Comprehensive List of Books Relating to Music Production and Creative Growth

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On Composition:

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Making Music: 74 Creative Strategies - Dennis DeSantis
Amazon Link
This is a fantastic book. Each page has a general idea on boosting creativity, workflow, and designing sounds and tracks.


Music Theory for Computer Musicians - Michael Hewitt
Amazon Link
Really easy to digest book on music theory, as it applies to your DAW. Each DAW is used in the examples, so it is not limited to a specific program. Highly recommend this for someone starting out with theory to improve their productions.


Secrets of Dance Music Production - David Felton
Amazon Link
This book I recently picked up and so far it's been quite good. It goes over all the different elements of what make's dance music, and get's quite detailed. More geared towards the beginner, but it was engaging nonetheless. It is the best 'EDM specific' production book I have read.


Ocean of Sound - David Troop
Amazon Link

Very well written and interesting book on ambient music. Not only does David go over the technical side and history of ambiance and musical atmospheres, he speaks very poetically about creating these soundscapes and how they relate to our interpersonal emotions.


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On Audio Engineering:

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Mixing Secrets for the Small Studio - Mike Senior
Amazon Link
In my opinion, this is the best mixing reference book for both beginners and intermediate producers. Very in-depth book that covers everything from how to set-up for accurate listening to the purpose of each mixing and mastering plug-in. Highly recommended.


Zen and the Art of Mixing - Mixerman
Amazon Link
Very interesting read in that it deals with the why's more than the how's. Mixerman, a professional audio engineer, goes in detail to talk about the mix engineer's mindset, how to approach projects, and how to make critical mixing decisions. Really fun read.


The Mixing Engineer's Handbook - Bobby Owinski
Amazon Link
This is a fantastic companion book to keep around. Not only does Owinski go into great technical detail, he includes interviews from various audio engineers that I personally found very helpful and inspiring.


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On the Industry:

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All You Need to Know About the Music Business - Donald S. Passman
Amazon Link
This book is simply a must read for anyone hoping to make a professional career out of music, anyone wanting to start their own record label, or anyone interested in how the industry works. It's a very informative book for any level of producer, and is kept up-to-date with the frequent revisions. Buy it.


Rick Rubin: In the Studio - Jake Brown
Amazon Link
Very interesting read that is a semi-biographical book on Rick Rubin. It is not so personal as it is talking about his life, experiences, and processes. It does get quite technical when referring to the recording process, but there are better books for technical info. This is a fun read on one of the most successful producers in history.


Behind the Glass - Howard Massey
Amazon Link
A collection of interviews from a diverse range of musicians who speak about creativity, workflows, and experiences in the music industry. Really light, easy to digest book.


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On Creativity:

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The War of Art - Steven Pressfield
Amazon Link
This is a must-read, in my opinion, for any creative individual. It is a very philosophical book on dealing with our own mental battles as an artist, and how to overcome them. Definitely pick this one up, all of you.


This is Your Brain on Music - Daniel S. Levitin
Amazon Link
A book written by a neurologist on the psychology of music and what makes us attached to it. It's a fairly scientific book but it is a very rewarding read with some great ideas.


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On Personal Growth and Development:

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How to Win Friends and Influence People - Dale Carnegie
Amazon Link
Although this seems like an odd book for a music producer, personally I think this is one of the most influential books I've ever read. Knowing how to be personable, effectively network, and form relationships is extremely important in our industry. Whether it be meeting and talking to labels, meeting other artists, or getting through to A&R, this book helps with all these areas and I suggest this book to all of you.


7 Habits of Highly Effective People - Stephen R. Covey
Amazon Link
Similar to the recommendation above, although not directly linked to music, I assure you reading this book will change your views on life. It is a very engaging and practical book, and gets you in the right mindset to be successful in your life and music career. Trust me on this one and give it a read.


Flow: The Psychology of Optimal Experience - Mihaly Csikszentmihalyi
Amazon Link
You know the feeling when you're really in the groove of jamming out and all worries tend to slip away for those moments? That is the 'Optimal Experience' according to the author. This book will teach you about that experience, and how to encourage and find it in your work. This is a very challenging, immersive, and enlightening read, which deals with the bigger picture and finding happiness in your work and life. Very inspiring book that puts you in a good mindset when you're doing creative work.


The Art of Work - Jeff Goins
Amazon Link
A very fascinating book that looks at taking your passion (music in our case) and making the most of it. It guides you on how to be successful and turn your passion into your career. Some very interesting sections touching on dealing with failure, disappointment, and criticism, yet listening to your intuition and following your passion. Inspiring and uplifting book to say the least.


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Happy reading!

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I'm assuming this is a be-all, do-all type of room that includes tracking and mixing. I'm going to give pointers based on a "perfect world" scenario. It's up to you to make the necessary compromises.

1. Your monitor position is not great for mixing or tracking; for a few reasons. You got the angles right for the ideal sweet spot, but the monitors are close to the front wall boundary. The ideal placement is somewhere around a third of the room length away from the nearest boundary (9' room length = monitors at ~3' from front wall). Setting monitors on top of a desk is also not ideal because desks will most likely move with the speakers, thus effecting bass response. Desks also cause bad early reflections, and monitors on a two-tier desk will be sitting approximately half way between the floor and ceiling (thus breaking our 2/3 rule again). My suggestion would be to mount the speakers on heavy duty brackets screwed directly into the wall studs 2/3 of the way up the wall above you, pointed down. You will be able to get a wider sound field without sacrificing floor space due to the geometry, avoid reflections, and get better bass response because they will be coupled to the highest amount of mass possible (wall studs + slab). This was my personal solution at home and I have pristine stereo imaging and excellent bass response as a result. This obviously isn't an easy option for most consumer monitors though because not all of them have mounts. The alternative option (although pretty weak) is to at least use Auralex Mopads between the monitors and the desk to keep the two from coupling. I've used them and you will hear an immediate difference. Acoustics are all about mass, and you either want as much mass as possible keeping monitors still or as little as possible to let them move. Two schools of thought, both of which have applications, but setting them right on top of a wooden desk is the worst of both worlds.
   
