(Part 3) Top products from r/recording
We found 20 product mentions on r/recording. We ranked the 58 resulting products by number of redditors who mentioned them. Here are the products ranked 41-60. You can also go back to the previous section.
41. On-Stage MS7701B Tripod Microphone Boom Stand
Sentiment score: 1
Number of reviews: 1
Our best selling stand, the MS7701B features a steel-reinforced plastic leg housing which offers less weight and exceptional strengthFolding legs with plastic endcaps for durability and reduced floor vibrationsSteel midpoint locking clutch adjusts height from 32" to 61.5"30" removable boom arm allow...
42. Audio-Technica AT2041SP Professional Studio Condenser Microphone Pack
Sentiment score: 1
Number of reviews: 1
Included AT2020 side-address condenser mic is ideal for vocal and instrument applicationsIncluded AT2021 small-diaphragm condenser mic is a natural for acoustic instruments, overheads, hi-hat and pianoHigh SPL handling and wide dynamic range provide unmatched versatilityLow-mass diaphragms provide e...
43. Shure SM58-LC Cardioid Dynamic Vocal Microphone,Black
Sentiment score: 1
Number of reviews: 1
Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effectEffective built-in spherical wind and pop filter. Frequency response: 50 to 15,000 HzPneumatic shock-mount system cuts down handling noise.Uniform cardioid pickup pattern isolates the main so...
44. Lexicon Lambda Multi-Channel Desktop Recording Studio, 4x2x2 (4-input, 2-bus, 2-output)
Sentiment score: 0
Number of reviews: 1
Record up to 2 tracks at once44.1kHz to 48kHz sample rates, 16-bit or 24-bit resolutionTwo XLR mic, two TRS line, and one Hi-Z instrument inputsTwo TRS line outputs and MIDI I/OSoftware suite includes Cubase LE4 and Lexicon Pantheon VST reverb plug-in
45. Mixing Secrets for the Small Studio (Sound On Sound Presents...)
Sentiment score: 2
Number of reviews: 1
46. Proline MS112 Desktop Boom Mic Stand
Sentiment score: 0
Number of reviews: 1
Desktop mic stand with telescoping boomThe MS112 Desktop Boom Mic Stand from ProLine safely and securely maintains the position you set for your microphone so you can capture the perfect soundThe low-profile boom stand is perfect for micing kick drums, amplifiers, etcIt features die-cast metal clutc...
47. Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs
Sentiment score: 0
Number of reviews: 1
Premium ultra-low noise, high headroom analog mixer2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preampsNeo-classic "British" 3-band EQs for warm and musical sound1 post fader FX send per channel for external FX devices1 stereo aux return for FX applications or as separate ...
48. Behringer U-Control UCA202 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output
Sentiment score: 1
Number of reviews: 1
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
49. GLS Audio Vocal Microphone ES-58 & Mic Clip - Professional Series ES58 Dynamic Cardioid Mike Unidirectional (No On/Off Switch)
Sentiment score: 1
Number of reviews: 1
Uni-Directional Dynamic Vocal MicrophoneFrequency Response: 50 Hz - 15,000 HzSensitivity: -72dB at 1,000 Hz (Open Circuit Voltage)Can be used with Lo-Z XLR 3 Pin Balanced & Hi-Z 1/4"Impedance: 300 ohms at 1,000 Hz
50. iMBAPrice 12 Feet Professional Quality Nickel Plated 3.5 mm Male/Female Stereo Audio Extension Cable
Sentiment score: 0
Number of reviews: 1
12 Feet LongOne stereo 3.5mm male connectorOne stereo 3.5mm female connectorUse to extend any 3.5mm headphone or computer speaker cable
51. Behringer U-Control UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output
Sentiment score: 0
Number of reviews: 1
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playbackCompact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platformsMassive software bundle includes Audacity au...
52. ART USB Dual Pre 2-Channel Audio Interface Preamplifier
Sentiment score: 1
Number of reviews: 1
USB connectivity to desktop and laptop computersLow noise, fully balanced XLR and 1/4" TRS Combi inputsUp to 48dB of clean gainBuilt-in low noise phantom power supplyLatency-free monitoring mix and level controls
53. Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package
Sentiment score: 1
Number of reviews: 1
As the seller is the only authorized fulfilled by dealer, and purchases from unauthorized dealers carry noDelivers a warmth, extended dynamic range, and high SPL capability typical of more expensive offeringsAn Incredible self-noise level of only 5dBA makes this an extremely quiet studio microphoneT...
