(Part 2) Best professional video accessories according to redditors
We found 2,753 Reddit comments discussing the best professional video accessories. We ranked the 742 resulting products by number of redditors who mentioned them. Here are the products ranked 21-40. You can also go back to the previous section.
Not necessarily. They have stabilizers that will correct for vibrations in whatever happens to be holding the camera up. It is how they get steady shots in shaking stadiums and on a bumpy cars in movies.
I mean connecting the wires to this 60 dollar thing from Amazon would do the trick
https://www.amazon.com/OFFICIAL-Midnight-Limited-stabilizer-Smartphone/dp/B00S10KFTC/ref=lp_196573011_1_5?s=photo&ie=UTF8&qid=1481290620&sr=1-5
DJI Osmo Mobile
Anker PowerCore 26800
This alongside a decent case+screen protector should save our little autist from buying a replacement phone within the first week.
^^^^sidenote: ^^^^make ^^^^him ^^^^buy ^^^^some ^^^^new ^^^^clothes ^^^^OMEGALUL
Buy the DJI Osmo mobile. It's a really good stabilizer for the S8.
This is the camera mount https://www.amazon.com/dp/B076V6HYR4?ref=yo_pop_ma_swf
This is the mic arm https://www.amazon.com/dp/B000SZVZ74?ref=yo_pop_ma_swf
This is the wall mount for the mic arm https://www.amazon.com/dp/B0018TAIQI?ref=yo_pop_ma_swf
Parts List
Old telephone ringer box
RaspberryPi
Nixie tube vfdclock from ebay
or from these guys
Powered USB hub
Amazon USB speakers
PIR sensor (to turn on nixie tubes at night)
IR receiver/sender
GPIO buttons (they are pretty cheap, next time I'd use these. Thanks /u/John_Barlycorn for the link/idea!
old sony ps2 remote - I chose this remote because they are cheap, built solid and are in brand new shape (no one used them as a remote) and have easy LIRC support
USB mic
Edit:
forgot the pics!
Edit2: Linked everything
https://www.amazon.com/DJI-Handheld-Fully-Stabilized-Camera/dp/B016JTHIM8 reckful uses this its pretty cool
Cheapest you will find is a non-powered gimbal like this
The lowest priced gimbals from Feiyu-Tech start at around $200. Search around and you can find them for $150 used but it will generally only apply to the 2-axis ones.
Alternatively, you could buy/rent a chicken and attach a GoPro Session to its head. Chicken heads are nature's gimbals.
[Seriously.] (https://www.youtube.com/watch?v=bLIU18s4cy8)
Does he pay the camera guy? He should use this https://www.amazon.com/Zhiyun-Handheld-Mirrorless-Construction-Brushless/dp/B01F53XB8Y/ref=sr_1_4?ie=UTF8&qid=1494880635&sr=8-4&keywords=zhiyun+crane and here is a video showing how insane this sht is https://www.youtube.com/watch?v=0ZVwPovO-08
> I will be packing fairly light and don't want to carry a huge rig with me, or even a video monopod, which I have.
Well unfortunately that doesn't really leave us many options besides handheld.
However, there are some simple ways to make handheld footage a lot more stable:
Finally, try not to move/walk around when you're shooting. If you must walk n shoot, walk like their's poop in your pants and you're trying not to smear it all over your ass.
Since someone will ask, I took this with the Zhiyun Smooth 4 ($120 phone gimbal https://www.amazon.com/Smooth-Handheld-Stabilizer-Smartphone-Black/dp/B07BHCC3BV). I am not sure why, but their app stitches it at this resolution even though the phone could produce a much higher res version.
3.5mm no contest.
USB devices eat CPU, they eat battery on mobile devices, they're more complex making them both more expensive and easier to break. They can also suffer from driver problems and otherwise cause system problems (e.g. moving sound between a USB headset and soundcard is annoying).
I'd say purely in terms of sound-quality they could, in theory, both be equal. But with lower-end devices in particular 3.5mm based microphones kick USB's ass. The best a USB device can do is match a 3.5mm device's quality, it can't really exceed it.
I personally hate microphone headsets and stopped buying them many years ago. I now use a desk mic which I haven't replaced in over ten years (contrast that with buying a new headset every two or three years).
PS - Whatever you do do not buy a Creative headset.
u/cityescape3 - the least expensive way to get 3 hours of continuous shooting is with a $19.99 SmallRig battery plate, a $24.50 12V to Weipu cable and a $37.99 set of two NP-F970 batteries & a dual charger.
You can attach the plate either to a pistol grip (as seen here) with a 1/4"-20 male to male screw or use the included bracket to attach it to the top of the camera - as seen in this video with the OG BMPCC .
This should be relatively easy to do with your cage.
Hope this is helpful and good luck finding the right external power solution for your needs!
Hi /u/Namisaur - I have the BMPCC and I use three types of handheld rig, depending on the situation - the stabilizer/steadicam, the pistol grip and the shoulder rig. Depending on what you want to do, I recommend:
Hope this is helpful!
Bill
Hey xm45 its the Opteka SteadyVid SV-HD Camera Stabilizer with Quick Release
Here is a product link....
http://www.amazon.com/Opteka-SteadyVid-SV-HD-Stabilizer-Release/dp/B00DRGQETA/ref=pd_sim_p_1?ie=UTF8&refRID=1R8KTPEAEQMCV0506M4P
It's not even about how far you'll fly. It's about the reliability of the video feed.
P2 Vision Plus and P3S both use WiFi for the video link. This is unreliable and can easily have interference. A reliable video feed is very important to maintain your orientation at even moderate distances of a few hundred feet. At those ranged the drone becomes very hard to spot in the air with line-of-sight to determine orientation.
It's not just "range" you are paying for, you are paying for a video feed that won't be interfered with by any passing hotspot.
I have the P2V+ and it's served me quite well, but every close call I've had was due to video feed failure when trying to do some tight shooting. Mind you i wasn't even very far, maybe 100ft out and 60ft up.
If you can get the P3S for some crazy good sale price it would be an incredible first aerial photography unit. Just know you might very quickly grow out of it's safe capabilities. The P3A would be a better long term purchase if you see yourself doing this for a while.
----
All that said... If you don't have experience with other drones (i.e. Quadcopters/HexCopters), or the headaches of bringing them on a long trip. I'd seriously consider just buying a hand held gimbal unit. Many can be attached to long booms to get incredible steady shots like drones. You'll get much longer filming time, have much mess/lighter equipment to carry, and much much safer to use close to people.
If you already have a current GoPro the FeiyuTech G4S will get you that "drone-like" footage for under $300, then add a few extenstion sticks and a remote and you are still under the cost of a P3S. http://www.amazon.com/Feiyu-FY-G4S-3-Axis-Gimbal-Joystick/dp/B016S282A8/
If you don't already have a gopro and are looking for 4K ... checkout the DJI OSMO. Around $600 with an extension - http://www.amazon.com/DJI-OSMO-NA-Handheld-Stabilized/dp/B016JTHIM8/
Rode Microphones are constantly cheap with good quality on amazon.
Here is one under 200$
I know that I have been taken more seriously when using actual equipment instead of DIY things that I made that practically do the same thing.
Also last February I went to San Francisco to do some corporate videos for a tech start up. We normally would have just used our 5d and 7d because the videos were just interviews in front of a green screen that were going to be broadcast on the internet and probably never seen at a size larger than you would see on YouTube. We didn't want them to ask us "we flew you to San Fransisco to film our video and you brought a picture camera?" so we rented a FS700 just for the looks. When we showed up with that they were impressed and thought it was pretty cool and it made us look better.
At the same time - the pocket camera looks like it is going to be a better camera than most DSLRs. If you do use you could explain to your clients that you have this amazing camera that was designed to be portable and lite weight so that you can get shots other cameras can get while still outperforming other professional cameras because it shoots 12-bit lossless compressed CinemaDNG 1080 HD. Focusing on the advantages of it being small will prime them for it being small. Also that last part talking about the recording will probably just make them think "words I don't know - that must mean it is good."
Another thing that you could do is buy a cheap rail system, follow focus, and matte box (like this one ). The matte box won't do anything for you (it is always nice to have a follow focus) but it will look your camera look more professional. Is it lame that you have to "pimp" your camera so that people take you seriously? Yes - especially when the pocket camera is such an amazing camera. Is it worth it to "pimp" you camera and put on appearances for clients because if you didn't they wouldn't hire you? Yes.
You could use a selfie stick that has an attachment for smart phones http://www.amazon.com/Promaster-Selfie-Stick-Camera-Smart/dp/B00IEEN8TE
You're gonna love it. Now on your Christmas list, replace the camera with a decent gimbal for steady footage. Will save you a bunch of time in post-processing. Feiyu G3 seems to be the favorite around here, but GoPro just announced their own which is coming soon.
And if you're really into underwater filming, you may want to grab a dome.