   
2. It looks like you have bass traps in the corners, which is good. Ideally these should be 4" thick Owens corning 705 or a mineral wool of similar density. Yes, you can stack two 2" thick sheets together to get the same result as long as you don't use the stuff with the aluminum on the outside. 705 is better than 703 for bass traps because of the density. 703 is good for mid frequencies, so you can save a buck and get some of that for the door panels, but I'd go with 705 anyway because bass will go through the panel and then through the door (assuming it's a lightweight interior door) into the hall, acting as another bass trap. Do not pack pink stuff behind the corner panels. It's not worth it and it kills some of the bass trapping.
   
   
3. The panel above the piano will not be doing much. A more effective placement for that panel would be to use 4" of 705 mounted parallel to the wall but with air space of 2+ inches between them. This will trap lows down to ~50 or 60hz, mids, and highs. Mounting the panels directly against the wall will not allow them to absorb low end. The airspace is necessary to stretch down to deep low absorption. Mount as many of these types of panel as possible in this sized room for the flattest bass response. Expect to have some pretty bad modes below 80hz without more bass trapping. Ideally you'd cover as much wall and corner as possible.
   
   
4. Lots of insulation around a room will make it sound pretty dead in the highs, which make be to your liking. you may be happier though by taping crate paper or grocery bags to the faces of your wall panels. This will reflect the highest highs, keeping the room sounding a bit less claustrophobic. It's cheap and effective.
   
   
5. I don't see any ceilling treatment or mention of ceiling height. I'd install (at the very least) a 4" thick cloud above the drum kit and above mix position to kill early reflections. Ideally you would cover the upper corners where the ceiling meets the wall with 4" bass traps as well. This will greatly improve clarity. You can never have enough bass trapping in a room.
   
   
6. If that's a closet next to the drums, I'd fill it with bales of pink stuff as an additional bass trap (yes, just leave them packaged and stack them up).
   
   If you're interested in where I got my information, I basically just followed any advice I could find from Ethan Winer, but a lot of it didn't make sense until I built my studio and ran some of my own calculations using this porous absorber calculator. I found it very interesting that a really thick layer of the pink insulation works way better than the dense fiberglass stuff at controlling low end for cheap. The reason people like the dense stuff so much is simply because it saves space, but it's actually pretty ineffective compared to say, 8" of pink stuff.
   
   If you plan on mixing in this room I would highly suggest the books Mixing Secrets for the Small Studio and Home Recording Studio: Build It Like the Pros, as they both go over small, existing room treatments in great detail.
   
   Good luck with your room.
   
   Quick edit: Don't be tempted to put your monitors on their sides just to look cool. If they have tweeters then they should be standing upright to give the best imaging.

Along the notes of what BlerpityBloop said: hire a legal rep, or at least if you have a friend/family that's a lawyer look over it (they can translate all the legal jargon no matter what their specialty). Management isn't necessary but it's helpful.

Yes, always remember that if someone is offering YOU a recording contract it's because they want something from you (whether it's % of ownership, publishing, etc etc). Not saying that's a bad thing- you inevitably have to give up something to gain something, unless you're one of those rare youtube stars that burgeon overnight. And even then, when the labels come running, they still end up giving away part of their creation to make even more $$$.

ALWAYS ALWAYS ALWAYS read what people put in front of your face, especially the fine print.

READ BOOKS ABOUT THE MUSIC BUSINESS- mainly what 360 deals are, how advances work (this screws SO many artists), and copyright/publishing ownership. This book is great to start with if you don't already have it.

A basic understanding of how the industry operates and how royalty streams flow will help you out tremendously, and just a little bit of research can save you a lot of heartache in the future.

Hope that helps. If you have more specific questions, feel free to ask. That's what reddit is for, right? :)

Best of luck!
-NNXT
(qualifications: signed artist/songwriter)

(yes, sometimes "we" make ourselves known.)

A big thing is to not let your practice routine stagnate. Take it from a (tuba) performance major who learned most of his stuff without lessons. You need to keep fresh material under your fingers. Pick up the Jazz Theory Book and use some of the examples in there for scale and key studies.

Also, I would highly recommend studying classical rep as well, work ona new solo peice every month, and try to play (and work up) one etude (at least) every week.

You practice should look like this, in essence:

10-15min of warm-up with long tones (focusing on superb sound and tone at ALL dynamic ranges), and easy, finger warming chromatic scales and the like.

30min of etude practice (try to do a new one every week)

30min of solo rep/stuff from band you need to work on

whatever time is left to you doing scale studies and jazz improv.


As far as getting better at jazz, the biggest one I know of is simply transcribing solos of other players and playing them. It takes for FUCKING ever, but if you're serious, it's what you do. Since I only ever play Bass Trombone in jazz band, it's not really worth it to me, but if you're looking to get better at tenor, man, listen to some coltrane and write down what he's doing for at least one chorus and play it with him. You start to assimilate some of the licks he uses and get an innate understanding of how to navigate the chords. Start with blues based songs, since they're the easiest. Move up to rhythm changes when you have solid material for any blues song. After that, man, you'll be set.


ALSO, you can always google and find some great stuff written by other great players, either on forums or on professional player's personal websites. I learned alot of what I know doing that when I didn't have lessons.

If you have any questions, send me a PM and I'll do my best to help out.

Hi. In my experience music production is ridiculously difficult to pick up and learn on your own. And I'm speaking literally from experience. I just recently have gotten to the point where I feel like I understand what most things do enough to be able to make a simple recording and I've been fiddling on and off for like a year. I'm too cheap to pay for any sort of lessons so what I did is just youtube the shit out of as many tutorial videos as I could. I recently found this site, audiotuts.com and that has been an invaluable resource for teaching me some of the broader concepts of music production. They have a lot of stuff available for free which is nice.

