit expensive, but would work and sound great:
http://www.amazon.com/gp/aw/d/B00SCCSJVA/
And what's wrong with Kodi for your HTPC?
I am not an Android person and the wiring is different but it looks like the iRig 2 is a viable option. Someone else may suggest a variant. As I said, I use a Tascam iXZ, myself.
https://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC
On the back of your UMC. there is a 1(L) jack and I assume that is what the front jack 1 hears. Use a 1/4" TS cable to take the signal into the iRig input. Either use the headphones out output on the iRig and take that into the jack 2 on the UMC or the 1/4" output if you have one.
This is part of my similar setup. Others may suggest better iRigs. Too many damn models out there to keep track of.
https://i.imgur.com/TcXZEjy.jpg
!
I don't know how well it works for the bass, but if you have an iPad, you should definitely consider getting the iRig. It lets you connect your guitar/bass to your iPad, and if you have GarageBand on it, you can basically start recording full songs and editing them right there.
How about something like this? http://www.amazon.com/IK-Multimedia-interface-adaptor-Android/dp/B00T631UTC/ref=sr_1_1?ie=UTF8&amp;qid=1453912308&amp;sr=8-1&amp;keywords=irig
IK Multimedia Audio Interface IPIRIG2PLGIN https://www.amazon.com/dp/B00T631UTC/ref=cm_sw_r_cp_apa_i_PxERCbDE6R31V
The mixer has 1/4 inch output, so connect a cable from the mixer into the irig2 and then plug the irig2 into your phone. You can control everything right from the mixer. Sync is perfect and sounds good.
Sure! Admittedly the equipment I'm using is all cheap quality, but I figure I can replace components over time as I get better at playing cello. Right now I'd just like to know the cause of the hissing or how I can easily filter it out.
I'm using this Chinese brand cello ("kinglos")
I can't find any information on the built-in pre-amp, but this is it
It leads into this Neewer noise gate
Into this Kustom KXB1 6 inch 10-Watt amp
Then my recording is done with this Nady SP-4C Dynamic Neodymium Microphone
Plugged into this IRig 2 interface
Which leads to my Google Pixel XL Android phone
All of it is connected with these cables
the setup looks kind of like this
And here's a quick audio sample (please excuse the horrible playing, I haven't been at this very long)
iRig 2
or if you want to go for slightly better quality
iRig 2 HD
Of course the best choice is to get yourself a proper audio interface, but that's likely to cost more and is going to take a bit more setting up.
You can't without adding a bunch of latency making it practically unusable. It's one of the limitations of USB Microphones and ASIO drivers on Windows.
If you are still in your return window, return the Yeti for a pro musicians audio interface with XLR and phantom power and get a XLR mic instead of a USB one.
If you are on a budget, the Steinberg UR22 is an inexpensive model: https://smile.amazon.com/dp/B017MVUAHM/ref=cm_sw_r_cp_dp_T1_nPxrzbFY0V6MG
Don't go with the UR12 or Focusrite Scarlett Solo. They won't allow you to 'mix' the live vocals with the instrument track like you are asking - on those two interface it is a toggle button either or. You need to step up to the UR22 or the Scarlett 2i2 which instead of a toggle button use a mixing knob to mix between the instrument track and the vocal track or a sweet spot in between.
Hello! would love some help in getting something to replace what i believe is my bottle neck in my rig - thanks!
1. What is your budget?
Around $500 but pref. lower
2. What are you looking for?
Audio interface with a great DAC
3. How will you typically be using the gear?
At home/office at the pc
4. What gear do you own?
Steinberg UR22 MK2 (this is the one i would like to upgrade/replace!)
Genelec 8020C (monitors)
Genelec 7040A (sub)
AKG K702 (headphone)
5. What material will you be using your gear for?
Mostly Spotify but also Games etc and sometimes record guitar.
6. Are you willing to buy used?
reluctant
7. What have you looked at so far?
Audient iD14
Audient iD22
RME BabyFace Pro
Steinberg/Yamaha UR22 is very solid budget solution in your case ;)
2 inputs, pre amp, phantom power, good quality for this price with 192kHz 24bit.
https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM
Like one of these?
