(Part 2) Top products from r/colorists

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We found 11 product mentions on r/colorists. We ranked the 31 resulting products by number of redditors who mentioned them. Here are the products ranked 21-40. You can also go back to the previous section.

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Top comments that mention products on r/colorists:

u/Osiris19 · 4 pointsr/colorists

Don't spend money to build a room just yet, lets take this from the beginning. Having all the right tools in the world isn't going to help you from ground zero.

The software I use to do 85% of my professional work up to 4K/UHD is Blackmagic Resolve, and it is available for 0$. Totally free. Make sure you have a computer that can run it.

https://www.blackmagicdesign.com/products/davinciresolve
(Download link on page)

Read the resolve manual included in the installer package. Written by Alexis Van Hurkman http://www.alexisvanhurkman.com/wordpress/

It basically can teach you the fundamentals of color, through explaining features of the program.

His Ripple Training is also very comprehensive and something to look at. http://www.rippletraining.com/products/davinci-resolve/davinci-resolve-12-5-core-training-bundle/

That being said, you should also read the following books:

Begin with this:
Color Correction Handbook also by Van Hurkman
https://www.amazon.com/gp/product/0321929667/ref=pd_sbs_14_t_1?ie=UTF8&psc=1&refRID=QEGXRDSHFHYDDGD6QTX8

If you really want to go deep:
Color and Mastering for Digital Cinema
https://www.amazon.com/Mastering-Digital-Cinema-Industry-Handbook/dp/0240808746

All that being said, a basic foundation in color can also be gained through stills manipulation in lightroom or photoshop first. This is how I learned, and I feel like it really gave me a head start.

http://www.cambridgeincolour.com/tutorials.htm
Read EVERY ONE OF THESE TUTORIALS. This site is an amazing resource for all levels of mastery, I find myself going back to it again and again to refresh and then reach deeper into the void.

(Disclaimer: I am NOT Alexis Van Hurkman, he's just a good dude, and kinda unavoidable when it comes to learning Resolve, since he literally was contracted to write the manual. Also hes good.)

Anyway. Once you've chewed through all that, youll either find its not for you, or youll be back for more, and youll have a much more targeted idea of what your first gear purchase should be to help you get the most milage.

You can do a lot of great work without any gear. Learn how to use the scopes, then a monitor can come later.

Hope this helps.

u/soundman1024 · 1 pointr/colorists

This is going to be very difficult to achieve with a T2i. Much of the detail is in the shadows, which the T2i doesn't capture very well.

Start with some ND on the windows. I'd start with knocking them back 2 stops, but you'll likely need more. After that add some fill light from something soft at camera right. Maybe 3x china balls in a line to keep the cost down. I'd love a 4-bank here, but the paper lanterns are a very affordable way to get some soft light. Since you're shooting agains the sun be sure to put daylight balanced lights in them. 2700-3200k warm lights are going to give you color balance woes.

The goal with the lighting is to try to bring the dynamic range into something a T2i can record. The difference from dark to light here is the problem. Cameras that shoot raw or log formats are more equipped for this shot.

---

As for color, the people in this sub will have better advice. I'm not really a color person, but I'll take a crack and hopefully someone can tell you what I'm wrong about.

For starters desaturate the shit out of what you shot. This starts with art direction, continues into set design, and finally ends in post. You can only be as successful as what the camera is allowed to record.

Next you need to lift the pedestal. The blacks should be pretty milky. This is something the T2i will struggle to do elegantly as its encoder doesn't give you a lot of shadow detail. Pull up the bottom point of a curves layer up 15ish percent. After that add a point a little bit up the line and lift that even more. Work the curves after that to get toning that you like. It doesn't have to be final, but try to get it much of the way there. What you really need will vary based on your shot.

Next I believe (could be my laptop screen leading me astray) the shadows have a slight purple tint. Add that with a 3-way. Use the same 3-way to push your midtones towards green. Also push your highlights towards the same green. You might push the highlights slightly more towards yellow or orange than you did the mids. The midtones are pushing further on the color wheels, so make sure that point is further from the center of the wheel than the highlights point is. Note that you'll probably need to adjust the pivot point for the shadows-to-midtones transition and work the curves from above to get that changeover happening where you like it.

Add a soft dark correction to the room using some sort of soft mask to target that area more specifically. If the camera moves a lot your mask is going to need to change to compensate.

After that get some grain going on. Add a final curves to get the toning you want to finish with.

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Now hopefully I've said something wrong along the way. Nothing brings out good advice like giving bad advice. :-)

u/threewingedangel · 1 pointr/colorists

$170 will not get you a colour accurate monitor the cheapest you can get would be around $450. For [$320] (https://www.amazon.com/Asus-ProArt-PA248Q-24-1-Monitor/dp/B00877ZOYK/ref=sr_1_4?ie=UTF8&qid=1479170951&sr=8-4&keywords=adobe+rgb+monitor) you can get an adobe rgp acurate monitor (for print). Or if you are going really cheap but want something that you can kind of trust then your best bet will be a dell ultrasharp, but that will still be a bit over $200.

u/emerca20 · 1 pointr/colorists

For starters, I think this book has helped me a lot:
Color Correction Handbook: Professional Techniques for Video and Cinema (2nd Edition) (Digital Video & Audio Editing Courses) https://www.amazon.com/dp/0321929667/ref=cm_sw_r_cp_apa_i_RYrXCbSPFBN3C

... And I found this book super helpful as well, it's less about grading and look development and more about the technical bits: (full disclaimer, I haven't finished it, it was at my school's library so I was reading it in bursts)

Real World Color Management (2nd Edition) https://www.amazon.com/dp/0321267222/ref=cm_sw_r_cp_apa_i_u0rXCbKEE8JQE

u/immediatexraymachine · 3 pointsr/colorists

https://www.amazon.com/Art-Technique-Digital-Color-Correction/dp/0240809904 This book does a good job breaking the essentials down across the whole spectrum(maybe pun intended) of color including scopes. There is a second edition that's worth noting I just realized.

u/VincibleAndy · 1 pointr/colorists

I haven't used an intensity or what I am about to link, but they are the exact same thing as the PCIe card, but for USB and Thunderbolt.

I would recommend this if you dont need the extra connections of the Intensity.

u/dayofthejack · 5 pointsr/colorists

Try [this] (https://www.amazon.co.uk/Its-Purple-Someones-Gonna-Die/dp/0240806883/ref=sr_1_3?s=books&ie=UTF8&qid=1427827684&sr=1-3&keywords=colour+theory+film) out - its about the psychology of colour, so how you can use colour to help the narrative. Some classic examples are the use of green and red in Vertigo and the use of red in Don't Look Now.