To be honest, there is a lot of things you can do in music production these days from remixing, to sound synthesis, to mixing/mastering, and it helps to narrow the scope of what you actually want to learn. You don't necessarily need to understand the intricacies of substractive synthesis if your interests lie in live production. Also, the Ableton Live Manual is also a great resource for understanding some of the basics(take note, not everything will make sense or click on the first read, especially if you're new to production). Ableton Live 8 Power has also been highly recommended on reddit and other places and I've used it and liked it.

http://www.amazon.com/Ableton-Live-Power-Comprehensive-Guide/dp/1598639757/ref=sr_1_1?ie=UTF8&qid=1321151409&sr=8-1

You might want to try asking in the ableton subreddit though, you may have better luck there. Good Luck!
http://www.reddit.com/r/abletonlive

I mean, the sky is kinda the limit. For a basic introduction into this whole recording thing, you can get something like the Blue Yeti USB condenser mic. Being a usb mic, it's a little limiting because you can't plug other instruments or mics into it, but it does pretty well.

I know Julia Nunes has been using a Yeti lately for her youtube stuff, and it sounds pretty good to me.

If you guys want to get more in depth, you can get something like a Focusrite scarlett 2i2 which seems to be the big thing that's going around and is well liked, and they even have a two tiers of starter kit, the better of which comes with a mic, pop filter, mic stand, cords, a copy of cubase, and headphones.

I've been a drummer since I was 8. Quite rusty right now as a lot of things have kept me from practicing (moving to apartments for years, etc.). Honestly, it's never too late to start. Are you going to be playing Carnegie Hall in a year? Wildly unlikely. But as long as your expectations are grounded in reality, that learning anything takes time and practice, you should be good.

As for practice and sense of tempo/timing: it is imperative that you buy a good metronome and practice with it regularly. You don't necessarily need a Dr. Beat, though I have one, and it is useful at times. But you do need some kind of click to play off of.

Can you read music? If so, there are some really good technique books out there that I'd recommend that are classics. Most people hate grinding technique, but I find it oddly relaxing. Here's some good books:

• Stick Control
  
• Syncopation
  
• Master Studies - (Do wait on this one a bit and start slow. It is possible to injure yourself if you get too carried away. Stone Killer exercises are no joke)
  
• New Breed - This one's actually a full drum set book. Quite challenging. May want to wait on this one a bit or try to just play one or two of the lines together (eg. right and and right foot).
  
  The first two books are probably where you should start. With all of these, start the metronome at molasses level slow - like 60 bpm or maybe even slower if you're not accurate at that speed. Get comfortable with that speed - maybe 15-30 mins at that speed without any mistakes. Then bump the timing up slightly 2-4 bpm and repeat. At no point should you be tensing up. If you are, you need to stop immediately, shake out your arms, and back down the tempo a bit.
  
  Make sure that you're making more use of your fingers than your wrists. Wrists can be good to start the stroke, but your fingers should be doing a lot of the work.
  
  There's a lot of other technique stuff that you can do, but the above alone could take you 5-10 years of solid daily practice if you're being thorough.
  
  Good luck!

As long as the machine has midi-outs on it you can use it as a controller. Just remember that there are a few entry level synths with 49-keys that make excellent controllers AND stand alone synths. I bough a M-Audio oxygen once upon a time and quickly switched to a dedicated synth that doubled as a MIDI controller. If $400 isn't out of your budget, take a look around and see what you can get. Something like a DX7 can be had for $250-$300 and it is both an excellent controller and an iconic sounding synth. But there are more recent machines like Roland's SH-201 and SH-01 "Gaia".

As for finger drumming pads, Akai is what you want. Something like the Akai LPD8 is good. http://www.amazon.com/Akai-Professional-LPD8-Ultra-Portable-Controller/dp/B002M8EEW8

Good luck and welcome!

You'll need two things to get going.

1. A TS-Audio Cable
   
2. An audio interface
   
   (Above links are just examples)
   
   Now, I do see that your YDP-142 has only Headphone out ports. I can't find a general consensus on whether these also double as Line-Out plugs, but it doesn't hurt to try.
   
   The worst thing that can happen is that it is too soft. Headphone out can be too low to be well recorded sometimes. At that point, you may need to buy a Headphone Amplifier as well to boost the signal. BUT! The Audio Interface, more than likely, should be able to boost it up to a level that a computer can record.
   
   
   For iPad, get Garageband. It's simple and easy to use and does everything you could want for standard piano recordings.
   
   Hope this helps, if anyone else knows if a headphone -> AI works well, feel free to pitch in.
   
   EDIT: PS - please note that this solution will produce a Mono output (because of the TS cable). If you'd like a stereo recording, some experimentation will be needed with a TSR cable instead.
   

• Learn how to NOT RUSH. It is a tendency of every beginner musician I've ever known. The easiest way to force yourself to stay slow is to subdivide in your head (Subdivide AS MANY TIMES as you need to stay slow. You may be physically playing notes slowly, but if you're thinking at the fastest rhythm possible, It will be next to impossible to rush). Use a metronome/click track on the slowest possible setting and play songs you're comfortable with until you can keep a steady beat.
  
  
• Learn about rudiments. These are the building blocks for a lot of different rhythms. I'd highly recommend picking up a good book on rudimental drumming and practice the examples forwards, backwards, and sideways! This book is my number one recommendation for ANYONE serious about learning rhythm.
  
  
• As several people have said, dynamics are incredibly important for percussion. As a quick example, take any rhythmic passage, then practice accenting the downbeats, the upbeats, then alternate, then accent TWO downbeats, two upbeats, three downbeats, three upbeats, etc. Immediately you will get a feel for the importance of dynamics.

Personally, every time i've tried to make music on an iOS device I've given up in frustration. It might be fun for fooling around, but the interface drives me crazy and makes me want to do just about anything else. This is just my opinion maaaan.

In terms of software, I'd start out with REAPER as a DAW because you can get started right away on your gaming rig for free. It has a 60 day evaluation period, which can be extended until you are overcome by guilt. You're going to have to dig around the net for free VST virtual instruments and sounds, but they're out there. Buy a cheap USB audio interface, and a cheap mic and start working on your own music. You can record acoustic instruments, vocals, and random sounds with one of those mics. I'd find a cheap pair of open back headphones for mixing, and use whatever closed back sound isolating headphones you have lying around for monitoring while you're recording.