So there's a million ways to do this. First, I'll start by saying that the two hallmarks of amateur video are:
So to remedy that, you want:
The first thing I'd recommend is to get a solid camera system setup. If you just want to make some fun short films without spending thousands of dollars, I'd suggest one of two kits:
The Osmo system ($400) is a tiny camera mounted to an electronic handheld stabilizer; it lets you get nice, smooth motion shots & can also be mounted to a tripod (various aftermarket systems are available for it).
https://www.dji.com/osmo-pocket
This setup runs about $400, plus the cost of a tripod. Here's a nice starter video tripod for $140 with a fluid head, which allows the camera to be panned & tilted smoothly:
https://www.amazon.com/Cayer-BV30L-Professional-Mid-Level-Camcorder/dp/B0784CWMP4/
Alternatively, most smartphones shoot 1080p video these days. In addition, you can tweak them out with additional software & hardware for enhanced functionality. I highly recommend the Filmic Pro software, which is available for both iOS & Android: ($15 or $20)
https://www.filmicpro.com/
If you have an iPhone or a Google Pixel 2/2XL, you can buy an anamorphic lens ($150), which gives you that nice widescreen look. That's a nice step up over the Osmo, as using say an iPhone allows you tap the screen to lock focus & also use a neat glass lens to get a great picture effect.
https://moondoglabs.com/collections/lenses
As far as smartphone stabilizers go, there are a variety available. I have a Smove gimbal & really like it:
https://smove.video/
Zhiyun has a good one on Amazon as well:
https://www.amazon.com/dp/B07BHCC3BV
So either the Osmo or smartphone approach gives you a great camera, plus an electric gimbal stabilizer, plus a tripod for fix shots & for doing pans & tilts, and some tricks for using it like a mini crane by tilting it & stuff. For editing video (on a computer), Blackmagic has a version of their pro-grade DaVinci Resolve 16 software available for free: (editing, color correction, etc.)
https://www.blackmagicdesign.com/products/davinciresolve/
As far as audio goes, it's pretty simple: use an external mic, and for vocals, keep it within 12" of the person's mouth. People generally either use a mic on a boom stick, or else a lav mic that you can clip to a lapel or whatever. You typically want to capture vocals & some environmental sounds, and then do foley (adding sound effects like putting a V8 engine on a Honda Civic, haha) & add some music & soundtrack stuff. There is software available for syncing up separate, standalone mics. If you have the budget available, the Zoom H2n is a great starter microphone:
https://www.amazon.com/Zoom-H2N-H2n-Handy-Recorder/dp/B005CQ2ZY6/
I use a Redhead windscreen on mine:
http://www.redheadwindscreens.com/
You can get cheap lapel mics too, for as low as $30 or so, that do a pretty decent job to capture people talking. But as far as making basic short films go, that's a pretty good ultra-budget setup...you get good video quality, good stabilization, and good audio recordings.
The next step is adding some lighting into the mix, which really helps a ton. If you'd like to play around with things, simulation is available, from a variety of sources. One I really like is called Cine Tracer, which is a cinematography simulator for lighting etc., sold through the Steam gaming store:
https://store.steampowered.com/app/904960/Cine_Tracer/
Anyway, that's just a very, very basic introduction to some tools that can get you some great-looking stuff right off the bat. The minimum would just be sticking a smartphone on like a $30 tripod & shooting from there. A step up would be a gimbal system & separate audio system as discussed above, and perhaps a basic LED lighting kit. If you have a few grand to play with, they make some really stellar cameras in that pricerange now, such as this 6K camera for $2,500:
https://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera
Great audio is also surprisingly inexpensive (relatively speaking, in terms of film equipment pricing). One of the first production-grade pieces of equipment I purchased was the Sanken COS-11D lav mic, which is used on a lot of movies & TV shows, and ran just shy of $500. That may sound like a lot, but an 8K RED Monstro digital cinematography camera starts at over $50k, so audio isn't that bad in comparison.
So a big part of it begins with budget & what you plan on doing. If you're just goofing around with friends, get a decent fluid-head tripod & use your smartphone & Filmic Pro to make some cool stuff. Save up & add some lighting, and maybe a gimbal, and some audio equipment. There's so many things you can do super-cheap & still make it look cool!
There's all sorts of madness that can ensue with this. Normally I recommend for those starting off use one of these four microphones:
Knox Podcast Microphone
Audio Technica AT2005
Audio Technica ATR-2100
or a Samson Q2U
and use Audacity to record locally through Skype or YouTube Live (with a private "broadcast"). Minumum start-up cost of $40 with the Knox.
HOWEVER, since you mentioned "high-end" I would recommend a Zoom H5 Portable Digital Recorder for each person. That way each person can record their local track and the other side for redundancy sake. Also, if they interview anyone. I would also connect through Skype Or YouTube Live with a private broadcast. If they are running PCs with Windows I would try the Evaer Skype Recorder for backup.
I would also recommend a Mackie ProFX8v2 USB Mixer for both sides. It's on the more robust and reliable side for a small format USB mixer with a few AUX Sends that can be used to multi-track.
I would recommend a Electro Voice re320 package which includes the shock mount and pop filter for each host. You can also get an Electro Voice re20 or re27n/d package at BSW Warehouse as well. That is by far the best deal for that microphone set around. The re320 is a great microphone because it requires less gain than other large diameter dynamic cardioid broadcast microphones and significantly reduces proximity effects for a relatively low cost. It also works great with most voices.
I would recommend a DBX 286s Microphone Processor for each host. It will help with a hard noise gate and to tweak the host's voices on whatever microphone they get.
I would invest in a couple of Heil PL-2T microphone boom arms. These will easily hold the weight of any microphone. I've heard of squeaking issues with the Rode PSA-1 microphone arm but it would also be a fabulous choice.
I would also invest in a decent pair of Studio Monitoring Headphones. I actual wrote an article on this last year. The article should help you narrow down your search.
Let me know if you have any questions. There are a ton of other choices you can make but I believe this will result in the highest quality with the least reliability issues.
~SP
If you do get the T3i, try going with an on-board mic. The Rode VideoMic and VideoMic Pro are pretty common with DSLR's.
Some kind of a camera stabilizer/support combined with a wider-angle lens that has stabilization will negate most problems with camera shake.
In my case I would use the gh2 with panasonic kit lens at 14mm or as close as possible with a cheap stabilizer (http://www.amazon.com/Polaroid-Stabilizer-Support-Cameras-Camcorders/dp/B005MRXPE4), If I wanted a very steady hand held shot.
Longer focal length lenses will accentuate shake.
Yes, dslrs are shaped badly for video cameras. If you want a good 'run and gun' camera, use a dedicated camcorder.
1: It was all natural light, I would have used some reflectors had I owned some so we improvised the best we could.
2: I used a D5100 for the first bit but it crapped out so we went to a D7100 to finish with the same settings. I used both a spider steady as well as a rig available on Amazon here.
Option 1: Use your phone.
Option 2: Buy a Canon S110
Edit: There are cheaper versions of things like the travel battery (though I would still stick with this brand and get something smaller), the SD cards, etc. if you want to pinch more pennies.
Edit 2: If you're worried about durability, see if you can find an Otterbox case for the phone as well.
For small handheld cameras like these, a loupe and a pistol grip work great. 3 points of contact making the image stable, still discrete and looks like an old school Bolex. I use something like this with my a5300. Here is what it looks like.
Loupe:
http://www.amazon.com/2-8x-3-0-Viewfinder-Magnifier-Extender/dp/B009X6H8ZW/ref=pd_sim_sbs_421_3?ie=UTF8&dpID=316fNC-iueL&dpSrc=sims&preST=_AC_UL160_SR160%2C160_&refRID=1HHNN9NVZK1PH91G2KSE
Pistol Grip:
http://www.amazon.com/Photography-Cinema-pistol-Digital-Cameras/dp/B0073Z49AM/ref=sr_1_1?ie=UTF8&qid=1459351357&sr=8-1&keywords=PNC+PISTOL
This guy is prettying good for the price. I like it.
SGC-598 Photography Interview Shotgun MIC Microphone for Nikon Canon DSLR Camera (Need 3.5mm Interface) https://www.amazon.com/dp/B00HE9G3UQ/ref=cm_sw_r_cp_api_8zPOybPRSVTD2
If only there was a way to elevate your phone in order to get a different perspective for the camera.
Maybe he used one of these http://www.amazon.com/Promaster-Selfie-Stick-Camera-Smart/dp/B00IEEN8TE
http://www.amazon.com/gp/product/B00K67QUQK/ref=pd_lpo_sbs_dp_ss_2?pf_rd_p=1944687562&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=B00I0LXL70&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=1YMG927GJDMFMMECEFG2
https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sr_1_25?s=photo&ie=UTF8&qid=1496169919&sr=1-25&keywords=Steadicam
I got this Neewer one. Its a good weight, its action is extremely smooth, and it is very easy to balance. However, I admit it has its flaws. For instance, its possible to bump into the bottom weights too hard and have them pushed out of place, which then requires a rebalance. But for my uses it works great. The nature of using gravity to stabilize the camera instead of motors really makes the camera seem like its flying. I just shot this quick little edit for my friend on exclusively that Steadicam and my Gh4+sigma lens: https://www.instagram.com/p/BUiQIODA1IE/?taken-by=houseofvoth
You can take a look if you want. I am also by no means an expert Steadicam op so I admit some user error is present in the video in terms of framing and what not haha.
