Reddit reviews Mixing Audio: Concepts, Practices and Tools
We found 9 Reddit comments about Mixing Audio: Concepts, Practices and Tools. Here are the top ones, ranked by their Reddit score.
I can sum it up in a joke my friend told me once:
"How do you make a small fortune with a recording studio? Start with a large one."
But seriously. Do not go to college to become an audio engineer. If it is something you like to do, buy yourself some recording gear and start recording yourself and bands. Do some for free, once you get good at it, start charging for it.
Make these three books your education:
Mixing Audio by Roey Izhaki -http://www.amazon.com/Mixing-Audio-Concepts-Practices-Tools/dp/0240520688
Mixing Engineer's Handbook by Bobby Owsinski - http://www.amazon.com/Mixing-Engineers-Handbook-Second/dp/1598632515/ref=sr_1_1?s=books&ie=UTF8&qid=1346257656&sr=1-1&keywords=mixing+engineers+handbook
Mastering Engineer's Handbook by Bobby Owsinski - http://www.amazon.com/Mastering-Engineers-Handbook-Audio/dp/1598634496/ref=sr_1_1?s=books&ie=UTF8&qid=1346258717&sr=1-1&keywords=mastering+engineers+handbook
Read every last word of these books until they are burned into your brain. Then send me some of your money for giving you such great advice and saving you the ridiculous expense of audio engineer school. A theoretical and technical fundamental knowledge is important, which you will get from these books, but it won't mean shit unless you actually put it to use and get experience recording and mixing people! Good luck!
Truthfully, there's much better value in investing in a few books and watching free tutorials, especially the propellerhead generated ones.
Mixing Audio should be your bible and studied like you're taking the bar exam. It'll give you an incredible foundation to grow from. It covers everything from compressors and other devices, setting up a mix, and professionally executing a mix. I'm serious, read it with a highlighter and take notes. Plus with Reasons analog mix board like setup, it's easy to translate to Reason.
Even if you decide to take some courses, I would read that before hand anyway to get alot more out of the classes.
Propellerhead's Own Videos are extremely insightful as well.
All in all Good Luck!
Mixing Audio - Concepts, Practices and Tools by Roey Izhaki. Great because it also includes real life examples (On the CD thats included and website they provide) of different instruments being EQd and processed different ways.
Keep going, you'll get there! Finishing tracks requires a different set of skills, so you have to develop those too. Check out some books on mixing for info on the "final mile".
Mixing Secrets for the Small Studio
https://www.amazon.com/gp/product/0240815807/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1
Mixing Audio: Concepts, Practices and Tools https://www.amazon.com/dp/0240520688/ref=cm_sw_r_cp_apa_i_404wDb9DMHAWZ
I found this very useful. Really well explained and with a very logical ordering, takes you right through the process.
I have this book:http://www.amazon.com/Mixing-Audio-Concepts-Practices-Tools/dp/0240520688
It definitely helped me understand a ton more about the tools I was already using and how to use them better. I would highly recommend the read.
That's a very vague question because I don't know the type of music you're doing, or the type of sound you're trying to achieve. I don't understand what you mean by "spark the sound back up..." but I assume you mean that compression is making your sounds quieter. You need to compensate for the loss in level by turning the gain up after compression.
I would suggest reading a few books on mixing and music production. http://www.amazon.com/Mixing-Audio-Concepts-Practices-Tools/dp/0240520688 is a good place to start.
Before you even start compression and eq, it's more important to record your sounds through the best equipment you can afford and focus on the balance and relationship between instruments. Compression and EQ is meant to correct or alter the sound due to poor recording or performance. Of course, there are tricks and these things are applied creatively to make your production compete with what you hear on the radio ... but i would basically have to teach a whole class on the subject and unless you have something more specific, I wouldn't even know where to begin.
there are no rules. Generally, main elements are panned center (bass, kick, snare, vocals, etc) and build your panning around that. like I said, there are no rules and I really have no idea the type of sound you're trying to achieve. keep at it and read read read as much as you can on the subject (from a reliable source). You can get better by practice and constantly A/Bing your work against work you admire. Once you learn the terminology and what compression is actually there to do .. you'll find it's much easier.
A few books to consider:
Backstage Handbook. ABSOLUTELY ESSENTIAL.
Quantum: A Guide for the Perplexed. This one is... well... it helped me to understand some things about physics. Not all of it is relevant, and you'll have to draw some conclusions yourself as to how it all applies to audio engineering. At the very least, it's a great introduction to subatomic physics for people who aren't great with math. YMMV, but I found that a basic understanding of what sound waves actually do goes a LONG way. From there you can discern certain things like how ambient temperature and humidity will affect your mix.
The Business of Audio Engineering. Worth the price of admission, despite grammatical errors.
Mixing Engineer's Handbook. Might be worth it. Interviews with established recording engineers. Has some interesting info. Only the first half of the book is really worth reading, though.
Mixing Audio. Relevant information. Could almost act as a textbook.
That will at least get you started. I know that you're looking more for the mixing side of things, and that's great, but trust me on this. You will want to know as much as you can about all facets of theatrical/concert/special event work. THAT'S how you really get gigs.
One I've found useful