I think the best way to learn music production is to force yourself to produce music on the regular. To that end I'd suggest learning about songfight.org, which is an online songwriting and production contest that happens roughly every two weeks. There is nothing like a firm deadline to inspire you to create. You're given a title, and you write, record, and produce a song with that title. People on the Internet vote, and there's a winner. Folks on message boards will often give you feedback on your song so you can improve. Also there is a podcast that reviews the current batch of songs, so at the very least you're gonna get some feedback from those jerks. Disclaimer: I am one of those jerks.

I'd be remiss if I didn't mention Reddit's very own r/Gameofbands which does something similar, and might hook you up with folks to collaborate with.

If you're dirt poor (like I am) and you just need a bread-and-butter Audio Interface to get started, I'd check out the Lexicon Alpha. With that price you can't really go wrong... It has a balanced XLR (Microphone) Input, and a High-Impedance Guitar Input. (as well as a line input) The cons are that it is a USB 1.0 Device, which means it doesn't preform as well as some of the higher budget devices (slow data transfer speeds, possibly higher latency). It also doesn't have Phantom Power (which is used to power Condenser Microphones), and it is "bus" powered by the USB Port (which can be a cause of unwanted noise.)

The Lexicon Alpha is my first (and only) audio interface, and It gets the job done for what it's worth. There is a bit of 'bleed' when you record both Mic and Instrument at the same time (you can hear some Mic in the Guitar input), but if you track your vocals separately that's not a problem.

If you can afford it, I'd definitely go with a Focusrite Scarlett 2i2, which is one of the best interfaces at the price range. I think I would've been better off with the 2i2, but I'm satisfied with the Alpha for now.

The Behind the Glass series isn't exactly centered on mixing/recording but offers some detailed perspectives from some notable producers. I'm reading through the first one and they talk a good deal about their mixing philosophies, mic placement, and how to get the best take possible from their artists. Pretty good stuff so far.

http://www.amazon.com/Behind-Glass-Record-Producers-Softcover/dp/0879306149/ref=sr_1_1?ie=UTF8&qid=1420423311&sr=8-1&keywords=behind+the+glass

Thanks so much for the info! I noticed that I can get a used Focusrite 2i4 for about half the price on amazon, but it is listed as the "old version". Is there any significant difference in the old and new version?

This is the one:
https://www.amazon.com/Focusrite-Scarlett-2i4-USB-Interface/dp/B009B15N0Q/ref=sr_1_2?ie=UTF8&qid=1482653729&sr=8-2&keywords=Focusrite+2i4

Also, what is your thought on something like the Yeti mics that have a built in dac? I use one mostly for voice and it sounds great to me. But it a focusrite with rode mic going to just be world away better?

This is what I was considering: https://www.amazon.com/Blue-Yeti-USB-Microphone-Silver/dp/B002VA464S/ref=sr_1_2?ie=UTF8&qid=1482653965&sr=8-2&keywords=yeti+mic

Hey. There is nothing anyone can tell you that will turn you into a producer in a day. As people have said, its mainly practice, experimentation, and research.

Read the manuals for your hardware.

Play around in Logic. If there are options/tools/effects/instruments you dont know how to use, do some reading. The DAW/studio is an instrument in itself. Like any other instrument, its going to take alot of study and practice to produce a great sound. Well worth the effort though.

Get this book: (http://www.amazon.co.uk/gp/product/0879306149?*Version*=1&*entries*=0)

Its great

I bought this (Z-Line Designs Cyrus Workstation https://www.amazon.com/dp/B004VLW38Q/ref=cm_sw_r_cp_api_1MAJxbGVQH9CK) on Amazon and it works like a charm. Fits my computer, full sized electric piano which I use as a MIDI keyboard, a pretty bulky mixer and even my small monitors. Has a sliding keyboard and mouse holder too! Doesn't cost as much as those "music workstations" but does the job beautifully :) check it out!

Edit: some words and link

I use mine with Reaper all the time, same basic principle. First thing you'll need is a Midi to USB adapter like this. I have it, works great.

The next step like what theg33kshow said would be to get some software so you can monitor the signal coming through whenever you make changes so you know how to assign commands. Reaper has a function where it will "listen" for the button from me, I bet Logic has something like that too. Once you know that the FCB is sending info correctly to your Mac it should be a fairly easy process.

Pretty sure it is this one. I got it a few months back when I moved and it is absolutely perfect for music set ups and super cheap compared to most desks.

https://www.amazon.com/gp/product/B004VLW38Q/ref=oh_aui_detailpage_o04_s00?ie=UTF8&psc=1

Try this


Maybe this

If you want the all in one solution to these, then of course go for the AKAI module you have listed in your post.

Best of luck and PM me if you need any help.

Your mic is a good one, your mixer is probably fine... it probably is the sound input on the laptop. Laptop integrated audio is usually pretty shitty to begin with, as it is crammed in close with a bunch of EM-producing circuits, not to mention general cost cutting and the fact that most inputs on laptops aren't meant for anything but a crappy headset-type mic in the first place.

What you need is an external sound card, or, more accurately when talking about music production, an audio interface.

The simplest route to go would be to get something like a Behringer UCA222. It's cheap, but pretty bare-bones. You would simply plug in the RCA output of the mixer into the RCA input, and you should be able to record via that.

For the next level up, there's some better options. One would be the ART USB Dual Pre, which would let you use TWO microphones. Seeing as you don't have two, and it's fairly limited otherwise (it would ignore your mixer completely), I would rather recommend something else...

..such as the Tascan US-100. This is a more complete audio interface, with mic/instrument and stereo in. You could run your SM57 directly into it, to the computer and have the lowest noise possible (any analog connections introduce some level of noise into the signal). You could also connect the RCA output of your mixer to it. The only drawback is that it does not have phantom power, but your mixer can supply that if you ever end up getting a condenser microphone.

All of these options should sound QUITE a bit better than running your mixer directly into your computer.

You didn't mention what software you use, but almost anything should work with any of these.

Hope that helped a bit!

I'm not the best for advice since my primary use is for composing (I was raised on guitar rather than piano), but I'd go with something like the Nektar Impact LX49 or the Launchkey 49 Mk2.

Personally, I'd go with the Oxygen 49 since it's 6 pounds instead of 9. Again, I'm probably not going to be much help since I'm saving for a keyboard workstation that has to do double time as a live performance tool.

