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Ah, thanks, I've fixed the link. Which is a great start; grab the book he refers to and start doing his exercises based on drawing out of it, or freeze-frame classic WB and MGM cartoons and draw off of those the same way.

Also take some life drawing classes! Apply what you learn about construction from John K to drawing humans; it's possible to get to a point where you can get down the essentials of a pose in less than 30 seconds and reconstruct a lot of it from basic drawing principles later on. If you can find a life drawing teacher who works out of the Glen Vilppu curriculum that would be great, his methods are pretty well-loved among teachers of life drawing for animation, and will equip you with some serious skillz.

James Gurney's books on drawing are also pretty awesome and inspirational, he approaches the problem of drawing stuff out of his head in a much more realistic way.

I am also a fan of Bridgeman's Constrictive Anatomy and Andrew Loomis' Figure Drawing for All It's Worth, both of these could be found (along with the Preston Blair animation books) in the library of every single person I knew in animation school.

If you can afford it, consider taking some art classes, online or off. A degree in art is stupidly over-expensive, but having the obligation of A Class that you are Paying For can be a good kick in the ass to draw draw draw draw. I don't have any recommendations for those offhand, my schooling was back in 1995 at a place that no longer exists.

In general: if there is art you like, try ripping it off! Don't just trace it though, reconstruct it from first principles using basic construction methods, and think about why and how the artist applied their stylizations.

ALSO. Carry a sketchbook. Draw in it. Change your habits: instead of taking out your phone to check Twitter or Reddit or whatever, take out your sketchbook and draw something. Maybe something in view, maybe something out of your head. It doesn't matter what, just keep working at it. And ask yourself what's wrong with drawings after you do them; try to not make the same mistakes twice.

Also here is a serious PRO TIP that I picked up from my time in animation: put that mechanical pencil you probably use to write and draw with away, grab a wooden #2 pencil and hold it so that the side of the point touches the paper, instead of the very tip. This will force you to draw with your arm rather than your wrist, which will (a) result in much more fluid strokes once you get the hang of it (b) make it far easier to do your initial rough blocking in of shapes lightly, then switch to the tip of the point to nail things down, and (c) vastly reduce the risk of being visited by the Carpal Tunnel Fairy.

The biggest thing is to DRAW. Make it the thing you do when you're bored. If you don't have any ideas for things to draw, draw some cubes. Or draw your hand, hands are HARD to draw and also super expressive, and almost everyone has one available to use as a model. Put it in some pose and reduce it to boxes/tubes/whatever, then build detail, keep doing until you have to do something else, or get an actual idea for a thing you wanna draw.

The second biggest thing is to CRIT YOURSELF, and get others at about the same level as you to crit you. Let go of your ego; if people say your drawing is terrible that doesn't mean anything about you, it just means you have things to learn. Listen to what they say and try to not make the same mistakes again. Yes, I know I said that already. It's important. Tell your ego to sit down and shut up.

Hope that helps!

Do you have a good understanding of typography in general? If you have that, you could try searching for specific things you want to learn like adjusting kerning or using ligatures.

If you need to familiarize yourself more with the elements of typography, this book is commonly considered THE go-to book for typography: http://amzn.com/0881792128