(Part 2) Top products from r/podcasting
We found 81 product mentions on r/podcasting. We ranked the 419 resulting products by number of redditors who mentioned them. Here are the products ranked 21-40. You can also go back to the previous section.
21. Studio Microphone Mic Wind Screen Pop Filter/ Swivel Mount,360° Flexible Gooseneck Holder
Sentiment score: 3
Number of reviews: 4
Dual Layer Mesh Pop Filter: Dual layers of nylon mesh with an air gap work together to reduce and eliminate popping and lisping from your recordings without diminishing clarity.Protection from Saliva: Prevents the accumulation of spit on your microphone element which contain corrosive salts.Universa...
22. Zoom H6 6-Track Portable Recorder, Stereo Microphones, 4 XLR/TRS Inputs, Records to SD Card, USB Audio Interface, Battery Powered, for Stereo/Multitrack Audio for Video, Podcasting, and Music
Sentiment score: 3
Number of reviews: 4
Direct recording to SD cards up to 128GB.Display 2.0-inch full color LCD (320 x 240 pixels)Gain knobs, pads, and phantom power for each input. Maximum Sound Pressure Input: 122 dB SPLNewly redesigned preamps with an ultra-low noise floor, up to 24-bit/96kHz audio in wav or MP3 formatMountable direct...
23. Behringer Xenyx 1002B Premium 10-Input 2-Bus Mixer with XENYX Preamps, British EQs and Optional Battery Operation
Sentiment score: 2
Number of reviews: 4
Premium ultra-low noise analog mixer with optional battery operation2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preampsNeo-classic ''British'' 3-band EQs for warm and musical soundOptional battery operation (with 9 V alkaline batteries) allows for mobile operation4 balanc...
24. StarTech.com Headset Adapter, Microphone and Headphone Splitter - 3.5mm Male Aux to 3.5mm Female Audio & Mic Combo Jack Y Cable for Laptop / PC (MUYHSMFF), Black
Sentiment score: 1
Number of reviews: 4
MIC & HEADPHONE COMBO: With one 3.5 millimeter male (TRRS) & two 3.5 millimeter female (TRS) connectors, the adapter transforms a 3.5 millimeter audio output port into one 3.5 millimeter headset jack and one 3.5 millimeter mic port. This is NOT AN AUDIO SPLITTER & is NOT designed for two headphones....
25. Behringer Xenyx X1222USB Premium 16-Input 2/2-Bus Mixer with USB/Audio Interface
Sentiment score: 2
Number of reviews: 4
Premium ultra-low noise, high headroom analog mixer4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental soundNeo-classic "British" 3-...
26. Mudder 5 Pack Foam Mic Cover Handheld Microphone Windscreen (5 Pack)
Sentiment score: 1
Number of reviews: 4
Microphone cover set: 5 pieces foam mic cover, 2.9 x 2.5 inches, caliber size is 1.4 inches, suitable for most standard handheld microphone, not for headset micThick and soft foam: the ball-type foam microphone windscreen is soft and thick, has good elasticity and shrinkage, convenient to set on the...
27. Audio-Technica ATH-M30x Professional Studio Monitor Headphones, Black
Sentiment score: 1
Number of reviews: 4
Advanced build quality and engineering40 millimeter drivers with rare earth magnets and copper clad aluminum wire voice coilsTuned for enhanced detail, with excellent mid range definitionCircumaural design contours around the ears for excellent sound isolation in loud environmentsConvenient single s...
28. Behringer Q1202USB 12-Channel Mixer,Black
Sentiment score: 3
Number of reviews: 3
Premium ultra-low noise, high headroom analog mixer4 state-of-the-art Xenyx Mic Preamps comparable to stand-alone boutique preampsStudio-grade compressors with super-easy 'one-knob' functionality and control LEDBuilt-in stereo USB/Audio Interface to connect directly to your computer. Free audio reco...
29. IK Multimedia iRig 2 Guitar Interface Adaptor for iPhone, iPod Touch & iPad (Ipirig2Plgin)
Sentiment score: 3
Number of reviews: 3
The sequel to the best-selling rig interface. 1/4" Instrument input for use with guitar, bass and other line instruments1/4" Amplifier output for use with an external amplifier without an adaptor1/8" TRRS output for use with iPhone, iPad, and iPod touchCompatible with newer iPhones via Apple's light...
30. Behringer U-Control UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output
Sentiment score: 1
Number of reviews: 3
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playbackCompact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platformsMassive software bundle includes Audacity au...
31. Behringer Xenyx X1204USB Premium 12-Input 2/2-Bus Mixer with USB/Audio Interface,Black
Sentiment score: 2
Number of reviews: 3
Premium ultra-low noise, high headroom analog mixer4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental soundNeo-classic "British" 3-...