Worth noting for anyone looking into this, you can get a DJI Osmo which is essentially an all in one version of what's showcased above for a few hundred less than a stabilizer+gopro will run you.
I'm not affiliated with DigitalRev at all, but I find his reviews to be very informative and he has helped me make a lot of purchasing decisions. Their review can be found here.
Also some [more] (https://www.youtube.com/watch?v=Obyx LEh8TA) footage examples here. (Each word is a different link)
It's actually an external camera and your phone is the view screen.
https://www.amazon.com/DJI-Handheld-Fully-Stabilized-Camera/dp/B016JTHIM8
The OP5 + DJI Osmo Bundle would save me 10€ if I buy the Osmo Mobile from Amazon instead of dji.com.
https://store.dji.com/de/product/osmo-mobile
https://www.amazon.de/DJI-CP-ZM-000449-Osmo-Mobile-Schwarz/dp/B01KUX9VT2/ref=sr_1_2?ie=UTF8&qid=1502895711&sr=8-2&keywords=dji+osmo+mobile
Seems like a shitty deal to me.
from all i could find its literally just his phone with this fancy mount
Don't get that one. Get this one:
https://www.amazon.co.uk/d/Electronics-Photo/DJI-Mobile-3-Axis-Gimbal-System/B01KUX9VT2
One potential option might be a used/refurb Nikon D3300 with the 18-55mm kit lens ($200-300 usually), paired up with a microphone.
Photos will be quite good with adequate lighting (outdoors obviously has tons), in Program mode it would be point and click, very easy to use.
Video will be decent as well with adequate lighting, audio will be good with the external mic, however DSLRs don't have particularly good autofocus in video mode so if you're doing video moving around a lot where focus needs to change it's not the best choice.
Yeah, make sure it's charged. Try to test it with a phone. The way it splits into two looks gimmicky, I suspect you have a bad mic or something isn't plugged in right. You might want to send it back for an exchange.
If you can't do a Rode Video Micro, this alternative has good reviews:
Movo VXR10 Universal Video Microphone with Shock Mount, Deadcat Windscreen, Case for iPhone, Android Smartphones, Canon EOS, Nikon DSLR Cameras and Camcorders https://www.amazon.com/dp/B0723D3FVL/ref=cm_sw_r_cp_apa_i_ZDdMDb5BMNV1V
This is an even cheaper mic, a bit larger, but it's surprisingly good, rivals the original Rode VideoMic:
TAKSTAR SGC-598 Interview Microphone for Nikon/Canon Camera/DV Camcorder https://www.amazon.com/dp/B00E58AA0I/ref=cm_sw_r_cp_apa_i_KGdMDbNG7HMBK
They should have had a jack on the Deluxe Audio Strap for another accessory (a microphone). These two things could work:
USB Lapel Mic:
https://smile.amazon.com/Microphone-aitesco-Omnidirectional-Condenser-Interviews/dp/B072Q2GH99
Wireless Lapel Mic:
https://smile.amazon.com/XIAOKOA-Wireless-Microphone-Transmission-Amplifier/dp/B01HOB5SKE
If you like doing more action stuff like this, I'd highly recommend a gimbal. It'll make it look really professional.
The best answer is always finding someone who knows a LITTLE about what they're doing. Shaky video with bad sound is SO cringey to sit through - so give quality some thought.
As for what to use for cameras... Low light is your enemy. If your wedding and reception are outside, before sundown, cheap camcorders will work great... but if you'll be getting into darker spots, they're going to look terrible quickly.
Honestly modern cell phones spend a LOT of research dollars figuring out how to get the best video quality even in the hands of inexperienced users. If you're NOT going to have someone experienced using pro level gear, I think cell phones will do better than anything you buy for less than $500 on Amazon. You can google and find some examples of wedding videos shot on iphones that look positively amazing (Though, full disclosure, those amazing videos are usually shot by a pro who knows exactly how to get amazing footage from them. There's still a lot that can be improved with knowledge and experience, of course.)
If you want to get super smooth footage, you can get gimbals that will hold a phone perfectly steady, for not a lot of money.
So that's my recommendation - buy something like this - https://www.amazon.com/dp/B07BHCC3BV and put the best phone you can on it. Have someone practice for several hours with it to learn how to use it to the best of their ability (watch some youtube videos) and put them in the center aisle, around the third row! That's maximizing your chances of success!
All of that said - before you go that route - ASK YOUR PHOTOGRAPHER. All the time I'm shooting photos for someone that wants video, but can't afford it. If they think to ask me, I'll bring an extra professional camera and a really good microphone and I'll set that up in the back of the room for them. It's no replacement for a proper video filmed by an experienced videographer, but it does provide a good solid recording that they can rewatch... and I do that for free. Your photographer may be able to set their 'backup camera' on a tripod and hit record without charging you much for the small amount of effort! There's less security in that, and that's what I always tell people when I do it - "I'm not going to be standing there babysitting it unless you want to pay to have a videographer for that... so if your uncle bumps the off button... or someone knocks it to point at the wall... or stands in front of it... we won't get anything... but if you're okay with that risk and aren't holding me accountable for a service you're not paying for, I'm happy to do it for you.
What kind of camera are you using? More important, what kind of inputs does it have? Mini-jack? XLR? (judging by the shadow of your camera, I don't think it has XLR inputs).
The most important thing is to get the microphone close to the source (your mouth in this case). So for narrating, you could hold the camera pretty close to your mouth.
Another trick people do is to use their smartphones to record the sound. This is possible when you're wearing a shirt with a pocket. The microphone can be placed in the pocket and closer to your mouth that way.
Normally you have a boom operator who will get the microphone as close to the source as possible, without the boom getting into the cameras framing. The reason I'm saying this is that, even when you get a good microphone (some microphones that are relatively good for their price are the videomic (pro) by Rode and external recordes like the Zoom H1N or Zoom H4N), the quality of the sound will only be good when it's close to the source. If you're in the car, for example, and the microphone is closer to the engine than to you, people will still have to strain to understand what you're saying.
So get a good mic, but make sure you use it properly.
A lavalier is a good option since you can attach it to your shirt. However, a good lavalier is expensive. Also, most professionals will prefer the boom as the sound recorded will be richer. (lapel mics miss some bass and some clarity).
A wireless lavalier is great for mobility and when the camera is far away. But cheap wireless lavaliers are worthless, the signal is not stable, there is interference and the sound isn't great. If you're looking for wireless you should be looking at sets starting at $500, not $200.
The one you were linking to isn't used for video, but for events and most likely conferences. You would need an outlet to power the receiver. Wireless lavalier for camera's have a receiver that runs on batteries. Example
Also, most camera's compress sound. So the advantage of the zoom microphones is that you can record the sound in a less compressed format. The disadvantage is that you'll need to match up your sound to the video in editing. There are some tools (like plural eyes), but you'll have to decide what you prefer. Audio on the camera that's in sync but more compressed, or an external recorder with better sound (and you can place the microphone/recorder wherever you want) but syncing of the sound in post?
Here's some information on lavaliers for video.
I got a cheap "lavalier" for a recorder and connect it straight into the mini-jack port of my camera (sometimes using an extension cable). e.g.
You could also consider renting a professional wireless microphone.
Since your title specifies low cost you can save some money by using a wired lav mic like this Audio Technica or this Olympus lav mic. You simply plug it into the camera's mic input. A 3.5mm extension cable might be needed to reach the camera. Use the lav mic with an inexpensive voice recorder if you need the subject to move around. Smart phones have decent audio recording apps too. Syncing the audio in post can be a hassel so only do this if the shot requires being untethered. If you record audio with a separate recorder it helps to mark it by saying a scene number and making a clap sound so you can find it and sync it with the video editing software.
For lighting you might consider an inexpensive LED light and a second battery. Charge one battery while using the other.
I've used clamps like this and this for quick and simple mount of camera and small lights to a chair, windowsill, cupboard, etc. You can use JB Weld to put a 1/4-20 nut-coupler on the light if it doesn't have it already.
edit: I like Canon equipment and their line of Vixia Camcorders starts at around $300 and has a mic input. The lens and image stabilization gets you a nice picture compared to a camera phone or similar "cheap" camera.
IIRC Premiere has a basic mode that uses a simpler timeline more like Apple's iMovie. You can download 30 day trial versions of the latest Adobe products. Give Premiere Elements a try.
yeah the at2005 will pick up much less noise, can be usb to start then upgrade to xlr later, then transition to a diff xlr mic later
These are the two most common "good" boom arms. I had the rode and its not bad
I also like this "traditional" one as its smaller profile
The one i use is crazy expensive BUT is the most unobtrusive thing i have found.
My set up PIC here: https://i.imgur.com/lejBdOP.jpg
the one linked is to static. How much range of motion do you want?