If you really want help, gearank.com has decent recommendations for just about everything.

I've been reading this book, because it covers theory, piano, and learning to read music, which are all things I'm trying to learn

https://www.amazon.com/Piano-Handbook-Complete-Guide-Mastering/dp/0879307277

If you want a book that's focused just on theory, there's Music Theory for Dummies which I've read, it's a very easy introductory book. For more advanced books I'm not sure, I usually just look at reviews on Amazon to try to find something that looks good.

I've also tried to read "The Jazz Theory Book"

https://www.amazon.com/Jazz-Theory-Book-Mark-Levine/dp/1883217040/ref=sr_1_28?ie=UTF8&qid=1486656226&sr=8-28&keywords=music+theory

but it's way above my current skill level. You might be able to get something out of it though.

Also check out this page, it's actually pretty good. I had forgotten to mention it

http://www.tobyrush.com/theorypages/index.html

Get your self this book as it will take you through all the basic operations of Ableton Live.

Other than that you can go on to Youtube and do a search for a Ableton tutorial as there is loads of good videos on there.

One thing I used to do when I was getting my head around music production is listen to tracks that I like, and try and find a way to recreate it. Good luck with it dude!

Don't get a mixer, it's a pain to record with one.

My two options:

1. Replace the Audiobox with the Tascam US-1800, but keep the audiobox as it has better preamps and will sound better if you are only recording two microphones.
   
   
   
2. Sell the Audiobox (Expect between $50-80), then buy a Focusrite 18i20 for around $300-350.. This is outside your price range, but the Focusrite has much better preamps than the Tascam and is way more functional than running a mixer into your Audiobox would be.

The Hanon book might be what you are looking for. But your best bet is to get a good, dedicated teacher and see what he/she thinks you need.

There's actually a whole subreddit dedicated to this.

I swear by these though, Superlux HD 681. They're comfortable and have excellent sound.

https://www.amazon.com/gp/product/B002GHIPYI/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Awesome! I genuinely look forward to hearing it come together! I appreciate you being so receptive to the feedback. I had a feeling you were mixing in headphones (and most likely closed shell too). This can really screw with you, and is generally considered a no no. However, with a good pair of open shell, you can improve significantly. Eventually, I'd recommend investing in a pair of good monitors down the road (6" should be fine for you to start).

Until then, these are all solid choices, without making too much of an initial investment. I would recommend the Bayerdynamic, as they're just really solid altogether, but sometimes the drivers pop and you'll get crackle and hiss. I have two pair in my studio (close back for recording) but I've heard nothing but good things about the open shell (for mixing):

Beyerdynamic

Other options:

AKG

Samson

Your keyboard probably has MIDI in/out already, which means all you need is a MIDI interface like this to connect it via USB.

Alternatively, the keyboard may have a USB port, in which case you don't need the adapter and should be able to plug it in and see it come up as a MIDI device.

Then you'll want to find a software instrument to play with it. There's all sorts of free VSTs available. Most of them will run by themselves as applications, but to use more than one in conjunction or do sequencing/effects you may need a DAW, as others have mentioned. The trial editions of FL Studio or Ableton Live are featured enough to start off with, or you could try a free DAW like BitWig which will have fewer limitations than the trial editions.

In the other comment they also mentioned the cheap quality of the novation keyboard. I don’t think I’m gonna get it since most people have been saying that as well (in other subreddits).

I think I at least want a 49 key keyboard, do you have any suggestions for a beginner?

Would any of these be good:

https://www.amazon.ca/Alesis-V49-Keyboard-Controller-Buttons/dp/B00IWWEW20/ref=mp_s_a_1_2?ie=UTF8&qid=1543271425&sr=8-2&pi=AC_SX236_SY340_QL65&keywords=akai+mpd218&dpPl=1&dpID=41SI3fyI30L&ref=plSrch

https://www.amazon.ca/M-Audio-Keystation-49-II-Controller/dp/B00IWWZAM6/ref=mp_s_a_1_7?ie=UTF8&qid=1543272011&sr=8-7&pi=AC_SX236_SY340_QL65&keywords=midi+keyboard&dpPl=1&dpID=41t4DtVzofL&ref=plSrch

https://www.amazon.ca/M-Audio-Oxygen-49-Keyboard-Controller/dp/B00IWU2CBA/ref=mp_s_a_1_14?ie=UTF8&qid=1543272061&sr=8-14&pi=AC_SX236_SY340_QL65&keywords=midi+keyboard


Or should I save up for something down the road such as the Akai MPK49?

Do you sing and play the guitar or just sing? You could maybe get something like this with a laptop to lay down the drum loops and then play guitar and sing! I did something like that once, but that's only if you're really itching to perform haha.

If you want to really have control over your final mix and actually well, mix it, you will need an interface and a DAW. Audacity is a free and very powerful DAW.

As far as the interface goes, it depends on how many inputs you need. An interface with 8 mic pres should get the job done. This is about as cheap as they come.

The Virtuoso Pianist by Charles-Louis Hanon. It's not fun or musically interesting, but if you purely want to improve speed and technique, it's exactly what you need.

i can definitely afford something better, i just wanted something on the cheap end so i could practice at home. do you have any recommendations? i was thinking something maybe like this

http://www.amazon.com/Behringer-802-Premium-8-Input-Preamps/dp/B000J5XS3C/ref=sr_1_3?s=musical-instruments&ie=UTF8&qid=1398712839&sr=1-3&keywords=small+mixer

I have this desk which I find to be acceptable. It's large enough to fit my Maschine Studio + Sub 37 on the desktop and keep a mouse/keyboard on the tray below. The elevated shelf is great for a large computer screen and wide enough to fit rack units on either side of the monitor. I used to have my monitors on the shelf but upgraded to larger monitors that I ended up putting on stands.

As I said, the desk is acceptable. The glass top is a pain to clean and there have been times where the metal parts vibrated due to my music (this may have only been when the monitors were on the shelf, I can't remember the last time it happened). It's also on wheels which isn't that much of a problem but it does jiggle a little from time to time. I'm looking forward to getting a new wood desk someday, maybe a Zaor but for now this desk is acceptable enough that I would rather buy more gear.