32. Zoom H5 4-Track Portable Recorder for Audio for Video, Music, and Podcasting, Stereo Microphones, 2 XLR/TRS Inputs, USB Audio Interface, Battery Powered
Sentiment score: 3
Number of reviews: 3
Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a cameraIncludes detachable x/Y capsule (xyh-5) with extended signal capacity and shock mounted mics for reduced handling noiseFour-track simultaneous recording; Built-in speaker: 400mw 8 Ω monoTwo mic/...
33. Hosa CMP-303 3.5 mm TS to 1/4" TS Mono Interconnect Cable, 3 feet
Sentiment score: 2
Number of reviews: 3
Hosa has provided cost effective solutions to the cabling needs of musicians, engineers, and audio and video enthusiasts the world over
34. Focusrite Scarlett 18i8 (1st GENERATION) 18 In/8 Out USB 2.0 Audio Interface with Four Focusrite Mic Preamps
Sentiment score: 3
Number of reviews: 3
Four award-winning Focusrite mic pres with 18 inputs and 8 outputsTwo independent headphone outputs each with a level controlRugged metal unibody chassis. High quality 24bit 96KHz audio interface for Mac, PC and iPadIncludes an authorization code for Ableton Live Lite, Scarlett Plug-in Suite (RTAS/A...
35. RODE PSA 1 Swivel Mount Studio Microphone Boom Arm
Sentiment score: 2
Number of reviews: 3
Rotates 360 degrees with a maximum reach of 32.5 inches horizontally and 33 inches vertically3/8 inch thread adaptorHolds up to 4.4 lbsIncludes two desk mounting options2-axis swivel mount for accurate positioning
36. Blue Yeti USB Mic for Recording & Streaming on PC and Mac, 3 Condenser Capsules, 4 Pickup Patterns, Headphone Output and Volume Control, Mic Gain Control, Adjustable Stand, Plug & Play – Blackout
Sentiment score: 0
Number of reviews: 3
Tri-capsule array - 3 condenser capsules can record almost any situation.Multiple pattern selection - cardioid, bidirectional, omnidirectional & stereo. Frequency Response- 20Hz - 20kHzGain control, mute button, and zero-latency headphone output. Power output (RMS): 130mWPerfect for vocals, musical ...
37. Hamilton Nu-Era Tabletop Mic Stand
Sentiment score: 2
Number of reviews: 3
Includes mic clip, mic pouch, & bagLightweight StandWeighs only 10 ounces
38. Audio-Technica ATH-M20x Professional Studio Monitor Headphones, Black
Sentiment score: 2
Number of reviews: 3
Advanced build quality and engineering; Designed for studio tracking and mixing40 millimeter drivers with rare earth magnets and copper clad aluminum wire voice coilsTune for enhanced low frequency performanceCircumaural design contours around the ears for excellent sound isolation in loud environme...
39. Audio-Technica ATH-M50x Professional Studio Monitor Headphones, Black, Professional Grade, Critically Acclaimed, With Detachable Cable
Sentiment score: 2
Number of reviews: 3
Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewersProprietary 45 millimeter large aperture drivers with rare earth magnets and copper clad aluminum wire voice coilsExceptional clarity throughout an extended frequency range, with deep, accurate bass response...
40. GLS Audio Vocal Microphone ES-58 & Mic Clip - Professional Series ES58 Dynamic Cardioid Mike Unidirectional (No On/Off Switch)
Sentiment score: 4
Number of reviews: 3
Uni-Directional Dynamic Vocal MicrophoneFrequency Response: 50 Hz - 15,000 HzSensitivity: -72dB at 1,000 Hz (Open Circuit Voltage)Can be used with Lo-Z XLR 3 Pin Balanced & Hi-Z 1/4"Impedance: 300 ohms at 1,000 Hz
I can't speak to remote podcasting, as we do all our stuff in my home studio. Speaking to the budget side of things, there are some great alternatives out there to USB Mics. I have one that I use for conference calls on my laptop, it's a Samson GoMic. It is quite responsive and very portable. I tried using it on our podcast when we started it up, but is did not work that well. I don't know how this might fit into your budget, but here is what we are doing here:
MIXER - We are using a 4 channel mixer with a Presonus audio interface into our iPad, where L and R outputs from the mixer go into the interface and get mixed down to stereo on the iPad. If you are looking to do just 2 mics and are not going to expand for a while, this will go right into your ipad with little trickery: http://www.amazon.com/Presonus-AudioBox-Bus-powered-Audio-Interface/dp/B00M0EHRBE/ref=sr_1_13?ie=UTF8&qid=1421082444&sr=8-13&keywords=audio+interface+ipad
SOFTWARE - Boss Jock Studio. $9.99 from the App Store. This software is great because we will record some stuff ahead of time, grab interviews, play theme music, etc. When we are don recording in Boss Jock, we will export it to the computer, clean it up (Normalize, Compressor, etc.), Convert it to MP3 then upload it to our site.