54. Blue Yeti USB Mic for Recording & Streaming on PC and Mac, 3 Condenser Capsules, 4 Pickup Patterns, Headphone Output and Volume Control, Mic Gain Control, Adjustable Stand, Plug & Play - Silver
Sentiment score: 1
Number of reviews: 1
Tri-capsule array - 3 condenser capsules can record almost any situation.Multiple pattern selection - cardioid, bidirectional, omnidirectional & stereo.Gain control, mute button, and zero-latency headphone output.Perfect for vocals, musical instruments, podcasting, voiceovers, interviews, field reco...
55. Furman M-8X2 Merit Series 8 Outlet Power Conditioner and Surge Protector
Sentiment score: 1
Number of reviews: 1
AC noise filtering reduces RFI/EMI, Spike & surge protection ensures equipment stays safe & power stays clean,15 amp rating with circuit breaker and "Protection OK" Front Panel Indicator to let you know that your equipment is being protected9 Total outlets: 8 rear panel outlets (including 3 with "wa...
56. Zoom ZH1 H1 Handy Portable Digital Recorder (Black)
Sentiment score: 1
Number of reviews: 1
Stereo X/Y mic configuration captures perfect stereo imagesSame frequency and SPL handling as popular Zoom H2Records Broadcast WAV (BWF) at 96kHz/48kHz/44.1kHz at 16-bit or 24-bitRecords MP3 from 48 to 320kbps for maximum recording timeHi-Speed USB 2.0 port
57. Soundcraft EPM8 High-Performance 8-channel Audio Mixer
Sentiment score: 0
Number of reviews: 1
2 configurable auxiliary busesXLR-type and ¼” metal jack connector socketsRCA phono stereo playback inputs and record outputs3-band EQ with a swept mid on mono inputsTRS insert sockets and inserts on all mono inputs and mix output
58. ART USB Dual Tube Pre
Sentiment score: 1
Number of reviews: 1
Two-channel tube-based Mic/Instrument preamp computer interfaceExtremely low noise discrete front end with variable input and output controlsAdvanced optical output compressor to simplify recording and prevent overloadUSB connectivity to desktop and laptop computersS/PDIF output for expanding inputs...
Yes, there are recorders that can record multiple tracks. Like the Tascam DR-40 has XLR inputs. I'm not necessarily endorsing the Tascam. I have the DR-05 and find it acceptable quality. Something like the Zoom H4N has XLR connectors built in, so you could record a mic into those and use the built in condenser mics to record your guitar.
You left out some relevant information: Budget, can your guitar be plugged in or will you mic it? Do you have a pretty sound free workspace?
I think budget is the most important part here. I interpret 'nothing flashy' as being a cheap as it can get without being poor quality.
I'm gonna link to listings on Amazon because it's easiest, but B&H or if you live near a Guitar Center might be a better place to buy.
A possible setup:
If you need/want to mic your guitar then consider the SM-57. It is nearly identical to the SM58. Here is a guy demonstrating using one to record his guitar.
This guy's video makes me wonder if just an SM57 with a decent preamp (i.e. one with clean gain) might be all you'd need... but that isn't ideal. You could go with two XM8500s, one for guitar and one for vocals ($40). Or one SM58 for vocals and one XM8500 for guitar($120). That all comes down to budget and preferences.
Potential Changes & other thoughts -
A more expensive preamp - ART Tube Dual Mic Preamp With USB - $190- this has some compression and a limiter. It's debatable whether in this range it would be better to get a decent mixer, a preamp for your vocals, and let the preamp on the mixer handle the guitar, or if something like this would be better. Like a Behringer mixer - Q802USB ($80) + ART single channel Preamp for vocals ($40/$50) would be less money than the Dual USB preamp.
Or maybe just the Q802USB would suffice for your needs. It has preamps already built in. They are not the best preamps in the world. I mean... after all I wrote above, the more I think about it the more I think you should try a Q802USB and see if the sound is what you're wanting.
Headphones - Add in some headphones to monitor your audio. ATH-M40x ($100) would be my recommendation, but this is where a lot of personal preference comes into the mix, no pun intended.
Different mics - Rode has some mics that compare the the Shure SM57/58 that might be better. And the options for mic are virtually limitless, when you consider not just the mics can vary, but the audio interfaces and processing options. I really think a dynamic mic will be most user friendly for a one off home recording.
I hope I haven't confused more than I helped. I think the essentials are this: good mics, clean gain, easy to use. Whether you get the dual channel ART preamp or the Q802USB, either will be easy to use. I would bet the gain on the ART preamp is cleaner, meaning less background hiss at higher levels, than the Q802USB, but perhaps that is just an unreasonable bias. In either case, the mic is going to be important and where your budget plays a big role. The SM58 and SM57 are superb for vocals and recording guitar. A condenser might be better if the acoustics of your recording space allow for it, but I hope you saw from the video I linked of the guy recording his guitar with the SM57 that a great sound can be achieved with a $100 mic. If that is out of your budget, keep in mind the XM8500, but the sound is not as clear as the Shure mics it tries to emulate.