$ under 50
Out of those 2, the joy factory one is much nicer.
I am going to replace it with this combo though
Last option will give me probably 3 feet (it says 6, but it has to lose support past half way right) of range, plus height adjustability. You could probably go with cheaper mic boom arms but im ok with getting a good brand.
If you want something a bit "time-proof" that won't become irrelevant and last you years right now I'd say the new Lumix GH5 that shoots 4k in camera, a good zoom lens for video, a Rode fuzzy mic, and spend the rest in extra batteries and the biggest, fastest SD cards you can find for cheap. Honestly right now I don't think you could find anything better in budget. You might look into the Sony A7sII but a good lens will run you more than it would for the lumix, battery life is worse. I'd check both setups locally and see what you like best and whatever leaves you some spare budget for the mic/batteries/SDs. And if you manage a cheap chinese LED video light might come in handy too. Hope this helps. :)
The stabilization they're using is a motorized gimbal called the Zhiyun Crane M. It's fine for small cameras, but they also make larger versions for heavier cameras. Their camera also doesn't have a mount for an on camera microphone, but with a larger camera you can use a Rode VideoMic to get started.
^This ^post ^contains ^affiliate ^links.
This one is cheap and I love it: http://www.amazon.com/Polaroid-Stabilizer-Support-Cameras-Camcorders/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1422069972&sr=8-1&keywords=shoulder+rig+polaroid
It's only ONE event? The photography and cinema rig is good, but too expensive, especially when you're not sure about the future. Go with this polaroid one. I absolutely love mine, and it's incredible for run-and-gun.
Regarding the follow focus? It's solid. It came with this rig and, so far, I'm really happy with the overall quality.
This is the rig that I like to use personally
http://smile.amazon.com/dp/B005UF3G2Y
combine that with this
http://smile.amazon.com/dp/B0036NMQ7S
and your hands are free to adjust focus, settings, etc. while you shoot.
Definitely! All these cameras have 1/4-20 threaded female sockets on the bottom, you could easily mount it on something like this.
Here it is. Though I do have my eye on an autopilot in the near future. I would recommend that one if you can swing it.
Hard to master but one of the best cheap ones
https://www.amazon.com/gp/product/B00DRGQETA/ref=oh_aui_detailpage_o01_s01?ie=UTF8&psc=1
Is the TAKSTAR SGC-598 a good mic for vlogging? I'm on a budget and would rather not spend $100+ on a shotgun mic for my DSLR. This one has pretty good reviews on Amazon.
https://www.amazon.com/SGC-598-Photography-Interview-Microphone-Interface/dp/B00HE9G3UQ
> TL;DR: I need an adapter that takes 1.5 and 2.5 mm and merges them into 3.5 mm audio jack
I'm not familiar with the connection you're describing. Maybe if you give the model number of the microphone or even post a pic, somebody can help. If that doesn't work out (and it's hard to know if it'll work with your camera even after you get the adaptor) you could get a third party mic instead - I've read that this one is decent despite the low price and you can get a furry windscreen for a few dollars more.
> lens adapter from a Canon CL 8-120 mm 1:1.4-2.1 video lens to a Nikon D7200
The lens is designed for a small sensor video camera. Between the flange focal distance and the smaller intended image circle, it's won't be compatible even if you could physically connect the lens to your camera.
If your camera doesn't have a mic input, I'd recommend looking at lav mics. Using any sort of camera mounted shotgun mic will be a hassle if you need a separate recorder for it. If you do want it camera mounted, you will need a portable recorder, but your phone should work for that.
​
As far as the mic, I'm not too familiar with lavs, but for shotguns there is a Takstar mic that has way better audio than a mic that price should (I've seen comparisons with it to the Rode Videomic Pro, and it held its own). It's not going to give perfect audio, but you won't be spending $300+ on gear and needing extra equipment for it either.
I use the Takstar 8GC-598.
I paid $24. Its down to $22. Its 90% of the Road for a fraction of the price. Highly recommended.
This one.
idealy, this is what you are looking for ($750)
https://www.bhphotovideo.com/c/product/1200662-REG/ikan_ds1_beholder_gimbal_for.html
closer to your price range that would work with your gopro ($200)
https://www.amazon.com/Feiyu-Ultra-3-Axis-Handheld-Gimbal/dp/B00SUWMIQY
what's actually in your budget, this requires a lot of practice to use, as it's passive, not active ($60)
https://www.amazon.com/OFFICIAL-ROXANT-camera-stabilizer-Smartphone/dp/B00K67QUQK/ref=pd_lpo_421_bs_tr_t_2?_encoding=UTF8&psc=1&refRID=H9NET5P44Q52FD1MDTQA
https://www.amazon.com/dp/B00S10KFTC/ref=cm_sw_r_cp_apa_i_ePzpDbTYS2669 This thing seems good from what I've seen
Don't spend any more money on a camera, since your phone is very good for starting out. Do these things:
Roxant Pro (https://www.amazon.com/OFFICIAL-Midnight-Limited-stabilizer-Smartphone/dp/B00S10KFTC/ref=sr_1_21?s=photo&ie=UTF8&qid=1480055905&sr=1-21&keywords=smartphone+stabilizer)
Shoot as much as you can, and write a few shorts.
About 200 dollars on amazon. http://www.amazon.com/Feiyu-Ultra-3-Axis-Handheld-Gimbal/dp/B00SUWMIQY
PS: more time now, my gimbal, there may be newer/better ones now, but this is a start:
http://www.amazon.com/Feiyu-Ultra-3-Axis-Handheld-Gimbal/dp/B00SUWMIQY
I like to run mine on the helmet for calmer less aggressive trails and then for the DH stuff I run a chest mount and a Feiyu Gimbal for stabilization.
Neewer stabilizer, the G7 was a tad too light for the stabilizer and I’m yet to balance it with the GH5. Overall though when I could use it with the G7 it worked phenomenally,
https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sxin_2_ac_m_pm?ac_md=3-0-VW5kZXIgJDEwMA%3D%3D-ac_d_pm&adgrpid=56790965195&gclid=Cj0KCQjwn_LrBRD4ARIsAFEQFKtOyCqDV7UzXQzkFCyFN0yoRJpmRHzMAljbomURUW4qsUSV9T0-eU0aArWaEALw_wcB&hvadid=274703234042&hvdev=m&hvlocphy=9003867&hvnetw=g&hvpos=1t1&hvqmt=e&hvrand=11633576840232487683&hvtargid=kwd-326108903404&hydadcr=19691_9357235&keywords=neewer+stabilizer&pd_rd_i=B00WUCRVD0&pd_rd_r=e5fcdaa1-2342-4792-9884-bb26eb041682&pd_rd_w=O1kGJ&pd_rd_wg=I0Hh4&pf_rd_p=7ffdbddd-e073-4cb0-834c-3e54bd44941a&pf_rd_r=CX67XN0QJ6WQZ3XE4X0R&psc=1&qid=1568477962&s=gateway
If your gear dont exceed 3kg, you could get the same as i did, the one from Neewer. it has the micro adjustment knobs you need, and is surprisingly well built, and even comes with a bag that is big enough to fit more than just the stabilizer. i would also suggest getting a wrist support bracer to ease the strain on your wrist from using it as well.
I don't think those are really stabilizers. I believe they are just handles so you can do low shots more easily. You might want to lay out a concrete budget for yourself and help others suggest. I've heard some okay reviews about the $75 [Neewer 24" stabilizer] (https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0) which is just a knockoff of the much more expensive Glidecams. I don't do video though, so take my advice with a grain of salt. You could also try searching through /r/Videography.
DJI OSMO or any of its other products.
If you primarily need it for vacation video, I would suggest the stabilized 4k DJI Osmo. This will get you much better looking footage than any handheld camera would, with the tradeoff being that it's probably not all that good for still pictures.
Here's the official promo video for the DJI Osmo.
Here is an example of the footage you can get.
^(Post contains affiliate links)
You can buy AIO (all in one) cameras that have integrated transmitters, and those will do you for getting started. I'm using this on a micro build and it's got great penetration (for an AIO) and plenty of channels:
https://www.amazon.com/gp/product/B01MEGFK3S/
I can't vouch for quality as I haven't used one before, but here's a monitor that checks a lot of the right boxes. I'd start with a monitor and fly with that until you are comfortable and then switch to goggles. Goggles are where it's at.
https://www.amazon.com/EACHINE-LCD5802D-Monitor-Receiver-Battery/dp/B01ANOOJ3Q/
Eachine 5802D
https://www.amazon.com/EACHINE-LCD5802D-Monitor-Receiver-Battery/dp/B01ANOOJ3Q/ref=sr_1_10?ie=UTF8&qid=1499721464&sr=8-10-spons&keywords=eachine+diversity&psc=1
changed stock to a pagoda omni though
For something that small, an AIO camera would likely be best:
http://www.banggood.com/Eachine-TX03-Super-Mini-025mW50mW200mW-Switchable-AIO-5_8G-72CH-VTX-600TVL-13-Cmos-FPV-Camera-p-1104884.html?rmmds=search
The Tx03 is well regarded, supports every channel you could want, and plenty of power output.