Mics - We found a great deal on some no-name mics at Guitar Center where we got 3 Mics, XLR cables and a few stands for around 120. 2 mics will likely be cheaper. Get some Pop filters too from Amazon, we got some for cheap (link: http://www.amazon.com/gp/product/B008AOH1O6/ref=oh_aui_detailpage_o02_s00?ie=UTF8&psc=1) they clip onto a mic stand. Don't hit them too hard or they go out of place, but they work great otherwise and you cant beat the price ($7.00 a piece)
HOSTING - This is important, because once you get the show set up, you don't want to move around too much. We are going self hosted using a VPS at OVH. We use Wordpress and Podlove to publish our feed, and handle the blog that goes with our show. From there we have the feed exported to iTunes store, and you can subscribe right on the site. We were doing SoundCloud for free before, but this is much better because we do a new show every week and want to have a rolling list of 10 episodes for people to snatch. it helps to have some wordpress foo because it might seem overwhelming at first, but we are happy to guide you through it. I do wordpress sites for my job so I can cruise through it with rather quick turnaround time.
Please, if you have any questions, we will be happy to help you out EVERY STEP OF THE WAY, just PM us and we will get you going, give you a run through, all that fun stuff. We were noobs once, and would love to pay it forward. As far as I am concerned, we are still noobs anyway, but at least we got the actual production aspect of our show hammered out.
If we don't hear from you, best of luck! Don't get discouraged, just keep doing it and you will be glad you did, it is a lot of fun and my friends and I have made a weekly ritual out of. We are basically drinkers with a podcasting problem.
Others have already asked some pretty useful questions, but if you're looking for more specifics here's what I know.
Recording & Editing Software
While I can't speak to resources for non-Apple tools. If you have a Mac you can start out with simply a good microphone and the GarageBand application.
Microphones and Pop Filters
If you're looking for a mic recommendation I've had a lot of success with the Yeti USB microphone. It's pretty versatile and the sound quality has been quite good. A cheaper reliable option is the Snowball. You can find mics for less than that but I can't vouch for the quality. No extra set up is really needed, just plug it in and record. Some people recommend a pop filter, they're pretty cheap and I've had a good experience with the Dragonpad ones. If you need an example of sound quality PM me, I'm happy to link you an episode I created using the Yeti mic.
Uploading and Hosting
Once you've recorded and edited your Podcast you'll need somewhere to host it so others can listen to what you've created. I usually upload the file to SoundCloud and then share the link or embed the player in my blog and website. There are a lot of other podcast-specific hosting sites out there but I've found SoundCloud to be free and easy.
Helpful Guide
When I first started out I came across a great blog article by Mike Cernovich that I followed to create my first episodes. You can read it here if you're interested (it's specific to using GarageBand though).
I hope this helps, a D&D podcast sounds great. Can't wait to hear what you create.
It can be done, but it takes some pretty hefty effort.
Now... I know I said avoid any and all hardware mixers, before, and I stand with that statement. But a great budget solution for this particular scenario is to grab one of these
NOW BE AWARE.
Yes, it will record all of you at the same time, HOWEVER, it will record you all on a single channel. Meaning individual EQ, edits, and adjustments will be impossible. You can get 2 channels, by mixing one input all the way to the left, and one to the right, then splitting them and making them mono, but that still leaves 2 odd men out.
The very best solution for the home podcaster is to find a 4 input interface like this one. This will split your channels nicely, and do everything you need it to do. If you're on a tight budget, but need full interface capability, you can use this guy. I used one at the start of my podcast, and loved it. It looks AMAZING, and it worked great for me, but unfortunately, it's pretty obviously not as good as a Focusrite, thanks to their absolutely stellar preamps.
EDIT: Fixed USB mixer link, original was NOT USB capable
It depends on your recording environment. If you are just starting out and are recording in a bedroom or office I recommend a cardiod dynamic. Cardiod refers to the pattern around the mic that it picks up. Cardiod mics are most sensitive right in front of them in contrast to omidirectional mics which are sensitive to sound from any direction. A dynamic mic isn't as sensitive as a condensor mic and doesn't pick up a lot of background noise.