I have one of these lying around just in case I come across equipment with midi but not USB:

https://www.m-audio.com/products/view/midisport-1x1

It is also useful for equipment like the Korg Electribe or old drum machines without USB. It will allow you to use your keyboard as a controller for VST synths within your DAW.

However the Midisport 1x1 does not come with midi cables. So you will have to buy two midi cables. If you do not want to do that then the Midisport Uno comes with the midi cables attached:

https://www.amazon.co.uk/M-Audio-1-Out-Bus-Powered-MIDI-Interface/dp/B00007JRBM

Well personally I'd wait as long as possible to buy equipment. The more you know about production the more your opinion is going to change on gear and what exactly you want and need. There is no way for me to tell if you'd be better off with a 25, 49, or 61 key controller at this point and you won't know either until you get your feet wet in the subject.

That being said, 'beginners kits' are often asked here. I'll copy & paste my reply from the last time it was asked.



A beginners kit on a tight budget ~$180:

• Presonus Audiobox https://smile.amazon.com/PreSonus-AudioBox-USB-Audio-Interface/dp/B00154KSA2/
  
• Shure SM48 https://smile.amazon.com/Shure-SM48-LC-Dynamic-Microphone-Cardioid/dp/B0002D0HY4/
  
• Superlux HD681 https://smile.amazon.com/Superlux-681-Dynamic-Semi-Open-Headphones/dp/B002GHIPYI/
  
  A good beginners kit ~$700:
  
  
• Focusrite Scarlett 2i2 https://smile.amazon.com/Focusrite-Scarlett-Audio-Interface-Tools/dp/B01E6T56EA/
  
• Audio Technica AT2020 https://smile.amazon.com/Audio-Technica-AT2020-Cardioid-Condenser-Microphone/dp/B0006H92QK/
  
• Monoprice Mic Shield: https://smile.amazon.com/Monoprice-602650-Microphone-Isolation-Shield/dp/B00GR9W1MS/
  
• Sennheiser HD280pro https://smile.amazon.com/Sennheiser-HD-280-Pro-Headphones/dp/B000065BPB/
  
• JBL LSR305 https://smile.amazon.com/JBL-LSR305-Professional-Studio-Monitor/dp/B00F1DEI8G/
  
  
  An advanced hobbyist's kit ~$1975:
  
  
• MOTU Microbook IIc: https://smile.amazon.com/MOTU-Microbook-Iic-MicroBook-IIc/dp/B017BWMWL4/
  
• Rode NT1-a https://smile.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/
  
• Shure SM58 https://smile.amazon.com/Shure-SM58-LC-Cardioid-Microphone-without/dp/B000CZ0R42/
  
• Monoprice Mic Shield: https://smile.amazon.com/Monoprice-602650-Microphone-Isolation-Shield/dp/B00GR9W1MS/
  
• Beyerdynamic DT 770 Pro Studio https://smile.amazon.com/beyerdynamic-DT-770-Pro-ohm/dp/B0016MNAAI/
  
• Yamaha HS8 (x2) https://smile.amazon.com/Yamaha-HS8-Studio-Monitor-Black/dp/B00DCYMVB2/
  
• Yamaha HS8 Subwoofer https://smile.amazon.com/Yamaha-HS8-Studio-Monitor-Black/dp/B00DHSK8C2/

You need a DAC (and I would recommend a MIDI to USB interface so that he can plug in a midi keyboard)
and a pretty inexpensive MIDI interface as well as a small mixer to balance his inputs:
https://www.amazon.com/Behringer-802-Premium-8-Input-Preamps/dp/B000J5XS3C/ref=sr_1_3?s=electronics&ie=UTF8&qid=1479741584&sr=1-3&keywords=mixer

http://www.sweetwater.com/store/detail/MTrack2x2M

If he plan to do all music via software only, then all he needs is a DAC for his monitors.

This book is super helpful.

http://www.amazon.com/Home-Recording-Studio-Build-Like/dp/143545717X

I did this with a Tascam 424 by getting 2 Behringer U-Control UCA-222's ($60 for a pair) and creating an Aggregate Audio Device on my Mac.

This way each of the 4 outputs was sent to their own dedicated track in Logic Pro X and I could mix it as I'd like in Logic.

Get The Jazz Theory Book by Mark Levine. This book starts at the beginning, so you're sure to be able to learn from it regardless of level. It doesn't matter if you want to do jazz or not. Jazz is about the most harmonically complete music there is. If you get the hang of jazz theory, then all you need to do for most other kinds of music is figure out what stuff to leave out to make it sound like that genre.

You'll probably discover a few little tricks and sounds that you didn't know you were looking for. For instance--learn what a lydian dominant scale is, start playing around with it, and you might realize that literally every single note of The Simpsons' theme is from this scale.

It looks like it's gotten good reviews. I'm personally partial to FireWire, but if this thing dropped into my lap, I'd definitely use it.

http://www.amazon.com/TASCAM-US-1800-4-out-Audio-Interface/dp/B0044FU6T2

(If I understand your request correctly, you need a midi in/out to USB,)
I would recommend an M-Audio Midisport Uno. I've used one for years and it works great for my variety of midi devices into Logic, Ableton, Cubans....
https://www.amazon.com/M-Audio-Midisport-Portable-Interface-connection/dp/B00007JRBM

Edit: in case it wasn't clear, I am a Mac user, and have used it with OS X Sierra

Do you have a computer? US or somewhere else? electric or acoustic guitar? Any other instruments?

Interface

Microphone

DAW: Audacity. You can use garageband if you have OSX.



Headphones, if you need them. These are a great budget choice.

$210ish?

$180ish if you have headphones.