A bit smaller option is the inductrix style ones - less power, but even smaller and a touch more durable: https://www.amazon.com/Crazepony-Camera-Transmitter-Splitter-Inductrix/dp/B01LYAW6S6
As for monitor - couple options. Lots of people like the immersiveness of the goggle style rather than monitor. If you agree, the EV800 for $55 are a good start, but the VR D2 at $80 are an even better deal with diversity and a DVR to record your flights.
If you really want a monitor, IMO the best option is the Eachine LCD5802 - its not as cheap as some others (that can be found for as little as $60), but has a great OSD, great battery, DVR, dual receivers, etc.
You mention a voltage read out - that starts to get more expensive very quickly, as you need something with an OSD (larger, more expensive cameras) or a flight controller with OSD and separate VTx.
I ordered a EACHINE LCD5802D. Monitor, Diversity receiver, DVR all in one for $130. I don't typically fly by it, it's just there for spectators and to record, but I like it.
It's my experience that spectators are way more comfortable watching a screen than putting something on their face.
amazon link
https://www.amazon.com/Crane-V2-Bluetooth-Stabilizer-Mirrorless/dp/B01F53XB8Y
I do think the Crane is the best in it's class especially when it comes to price/performance. However, I personally own the Pilotfly H2 which is better if your overall weight goes beyond what the Crane can handle.
I'd highly suggest getting a much wider lens to fly with, maybe a Rokinon 12mm prime utilized in APS-C mode.
It's a three axis gimble holding his phone for stabiization
the big thing I notice/felt was just a lot of unstable camera shots.
Im not sure what you are shooting with, but smart phones seem to be the way to go these days with how advanced the cameras are getting (especially with a VLOG style format),
I know you are in the UK and I linked the Amazon US store, but you should check out the DJI smartphone Gimbal
side note, im in no way affiliated with this company, but I have used it a ton of times their app has a facial recognition and tracking feature, so if you hold it in your hand, not only will it stabilize your video for you, it will also track your face as you do your vlogging, or if you just set it on a flat surface and want to do solo presenting.
Check out affordable steady cam gimbal attachments for your phone.
I've seen a few recently and am pretty impressed seeing them on phones and cameras in action.
While I am familiar with the expensive stuff, I'd expect that it would be possible to find some MIC (Made In China) phone gimbals.
https://www.amazon.com/DJI-Mobile-Handheld-Stabilized-Gimbal/dp/B01KUX9VT2
https://www.youtube.com/watch?v=34oRFXwM9EU
https://www.youtube.com/watch?v=uFt__-4GqIg
After spending $53 bucks for a double double of (only) 10 year old Laphroaig 2 nights ago, I am already jealous.
Ok, so could I, for example, buy my interviewee this mic, have it sent to them, they plug it into their computer, and we can have the interview recorded somehow? So I can speak into my Yeti mic & they can speak into the mic I sent them? And would I use Cleanfeed to record the interview? Thanks for the input!
Upper Limit:
This:
https://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=ath-m40
And This: https://www.amazon.com/Microphone-Fifine-Condenser-Recordings-YouTube/dp/B01D4HTIOY/ref=sr_1_3?ie=UTF8&qid=1503007383&sr=8-3&keywords=usb+mic
___
Lower Limit:
This: https://www.amazon.com/Audio-Technica-ATH-M30x-Professional-Monitor-Headphones/dp/B00HVLUQW8/ref=sr_1_1?ie=UTF8&qid=1503007546&sr=8-1&keywords=ath-m30
And This: https://www.amazon.com/Microphone-aitesco-Omnidirectional-Condenser-Interviews/dp/B072Q2GH99/ref=sr_1_4?ie=UTF8&qid=1503007383&sr=8-4&keywords=usb+mic
This is what I lavalier I bought, but I ordered from .ca . I'll probably shorten the cord so it isnt excess bulk on the headset and 3d print a bracket so it clips nicely to the headset out of the way.
He's talking about something like this: https://smile.amazon.com/Smooth-Handheld-Stabilizer-Smartphone-Black/dp/B07BHCC3BV/
Never buy a gaming headset as they have trashy audio. If you are on a low budget get a combo like this.
Best iems for the price.
http://www.amazon.com/Monoprice-109927-Enhanced-Isolating-Earphones/dp/B00B8QCMHY/ref=sr_1_2?ie=UTF8&qid=1382473058&sr=8-2&keywords=monoprice
Tie-clip mic
http://www.amazon.com/Olympus-145045-ME-15-Microphone/dp/B000815CF4/ref=sr_1_17?ie=UTF8&qid=1382473407&sr=8-17&keywords=microphone+tie+clip
You can prob find them in amazon Uk. Cheers.
If you're looking at getting a clip-on that's better quality than the Zalman, I recently bought this one from Olympus and am very happy with it. Great quality and seems pretty durable.
http://www.amazon.co.uk/Olympus-ME-15-Tie-Clip-Microphone/dp/B000815CF4
Something like this with a shock mount would work.
Heil PL-2T
It's like the Rode PSA-1 only slightly longer and you can route your cable internally so that it looks cleaner and you don't have to tie it to the outside. It also has several different mounting options you can purchase if a C-clamp desk mount doesn't work for your setup.
It's the Heil desktop boom mic. I got it because the cables are stored inside the arm and there's no visible springs. Heil Sound PL-2T Overhead Broadcast Boom https://www.amazon.com/dp/B000SZVZ74/ref=cm_sw_r_cp_awd_13TOwbXNV0H1G
That's a nice setup.
Seems like the mic stand gets in the way, and would be a pain in the ass to adjust. What about installing a flange in the desk, then attaching a mic boom to it?
Edit: And maybe adding some decoupling risers to those monitors, and a vertical support block to that hutch so the center doesn't sag...
I believe You will need something like a shockmount so you can attach it to the mic as I am not sure if the AT2020 comes with any screw holes like a stand or anything.
I would also reccomend avoiding the neewer it's horribly designed and while cheap probably isn't worth the hassle. I bought it and it not only horrible to control but also damaged my desk very easily. I am currently saving up for the Heil PL-2T which I hear is very good, doesn't make noise and is easily mounted without damage of desks http://www.amazon.com/exec/obidos/ASIN/B000SZVZ74/podcastinghandbook-20
You could look into a quality shotgun mic with a wind cat to reduce the echo. --Rode VideoMic with Fuzzy Windjammer Kit https://www.amazon.com/dp/B004S494WO/ref=cm_sw_r_cp_apa_i_Uh54CbKE59R0M--
Or a wireless lav mic would be your best bet, but the price difference can be drastic. --Sennheiser ew 112 P G4 Camera Lavalier Set, Bodypack Transmitter, ME 2 Lav Omni Mic, A: 516-558 MHz - Bundle with 4 AA NiMH 2900mAh Batteries/Charger, SKB iSeries Waterproof Case, AT Clothing Clip https://www.amazon.com/dp/B07L3JD74W/ref=cm_sw_r_cp_apa_i_pk54CbY7G8JJT--
Just be sure your cam has a 3.5mm jack or XLR input jack with a 3.5mm step-down converter. You can find cheaper wireless lavs, but I've found that you get what you pay for with audio equipment.
Apart from the auto-off on the Rode, what's the difference with say a model like this? https://www.amazon.com/dp/B004S494WO/ref=sspa_dk_detail_1?psc=1&pd_rd_i=B004S494WO&pd_rd_wg=00e0n&pd_rd_r=CSVFWQ8VGWHVEX7W91R5&pd_rd_w=RqE0b
think something like this will do?
https://www.amazon.com/dp/B004S494WO?psc=1
I see it has the wind jammer which I'm assuming would be good for outdoor filming when there's wind.
The G7/14-42mm lens you linked to is a great deal right now. You should be in excellent shape if you go in that direction.
Also, don't overlook audio! The built-in camera microphones are universally terrible. To start with, invest in a rode videomic, rode videomicro, or a Movo VXR10. Eventually, you'll probably want to look at lav mics (the kind you see clipped onto news anchors).
Lastly, getting professional results out of a camera requires experience. The camera won't do the work for you no matter how nice it is. Hit up youtube for some corporate video-making tutorials and you'll be off to a good start.
Good luck!
This is another great option to start with too. It's what I started with:
https://www.amazon.com/Polaroid-Video-Stabilizer-Support-System/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1485757721&sr=8-1&keywords=chest+stabilizer
I still use the stock off that on my rig!
Biggest pluses are that it's got a quick release. If your tripod has a manfrotto mount, there's nothing stopping you from putting the arc swiss plate on the bottom of a cheap manfrotto plate. My tip is to make sure everything you use has the same plates. No one should ever be waiting around for you to be screwing stuff in with a coin.