If you are just starting out I recommend one of the following:
One Person w/ USB mic:
Audio Technica ATR2100 -- ($69)
https://www.amazon.com/Audio-Technica-ATR2100-USB-Cardioid-Dynamic-Microphone/dp/B004QJOZS4/ref=sr_1_5?crid=3VSBIQQ3JBF11&keywords=audio+technica+atr2100&qid=1551358784&s=gateway&sprefix=audio+technica+atr2100%2Caps%2C156&sr=8-5
Neewar Boom Arm -- ($14)
https://www.amazon.com/Adjustable-Microphone-Suspension-Broadcasting-Voice-Over/dp/B00DY1F2CS/ref=pd_bxgy_267_3/130-3630075-7767759?_encoding=UTF8&pd_rd_i=B00DY1F2CS&pd_rd_r=bbd378dc-3b58-11e9-bd63-17b75475049f&pd_rd_w=hAX4Y&pd_rd_wg=0cwDw&pf_rd_p=6725dbd6-9917-451d-beba-16af7874e407&pf_rd_r=THVQ9RCXBFP8QTKXH408&psc=1&refRID=THVQ9RCXBFP8QTKXH408
On Stage Foam Wind Screen -- ($3)
https://www.amazon.com/Stage-Foam-Ball-Type-Windscreen-Black/dp/B0002GXF8Q/ref=pd_bxgy_267_2/130-3630075-7767759?_encoding=UTF8&pd_rd_i=B0002GXF8Q&pd_rd_r=bbd378dc-3b58-11e9-bd63-17b75475049f&pd_rd_w=hAX4Y&pd_rd_wg=0cwDw&pf_rd_p=6725dbd6-9917-451d-beba-16af7874e407&pf_rd_r=THVQ9RCXBFP8QTKXH408&psc=1&refRID=THVQ9RCXBFP8QTKXH408
(Total - $86)
_____
One Person - w/ XLR interface:
BEHRINGER UMC22 Interface -- ($60)
https://www.amazon.com/Behringer-UMC22-BEHRINGER-U-PHORIA/dp/B00FFIGZF6/ref=sr_1_1?keywords=umc22&qid=1551358965&s=musical-instruments&sr=1-1
Behringer Ultravoice Xm8500 -- ($20)
https://www.amazon.com/Behringer-Ultravoice-Dynamic-Microphone-Cardioid/dp/B0002KZAKS/ref=sr_1_1?crid=2DW4EVX2PF5KX&keywords=xm8500&qid=1551358987&s=musical-instruments&sprefix=xm%2Cmi%2C192&sr=1-1
Audio-Technica ATH-M20, Can use any headphones -- ($50)
https://www.amazon.com/Audio-Technica-ATH-M20x-Professional-Monitor-Headphones/dp/B00HVLUR18/ref=sr_1_1?crid=2B8B1B60ZJQ7U&keywords=ath-20x&qid=1551359014&s=musical-instruments&sprefix=ath-20%2Cmi%2C195&sr=1-1-catcorr
Knox Boom Arm -- ($50)
https://www.amazon.com/Knox-Professional-Microphone-Snowball-Microphones/dp/B07D7JTR5M/ref=sr_1_1_sspa?keywords=knox+boom+arm&qid=1551359032&s=musical-instruments&sr=1-1-spons&psc=1
On Stage Foam Wind Screen -- ($3)
https://www.amazon.com/Stage-Foam-Ball-Type-Windscreen-Black/dp/B0002GXF8Q/ref=pd_bxgy_267_2/130-3630075-7767759?_encoding=UTF8&pd_rd_i=B0002GXF8Q&pd_rd_r=bbd378dc-3b58-11e9-bd63-17b75475049f&pd_rd_w=hAX4Y&pd_rd_wg=0cwDw&pf_rd_p=6725dbd6-9917-451d-beba-16af7874e407&pf_rd_r=THVQ9RCXBFP8QTKXH408&psc=1&refRID=THVQ9RCXBFP8QTKXH408
(Total - $189)
The first group is "as cheap as you can get" and still get decent quality. The second group is definitely a better setup.
Ethan cohost of the Shieldwall Podcast https://shieldwallpodcast.podbean.com
EDIT: The second group is definitely a better setup in that it allows you to upgrade down the road with better gear. If you have the money an Audio Technica ATR2100 or AT2005 would sound a good bit better in the second list than the XM8500. But do these sound 4 times better considering them being 3-4x the price? Hard to say.
I'd buy my current setup...
Focusrite Scarlet 2i2 Audio Interface ($150)
(2) MXL 770 Cardoid Condenser Microphones - Amazing quality microphone for the price. ($144 for 2)
(2) XLR Cables ($20 for 2)
(2) Microphone stands. I use this Gator for my main mic stand and a cheap scissor arm stand for my second. ($100ish for 2)
(2-pack) Microphone pop filters. I like these replicas of the Popgard, but also have one real PopGard that I paid $40 for. Either is much better than those pop filters on a long extension arm that gets in the way. ($10 for 2)
Zoom H4n Pro or H5 portable recorder. I have a Zoom H4 Pro (and a regular H4) but either would work well for recording a podcast on the road or on location somewhere without a computer. ($200-275)
Audio-Technica ATH-M50x Studio Monitor Headphones ($150)
Software - GarageBand or Audacity or other free DAW. Or, if you already have a Creative Cloud subscription like I do, Adobe Audition.