What you really need is an interface. And interface takes the analog signal of your microphone and digitizes it for the computer to use. This is essentially the same as what your onboard sound card does but for audio is better in basically every way. Quality, flexibility, whatever...
This is the cheapest interface I could even sort of recommend. If you have more to spend, I would recommend doing so, but this should sound ok. You are limited to 1 mic which may or may not become a problem eventually. The 2 mic version is a little more expensive but worth it imo. I recently upgraded to a 4 input interface with the ability to expand.
http://www.musiciansfriend.com/pro-audio/behringer-u-phoria-umc22?rNtt=U-phoria%20&index=5
If you can return that mic, do. It will work, but there are better mica for your use for less money. From my limited knowledge, dynamic mice are better for spoken word. They are marginally less crisp but also pick up WAY less background noise. Most broadcasters use nice dynamics like and RE20 or and SM7B. I would buy this instead of your current mic. I have the 57 (instrument version) and it's a solid mic for the money. It's not the end all be all, but it get useable sounds out of anything I point it at.
GLS Audio Vocal Microphone ES-58 & Mic Clip - Professional Series ES58 Dynamic Cardioid Mike Unidirectional (No On/Off Switch) https://www.amazon.com/dp/B000RKWTPC/ref=cm_sw_r_cp_api_OmpBzbCXSWK62
I couldn't agree more with /u/SativaGanesh 's comment below. I'll add that when you start learning to record, your focus should be on signal flow, gain staging, microphone technique, and learning how to edit and mix audio. Until you have a handle on the basics, a tape machine won't be beneficial to you. And when you DO have a handle on the basics, consider getting an internship at an analogue studio. If you're sharp and likeable, you'll probably have an opportunity to learn how to use a tape machine and console.
Here's what I suggest for your home setup. You can get a perfectly usable interface for around $150. That apparently comes with Pro Tools, but Reaper is a full-featured DAW that sounds great and supports most plugin formats out there. It's $60 for a full license. Here is a perfectly adequate microphone made by Rode. (Or if you can spend $600 go for the K2, it's awesome.) These speakers are halfway decent and will get you started on the right foot.
I've never used Audacity but I doubt it's causing any problems with your sound. DAW's generally don't directly impart anything to the sound of the audio. I think it's more likely to be your mic, recording technique or mixing.
It sounds like your vocals are clipping. I've never used a USB mic. Does it have an input gain? How do you control the strength of the signal that it sends to the computer? Are you running any plugins on what we hear in this recording?
I would focus on getting a cleaner recording prior to mixing. That being said, if I had to work with this vocal recording as-is, one of the first things I would address is the sibilance. It's pretty brutal. I would definitely put a de-esser on these vocals. If Audacity doesn't come with one, you can probably find a freeware plugin or you can shell out $30 for one from Waves:
https://www.waves.com/plugins/deesser?gclid=Cj0KCQjwho7rBRDxARIsAJ5nhFqMUAjLTR8WqSPyRmzn0JKgjxp7_oprsVoreHbSUdBXDSwa_xr1tpcaAhdeEALw_wcB#andrew-scheps-on-deessing-guitars-and-cymbals
The vocals also are a bit loud which is making the rest of the instruments sound small. You might get a mixing book and practice some mixing. I recommend this one:
https://www.amazon.com/Mixing-Secrets-Small-Studio-Presents/dp/1138556378/ref=sr_1_2?crid=ARKCMXORM8IP&keywords=mixing+secrets+for+the+small+studio&qid=1566872451&s=gateway&sprefix=mixing+secrets%2Caps%2C185&sr=8-2
I don't think you should go with a dynamic mic like the SM57 or 58. I think you should look at condenser mics. If you can only get one mic, get a large diaphragm condenser mic. If you can get 2, get a large diaphragm for vocals and a small diaphragm for the guitar. They sell kits that have one of each. http://www.amazon.com/Technica-AT2041-Studio-Microphone-Package/dp/B000AQDSMQ/ref=sr_1_1?ie=UTF8&qid=1421175955&sr=8-1&keywords=at2041sp&pebp=1421175957665&peasin=B000AQDSMQ
You will have much better results with these. FYI, they will need phantom power.
At that budget, I'd recommend a portable recorder, like the Zoom H1: It'll get the job done, and will work just fine for this purpose.
I googled its price, out of curiosity, Amazon is selling one for 109 dollars.
