Reddit reviews Nady RSM-4 Unique Style Ribbon Microphone for vocals, guitar cabinets, horns – Classic vintage sound
We found 3 Reddit comments about Nady RSM-4 Unique Style Ribbon Microphone for vocals, guitar cabinets, horns – Classic vintage sound. Here are the top ones, ranked by their Reddit score.
The legendary sound of a ribbon microphone now available for your studioAdd the ribbon sound to your arsenal! Versatile design for numerous performance and recording usesUnmatched fast, accurate transient response, ultra-high 165 dB SPL capability, and overall stunning realismManufactured with the finest materials, machined housing, and advanced internal shock-mount construction for structural integrity and rugged reliabilityShips with microphone, microphone clip, and velvet drawstring storage bag
What are you trying to accomplish? If you're just podcasting, one USB mic is plenty. If you're doing project recording, layering in instruments, etc., then I would use a standard mic.
I really like the AT2020 USB. Great for podcasts, but can really take the dB's for instrument recording, even if you're playing trumpet or something.
Samson c01u may work just as well, at a bit lower price. c03u is a pricier alternative, but higher quality from what I've read.
If you want a 'standard jack mic' (XLR), then I have more suggestions. Of course, unless you really have the soundcard for it, you'd probably need an adapter to use one. You will get more for your money in terms of mic quality though.
I don't think you can beat a Behringer ECM8000 for value, and I prefer the sound over the industry-standard Shure. I also like MXL for value, and the V67G is a great one, and may be more appropriate for podcasting.
CAD GXL3000 is a good one if you want a multi-pattern.
If you really want to get spendy, get the APEX 460. This is a favorite because you can mod it to sound like a very expensive mic. (EDIT: sounds fantastic right out of the box, too)
If you want to try a ribbon mic, as suggested below, MXL has some real bang-for-the-buck products. Also the Nady RSM-4 and -5. Ribbon mics are a bit different and I think they accentuate highs too much, but I don't fault anyone who prefers 'em.
GLS ES-57s. Essentially the same frequency response as the SM57 (the difference could be attributed to the grille, slight changes in the body), to my ears sounds nearly precisely the same. It's got a bit more of a high mid boost but I like that about it. This was one of the best investments I've ever made.
Those would be your tom and snare mics. 4-5 of these and you'll be good.
Not sure what your budget is, but the MXL SP-1 is pretty well regarded for their sound as overheads. Overheads are the mics you put on stands over the drum kit to, primarily, pick up the cymbals, but they pick up the rest of the kit as well.
As far as kick mics go, if you're low budget, my thinking is to just go really low budget and replace your kicks. It's not difficult to get a good drum sound out of low-end kick mics, but your budget may not allow what I consider the minimum. If you can swing it, I suggest picking up a Nady RSM-4 for the resonant side of the kick, and any arbitrary dynamic mic for the beater side of the kick. That way you can get the attack of the beater with the dynamic, and the thump of the kick with the ribbon. If you can't, or do not want, to swing for a ribbon, any typical kick mic would do, but in my experience a better sound could be got from just replacing your kicks by triggering with your beater side mic.
I'd be happy to answer any specific questions you've got about drum miking. I'm not good at just talking.
This one. We've been going back and forth on whether to get a condenser microphone or ribbon microphone, so I plan on getting low end versions of both before I splurge on one of the high end ones. But that one seems like a good deal, especially because he's just starting to record himself.