All of that is way less than $1k, and give you the ability to do a two-person interview podcast in the studio or on location. With the extra $100 or so, buy some sound proofing materials for your studio.
This is exactly what my setup looks like right now.
It would... work. But not well. Remember that you're working with a pure-audio medium, so sounding good is almost as important as having good content. If you have to use this setup, here are a few issues you'll run into-
Here's what I'd recommend instead:
Behringer XM1800s 3-pack - the products most often purchased together will run you about $55 (less than a Blue Snowball), and includes a 5-pack of windscreens, and 1 10-foot XLR cable. Personally I would replace that with 2 of the 6-foot versions- I use that exact cable with an AT2020 and for the price it's excellent. By shopping for a good deal you can spend less- buying used or on sale or even from a fellow podcaster who has moved up to more serious gear can help you out there.
To get those sweet vocal tones from the mic to the computer, you'll need an interface. I use an Audio Technica AT2020 run through a Scarlet Solo, but it's just me, and their 2-mic version is excessive for what it brings to the table. Consider the Behringer Xenyx Q802USB interface. The mixer.controls will help you dial in your audio, reducing editing time/effort and reliance on Audacity.
Now, I'm well aware that that is basically double the budget that you have in mind. I don't enjoy giving you that news, but- and this is important- spending ~$130 isn't that big a deal over the long term, and if you wind up taking this more seriously it will give you a massive advantage right out of the gate, and will make the process of recording so much easier, leaving you more time and energy to focus on content and enjoying the process. Because, let's be honest, that's what you start a podcast for; enjoyment. With the mics I recommended, a mic stand isn't crucial right out of the gate, but even if you really just want stands, getting a cheap boom or scissor is totally doable for $30 or less.
blue yeti
I personally do not have one of these, but have a couple friends who use this to record their acapella practices. It has an omnidirectional mode which means you can theoretically place it in the middle of the table and just talk normally. Plus its USB so you won't have to pay $100 for a pre-amp.
Also, I would do some research about EQ and Compression, especially if you use one mic for three people. The EQ will help any echo/muddiness which may show up and compression is in case one person is recorded louder than the other two.
Best of luck starting up! Let me know when it starts up and I'll give it a listen :)
The R16 uses combo jacks which can accept XLR or 1/4" line plugs. The 1/4" plugs coming from consumer equipment should be TS unbalanced, not TRS balanced. Something like this if you want stereo
https://www.amazon.com/Hosa-CMP-159-Stereo-Breakout-Cable/dp/B005HGM1D6/
or this for mono
https://www.amazon.com/Hosa-CMP-303-inch-Interconnect-Cable/dp/B000068O3G/
Don't go real cheap with analog cables. It matters less with digital but just make sure it's not bottom tier and has a good rating.
The ATR2100 is a decent mic, but it's the USB/XLR flexibility that gets it flagged as a preferred mic. Nothing wrong with it, but look around at the other options in your price range like the Shure SM58 at $100 or the Blue EnCORE 100. Price varies a lot for these but a two pack plus some kit is $130 here
https://www.amazon.com/Blue-Encore-Microphone-Stands-Cables/dp/B01LONG3FM/
The ATR is not bad. Just suggesting options. For the record, I do not own an enCORE 100. I do have an enCORE 300.
!
I am unclear of the application you want to use this for - if you just want to have two people participate in a podcast - and I presume here the podcast is just two people talking - and your aim is to record it (for later upload).
Then all you need to do is have two mics combined - which your special dual microphone set already does.
What you can do is plug this microphone jack into the mic port of a Y-splitter (of the type I mentioned above) - then plug in a headphone splitter into the earphones port of the same Y-splitter.
Then plug the Y-splitter into your Android device.
Now you just record as usual.using our app or other audio recorder app.
Now the problem is with your requirement that you also hear yourself and the other person speaking (i.e. whatever is being recorded - you also want to hear). On Android this will always have audio latency (i.e. delay). If this was an Apple device (iOS) it will have much less delay - but there will be some delay but it won't confuse you. I can't think of an app off the top of my head - I think RobVox is also available on iOS - so perhaps if you have an iOS device you could try RobVox and if it allows recording and it already has the Headphone mirroring feature - then it may work better on iOS - check them out on iOS:
https://apps.apple.com/us/app/robovox-voice-changer/id584847250
RobVox Voice Changer
Other than this - if you are willing to forgo the listening-to-yourself part - i.e. are willing to just leave your headphones off so you can listen to the other person just over the air, then you can use the Android solution - since you will then not have to listen to yourself. With our app you can turn off the headset mirroring feature - click Settings - Output Settings - Listen to Record (Headset) - and turn if Off.