Of course, if quality is really not an issue, then yes, you can always just use your phone; Just don't expect professional-level quality.
Your average computer won't have a sp/dif or TOSlink connection built in. Not without a PCI card at least. What you want is something with a USB connection.
Based on the price of what you linked on Amazon I'm guessing you're not looking to spend a lot and want something bare-bones. This should do the trick:
http://www.amazon.com/gp/aw/d/B000KW2YEI/ref=mp_s_a_1_25?qid=1427582228&sr=1-25&pi=AC_SX110_SY165_QL70&keywords=2+channel+usb+interface
Although I'd recommend getting something with built in mic preamps like this:
http://www.amazon.com/gp/aw/d/B00BQ6KSN6/ref=mp_s_a_1_7?qid=1427582455&sr=8-7&pi=AC_SX110_SY165_QL70&keywords=usb+audio+interface&dpPl=1&dpID=41Eswt0wwaL&ref=plSrch#
EDIT I have not used either of these items and can't attest to their quality. I simply chose them as examples of something you could use in your situation.
you should get a USB mic then. otherwise you're going to bring your budget up quite a bit between the mic and an interface / preamp.
check out these (searched usb microphone on amazon):
https://www.amazon.com/Blue-Microphones-Yeti-USB-Microphone/dp/B002VA464S/ref=sr_1_7?ie=UTF8&qid=1474038764&sr=8-7&keywords=usb+microphone
https://www.amazon.com/Blue-Microphones-Snowball-Condenser-Microphone/dp/B006DIA77E/ref=sr_1_6?ie=UTF8&qid=1474038764&sr=8-6&keywords=usb+microphone
https://www.amazon.com/Blue-Microphones-Snowball-Black-iCE/dp/B014PYGTUQ/ref=sr_1_16?ie=UTF8&qid=1474038764&sr=8-16&keywords=usb+microphone
https://www.amazon.com/Floureon-BM-100FX-Professional-Broadcasting-Instruments/dp/B00ZTC0E78/ref=sr_1_17?ie=UTF8&qid=1474038764&sr=8-17&keywords=usb+microphone
https://www.amazon.com/Audio-Technica-ATR2500-USB-Cardioid-Condenser-Microphone/dp/B004QJREXM/ref=sr_1_17?ie=UTF8&qid=1474038803&sr=8-17&keywords=usb+microphone
i'd recommend one of the Blue's, or the last one, the ATr2500.
Drummer here and these are what i use:
https://www.amazon.com/Shure-SE215-K-Isolating-Earphones-MicroDriver/dp/B004PNZFZ8
And this:
https://www.amazon.com/gp/aw/d/B001423GZO/ref=zg_bs_13880171_12?ie=UTF8&psc=1&refRID=M39MYC31WEF6J42AN8XN
And you might need a 1/4 to 1/8 inch adapter pending on your mixer/interface
Hope this helps!
Got a picture for reference to how much space there is to work with?
Off the bat I’d go with something like this:
https://www.amazon.com/Proline-MS112-Desktop-Boom-Stand/dp/B000J0N5TY
Yeah, you could get a mixer (like this): Soundcraft Mixer - Unpowered, 8 + 2 channels (EPM8) https://www.amazon.com/dp/B003TSEFKG/ref=cm_sw_r_cp_api_i_Py5hDbSZAG4X7
However, it’s not ideal because your mix becomes permanent
Would you suggest this specific mixer? http://www.amazon.ca/Premium-8-Input-2-Bus-Preamps-British/dp/B000J5XS3C
what exactly does the interface do compared to inputting the guitar directly into the soundcard? the interface takes the guitar signal and converts it digitally before going into the pc? Why so expensive some of them though I seen this cheap one which seems similar to one 10x the price https://www.amazon.co.uk/Behringer-UCA222-U-Control-Ultra-Low-Interface/dp/B0023BYDHK/ref=sr_1_9?ie=UTF8&qid=1543545287&sr=8-9&keywords=guitar+usb+interface
In normal recording circumstances, you are plugging your interface (sortof what your DXA pro is, but not quite) into your computer via usb or directly into the motherboard with a card. You wont get good audio by plugging your DXA pro (which is essentially a direct input device ((DI box)) into the input on your computer. Factory Computer soundcards are shit and generally dont have any preamps, which is what will give you a quality signal into your digital audio workstation (recording program or DAW.)
What you need is a proper interface to get a quality signal to your computer and recorded in real time. You can record onto your camera, and import it, but multi-tracking will be your nightmare.
If you only need one track, it will probably be fine, but if you want to layer the tracks, you are not going to have a good time.
I would reccomend this: https://www.amazon.com/dp/B000FFWZKI/ref=emc_b_5_mob_t