When I can't be fucked or want an ultra light rig, I have a manfrotto plate on my GH4 (no cage) and I use the chest stock off that cheap Kodak, then a rod mount:
http://www.smallrig.com/SMALLRIG-15mm-Rail-Support-System-Baseplate-1841.html
and a matching Manfrotto clamp:
http://www.smallrig.com/SMALLRIG-Manfrotto-Dovetail-Clamp-1716.html
It doesn't twist when you brace it against you, it's rock solid stable and ultra light. Protip: brace against your shoulder, your chest will move as you breathe haha
Alrighty, after reading some other comments this might even be a bit big BUT, check it out. I shoot with this little thing ALL the time and it is fantastic for VERY tight spaces.
http://www.amazon.com/Polaroid-Stabilizer-Support-Cameras-Camcorders/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1393866500&sr=8-1&keywords=polaroid+chest+stabilizer
It's cheap, surprisingly built well for the price, very sturdy, and is extremely mobile.
On top of that, I tend to use a Zacuto Z Finder with this little rig but that is probably overdoing it for what you are looking for. Check out the pic below. This is what it looks like rigged up on a 5D3.
http://instagram.com/p/kiNSBCpUgm/
I've found that Monopods work great for shots that need more movement than a locked down tripod.
For sub-$100 shoulder rigs, I've found that this guy works okay: http://www.amazon.com/Polaroid-Video-Stabilizer-Support-System/dp/B005MRXPE4/ref=sr_1_1?ie=UTF8&qid=1459352331&sr=8-1&keywords=shoulder+rig+polaroid
IMHO I'd stay away from cheap follow focus/matte boxes and go with just the shoulder system.
I just got the PR-1, quality seems pretty decent. There's also Neewer and Polaroid rigs that are very affordable.
This is in your price range but from the looks of it looks extremely shitty. If you want some pretty well made stuff, the good people over at Jag35 have rigs/rods/follow focuses that don't break the bank like redrock or zacuto. But you do get what you pay for after all.
Your camera is fine, you can use that to shoot video. Looking at the specs it doesn't seem to have a mic input. You might try doing a few bit of test footage to see how the sound comes out. If its not that great you could think about getting a separate audio recorder something like the zoom h4n (this will mean syncing the sound at edit time you can do this by ear and eye or use a plug-in like pluraleyes. A good tripod is also advisable. If you get in to doing hand held stuff it might be worth getting one of those camera rigs off Amazon something like this http://www.amazon.com/Fancierstudio-RIG-Follow-Focus-Counterweight/dp/B005UF3G2Y/ref=sr_1_1?ie=UTF8&qid=1419848204&sr=8-1&keywords=camera+rig Unless you have load of $ then you can go for something a bit less shit :D. I have one of these and its not great quality but it really improves hand held shots.
For the hassle of DIY, I'd say you would be better off buying this. Comes with a matte box and follow focus.
THIS ONE is 140 but I have it and can affirm that it's pretty darn good for the price.
It's a couple tubes and handles, that part really can't go wrong. The follow focus may or may not be adequate, but it's not going to be of use in any case if you're using MFT lenses which have too far of a focus ring throw to use a follow focus. I've gone even cheaper and use one of these: http://amzn.com/B005UF3G2Y I've added a shoulder weight setup and run it with only one handle with my other hand operating the lens. Works fine. What you really may be looking for is a Glidecam or Flycam. They take some learning and a bit of time to balance, but the results with practice are excellent.
edit: Note that the matte box with that rig I linked to is absolutely useless, but the rods and fittings do their job. The follow focus is of surprising quality, but again useless if using MFT lenses. I believe they sell the rig without it.
I don't know of any pistol grip lights, but I know of a few that can be mounted on a tripod. Instead of a tripod, you could attach a handgrip like this one for cameras.
When you say powerful, I can assume you want lots of lumens, but do you favor a light that throws a small spot of light really far, or a floody light that's great at illuminating a wide area directly in front of the flashlight?
Thanks! Yeah, just got a new steadicam as a toy and was eager to play with it. I am a Malick fan, so thanks again for that compliment. What car at the end? ... If you mean that noise, that's actually the waves. It was a crazy windy day. Lol I hope that's it, and I'm not somehow missing a car.
I'm a cinematographer and editor! :D
http://www.amazon.com/dp/B00FYW8DNU/ref=cm_sw_r_udp_awd_101gtb1SSAHGW
Haha lol jk I know none of y'all are going to gift that lol :P
This would be tremendously nice-
http://www.amazon.com/dp/B00DRGQETA/ref=cm_sw_r_udp_awd_z51gtb1HHF9AF
Also jk(:
(being a cinematographer is expensive :(. )
Im torn between XR-2000 or HD-1000 so far, for my weight class.
Or even:
http://www.amazon.com/Opteka-SteadyVid-SV-HD-Stabilizer-Release/dp/B00DRGQETA/ref=pd_tcs_subst_p_1?ie=UTF8&refRID=09WMXND0CQCN99BSVS46
Trim the fat wherever necessary but always think ahead and bring backups of what you need!
EDIT: Forgot to mention the Sony camcorder we set up as a wide, stationary view of the whole ceremony.
Can anyone tell me anything about this budget "steadycam"?
http://www.amazon.com/gp/aw/d/B00DRGQETA?qid=1407133751&sr=8-1&vs=1
Obviously I wouldn't expect it to perform like a high priced one, but does anyone have any experience with it? My friend recently bought it and I'm thinking about it too,
I could not agree more with you. When its comes to glide cams and steady cams your going to want to spend upwards of $100. Its pricey but can make a huge difference. I own this one currently and have had a great experience using it: http://www.amazon.com/gp/product/B00DRGQETA/ref=oh_aui_detailpage_o01_s01?ie=UTF8&psc=1
I think a shotgun microphone should help here along with some blankets or acoustic treatment. You can pick up this shotgun microphone and some isolation to try and get that noise dampened. This will work if you are recording to a camera with a mic input, but if you don’t have a microphone input you can pick up this recorder which will also double as a recording interface. If you need to place your mic further away from your camera or recorder, this cord will give you some length to position it where you need. This is really nice if your camera is a few feet or more away from where you’ll be while shooting, as an added bonus the closer you place your microphone to your subject, the better it will pick sound and reject sounds you don’t want.
The shotgun mic should reject sound coming from the sides and pickup clear audio from the front. Place this close to your mouth and you’re good to go. I use a shotgun microphone to record voiceovers and videos at my desk because just like your place, it seems like my neighbors are always doing something loud. It’s useful to check your audio with some headphones to hear what background noise you might be picking up, then adjust.
If you’re still getting noise you’ll need to pick a time where you can record that you know to be more quiet. It’s a bit of a pain but unfortunately most home productions have to work around some sort of obstacle, just don’t let it keep you from making some videos!
There are many out there, but if that's a small production, this might just do fine : https://www.amazon.com/dp/B00HE9G3UQ and its deadcat https://www.amazon.com/Outdoor-Microphone-Windscreen-TAKSTAR-SGC-598/dp/B07B4SCTJT/r
I'm assuming the black at the beginning was to help sync up your snap with the music snap.
A question before I start; will you be using an editor to sync things up in post or would you rather take things together(audio and video) and have them all sorted out at one time?
Here's a list of things that I think would be beneficial, but not an encompassing list. If you're trying to go for a cheap list that could still get the job done, I find that these items have decent reviews on Amazon and websites and they do offer a good starting point for a budget.
I feel like the Canon EOS M2 would be a strong contender. It is actually a mirrorless camera that has the same sensor as that of the more expensive T3i. Due to it's lack of popularity with photographers due to the slower autofocus, it has seen multiple price reductions. Although it contains autofocusing issues in the photography modes, it's video modes are what really helps this camera out. You have a good starting lens with an 18-55mm lens, which may be wide enough for that room at 18, but it could even be close enough for a closer image. You can even be more technical and add in other features. Also this camera has a direct mic-in line for use of an external mic, like the shotgun mic below.
Audio is key here. You want to be able to hear the pastor as he gives sermons, so you have two general models. You can place the portable recorder closer to him, giving you crisp audio at a very minimal distance, or you can attach a shotgun microphone to the camera and pick it up from a distance further away. The only thing is, would you rather have the camera do it all for you or would you rather have to sync up the audio in editing? The Zoom mic is nice because you can purchase one of these ($21.38) and mic the pastor up before service to give a very crisp lapel audio.
This should be a given.
You can choose to have it either plugged in the whole time during recording, or you can have it run off of batteries. Your personal preference.
You requested a tripod for the ease of use.
Given that you live in the US, after taxes, you're essentially looking at a $500 setup for all of that equipment. That may not be the best equipment for people or even be suggested by anyone else here, but that is just my $0.02.
Source: Use the EOS M1 and most of the gear listed.
Order keeps getting automatically cancelled, account gets locked.
I wanted a good cheap shotgun mic so I looked it up and found a reviewer suggesting this mic : https://www.amazon.com/gp/product/B00HE9G3UQ/ref=ppx_od_dt_b_asin_title_s00?ie=UTF8&psc=1
I'm new to Amazon so this is my first time ordering it using Amazon. As the title says, I have no idea why it keeps getting cancelled. I do think that my address was entered correctly. Is it because I'm from Malaysia? It doesn't ship to here or its currency doesn't work somehow? I'm confused.