But if you want to hear the recording also - then go with the iOS (test an iOS device first with RobVox if you can).
Other than that there maybe dedicated audio recorder devices which allow two mics, and have audio mirroring - these will have very low latency I think. But these would be expensive also.
You will need one which has a separate port for the audio output for headphones for audio mirroring (basically you need devices which have a field recorder feature).
I know some of the very expensive such devices have that:
https://www.amazon.com/Tascam-DR-40X-Four-Track-Recorder-Interface/dp/B07N3FDT3M/
Tascam DR-40X Four-Track Digital Audio Recorder and USB Audio Interface
$179
https://www.amazon.com/Tascam-Stereo-Portable-Digital-Recorder/dp/B004OU2IQG/
TASCAM DR-05 Portable Digital Recorder (Version 2)
$90
https://www.amazon.com/Zoom-H5-Four-Track-Portable-Recorder/dp/B00KCXMBES/
Zoom H5 Four-Track Portable Recorder
$279
I can't off the top of my head recall which have the audio mirroring feature, but I think some devices like these have the audio mirroring to headphone - and have a separate headphone port. And possibly even two ports for two microphones (?)
For these types of solutions, the folks on r/podcasting may have better solutions.
If you are serious about this I'd get a one ear broadcast headset like this one. A broadcast headset will have a dynamic cardioid microphone that sportscasters use to eliminate as much background noise as they can. A lavaliere microphone is basically a condenser microphone and will pick up a lot of the background noise.
Since you'll need a recorder with an XLR connection in order to connect that broadcast headset I'd recommend either the Zoom H4n Pro or the Zoom H5 instead of that Tascam DR-05.
Good luck with whatever you try! Starting to podcast is great no matter how you do it!
Seeing how we only have a single guest on our show, I use an iRig. I give them my phone number and they call in.
The call routes directly from my iPhone into DAW and outputs into our headphones. This also allows each of us, (three hosts), to talk to them directly as well. The quality of the call is amazing and one of the best purchases I've ever made audio wise.
We used to record on a Blue Snowball mic and then upped our game, and we did it without using a mixer based on some tips we got from this subreddit.
We have 4 people recording, and chose to use a Zoom H6. It can record up to six tracks (but the most we've used is 4). Our microphones are Samson Q2Us, which is the same as an Audio-Technica ATR-2100 mic. (We chose the Samson Q2Us instead because they came with headphones and cheap stands and cost less.)
We decided to get boom arms with shock mounts and pop filters in order to reduce noise. To be honest, the Zoom H6 alone, using the capsule mic, produces better sound than our Blue Snowball. I also like the H6 because I can take it on the road and record mobile interviews clearly, even in noisier environments.
Here's one of our latest podcasts recorded with this setup, and here's an old one with the Blue Snowball for comparison. (Jump around the episodes a bit and you'll see the difference.)
Good luck with whatever you choose!
The NW-700 is a decent mic for the money but you should probably use dynamic mics instead of a condenser mic. You’ll have a lot of issues with sound bleeding with 5 condenser mics in a room.
You could get 2 of these.
3x mic pack
That way you also don’t need phantom power.
Then you can pick up a better mixer with something like this.
mixer
Lastly, you can get 5 Neewer boom arm with XLR cables inside the arm for $18
That puts tour total at about $370 for the setup or about $75 each.
http://www.amazon.com/dp/B00CPCJI2C
That would a pretty good choice and, given your original budget, doable. There are likely cheaper options that would be fine as well, though, if you're really trying to minimize costs.
There are a few solutions. There is something called a Podcast Hotline Kit, but it's a little finicky with the model mixer. Another good solution is to use an Irig2 and create a mix minus.
Thanks for the replies - I know I said I didn't need a boom arm, but after looking at my desk and how I'd ideally like to (eventually) get things set up I bit the bullet and ordered https://www.amazon.co.uk/R%C3%98DE-Swivel-Mount-Studio-Microphone/dp/B001D7UYBO/ref=sr_1_5?keywords=rode+nt1+mic+stand&qid=1565197851&s=musical-instruments&sr=1-5
One of these two.
Monoprice
I used these for a while and for under $20 they're a miracle.
Audiotechnica Ath-20x
I haven't used this specific model but I've used others from the series and they're great, and these are well-reviewed as reference cans under $50.
there isn't a mixer that takes USB mics, I'm pretty happy with the Behringer X1204USB I got last december. I'd also recommend the AT2005 USB mic. It has both USB and XLR and is usually around $60. It's a dynamic mic that works well and the mixer has the capacity to have 4 of them.
For an arm, I have a cheap Newwer Mic Boom that works well, but I don't think it'd hold up under a lot of stress. It's a good starter though and has a XLR cable built into it.