Steinberg UR22MKII 2-Channel USB Interface https://www.amazon.ca/dp/B017MVUAHM/ref=cm_sw_r_cp_api_HReJBbDNV2DZY
I have a USB audio interface that I'm using for music production (https://www.amazon.com/Steinberg-UR22MKII-2-Channel-USB-Interface/dp/B017MVUAHM/ref=sr_1_1?ie=UTF8&amp;qid=1479411269&amp;sr=8-1&amp;keywords=steinberg+ur22 this guy specifically), if I wanted to upgrade to a good set of headphones (thinking HD600) would it make sense to use the line out on the back of the interface for the DAC (rather than have to buy a separate one), and run that through a separate dedicated headphone amp?
This is an awesome response, thank you!
I'm currently using this audio interface. I know they're meant for instruments/mics, but I don't suppose there's a way to use one of the line in's for game console audio? (just to save me buying another unit)
Update: So I've been looking at getting the scarlett 2i2 bundle https://www.amazon.com/Focusrite-Scarlett-Studio-Interface-Recording/dp/B01E6T50BO since my current mic(DVR100) doesn't seem compatible.
Two questions:-
Focusrite Scarlett-Studio-Pack gen2 USB Audio Interface and Recording Bundle with Pro Tools First https://www.amazon.ca/dp/B01E6T50BO/ref=cm_sw_r_cp_apa_i_sXHsDb0VTJ86W
hi, sorry as i have said total noob :)
but would the bundle above be good enough? or can i get the solo version of the interface?
it will just be me and one instrument so i am not sure really what the specs mean :(
Tbh I got this headset because I worked at McDonald's while going to school so it was disposable money and I didn't know shit about computers and peripherals. After a year and a half of gaming I wanna get a proper XLR mic with a good headset. I'm buying the Scarlett studio pack 2 whenever I can. From what I've seen it's a really good starter package for the price. Here is the link : https://www.amazon.fr/Scarlett2-Studio-Pack-2nd-Generation/dp/B01E6T50BO
> I'm buying the Scarlett studio pack 2 whenever I can. From what I've seen it's a really good starter package for the price. Here is the link : https://www.amazon.fr/Scarlett2-Studio-Pack-2nd-Generation/dp/B01E6T50BO
Looks good, are you going to be recording audio for podcasts, youtube, stuff like that?
I'm not very knowledgeable about recording gear, I'm more a home theater and outdoor audio kind of guy (r/diyaudio is great!) as I run a semi large theme camp at Burning Man with good audio needs.
I think its awesome you are into good sound though, so few people are!
For recording I use this (Except the mic is red with black trim). If I were to get a second mic, could I get the binaural effect? Is it just a case of putting them in a specific place?
I have been nothing but pleased with the Scarlett CM25 mic and Scarlett 2i2 mixer. They're sold as a bundle and are affordable.
edit: embedded linky link.
> Scarlett
what do you think of this bundle? looks really cheap and would be about right for my level. https://www.amazon.co.uk/Focusrite-Scarlett-Studio-Interface-recording/dp/B01E6T54E2/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1542968676&amp;sr=1-1&amp;keywords=focusrite+scarlett+solo+bundle
There's also these from more reliable manufacturers; seem to be same price.
https://www.amazon.co.uk/Roland-UM-ONE-mk2-MIDI-Interface/dp/B00967UN50/ref=sr_1_1?s=musical-instruments&amp;ie=UTF8&amp;qid=1491346657&amp;sr=1-1&amp;keywords=usb+midi+interface
https://www.amazon.co.uk/iConnectivity-midi-mio-iconnectivity-Mio/dp/B00CO5IRSG
I'm actually looking for new headset, so i've got many question....
First off, what are the main differences between a sennheiser hd 650, 600 800 and 6xx?
Also is it still possible to get a 6xx?
And then, What should be the minimum price value for a good amp for those? Because I know I don't want to spend thousands... I know there is this amp that amazon recommend me to buy with the 650, but i don't actually know if it's a good one for those headset, or not powerful enoug....
This is terrible advice, OP is looking to actually play piano, not just one-handedly tap notes into a DAW. You won't have the time or the extra hand needed to switch octaves when playing. 61 keys is really the minimum.
OP, M-Audio Keystation II 88 is around £125 new and though it doesn't have hammer action, it's ideal to learn on for the price range.