Reddit Reddit reviews Reading Studies for Guitar: Positions One Through Seven and Multi-Position Studies in All Keys

We found 9 Reddit comments about Reading Studies for Guitar: Positions One Through Seven and Multi-Position Studies in All Keys. Here are the top ones, ranked by their Reddit score.

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Reading Studies for Guitar: Positions One Through Seven and Multi-Position Studies in All Keys
Reading Studies for Guitar BookReading Studies for Guitar gives musicians a comprehensive collection of studies for beginners to improve their sightreading and technical playing abilityGuitar lessons cover positions 1 through 7 in all keys while introducing scales, arpeggios, written-out chords, and a variety of rhythms and time signaturesReading Studies for Guitar gives musicians a comprehensive collection of studies for beginners to improve their sightreading and technical playing abilityGuitar lessons cover positions 1 through 7 in all keys while introducing scales, arpeggios, written-out chords, and a variety of rhythms and time signatures
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9 Reddit comments about Reading Studies for Guitar: Positions One Through Seven and Multi-Position Studies in All Keys:

u/xeniera · 18 pointsr/Guitar

Alright, let me give you a rundown of my personal library.

Beginner:

u/aeropagitica · 3 pointsr/Guitar

William Leavitt has authored some useful material for sight reading practice:

u/watteva77 · 3 pointsr/guitarlessons

The Modern Method books are good but Leavitt's Sight Reading Studies For Guitar are great for practicing positional sight reading.

u/DanielleMuscato · 3 pointsr/Guitar

If you don't know how to sightread, this is a good time to get good at that. Pack a metronome and a replacement AA battery or two and you're set for 6 months no problem. For books, try:

Jay Weik's Daily Sight-Reading Studies for the Guitarist, Large Print Edition:
http://www.amazon.com/Daily-Guitar-Reading-Technique-Studies/dp/0786682809

Make sure you get the large-print edition, because the "normal" edition is actually a pocket-sized "Quick Guide" that is tiny.

This has 30 daily studies that will have you sight reading full chords in 1 month if you work on it every day.

Another great resource for sight reading is this one from Berklee:
http://www.amazon.com/Reading-Studies-Guitar-Positions-Multi-Position/dp/0634013351

I also recommend a theory book, for example Berklee's Music Theory 101 books 1 & 2 as used at Berklee College of Music:
http://www.amazon.com/Berklee-Music-Theory-Book-Edition/dp/0876391102

Get these, a Real Book for jazz standards, and some note-for-note transcriptions of albums you want to learn for the metal stuff. Books are available for lots of major label albums if you search for them. Make sure you use a metronome to practice. You don't need anything fancy; something like this will work just fine:

http://www.amazon.com/Qwiktime-QT3-Qwik-Time-Metronome/dp/B0002F75EM/ref=zg_bs_11965901_9

Hope this helps! Have fun.

u/shadewraith · 2 pointsr/Guitar

One thing I tried doing was learning every chord in every position and every inversion. I'm not done writing them up, but I have charts for dominant, major, minor, and half-diminished chords I could scan for you. I also have the arpeggios to be played over the chords.

Another thing is to learn are your scale modes. I'll pick either 4 modes in 1 position or 1 mode in 4 positions and practice each scale for 5 minutes.

You could improve your sight reading with this. It's not meant to be studied, but to be opened up to a random page and played.

I'm also a fan of speed and dexterity exercises. You don't have to shred, but sometimes you need to get from point A to point B in a hurry. After playing these for a while, you'll also feel less fatigue. My favorite books for this are John Petrucci's Wild Stringdom and Frank Gambale's Technique Books

Also, if you really get into jazz, I highly recommend The Jazz Theory Book. It will help with your improvisation and teach you how songs are structured, which will help you with other genres. A more classic theory book that's good is The Complete Musician.

After you get technique stuff down, it all comes down to where you want to be as a player. What do you want to play? Do you want to write? Do you want to do covers? Maybe you want to teach.

Sorry this was so long. I love teaching music myself, so if you want to learn anything specific, PM me and I should be able to help you out and send you some materials.

u/elislavkin · 1 pointr/jazzguitar

I recommend William Leavitt's Reading Studies for Guitar. I've been reading two pages a day and it's been really helping me to improve. The key is to read through them with a metronome and don't stop at all to correct your mistakes- that's how you really get better at sight reading.