And for stand options, I like this neewer boom arm as a budget boom arm. I've been using it with a Knox for a few weeks and recently bought 4 more to go with all my Knox mics for my new set up. For a desk stand, I liked this Hamilton nu-era desktop stand. Both are pretty budget options for a budget mic.
Not a bare-bones budget, but I think if I could spend less than $500, that would be good. I'm starting to eye this Behringer mixer with four XLR channels because I would like the option to record up to four people in person at some point in the future. https://www.amazon.com/dp/B0039PPW60/?coliid=I1U6WT72X04TT2&colid=CO55CD5WF43M&psc=0&ref_=lv_ov_lig_dp_it
TBD. We were honestly hoping to get a few episodes in the can before making any major investments, but that might be unavoidable. Here's what I'm looking at so far:
Mixer option 1
Mixer option 2
Mics
Audio out to laptop
XLR cables for phantom power
The mics each come with an XLR to 3.5mm cable which would be swapped out. I'm leaning more toward 4 mics and to have people share mics if we have additional guests. 4 is probably more realistic than 6.
Get a used h6. Should be around $300 w/ shipping.
Get the H6 adaptor capsule. $70 new.
Get 6 wired lav mics. $25 each * 6 = $150.
Total= $520 + tax
---
That all said, spending $100 on an omni-directional USB condenser mic is not the worst idea, even though everyone else hates it. Look, if you're only publishing this so a couple of people can listen to it, what's really the return on the $600 investment? Is having perfect audio really going to increase your listenership? Is this for archival purposes, or for public purposes?
Sweet~~
The boom arms I bought are Rode PSA1. From the research I did prior to buying, it seems that you get what you pay for for booms. Though getting other boom recommendations from r/podcasting might be worth it, especially if you are on a budget.
As for the SM7B's I do not recommend buying them unless you have podcasted for awhile or have deep pockets. I upgraded to the SM7B's after podcasting for 8 years. (If you find out podcasting isn't your thing it is better to be out a fraction of the cost.)
This mixer is what you need. I've used it quite a bit and it works fine. You can record directly into Audacity or Audition. The other commenters are right to note that Behringer does have bad reputation, but this unit happens to work okay. Their stuff has improved quite a bit recently.
Check out our page on how to make a podcast. We have video reviews of different setups for different price points.
I like the Audio-Technica ATH-M20X Headset as a good starter headset.
absolutely love my behringer usb mixer which mixes in computer audio from skype/hangouts/zencastr/cursevoice/discord/anything just fine.
http://www.amazon.com/gp/product/B0036ECH1M?psc=1&redirect=true&ref_=oh_aui_search_detailpage
And if you have the same hosts each week, the mixing should stay the same, too. But I've stopped editing for the most part. Doing everything front end with a mixer, and other devices, saves SOOO much timer and effort. Finish the show, and upload. More time to focus on the next show, marketing, or interactions with your listeners.
Basic setup for a 4-person podcast:
Total: $943.
https://amzn.to/2jVbENf is a $30 SM58 knockoff that sounds great.
The Beringer 1000B - I HOPE this will work with the adapter.
I like this explanation of options.
It seems like the first option is slightly more elegant but I wonder does that Behringer UCA202 need to be powered? Also I see there is a newer version which seems to be identical. the UCA222.
https://www.amazon.com/Behringer-UCA222-BEHRINGER-U-CONTROL/dp/B0023BYDHK
They're probably outside your budget. This would work and should be budget friendly:
6Ft XLR Female to 3.5mmm Mono Male Cable $5.99.
Headphones/Mic splitter TRRS, $6.99.
Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid pattern, $19.99.
Total investment per person: $32.97
Edit: I'm assuming with this setup that everyone has a smartphone. If a newer iPhone, you'd need an additional lightning to 3.5mm adapter. Ugh.
(5) Behringer Ultravoice Xm8500 - $100
(1) Behringer Xenyx 1002B - $100
(6) XLR Cables - $35
(1) 1/4" to 3.5mm cable - $10
Total = $245 (before tax)
I'm guessing you've got a computer, so I included a cable to run from the headphone output of the mixer to the 'record-in' on your computer. Audacity/Garage Band/etc will record the podcast fine.
This is quite literally the lowest barrier to entry for a 5 person podcast if you buy new. You could probably find this stuff cheaper used but it may take more time finding everything than it's worth- at the very least you want to make sure your microphones match (sound-wise).
The alternative is 5 guys sitting around an audio recorder or an iPhone, but that doesn't sound good nor does it allow for proper conversation, so I don't really consider that a podcast.
I was probably going to get these https://www.amazon.com/Hamilton-Nu-Era-Tabletop-Mic-Stand/dp/B003VYBD58/ref=sr_1_1?ie=UTF8&qid=1469119095&sr=8-1&keywords=table+mic+stand
As for headphones, would earbuds work are over-the-ear better?