Minutes later, I tried using USD instead and my account is now locked.
I got an email from [email protected] saying that there was a problem confirming my payment information.
I got this cheap one and works great. Here is a review of a few cheaper alternatives to Rode.
They're called selfie sticks. http://www.amazon.com/Promaster-Selfie-Stick-Camera-Smart/dp/B00IEEN8TE#
$29.95
Kan producera en åt dig för hälften av priset så länge du kan förse mig med en pinne och lite tejp.^^^^Shipping ^^^^not ^^^^included
And why we come up with selfie sticks now.
Ummm.. like duhhhhh!
I researched this one a bit and it seemed like a good option. Have not actually used it or purchased one though so I don't have a personal report
https://www.amazon.com/OFFICIAL-ROXANT-camera-stabilizer-Smartphone/dp/B00K67QUQK/ref=sr_1_2?ie=UTF8&qid=1465577418&sr=8-2&keywords=iphone+steadycam
Yeah even phone gimbals are sorta pricey. You could do something more manual like one of these things, but idk how good they are..https://www.amazon.com/OFFICIAL-ROXANT-camera-stabilizer-Smartphone/dp/B00K67QUQK/ref=as_li_ss_tl?creativeASIN=B00K67QUQK&imprToken=0ACX333CKnxY8C.fdNW0hw&slotNum=8&ie=UTF8&linkCode=w61&tag=omnideals-20&linkId=cd93d57a1847057ccd1c1cacf48e5b02
Alright, its a start but as you said, you need a stable image. I would recommend getting a gimbal for your camera. Its basically magic and makes all of your shots super smooth. Depending on your budget/camera, something like this could work.
Also recording in 60fps and bringing the final production back down to 30fps will make everything smoother.
If you need any help with editing or perhaps an intro or some graphics, I can whip something up for a few buckaroos. ;)
This was the stabilizer: http://www.amazon.com/OFFICIAL-stabilizer-construction-stabilization-stabilizers/dp/B00K67QUQK/ref=sr_1_1?s=photo&ie=UTF8&qid=1417728030&sr=1-1
I definitely need more practice with camera work all around; I had an awful lot of garbage footage.
Thanks a lot for all your help - that video you made for showing that house was excellent, it came off to me that the video was nicer than the house (in a good way) - interesting how some real estate companies do it.
I browsed Amazon for some Gimbals and in general yeah they're really pricey. There are some semi-promising looking around $2-300 which I think I could stomach.
Maybe something like this: https://www.amazon.com/OFFICIAL-ROXANT-camera-stabilizer-Smartphone/dp/B00K67QUQK/ref=sr_1_5?s=electronics&ie=UTF8&qid=1480745633&sr=1-5&keywords=dslr+gimbal would be a good place to start?
(Roxant ROX-1A Video Camera Stabilizer)[http://www.amazon.com/Roxant-ROX-1A-Stabilizer-Digital-Camcorders/dp/B00K67QUQK]
Edit: $60 and I guess that's not how you do hyperlinks on reddit anymore
Nice weather I see! Hey...get one of these handheld stabilizers for your action cam rig. Roxant Pro
Not sure about that one in the picture particularly but this one on Amazon has really good reviews: https://www.amazon.com/OFFICIAL-Midnight-Limited-stabilizer-Smartphone/dp/B00S10KFTC/ref=sr_1_6?s=photo&ie=UTF8&qid=1468267244&sr=1-6&keywords=camera%20stabilizer&tag=viglink20955-20
Thanks for the insight. If I went monopod, wouldn't it be the same stress though of holding that around for 20-40 minutes at a time? Or maybe I'm missing something on how to work with them.
What about something like this Roxant Pro
If you haven't found a solution yet, I've had good luck using the Roxant stabilizer: https://www.amazon.com/dp/B00S10KFTC/ref=cm_sw_r_cp_api_rMbFxb4M15PXN
Some footage I shot for a band that was on their first headlining tour: https://youtu.be/9AkepHc2YG8
I actually found this just by scouring the Amazon site deeper and deeper.
http://www.amazon.com/OFFICIAL-Midnight-Limited-stabilizer-Smartphone/dp/B00S10KFTC/ref=pd_cp_421_1?ie=UTF8&refRID=19GEHW6PWPN27C05HBVS
Seems pretty good at what it does but the big front facing, curved handle that balances it out seems a bit overkill. It would be nice to just have the handle, and then the camera right on top of it, simple and compact.
Okay, so here is what I have so far:
Canon 6d Body Only - $999 Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only) - Wi-Fi Enabled https://www.amazon.com/dp/B009B0MZ8U/ref=cm_sw_r_cp_apa_ztfUAbQ2EFJEK
200mm telephoto lens - $599 Canon EF 70-200mm f/4L USM Telephoto Zoom Lens for Canon SLR Cameras https://www.amazon.com/dp/B000053HH5/ref=cm_sw_r_cp_apa_xvfUAbCW0138S
Gimbal - $65 The OFFICIAL ROXANT PRO video camera stabilizer Limited Edition (Midnight Black) With Low Profile Handle for GoPro, Smartphone, Canon, Nikon - or any camera up to 2.1 lbs. https://www.amazon.com/dp/B00S10KFTC/ref=cm_sw_r_cp_apa_YxfUAb4K36DB2
Look good?
Probably used one of these with any good quality camera, possibly even a good smartphone.
>The video is most shaky when we are just trying to get shots where we are running around the outside of the car.
You may be better off getting a motorized/stabilized gimbal mount with a GoPro or other action cam or a nice mirrorless ILC such as the Panasonic GH4 over getting a camcorder. For example: https://www.amazon.com/Feiyu-Ultra-3-Axis-Handheld-Gimbal/dp/B00SUWMIQY (Note: Do check reviews, this was the first Google result for me so I used it as the example)
Using a gimbal mount will let you get low down shots and such much easier.
It's actually cheaper than $300 now.
I don't have one but my friend does and I've used it. It's actually pretty incredible for the price. I would add, though, that it's kind of annoying that it's specific to the GoPro Hero. It would be nice if it was a bit more futureproof and/or could be modified to work with a phone.
Here's a handheld gimbal: http://www.amazon.com/Feiyu-Ultra-3-Axis-Handheld-Gimbal/dp/B00SUWMIQY
Video of it in action: https://www.youtube.com/watch?v=qOuMNiSc8Qw
I'm thinking I need one of these now...
I use a knockoff glidecam. It greatly improves your footage. I use this one in particular: https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sr_1_1?ie=UTF8&qid=1469570333&sr=8-1&keywords=neewer+stabilizer
Neewer makes a carbon fiber one for around $70, or if you are patient you may be able to find a used one on eBay for cheaper. No way you'll find an electronic one in that price range.
https://www.amazon.com/dp/B00WUCRVD0/ref=cm_sw_r_cp_apa_i_SM6GDb33G5G31
I use one of those cheap Newer stabilizers from AMZN. It gets the job done but its definitely lacking in the build quality dept.
https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sr_1_1?ie=UTF8&qid=1503503900&sr=8-1&keywords=neewer+stabilizer
Split the clips up into smaller clips.
Here's a few tools that I use to eliminate the need for Warp:
Otherwise you will see very little to no difference between the i5 and i7 during Warp's Analyze. When do you start seeing a difference? Most likely when there is 24 cores and 128GB's of RAM. And you may gain... what... a few minutes or so? It's the nature of Warp's analyze. Adobe is aware of it and has yet to address it.
this is the one I am using: https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00WUCRVD0/ref=sr_1_1?ie=UTF8&qid=1526187996&sr=8-1&keywords=neewer+steadycam
https://smile.amazon.com/gp/product/B00WUCRVD0/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1
I filmed with a DJI Osmo.
This is your best bet: https://www.amazon.com/dp/B016JTHIM8/ref=cm_sw_r_cp_awdb_t1_nvpBCbCFSS293
Yes, this model https://www.amazon.com/DJI-Handheld-Fully-Stabilized-Camera/dp/B016JTHIM8
Not really in the way you describe, not without custom building the hardware/software anyway. You could consider using a cellular phone connection though, perhaps by securing an actual android handset in place of the camera/gimbal on a phantom product (payload may be too much with both), then controlling the phone with another Android phone. Since you would be sacrificing the camera/gimbal you can easily install a lightweight 3rd party FPV camera/transmitter for accurate 5.8ghz remote viewing, like I did on my Phantom 2.
Edit: "easily" is a relative term in regards to FPV install, the gear is cheap and not too complicated with some googling. Also, if you attempt this, turn of the wifi on both phones during flight, and if the cellular data connection with the remote phone interferes with the Phantom's controls you will be SOL... SO TEST, TEST, TEST before risking your hardware!