Here are some links for the product in the above comment for different countries:

Amazon Smile Link: Home Recording Studio: Build It Like the Pros


|Country|Link|
|:-----------|:------------|
|UK|amazon.co.uk|
|Spain|amazon.es|
|France|amazon.fr|
|Germany|amazon.de|
|Japan|amazon.co.jp|
|Canada|amazon.ca|
|Italy|amazon.it|
|China|amazon.cn|




This bot is currently in testing so let me know what you think by voting (or commenting). The thread for feature requests can be found here.

i use a behringer uca202. its a usb audio interface that you can usually find on used sites for like 25 $. you could use it as a headphone amp too and itd be better than yr computers soundcard..
https://www.amazon.ca/Ultra-Low-Latency-Interface-Digital-Output/dp/B000KW2YEI

Recording Studio Design. Philip Newell

Acoustic Absorbers and Diffusers. Cox/D'Antonio

Room Acoustics. Heinrich Kuttruff

Sound System Engineering. Davis/Patronis.Jr/Brown

Home Recording Studio. Rod Gervais

Master Handbook of Acoustics. F.Alton Everest

Some are heavy on the acoustic theory some are more practical but all really good resources. I'd also second the John Sayers forum.

I have this one in black. The pullout keyboard tray is for a keyboard and mouse, though. You can put your MIDI keyboard on the glass, which is where mine is at. Works perfectly, imo.

OK, i already have the MIDI compatible instruments and software and this is one of the only cables i found on amazon with decent reviews of mostly 5 and 4 stars. The cheaper ones were neck and neck with 5 and 1 star. Is this a good choice or am i paying too much?

http://www.amazon.com/CREATIVE-EMU-XMIDI-MIDI-Interface/dp/B000JLU26W/ref=sr_1_5?ie=UTF8&qid=1405017735&sr=8-5&keywords=midi+usb

I've been very happy with my Lexicon Alpha for the price.

I was thinking something like this might work? Behringer UCA222. I guess I would need those adapter cables as well.

I gotchu.

Good: Beyerdynamic DT-990

Better: Sennheiser HD 650

EDIT: And for the desperate, Samson SR850.

I'm assuming you don't really have anything other than your computer at this point, so you'll need a USB microphone. The one I bought is the CAD U37 When used properly you can get AMAZING quality from this for the price (I can provide a track recorded with it if wanted). However some others I considered were the Blue Yeti and the Blue Snowball. I went with the CAD U37 though because of its size and price. The blue yeti and snowball are awkward sizes.

EDIT: You know what screw it: How proper use treats your vocals w/ the CAD u37

All I had was a cardboard box with pillows in it for an "isolation box" I sang into that in a quiet room. I fit a thick sock over the microphone for a pop filter. Only thing I did to the vocal track was add reverb and EQ'd it to bring out the bass in my voice.

I think I will try audacity. I tried using it a little bit before but that was with a laptop integrated mic...

Would something like this work for plugging guitars into the pc?

I use this MIDI interface with my Yamaha keyboard, and it works like a charm in Ableton. Not sure with others but I assume it would work just fine.

As a professional Audio Engineer, I would go with the second choice. That being said, with audio gear you ALWAYS get what you pay for (if its cheap it will probably sound/feel like it). Also you could go for something that has Phantom Power already on it rather than buy another piece of gear, like THIS

They forgot a really good and essential one: http://www.amazon.com/Need-Know-About-Music-Business/dp/1439153019/ref=pd_sim_b_1

I have an Alesis DM7X Kit (Addictive Drums 2, Windows 7, x64 Reaper) and I've never had this happen to me before.

Does your module have MIDI In/Out ports? I would recommend trying to use them with a midi interface and see if the problem still occurs. (E-mu X-Midi Tab is a good one).

M-Audio Oxygen 49 https://www.amazon.com/dp/B00IWU2CBA/ref=psdc_11973721_t2_B00IJ6QAO2

This is 6$ more but has faders and more knobs.

I started with the older variant of this and it served me incredibly well.

I have a PX-130, and just by plugging it in to the PC it installs the necessary drivers and works right away.

You can try to put it into Storage Mode (where it shows up like USB storage instead of a MIDI device) To do this Hold down FUNCTION and then USB DEVICE MODE while it's plugged in. Lights will start blinking and your computer will detect a new USB storage device. After this works, hit FUNCTION to put it back into normal MIDI/Piano mode.
-
If you're getting some kind of USB Device not recognized error, I would recommend downloading the Drivers you found. It will show up in your MIDI devices as "CASIO USB-MIDI" once it's recognized. If they don't work just uninstall them.

http://support.casio.com/en/support/download.php?cid=008&pid=72

If NONE of that works, I would recommend just getting an EMU XMIDI 1X1 USB Interface Cable, and just connect it to the MIDI In/Out on the back of your keyboard.
--

The CASIO USB-MIDI always gives me trouble with latency at high polyphony. Unfortunately the PX-130 doesn't have MIDI In/Out jacks.

GLS ES57 and a Lexicon Alpha. Just about $100, gets you an extraordinarily cheap mic that sounds just like its Shure counterpart (for serious) and a decent interface to use with it.

If I got something like this could I use it while my keyboard is plugged in?

I thank everyone for the links! I've also been reading this: http://www.amazon.com/Ableton-Live-Power-Comprehensive-Guide/dp/1598639757/ref=sr_1_1?ie=UTF8&qid=1293595168&sr=8-1 (five stars from me) and am finally starting to get it.

I'm playing guitar, but my teacher recommended this for rhythm work:

http://www.amazon.com/Progressive-Steps-Syncopation-Modern-Drummer/dp/0882847953

You'll be wanting to get a condenser microphone for violin playing. If you are dead set on getting a USB mic (it will be a lot cheaper of an investment), you'd want something like this.

Here is a breakdown of the difference of Dynamic and Condensor microphones and why a small diaphragm condenser (pencil microphone) is better suited for your purposes.

Check this thread out for some pics and discussions of violins being recorded (you can ignore the recommendations for using +$1000 mics for now).

for your budget and needs, I would get a mic in this price range:http://www.bhphotovideo.com/c/product/558998-REG/AKG_3101_H_00070_Perception_170_Small.html
or http://www.bhphotovideo.com/c/product/470247-REG/Rode_M3_M3_Multi_Powered_Cardioid_Condenser.html

with an interface in this price range: http://www.bhphotovideo.com/c/product/561318-REG/PreSonus_AUDIOBOX_USB_AudioBox_USB_Audio.html

see my previous posts for more info!