> Will an interface plug directly into my computer…
Yes! Most audio interfaces use USB. I also often use mine on iOS devices via the Apple Lightning to USB connector.
I'm listening to your latest episode, Interview with Robin Hanson, and the first thing that comes to mind is to get a pop filter for each mic to cut down on the breath from talking. I ordered these
I really like the topic. Gonna listen to your other episodes as well.
I also record with a Blue Yeti, and I monitor with a pair of ATH-M50x headphones. The sound quality in those headphones is excellent, and I haven't had issues with bleed while monitoring my recording sessions. It's a little more expensive at $150, but they'll last you a long time.
well the this is my go too cable then
This is the one I have, works well enough for me and for $12.
For my tabletop rpg podcast its me and a player at the table and two others Skyping in from separate locations. I highly recommend having separate mics and a mixer. This allows you to record each track. If you only have one track and someone coughs or makes a noise, then you can't really edit it out.
However, since its only two people for me, I can cheat and set each mic to be panned left and right so I can split the two tracks. I'm not as such how to easily do more people without something like a Zoom H6.
I'm upgrading from a Yamaha MG10XU to a 12XU. 6 mic/line ins. beheringer has one: xenyx https://www.amazon.com/Behringer-X1222USB-Premium-16-Input-Interface/dp/B0036ECH1M?SubscriptionId=AKIAILSHYYTFIVPWUY6Q&tag=duckduckgo-osx-20&linkCode=xm2&camp=2025&creative=165953&creativeASIN=B0036ECH1M
How does this play into the setup? https://www.amazon.com/Behringer-UCA222-BEHRINGER-U-CONTROL/dp/B0023BYDHK
They are called windscreens and you can buy some right there!
ey man this all the stuff imma buy can you tell me if its all compatible
also is all i need? i know its been 4 months
https://www.amazon.com/gp/product/B00X7YJUGG/ref=ox_sc_act_title_1?smid=AB3RH2VK84JRX&psc=1
https://www.amazon.com/gp/product/B019OO4IY6/ref=ox_sc_act_title_2?smid=A3T95V05QKJ0CN&psc=1
https://www.amazon.com/gp/product/B000NJ2TIE/ref=ox_sc_act_title_4?smid=ATVPDKIKX0DER&psc=1
https://www.amazon.com/gp/product/B00QHURLHM/ref=ox_sc_act_title_6?smid=AV80KMVI6ZWQL&psc=1
all you need is
https://www.amazon.com/Behringer-Premium-10-Input-Optional-Operation/dp/B0027B41P0/ref=sr_1_9?ie=UTF8&qid=1491877117&sr=8-9&keywords=behringer+mixer
and
https://www.amazon.com/dp/B000NJ2TIE/ref=sr_ph_1?ie=UTF8&qid=1491877289&sr=sr-1&keywords=behringer+microphone
less than 200 and youll have everything, grab a couple cables.
The M30X are $51, any experience with them?
Check out the RØDE PSA 1
https://www.amazon.com/dp/B001D7UYBO?ref=ppx_pop_mob_ap_share
You can use this for the computer.
Headset adapter for headsets with separate headphone / microphone plugs - 3.5mm 4 position to 2x 3 position 3.5mm M/F https://www.amazon.com/dp/B004SP0WAQ/ref=cm_sw_r_cp_api_i_AP0yCbAMC0PK7
Behringer XENYX X1204USB Would prolly work for you. I use it. It runs for about 150$ Its vary similar to the Behringer UFX1204 BangsNaughtyBits linked above but less then half the price.
http://www.amazon.com/gp/product/B0039PPW60?psc=1&redirect=true&ref_=oh_aui_detailpage_o04_s00
Here is the mobile version of your link
I was thinking about this, but then I read that USB mics aren't recommended.
Hmm, six peeps is going to be tough. Without each person having their own mic into a mixer or interface, there really isn't a way to set individual levels. If your tight on budget, i'd just get a Blue Yeti and sit it in the middle of the room. The more dead you can get the room, the better. Think blankets on the walls, mattresses, whatever you can think of.
Then in post production, take the file and put it into Levelator to attemp to get all the levels equal.
Thanks for everyone's input. I started to put together a list based on a combination of a lot of these RECOs. Let me know if you think I'm missing anything. I tried to stay around $1000 and have padded some of these line items, but let me know if you think I'm missing anything.
​
-Zoom H4 bundle: around $300 with xlr cables, 2 handheld mics and mic stands
-2 Audiotechnica mics (Cardioid Condenser): around $250
-2 Audiotechnica headphones: around $150
-Mounts and shocks: around $100
-additional accessories: around $100
​
Total Ballpark: $900