Now when it comes to reading in big band, you've got the right idea. I always check, in order: key, time signature, road map (repeats/coda), highest/lowest note you'll be playing in the part, then determine best caged position(s). If you still have time left after doing those, try to learn the trickiest parts (difficult rhythms, lines with accidentals). If you can do all that while the band director is still talking to the horn section or whatever, you'll be set when he counts you in! Hope this helps!

Here's the book I mentioned:

http://www.amazon.com/Reading-Studies-Guitar-Positions-Multi-Position/dp/0634013351

u/byproxy · 1 pointr/Guitar

Does that compilation include his sight-reading studies? I've been thinking about picking those up.

u/7flat5 · 1 pointr/musictheory

Guitarists read from treble clef, so you can transcribe as you would for any other instrument that reads from treble clef (like a violin, for example). The guitar sounds an octave lower than written, however, so you will often see guitar music transcribed using tenor clef (treble with an 8 at the bottom).

I would start by taking a look at scores that have been composed with the guitar (or lute) in mind.

Here's a short piece by Carulli
We see the melody with beamed 16th notes and sustained bass notes are notated with the stems down to distinguish them from the melody. The last two bars of the piece are examples of voiced chords. Assuming that the piece is written for guitar using a standard E tuning, the last 3 sororities are G major (open G string, open B String, and 3rd fret of the high E string), and another G major voicing (3rd fret of the low E string, 2nd fret of the A string, open D string and open G string).

If you are looking into transcribing a second where only block chords are being played, and the guitar doesn't have any melodic responsibility at the same time, you might want to notate using lead sheet style notation with the chord above the staff and one measure of the notated strum pattern followed by subsequent measures of slash notation.

Are you familiar with how to read as a guitar player? Those who don't come from the classical tradition (me included) often don't have the best reading capability. As a jazz player, I'm seldom asked to read anything more than the occasional diad. That being said, learn how to read in a few positions is a worthwhile skill. Here is a good book to start with

u/Dave_guitar_thompson · 1 pointr/Guitar

The most challenging thing for me to learn I think was always sight reading. However, my guitar teacher showed me a good methodology for this, basically he split it up into the different skills you needed to sight read. One skill was reading the rhythms, which was covered by http://www.amazon.com/Modern-Reading-Text-All-Instruments/dp/0769233775 this book, Modern Reading text in 4/4 time. Which is basically a book full to the brim with rhythms. The idea is then that you tap your feet in 4/4 time on the floor and clap and vocalise what ever rhythms are written down. I used to do this for hours, and the rhythms contained in that book went from simple to just insane.

Actual note reading was covered by reading studies for guitar...

http://www.amazon.com/Reading-Studies-Guitar-William-Leavitt/dp/0634013351/ref=sr_1_3?s=books&ie=UTF8&qid=1311235782&sr=1-3

and advanced reading studies for guitar

http://www.amazon.com/Reading-Studies-Guitar-William-Leavitt/dp/0634013351/ref=sr_1_3?s=books&ie=UTF8&qid=1311235782&sr=1-3

The methodology for learning was to start ridiculously slowly, with a click at about 30bpm, and to do one note per click. This may seem insanely slow, but it helps you to become relaxed about sight reading, and also trains you to read ahead because you get bored.

This was part of the sight reading task, then after a while of doing this we moved onto sight reading notation from tunes from real books. I learned a few tips from doing this, I'll list the ones I can remember here.

  1. When you first see a piece of music, scan it and find out the information listed here.
    2.Work out the structure for the piece, AABA ABAB etc, this will help you to minimize the amount of other analysis you need to do.
  2. Check out the key signature, and time signature.
  3. Look for the lowest and highest notes in the tune, this will help you to start off in a comfortable playing position, so you can do the whole tune without worrying about changing position, or knowing when you have to.
  4. Look out for any accidental notes, if you know them before hand, they are less likely to throw you off.
  5. Scan the rhythm and quickly hum the rhythm of the tune to yourself, this will also give you chance to scan through the notes once before you actually play the tune.

    If you follow these tips, then sight reading will eventually become easy for you, but it takes quite a lot of work to achieve this.