You want to build a base of knowledge when it comes to creating rhythm? Start with this book. Order it now. https://www.amazon.com/Progressive-Syncopation-Modern-Drummer-Publications/dp/0882847953

How's your theory? I'd recommend The Jazz Theory Book by Mark Levine. It has lots of examples of most concepts taken from classic jazz recordings and simplified for piano.

I think the desk is this : https://www.amazon.com/gp/product/B004VLW38Q/ref=oh_aui_detailpage_o02_s00?ie=UTF8&psc=1

I have it and I like it a lot.

Thanks, very useful info!

Regarding the XLR to 1/4", would it matter that the PA speaker itself is powered? Probably still worth spending the extra $20 to get the necessary XLR inputs though.

The application of my FX can be uniform for all 3 inputs. So would I just use the 1/4" FX send output into the FX pedal, then input back into one of the unused 1/4" channels? I'm confused because I see an "FX out" but no designated "FX In." Would I use the AUX Return?

For reference, what I'm looking at:
http://www.amazon.com/Behringer-802-Premium-8-Input-Preamps/dp/B000J5XS3C/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1458661832&sr=1-1&keywords=mixer

I really enjoyed the book Behind the Glass. Have not read the second one yet, but here's a link to the first:

http://www.amazon.com/Behind-Glass-Record-Producers-Softcover/dp/0879306149/ref=sr_1_1?ie=UTF8&qid=1368636606&sr=8-1&keywords=behind+the+glass

I guess it depends on how much money you have. I got the Tascam US-1800 with 16-in, and it's mainly for convenience. I rarely use more than 1 or 2 at a time, I just leave everything plugged in all the time. FWIW, it seems to work well enough.

I found this on Amazon for about my price range. Is this about what you are thinking of?

I just bought an M-audio Oxygen49 and think it's pretty good but the springy keys don't feel the best to me. The price was right for me though.

That will work but it is prone to static and damage.
If you cant wait for a decent interface, this is cheap and fairly cheerful.
https://www.amazon.co.uk/Behringer-UCA202-U-Control-low-latency-Interface/dp/B000KW2YEI

http://www.amazon.com/s/ref=nb_sb_ss_c_0_7?url=search-alias%3Dstripbooks&field-keywords=a+dozen+a+day&sprefix=A+Dozen%2Caps%2C358

http://www.amazon.com/Hanon-Virtuoso-Exercises-Complete-Schirmers/dp/0793525446/ref=sr_1_1?s=books&ie=UTF8&qid=1368481014&sr=1-1&keywords=Hanon

http://www.amazon.com/Czerny-Dexterity-Complete-Schirmers-Classics/dp/0793553091/ref=sr_1_2?s=books&ie=UTF8&qid=1368481037&sr=1-2&keywords=czerny

Buy this and a metronome.
Read it.
Breathe it.
Sleep it.

You can look in "Home Recording for Dummies" or books by Dave Hunter and Owsinski and Mike Senior and others about choosing mikes, placement, room treatment, and the equipment chain: mixer, interface, preamp, DAW. Also lots of tips at r/audioengineering/ where it says NEW?, start here >>

https://www.amazon.com/Home-Recording-Studio-Build-Like/dp/143545717X/

All You Need to Know About the Music Business: Seventh Edition by Donald S. Passman

Read this http://www.amazon.com/Need-Know-About-Music-Business/dp/1439153019 then you can know what you're talking about.

Here you go.

Jazz Theory.

Mine doesn't have USB out either, but I use this, maybe the interface is causing the latency.

M-Audio USB Midisport Uno | Portable 1-in/1-out MIDI Interface via USB connection (16 x 16 MIDI channels) https://www.amazon.com/dp/B00007JRBM/ref=cm_sw_r_cp_apa_i_9yokDbETHEHN3

Mixxx's wiki about this subject

X-Session Controller

USB soundcard for master output

Use your regular headphone out on your laptop for cueing.

https://www.amazon.co.uk/Samson-SR850-Professional-Reference-Headphones/dp/B002LBSEQS/ref=sr_1_1?ie=UTF8&qid=1474495188&sr=8-1&keywords=samson+open-back+headphones

these?

What about this to replace the Focusrite & the Alesis?

http://www.amazon.com/TASCAM-US-1800-4-out-Audio-Interface/dp/B0044FU6T2/ref=sr_1_5?ie=UTF8&qid=1383145363&sr=8-5&keywords=Tascam+Audio+Interface

And we do plan on getting 4 microphones for the drums, I forgot what the recording method is but it's the method Led Zeppelin used. Basically, 1 mic on the kick, 1 directly on the snare, and 2 overhead mics pointing at the snare and equidistant from it.

While I am no expert on the subject, I would not start out by blowing a fortune on headphones. I use these 30$ ones, and they work just fine. I could spent 20 times that and suck just as much at making music :)

For the price, these are hard to beat... https://www.amazon.com/Samson-SR850-Professional-Reference-Headphones/dp/B002LBSEQS/

Get a music lawyer and/or manager to overlook any contracts before you sign anything. If they ever demand an answer "Or no more deal" then run run away.

Anyway, there are some books you need to check out If you haven't already and read the relevant sections of.

All you need to know about the Music Business

The Savvy Musician

i'm not sure what this is, or if it's any good, but this is what i use to bypass my laptop's shitty on-board audio.


Behringer UCA202 Audio Interface

Okay so I think I found something: https://www.amazon.co.uk/Behringer-UCA202-U-Control-low-latency-Interface/dp/B000KW2YEI/ref=sr_1_3?s=musical-instruments&ie=UTF8&qid=1492118729&sr=1-3&keywords=low-latency but how can I know how low it really is? When they say ultra low, that sounds pretty low to me..... Any educated guestimations of what kind of low delays are possible with this compared to what you get with a generic ASIO driver like ASIO4all or FL Studio asio?

My two cents as a lapsed classical pianist: If you want to go old school and learn to read music a bit too, struggle your way through the Hanon exercises for piano, specifically the scales and octave scale progression through all keys.

The book is cheap on Amazon

It is boring, dry stuff. But I will be damned if I don't still remember every scale once I start off on the right note, even if I don't remember any of the classical pieces themselves. Because of that bastard Hanon and his exercises.