Edit 2: 2 android phones +
http://store.dji.com/product/phantom-2?set_country=us&gclid=CjwKEAiA8JbEBRCz2szzhqrx7H8SJAC6FjXXXU6LsxSeAjUrCkfZrJrs9sOi8D6MmTTA6asJW5s0KRoCIkzw_wcB
https://www.amazon.com/Eachine-700TVL-Degree-Camera-Transmission/dp/B014KG3JG6/ref=sr_1_1?ie=UTF8&qid=1485206390&sr=8-1-spons&keywords=fpv%2Bcamera&th=1
https://www.amazon.com/EACHINE-LCD5802D-Monitor-Receiver-Battery/dp/B01ANOOJ3Q/ref=sr_1_19?ie=UTF8&qid=1485206434&sr=8-19-spons&keywords=5.8ghz+receiver&psc=1
https://www.amazon.com/TARION-Monitor-Bracket-Support-Transmitter/dp/B00MFDV6K8/ref=sr_1_2?ie=UTF8&qid=1485206485&sr=8-2&keywords=phantom+2+lcd+mount
i use the eachine 7 inch screen ,its like 90 bucks
https://www.amazon.com/EACHINE-LCD5802D-Monitor-800x480-Receiver/dp/B01ANOOJ3Q
i got it cheaper than 139 but its a good screen.
That would work, but it's not wifi by the look of it. Those usually require a small 5.8G screen or 5.8G goggles.
The only thing is with an action cam is the range isn't very large.
https://www.amazon.com/gp/aw/d/B01ANOOJ3Q?psc=1
Zhiyun Crane ???
Then mounting it in various places would require creativity, inventiveness and epoxy?
Wait for someone to confirm me because I am a noob.
Try the Zhiyun Tech Crane
https://www.amazon.com/Zhiyun-Handheld-Mirrorless-Construction-Brushless/dp/B01F53XB8Y/ref=sr_1_2?ie=UTF8&qid=1478218755&sr=8-2&keywords=zhiyun
I had it for months its really good. You can check some sample footage on youtube
I've repeatedly heard great things about the Zhiyun Crane Gimbal. Google some reviews, it may be what you're looking for.
Yeah! That was us lol. I love that little gimbal. Its this guy https://www.amazon.com/DJI-Phone-Camera-Gimbal-MOBILE/dp/B01KUX9VT2
Cheers!
Not sure if this is compatible with your phone, but check this thing out.
$60 is hard to beat, however, there are some non-branded rip offs for around $40 if you're so inclined https://www.amazon.com/dp/B0723D3FVL/?coliid=I122S6YS1TP4PZ&colid=19OHJ5DQMD0LD
Spend money on an expansive camera is a big mistake when you just start.
If you have the last iPhone or Samsung it will be enough. Even Huawei make greats videos!
You have to buy a stabilizer and a tripod for your smartphone.
For the sound, you can buy a microphone for smartphone on Amazon.
I recommend this one:
- Movo VXR10 Universal Microphone Video with Shock Mount - 39.95$
https://www.amazon.com/Movo-VXR10-Microphone-Windscreen-Smartphones/dp/B0723D3FVL/
Great sound if you're close enough to the camera. I have it since 1 year now
​
Good luck
Hi All,
​
Have a 4 Session and a Hero 4 Silver and was wondering if anyone has tried connecting one of these: https://www.amazon.co.uk/Movo-VXR10-Microphone-Windscreen-Smartphones/dp/B0723D3FVL/ref=sr_1_3?keywords=Movo&qid=1563561886&s=gateway&sr=8-3
​
Appreciate that a headphone convertor to micro USB will be required, but just want to check that they might work.
A lot of people are recommending getting lights, and that's a great option. I always like to share the DSLR Video Shooter $150 light kit video. He also made a video about the Movo VXR10 microphone which is a nice little mic similar to the Rode Videomicro. If you bought those two things at full price that would leave you about $400 for a camera. The Canon T6 with two lenses is on sale right now for that much, or just $340 for the kit lens version.
I would also recommend This budget kit video from Nate's Film Tutorials. It's for a $1000 budget, but it offers some good suggestions for budget kit stuff. He mentions using clamp lights and LED bulbs, which is a good suggestion for getting more light in your environment for cheap. It also mentions the Panasonic G7, which is on sale for about $500 right now, and is a great camera.
With some combination of these tips and recommendations, you could probably set up a pretty nice starter kit for yourself with your budget. Even with these suggestions, though, I would still recommend saving up a bit, and maybe buying pieces of a kit as you have enough money to buy them. You don't need every single item here to start making stuff, so a few things (maybe camera, microphone) to start would be fine, and get more items later.
Ok. My tips not gonna work as you are far away from the camera. I assumed the gender because of clothing. If you were closer I would suggest you this, and it's what I do. Connect the earphone to the camera, take the earphone under the shirt (this is where clothing matters), make sure you have the Mic like thing in near your coller and put the rest behind your back. Sounds very complicated I know!
Here's some other suggestions.
These are great, cheap and can record great audio.
Hope it helps. At the end, it's your choice. See how noisy your kitchen is, how7ch money you can spend and other stuffs. My personal suggestion would be to use an external mic that works with the phone (if not too much noisy). Check the link given above. And yes, always buy Rode Videomics because they are the best.
PS: Congrats that you've a kid. You're lucky!
Im an outlier in that i recommend the movo https://www.amazon.com/gp/aw/d/B0723D3FVL/ref=mp_s_a_1_5?ie=UTF8&qid=1526999117&sr=8-5&pi=AC_SX236_SY340_QL65&keywords=movo+microphone+windscreen&dpPl=1&dpID=51uEkpAjj8L&ref=plSrch
aitesco USB Microphone Lavalier Clip-on Omnidirectional Condenser Microphone for Computer Laptop PC Macbook, Perfect for Interviews, Skype, Audio Video Youtube Recording, MSN, Skypee, Podcast https://www.amazon.com/dp/B072Q2GH99/ref=cm_sw_r_cp_api_CgPIAbS4WCPB1
So unfortunately, the mic did not work for me.
Just a quick heads up, I did not buy the MIC that you directly linked as I was too excited to wait 3 weeks for it to arrive from China.
Instead, I ended up buying THIS one instead. It looked like the exact same one you linked on eBay.
One interesting point though: when I hooked the MIC up to my hub, USB Devices under PowerEventManager definitely recognized it. Here is a link to that image.
Does USB Devices list your MIC as "AK5371"?
Bro , I got you. 9.00ish USD on prime.
But hear me out https://www.amazon.com/gp/aw/d/B072Q2GH99/ref=oh_aui_i_sh_in_o1_img?ie=UTF8&psc=1
I bought this mic as I needed something small, that wasn't a aux mic to reduce/remove audio static problem I had when aux-ed. Prior to this I was using a blue yeti (like everyone else). They're pretty dang sturdy! I was kind pissed I had spent a 100.00 on my yeti about a month earlier. This little mic really go neck to neck with the yeti!
Really rediculous considering it's size and esspecially cost (even when I bought mine at 15.00/each). Ive been so so very pleased with this mic :) only cons I have with these are that the usb sticks really far out so it'd be easy to break, and the cable could definitely stand to be longer. I use a extension no problem though :)
We even have 2 set up on a hub on a single extention. They work together great :)!
http://www.amazon.com/Ravelli-AVT-Professional-67-inch-Camera/dp/B00139XOCI/ref=sr_1_1?ie=UTF8&qid=1412049345&sr=8-1&keywords=fluid+head+tripod
http://www.amazon.com/Ravelli-AVT-Professional-67-inch-Camera/dp/B00139XOCI/ref=sr_1_1?ie=UTF8&qid=1412049345&sr=8-1&keywords=fluid+head+tripod
http://www.amazon.com/StudioFX-Camera-Slider-Dolly-Stabilizer/dp/B00BOGNUQK/ref=sr_1_2?ie=UTF8&qid=1412049395&sr=8-2&keywords=slider
http://www.amazon.com/Kraft-948248-KRAFTtech-Adjustable-60-in/dp/B000Y9CNQG/ref=sr_1_3?s=photo&ie=UTF8&qid=1412049427&sr=1-3&keywords=tripod
http://www.amazon.com/Kraft-948248-KRAFTtech-Adjustable-60-in/dp/B000Y9CNQG/ref=sr_1_3?s=photo&ie=UTF8&qid=1412049427&sr=1-3&keywords=tripod
http://www.amazon.com/Fancierstudio-RIG-Follow-Focus-Counterweight/dp/B005UF3G2Y/ref=sr_1_1?s=electronics&ie=UTF8&qid=1412049533&sr=1-1&keywords=shoulder+rig
Heres your full set up, pick your poison mate
He could have had this (doubtful, for jogging)... https://www.amazon.com/Feiyu-Ultra-3-Axis-Handheld-Gimbal/dp/B00SUWMIQY
So these were my first shots. I am still not sure if I've made the right decision regarding the lens. It's amazing, it's very sharp, but how the hell will I follow moving objects with manual focus? I will probably have to buy another lens with follow autofocus feature. This is next on my list: Zhiyun Crane. It will be hard to manual focus while using a gimbal, what do you think?